Songs like Suite for Harpsichord in A minor: La Piémontoise by Gustav Leonhardt
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Caldara
Sinfonia Nо. 3 in fa minore (La morte d...
85 bpm • G# Maj • 01:21 • -18.3db
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Musikalisches Opfer, BWV 1079 - Chapter ...
85 bpm • B min • 06:03 • -14.07db
7% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Gustav Leonhardt
Suite for Harpsichord in A minor: La Pi�...
85 bpm • G# min • 01:41 • -16.46db
4% Popularity • 39% Danceability • 23% Energy • 5% Liveness
88% Instrumentalness • 58% Positiveness
4% Popularity • 39% Danceability • 23% Energy • 5% Liveness
88% Instrumentalness • 58% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48: Kyrie - II
86 bpm • C# min • 01:46 • -18db
13% Popularity • 17% Danceability • 21% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
13% Popularity • 17% Danceability • 21% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
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Nikolaus Matthes
Markuspassion: No. 21, Arie. Falsche Wel...
86 bpm • B min • 05:24 • -14.17db
5% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Sonata in B minor: I. Siciliana - Instru...
86 bpm • A# min • 01:56 • -25.76db
0% Popularity • 24% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
0% Popularity • 24% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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William Croft
The Lord is a sun and a shield: No. 3, C...
84 bpm • C# Maj • 01:20 • -16.46db
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
85 bpm • C# min • 02:13 • -24.5db
11% Popularity • 26% Danceability • 2% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 2% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
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Bruce Haynes
Concerto Brandebourgeois No. 11 en ré m...
84 bpm • C# min • 06:25 • -20.21db
7% Popularity • 30% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 30% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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George Frideric Handel
Organ Concerto No. 14 in A Major, HWV 29...
84 bpm • B min • 00:59 • -40.14db
1% Popularity • 16% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
1% Popularity • 16% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: VI. Gigue en ro...
84 bpm • F min • 02:07 • -15.34db
7% Popularity • 35% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 35% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Georg Philipp Telemann
Kommt her zu mir alle, TVWV 1:1008: XIV....
86 bpm • G# min • 02:21 • -19.83db
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
86 bpm • C min • 03:47 • -24.43db
14% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Peasant Cantata, BWV 212: Aria: Ach Herr...
85 bpm • C# Maj • 01:14 • -23db
10% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Qui sedes
87 bpm • G# Maj • 00:55 • -20.36db
17% Popularity • 21% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 18% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Recorder Sonata in F Major, Op. ...
83 bpm • D min • 01:19 • -16.72db
2% Popularity • 27% Danceability • 12% Energy • 7% Liveness
71% Instrumentalness • 72% Positiveness
2% Popularity • 27% Danceability • 12% Energy • 7% Liveness
71% Instrumentalness • 72% Positiveness
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Jean-Philippe Rameau
Suite Les Paladins, RCT 51: 2. Menuet le...
87 bpm • E Maj • 01:41 • -20.03db
0% Popularity • 22% Danceability • 12% Energy • 15% Liveness
71% Instrumentalness • 9% Positiveness
0% Popularity • 22% Danceability • 12% Energy • 15% Liveness
71% Instrumentalness • 9% Positiveness
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William Croft
The Lord is a sun and a shield: No. 2, V...
87 bpm • C# min • 02:11 • -23.44db
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
87 bpm • C Maj • 02:41 • -21db
20% Popularity • 27% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
20% Popularity • 27% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
85 bpm • B min • 02:21 • -28.13db
9% Popularity • 20% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Michel Blavet
6 Sonates meleese de pieces, Op. 2: III....
83 bpm • E min • 01:37 • -12.89db
18% Popularity • 45% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 84% Positiveness
18% Popularity • 45% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 84% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite in G Major, TW...
