Songs like Suite in G Minor, BWV 822: Overture in G Minor, BWV 822: VII. Menuet III (arr. for piano) by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Anonymous
Suite in G Minor, BWV 822: Overture in G...
137 bpm • G Maj • 01:50 • -22.57db
20% Popularity • 42% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 60% Positiveness
20% Popularity • 42% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 60% Positiveness
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Glenn Gould
Three-Part Inventions (Sinfonias), BWV 7...
137 bpm • B min • 01:20 • -16.63db
17% Popularity • 39% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
17% Popularity • 39% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
137 bpm • C# min • 02:07 • -19.98db
22% Popularity • 35% Danceability • 34% Energy • 8% Liveness
80% Instrumentalness • 80% Positiveness
22% Popularity • 35% Danceability • 34% Energy • 8% Liveness
80% Instrumentalness • 80% Positiveness
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Inge Rosar
Fuge a-Moll BWV 904
138 bpm • A min • 04:54 • -24.5db
7% Popularity • 42% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
7% Popularity • 42% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
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Johann Sebastian Bach
Bach, JS: Goldberg Variations, BWV 988: ...
136 bpm • G Maj • 01:25 • -20.32db
14% Popularity • 37% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 86% Positiveness
14% Popularity • 37% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 86% Positiveness
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Johann Bach
Prelude And Fugue, BWV 862
136 bpm • G# Maj • 02:06 • -12.39db
8% Popularity • 34% Danceability • 46% Energy • 7% Liveness
97% Instrumentalness • 92% Positiveness
8% Popularity • 34% Danceability • 46% Energy • 7% Liveness
97% Instrumentalness • 92% Positiveness
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Janos Sebestyen
Fantasia And Fugue In A Minor, BWV 904 :...
138 bpm • C Maj • 03:23 • -24.02db
46% Popularity • 31% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
46% Popularity • 31% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
136 bpm • G min • 01:11 • -14.98db
38% Popularity • 59% Danceability • 41% Energy • 8% Liveness
91% Instrumentalness • 98% Positiveness
38% Popularity • 59% Danceability • 41% Energy • 8% Liveness
91% Instrumentalness • 98% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 270
139 bpm • C Maj • 03:40 • -24.49db
8% Popularity • 42% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Joseph Haydn
String Quartet in D Major, Op. 1 No. 3, ...
135 bpm • D min • 03:04 • -23.26db
7% Popularity • 27% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 35% Positiveness
7% Popularity • 27% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
2-Part Invention No. 14 in B-Flat Major,...
136 bpm • A# Maj • 01:14 • -26.77db
7% Popularity • 40% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
7% Popularity • 40% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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François Couperin
L'Âme-en peine: 13ème ordre, 3ème liv...
135 bpm • B min • 04:25 • -23.31db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In D Major, TWV 55:D15:...
135 bpm • D Maj • 01:59 • -17.23db
44% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
44% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Classical Coterie
The Well-Tempered Clavier, Book I, BWV 8...
135 bpm • C# Maj • 01:14 • -26.88db
17% Popularity • 37% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 76% Positiveness
17% Popularity • 37% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Fantasia No. 7 in E-Flat Major, TWV 40:2...
139 bpm • B min • 02:06 • -21.56db
7% Popularity • 33% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 33% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Concerto for Traverso, Violin and Harpsi...
136 bpm • G# min • 09:00 • -14.89db
15% Popularity • 28% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 28% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Fugue No...
135 bpm • C# min • 01:35 • -21.85db
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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John Shrapnel
Music: Prelude In E Flat Minor - The Wel...
139 bpm • G# min • 03:19 • -26.58db
31% Popularity • 42% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act V: Chaconne...
139 bpm • C Maj • 02:28 • -21.32db
8% Popularity • 38% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 46% Positiveness
8% Popularity • 38% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 46% Positiveness
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George Frideric Handel
Suite No. 4 in E Minor, HWV 429: IV. Sar...
135 bpm • E min • 06:10 • -31.5db
9% Popularity • 44% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
9% Popularity • 44% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C min • 03:45 • -18.73db
14% Popularity • 38% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 42% Positiveness
14% Popularity • 38% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 42% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Var. 9. Ca...
