Songs like Suite in D Major: IV. Bourrée. Allegro by Domenico Scarlatti
Based on a tempo of (+/- 10%) and a similar genre
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Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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Henry Purcell
Ground in C Minor, ZD 221
107 bpm • C min • 03:16 • -23.37db
18% Popularity • 39% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
18% Popularity • 39% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 In F Minor, Op. 21:...
107 bpm • A# min • 09:06 • -17.67db
35% Popularity • 36% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
35% Popularity • 36% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
41% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
41% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: I...
106 bpm • A min • 01:12 • -23.63db
20% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
20% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
108 bpm • C Maj • 03:29 • -17db
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
38% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Sonata in D Minor, Kk. 89: II. Grave (Tr...
106 bpm • D min • 01:08 • -38.73db
26% Popularity • 46% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 15% Positiveness
26% Popularity • 46% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 15% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
39% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
39% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Sonata in B Minor, Wq. 55/3, H....
106 bpm • E min • 03:00 • -28.23db
38% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
108 bpm • G min • 04:03 • -16.62db
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
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Domenico Scarlatti
Sonata in G Major, Kk. 13: Presto
106 bpm • D Maj • 04:24 • -27.31db
24% Popularity • 59% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 90% Positiveness
24% Popularity • 59% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 90% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
105 bpm • C# Maj • 04:00 • -21db
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Frédéric Chopin
Nocturne No. 6 In G Minor, Op. 15 No. 3
105 bpm • D min • 04:11 • -28.84db
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Nepomuk Hummel
Adagio, Variations and Rondo on Schone M...
110 bpm • A Maj • 01:41 • -19db
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K.32: Aria
110 bpm • D min • 01:57 • -31.37db
34% Popularity • 55% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 42% Positiveness
34% Popularity • 55% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 42% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
38% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
38% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Giovanni Benedetto Platti
Oboe Concerto in G Minor: Allegro
104 bpm • G min • 04:01 • -19db
30% Popularity • 45% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
30% Popularity • 45% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
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Clara Schumann
Etude in A-Flat Major
104 bpm • G# Maj • 01:51 • -31db
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Johannes Brahms
Six Piano Pieces, Op. 118: Intermezzo in...
111 bpm • A Maj • 05:10 • -30.83db
24% Popularity • 36% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
24% Popularity • 36% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
35% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
32% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: II. Largo
112 bpm • F# min • 02:11 • -33.07db
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
43% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
43% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Johann Sebastian Sebastian
Concerto for 2 Harpsichords in C Minor, ...
113 bpm • B min • 03:23 • -14.66db
15% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Domenico Scarlatti
Sonata in G Major, K 13 (L 486)
101 bpm • G Maj • 02:17 • -19.76db
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
55% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
55% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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Domenico Scarlatti
Keyboard Sonata in G Minor, Kk. 8 (L. 48...
101 bpm • G min • 05:55 • -31.58db
23% Popularity • 43% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 49% Positiveness
23% Popularity • 43% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 49% Positiveness
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Adolf von Henselt
12 Études caractéristiques, Op. 2: No....
100 bpm • F# Maj • 02:04 • -24.15db
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
46% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
46% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
52% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
52% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Keyboard Sonata in G Minor, Kk. 12
114 bpm • G min • 03:34 • -21.33db
7% Popularity • 53% Danceability • 15% Energy • 15% Liveness
92% Instrumentalness • 78% Positiveness
7% Popularity • 53% Danceability • 15% Energy • 15% Liveness
92% Instrumentalness • 78% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in G Major, Kk. 391
101 bpm • D Maj • 03:04 • -24.46db
5% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
5% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Antonio Vivaldi
Concerto For 4 Violins In D Major, Op. 3...
117 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
► Preview
Georg Philipp Telemann
Overture (Suite) in B-Flat Major, TWV 55...
98 bpm • A Maj • 02:32 • -23db
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
► Preview
Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
► Preview
Domenico Scarlatti
Sonata in G Minor, K. 450: Allegrissimo
100 bpm • G min • 03:32 • -24.38db
22% Popularity • 53% Danceability • 18% Energy • 19% Liveness
86% Instrumentalness • 53% Positiveness
22% Popularity • 53% Danceability • 18% Energy • 19% Liveness
86% Instrumentalness • 53% Positiveness
► Preview
Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
► Preview
Robert Schumann
Schumann: Waldszenen, Op. 82: No. 3, Ein...
97 bpm • A# Maj • 01:54 • -34db
22% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
22% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in D Major...
100 bpm • D Maj • 04:52 • -24.42db
14% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
14% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
97 bpm • G min • 01:06 • -22.27db
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: I. Allegro mo...
96 bpm • C min • 03:27 • -14.45db
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
49% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
49% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Domenico Scarlatti
Sonata in D Minor, Kk. 89: III. Allegro ...
117 bpm • A Maj • 01:45 • -20db
19% Popularity • 65% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
19% Popularity • 65% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Joseph Haydn
Cello Concerto in C, H.VIIb, No.1: 2. Ad...
96 bpm • F Maj • 09:14 • -23.97db
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Johannes Brahms
Rhapsody in G Minor, Op. 79 No. 2
119 bpm • G min • 05:42 • -23db
24% Popularity • 35% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 35% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, Kk. 503
117 bpm • A# Maj • 02:43 • -22.31db
8% Popularity • 47% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
8% Popularity • 47% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 In F Minor, Op. 2, No...
120 bpm • G# Maj • 03:46 • -23db
39% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
39% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
34% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Maurice Ravel
Gaspard de la nuit, M. 55: III. Scarbo
95 bpm • G# Maj • 09:27 • -24.62db
17% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
121 bpm • C min • 04:10 • -32.4db
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Suite en ré: Les niais de Sologne
121 bpm • D Maj • 01:44 • -29db
34% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
34% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