82 bpm • G Maj • 01:33 • -14.48db
2% Popularity • 25% Danceability • 12% Energy • 73% Liveness
63% Instrumentalness • 28% Positiveness
2% Popularity • 25% Danceability • 12% Energy • 73% Liveness
63% Instrumentalness • 28% Positiveness
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![Tobit, Pt. II Scene 1: Air. In great Jehovah (Tobit) [arr. J.C. Smith for voice, choir and orchestra] cover art](https://i.scdn.co/image/ab67616d00001e0288285f99f633656fd8bb0a4b)
George Frideric Handel
Tobit, Pt. II Scene 1: Air. In great Jeh...
88 bpm • F# Maj • 01:25 • -26.63db
11% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Johann Friedrich Fasch
Concerto for Flute and Oboe in B Minor, ...
82 bpm • A# min • 01:30 • -27db
18% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Mrs Philarmonica
Sonata terza in G minor, Parte Prima: I....
88 bpm • B min • 01:52 • -22.31db
8% Popularity • 11% Danceability • 4% Energy • 12% Liveness
60% Instrumentalness • 7% Positiveness
8% Popularity • 11% Danceability • 4% Energy • 12% Liveness
60% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Bach, JS: Bleib bei uns, denn es will Ab...
86 bpm • B min • 05:42 • -14.87db
1% Popularity • 18% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
1% Popularity • 18% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
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Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: VII. Weich...
82 bpm • E min • 01:19 • -20db
21% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
82 bpm • F# min • 01:51 • -23.25db
10% Popularity • 35% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 31% Positiveness
10% Popularity • 35% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 31% Positiveness
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George Frideric Handel
The "Brockes" Passion: 1. "Mich vom Stri...
82 bpm • F# min • 05:41 • -14.13db
7% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Slater
8 Pieces for Flute and Organ: No. 4. Flu...
81 bpm • F Maj • 02:04 • -21.05db
10% Popularity • 26% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
10% Popularity • 26% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Georg Philipp Telemann
Telemann: Concerto for Recorder and Flut...
89 bpm • E Maj • 03:16 • -20.34db
2% Popularity • 22% Danceability • 17% Energy • 29% Liveness
67% Instrumentalness • 27% Positiveness
2% Popularity • 22% Danceability • 17% Energy • 29% Liveness
67% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Bach, JS: Liebster Gott, wann werd ich s...
86 bpm • F# min • 01:10 • -20.89db
2% Popularity • 23% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Trio Sonata in D Major, BuxWV 260: IV. A...
89 bpm • A# min • 07:24 • -14.05db
10% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
81 bpm • G# min • 01:34 • -22.71db
10% Popularity • 23% Danceability • 9% Energy • 15% Liveness
17% Instrumentalness • 15% Positiveness
10% Popularity • 23% Danceability • 9% Energy • 15% Liveness
17% Instrumentalness • 15% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
89 bpm • G min • 03:25 • -22.11db
11% Popularity • 22% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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François Couperin
Concert Royal No. 1 in G (Version for 2 ...
90 bpm • C# Maj • 00:59 • -21.83db
7% Popularity • 29% Danceability • 42% Energy • 44% Liveness
56% Instrumentalness • 80% Positiveness
7% Popularity • 29% Danceability • 42% Energy • 44% Liveness
56% Instrumentalness • 80% Positiveness
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Johann Pachelbel
Chorale Partita 'Ach, was soll ich Sünd...
80 bpm • E min • 01:00 • -32.37db
9% Popularity • 16% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: A...
84 bpm • C# min • 06:04 • -28.95db
8% Popularity • 29% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 29% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Symphony I in D Major, WQ 183/1: II. Lar...
80 bpm • D Maj • 01:53 • -24.25db
9% Popularity • 21% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 6% Positiveness
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Georg Philipp Telemann
Ein Aussatz ist die Sünde, TVWV 1:417: ...