134 bpm • G Maj • 01:59 • -27.78db
7% Popularity • 44% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
7% Popularity • 44% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
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![(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] cover art](https://i.scdn.co/image/ab67616d00001e025657f4fc85bfe8b8e02c6d0e)
Chiahu Lee
(Ré)inventio: No. 13 in A Minor [After ...
140 bpm • E min • 01:35 • -18.19db
14% Popularity • 35% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
14% Popularity • 35% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
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Janos Sebestyen
Prelude In F Major, BWV 928 : Prelude In...
140 bpm • F Maj • 01:26 • -23.98db
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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François Couperin
Pièces de clavecin, Livre II, Ordre 8: ...
140 bpm • B min • 02:10 • -32.59db
7% Popularity • 41% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 53% Positiveness
7% Popularity • 41% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 53% Positiveness
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Diane Hidy & Keith Snell
Notebook for Anna Magdalena Bach: Minuet...
140 bpm • G Maj • 01:52 • -27.52db
7% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
7% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
140 bpm • B min • 02:19 • -24.28db
17% Popularity • 41% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
17% Popularity • 41% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Alexandre Pierre François Boëly
24 Pièces, Op. 20: No. 17, Andante
140 bpm • A Maj • 01:39 • -24.67db
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 4 in...
141 bpm • E min • 02:33 • -25.93db
26% Popularity • 29% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
26% Popularity • 29% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Anonymous
Viola da gamba Sonata in G Minor, BWV 10...
141 bpm • A# Maj • 05:43 • -25.3db
10% Popularity • 25% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Suite en la: Courante
141 bpm • A min • 04:21 • -24.66db
7% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
7% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Fanny Mendelssohn
Präludium, H-U 214
141 bpm • A min • 02:08 • -22.44db
10% Popularity • 27% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
10% Popularity • 27% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Piano Sonata in E Minor, MWV U 19: II. A...
133 bpm • G Maj • 02:17 • -30.74db
9% Popularity • 38% Danceability • 4% Energy • 23% Liveness
81% Instrumentalness • 27% Positiveness
9% Popularity • 38% Danceability • 4% Energy • 23% Liveness
81% Instrumentalness • 27% Positiveness
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Janos Sebestyen
Fantasia And Fugue In A Minor, BWV 904 :...
132 bpm • A min • 04:57 • -21.79db
41% Popularity • 34% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
41% Popularity • 34% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Christe eleiso...
132 bpm • C# Maj • 05:21 • -25.95db
3% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Piano Girl
Prelude Number 4
142 bpm • C# min • 01:41 • -17.2db
11% Popularity • 52% Danceability • 46% Energy • 20% Liveness
90% Instrumentalness • 90% Positiveness
11% Popularity • 52% Danceability • 46% Energy • 20% Liveness
90% Instrumentalness • 90% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 15 in F Major, K. 533/4...
142 bpm • F Maj • 06:04 • -24.38db
9% Popularity • 42% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
9% Popularity • 42% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 436: I. Allemande
142 bpm • D min • 03:09 • -28.22db
9% Popularity • 28% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
9% Popularity • 28% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
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Felix Mendelssohn
Piano Sonata in F Minor, MWV U 23: III. ...
133 bpm • F min • 03:43 • -26.72db
7% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 62% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 62% Positiveness
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Antonio Vivaldi
Chamber Concerto in F Major, RV 100: II....
142 bpm • F# Maj • 03:57 • -20.5db
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lecce
Raposas e Barracudas
132 bpm • A# Maj • 03:00 • -24.53db
17% Popularity • 23% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
17% Popularity • 23% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
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The Piano Girl
Fugue Number 14
143 bpm • C# min • 01:43 • -17.3db
11% Popularity • 50% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
11% Popularity • 50% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
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Wolfgang Amadeus Mozart
Violin Sonata No. 19 in E-Flat Major, K....