80 bpm • D# min • 02:08 • -17.99db
8% Popularity • 46% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: IV. Rondeau
80 bpm • F# min • 01:38 • -17.95db
17% Popularity • 35% Danceability • 17% Energy • 30% Liveness
98% Instrumentalness • 63% Positiveness
17% Popularity • 35% Danceability • 17% Energy • 30% Liveness
98% Instrumentalness • 63% Positiveness
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Pieter Jan Leusink
I. Herz Und Mund Und Tat Und Leben BWV 1...
90 bpm • B Maj • 04:28 • -16db
23% Popularity • 40% Danceability • 31% Energy • 16% Liveness
34% Instrumentalness • 71% Positiveness
23% Popularity • 40% Danceability • 31% Energy • 16% Liveness
34% Instrumentalness • 71% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: III. ...
80 bpm • B Maj • 02:18 • -17.04db
8% Popularity • 36% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 36% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Wir danken dir, Gott, wir danken dir, BW...
84 bpm • G# Maj • 05:40 • -20db
8% Popularity • 38% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 52% Positiveness
8% Popularity • 38% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 52% Positiveness
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Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
13% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
13% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni IV, P260
79 bpm • D min • 01:52 • -34.84db
11% Popularity • 11% Danceability • 0% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
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Robert Schumann
Sechs Stüche In Kanonischer Form, Op. 5...
91 bpm • B min • 02:37 • -35.23db
11% Popularity • 30% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 30% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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George Frideric Handel
Coronation Anthems, Let thy hand be stre...
79 bpm • D# min • 03:23 • -23.94db
10% Popularity • 14% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Cello Concerto No. 1 in A Min...
79 bpm • G# min • 06:36 • -20.35db
3% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
3% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Wir müssen durch viel Trübsal BWV 146
84 bpm • E Maj • 00:57 • -26.79db
21% Popularity • 23% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
91 bpm • F# min • 01:52 • -20.47db
17% Popularity • 26% Danceability • 22% Energy • 16% Liveness
17% Instrumentalness • 48% Positiveness
17% Popularity • 26% Danceability • 22% Energy • 16% Liveness
17% Instrumentalness • 48% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TVWV 1:329: V. ...
79 bpm • C# Maj • 02:50 • -20db
8% Popularity • 37% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
8% Popularity • 37% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in E Major...
92 bpm • A# Maj • 04:07 • -17.93db
2% Popularity • 48% Danceability • 37% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
2% Popularity • 48% Danceability • 37% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
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William Croft
The Lord is a sun and a shield: No. 4, V...
79 bpm • A# min • 01:35 • -23db
16% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Israel, hoffe a...
79 bpm • C min • 01:00 • -15.35db
15% Popularity • 36% Danceability • 20% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Ach Gott, wie manches Herzeleid (Chorus)
87 bpm • G# Maj • 05:48 • -22.52db
14% Popularity • 14% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Corelli: Recorder Sonata in G Minor, Op....
92 bpm • F# min • 01:15 • -19.19db
5% Popularity • 27% Danceability • 6% Energy • 16% Liveness
9% Instrumentalness • 22% Positiveness
5% Popularity • 27% Danceability • 6% Energy • 16% Liveness
9% Instrumentalness • 22% Positiveness
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William Lawes
Lawes: Consort Set No. 10 a 6 in C Minor...
79 bpm • B min • 05:03 • -18.66db
3% Popularity • 9% Danceability • 10% Energy • 43% Liveness
89% Instrumentalness • 14% Positiveness
3% Popularity • 9% Danceability • 10% Energy • 43% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 05:19 • -18.69db
8% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Holland Boys Choir, Netherlands Bach Collegium
I. Christ Lag In Todes Banden BWV 4, 4. ...
92 bpm • D# min • 02:02 • -25.82db
21% Popularity • 53% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 53% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Leopold Mozart
Der Mensch, ein Gottesmörder: Wir sind ...
92 bpm • A# Maj • 01:47 • -20.46db
8% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Johann Sebastian Bach
Ein feste Burg ist unser Gott, BWV 80: V...
83 bpm • F# Maj • 04:07 • -26db
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 28% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 28% Positiveness
► Preview
Dietrich Buxtehude
Trio Sonata in B-Flat Major, BuxWV 255: ...
92 bpm • A Maj • 05:02 • -16.27db
7% Popularity • 38% Danceability • 27% Energy • 16% Liveness
6% Instrumentalness • 42% Positiveness
7% Popularity • 38% Danceability • 27% Energy • 16% Liveness
6% Instrumentalness • 42% Positiveness
► Preview
Gottlieb Muffat
Componimenti musicali per il cembalo, Su...
92 bpm • F# min • 03:24 • -23.21db
15% Popularity • 27% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
15% Popularity • 27% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Georg Philipp Telemann
Telemann: Ouverture-Suite in G Major, TW...
92 bpm • E min • 01:58 • -15.5db
2% Popularity • 26% Danceability • 13% Energy • 34% Liveness
63% Instrumentalness • 14% Positiveness
2% Popularity • 26% Danceability • 13% Energy • 34% Liveness
63% Instrumentalness • 14% Positiveness
► Preview
Jordi Savall
Concerto No. 5 In D Major BWV1050 - Alle...
92 bpm • C# Maj • 10:02 • -20db
10% Popularity • 30% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
10% Popularity • 30% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 3 in F Major: II. Adag...
92 bpm • C min • 01:02 • -19.85db
7% Popularity • 30% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 30% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Johann Sebastian Bach
Ich armer Mensch, ich Sündenknecht BWV ...
83 bpm • B min • 05:44 • -24.8db
8% Popularity • 16% Danceability • 5% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
► Preview
Francesco Maria Veracini
Ouverture No. 6 in G Minor: II. Largo
78 bpm • A Maj • 02:17 • -15.64db
18% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
18% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
► Preview
Johann Friedrich Fasch
Concerto for Flute and Oboe in B Minor, ...
93 bpm • A# min • 02:31 • -22db
17% Popularity • 48% Danceability • 17% Energy • 22% Liveness
53% Instrumentalness • 62% Positiveness
17% Popularity • 48% Danceability • 17% Energy • 22% Liveness
53% Instrumentalness • 62% Positiveness
► Preview
Georg Philipp Telemann
Telemann: Ouverture-Suite in G Major, TW...
78 bpm • G Maj • 02:00 • -19.51db
2% Popularity • 11% Danceability • 10% Energy • 39% Liveness
94% Instrumentalness • 21% Positiveness
2% Popularity • 11% Danceability • 10% Energy • 39% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Wolfgang Amadeus Mozart
Handel - Messiah, K. 572 (Sung in German...
93 bpm • G min • 02:36 • -14.96db
13% Popularity • 52% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
13% Popularity • 52% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
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George Frideric Handel
Quatuor In G major, "My Song Shall Be Al...
78 bpm • D# min • 01:05 • -18.86db
11% Popularity • 17% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Erfreut euch, ihr Herzen, BWV 66: IV. Re...
83 bpm • C# Maj • 04:25 • -22.93db
5% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: V. Le Rappel de...
78 bpm • F# Maj • 03:20 • -19.49db
8% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni XIII, P269
78 bpm • D min • 01:48 • -29.18db
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Susan Campos-Fonseca
Evaporaciones For Quijongo & Harpsichord...
93 bpm • C# Maj • 01:35 • -20.4db
12% Popularity • 41% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 41% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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İzmir Barok
Sonata da Camera Op.2 No.7 in F Major: 1...
78 bpm • E Maj • 01:19 • -14.52db
9% Popularity • 18% Danceability • 16% Energy • 37% Liveness
40% Instrumentalness • 45% Positiveness
9% Popularity • 18% Danceability • 16% Energy • 37% Liveness
40% Instrumentalness • 45% Positiveness
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Jan Dismas Zelenka
6 Sonatas, ZWV 81, No. 6 in C Minor: I. ...
78 bpm • D# Maj • 03:10 • -18.88db
8% Popularity • 24% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Bach, JS: Christ lag in Todes Banden, BW...
83 bpm • D# min • 02:07 • -17.7db
3% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
93 bpm • D# min • 01:38 • -16.88db
10% Popularity • 37% Danceability • 30% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
10% Popularity • 37% Danceability • 30% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Michel Blavet
6 Sonates meleese de pieces, Op. 2: IV. ...
93 bpm • G min • 01:47 • -14db
15% Popularity • 34% Danceability • 19% Energy • 15% Liveness
67% Instrumentalness • 46% Positiveness
15% Popularity • 34% Danceability • 19% Energy • 15% Liveness
67% Instrumentalness • 46% Positiveness
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Georg Philipp Telemann
No. 3: Sonata Prima: I. Soave
77 bpm • D Maj • 03:26 • -26.22db
3% Popularity • 34% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 34% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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François Couperin
Couperin: L'art de toucher le clavecin: ...
94 bpm • F Maj • 01:29 • -21.73db
9% Popularity • 33% Danceability • 16% Energy • 6% Liveness
81% Instrumentalness • 38% Positiveness
9% Popularity • 33% Danceability • 16% Energy • 6% Liveness
81% Instrumentalness • 38% Positiveness
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Giacomo Puccini
3 Fugues: No. 3 in G Major
94 bpm • G Maj • 02:30 • -18.86db
7% Popularity • 47% Danceability • 20% Energy • 16% Liveness
2% Instrumentalness • 89% Positiveness
7% Popularity • 47% Danceability • 20% Energy • 16% Liveness
2% Instrumentalness • 89% Positiveness
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Johann Sebastian Bach
Gott ist mein Konig, BWV 71: Das neue Re...
83 bpm • C# Maj • 03:48 • -19.96db
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jean-Philippe Rameau
Suite in A Minor, RCT 1: VI. Sarabande
93 bpm • D# min • 01:43 • -20.3db
9% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Dietrich Buxtehude
Aria in D Minor "Rofilis", BuxWV 248
94 bpm • C# min • 02:54 • -22.81db
10% Popularity • 21% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 21% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
94 bpm • A Maj • 02:14 • -19.18db
9% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
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Leonardo Leo
Concerto No. 2 in D Major for Cello, Str...
77 bpm • G# Maj • 02:20 • -18.14db
11% Popularity • 42% Danceability • 24% Energy • 7% Liveness
84% Instrumentalness • 69% Positiveness
11% Popularity • 42% Danceability • 24% Energy • 7% Liveness
84% Instrumentalness • 69% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
94 bpm • D# min • 01:27 • -17.95db
20% Popularity • 31% Danceability • 59% Energy • 12% Liveness
68% Instrumentalness • 97% Positiveness
20% Popularity • 31% Danceability • 59% Energy • 12% Liveness
68% Instrumentalness • 97% Positiveness
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Johann Sebastian Bach
Messe in B Minor, BWV 232: No. 3, Kyrie ...
87 bpm • F min • 02:57 • -22.52db
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Jean-Philippe Rameau
Suite Les Paladins, RCT 51: 9. Menuet en...
95 bpm • F# Maj • 05:40 • -20db
0% Popularity • 28% Danceability • 5% Energy • 45% Liveness
24% Instrumentalness • 18% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 45% Liveness
24% Instrumentalness • 18% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards in C Major, BWV...
95 bpm • A min • 07:15 • -21db
23% Popularity • 41% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
23% Popularity • 41% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Christ Lag In Todes Banden BWV 4, 2. ...
95 bpm • D# min • 03:49 • -18.23db
17% Popularity • 34% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
17% Popularity • 34% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Franz Joseph Haydn
Introduzione
95 bpm • D min • 04:58 • -16.04db
7% Popularity • 21% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Quadri (Hamburg 1730) No. 1: Concerto Pr...
95 bpm • F Maj • 03:43 • -22.62db
4% Popularity • 50% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
4% Popularity • 50% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Bach, JS: Christ lag in Todes Banden, BW...
83 bpm • D# min • 04:18 • -14.84db
3% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
3% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