132 bpm • D# Maj • 06:08 • -24.44db
40% Popularity • 32% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
40% Popularity • 32% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
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François Couperin
Pièces de clavecin, Livre II, Ordre 6: ...
131 bpm • A# Maj • 01:50 • -26.22db
5% Popularity • 48% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 92% Positiveness
5% Popularity • 48% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 92% Positiveness
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Johann Sebastian Bach
Savior of the Nations, Come, BWV 659 (Ar...
131 bpm • G min • 04:39 • -23db
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Cello Sonata in E Minor, Op. 14 No. 5, R...
143 bpm • B min • 02:38 • -28.89db
8% Popularity • 22% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
131 bpm • D min • 05:04 • -24db
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Joseph-Marie-Clement Dall'Abaco
Caprice No. 6 in E Minor
131 bpm • F# Maj • 05:30 • -25.27db
8% Popularity • 28% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Johann Baptist Cramer
60 Études for Piano: No. 24 in G Major
131 bpm • G Maj • 01:08 • -16.89db
13% Popularity • 34% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
13% Popularity • 34% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Chiyan Wong
Goldberg Variations (‘Air with Thirty ...
130 bpm • E min • 00:46 • -25.03db
28% Popularity • 34% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 69% Positiveness
28% Popularity • 34% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Musical Offering, BWV 1079, Canones dive...
131 bpm • B min • 00:50 • -16db
11% Popularity • 46% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
11% Popularity • 46% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Glenn Gould
Three-Part Inventions (Sinfonias), BWV 7...
131 bpm • D min • 03:07 • -27.63db
8% Popularity • 52% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 37% Positiveness
8% Popularity • 52% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 37% Positiveness
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The Piano Girl
Prelude Number 18
144 bpm • G# min • 01:18 • -18.04db
11% Popularity • 53% Danceability • 37% Energy • 22% Liveness
91% Instrumentalness • 94% Positiveness
11% Popularity • 53% Danceability • 37% Energy • 22% Liveness
91% Instrumentalness • 94% Positiveness
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Giovanni Battista Cirri
Cello Sonata
144 bpm • C Maj • 01:09 • -21.52db
18% Popularity • 35% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
18% Popularity • 35% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Heinrich Ignaz Franz von Biber
The Rosary Sonatas: XVI. Passacaglia in ...
130 bpm • F# min • 09:19 • -15.4db
12% Popularity • 31% Danceability • 14% Energy • 10% Liveness
61% Instrumentalness • 28% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 10% Liveness
61% Instrumentalness • 28% Positiveness
► Preview
Rudolf Lutz
Präludium für Cembalo - Live
145 bpm • B Maj • 00:44 • -30.97db
14% Popularity • 27% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 54% Positiveness
14% Popularity • 27% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 54% Positiveness
► Preview
Ole Halvard Hansen
On the Bridge
130 bpm • C Maj • 04:13 • -19db
10% Popularity • 41% Danceability • 4% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Violin Sonata No. 6 in A Majo...
129 bpm • A Maj • 08:15 • -20.45db
7% Popularity • 37% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 37% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Johann Kuhnau
Neue Clavier-Übung I, Partie V in G Maj...
129 bpm • G Maj • 01:04 • -22.66db
16% Popularity • 41% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 41% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in G Major, Kk. 289
129 bpm • G Maj • 02:39 • -21.76db
13% Popularity • 51% Danceability • 22% Energy • 28% Liveness
91% Instrumentalness • 96% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 28% Liveness
91% Instrumentalness • 96% Positiveness
► Preview
Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Johann Sebastian Bach
Hohe Messe in B Minor, BWV 232: No. 2, C...
146 bpm • C# Maj • 04:47 • -21.03db
10% Popularity • 22% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 22% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Chiyan Wong
Goldberg Variations (‘Air with Thirty ...
128 bpm • G Maj • 00:48 • -30.97db
20% Popularity • 43% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
20% Popularity • 43% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
► Preview
Anonymous
Clavierbuchlein for Anna Magdalena Bach,...
128 bpm • G Maj • 01:38 • -16db
46% Popularity • 40% Danceability • 10% Energy • 12% Liveness
5% Instrumentalness • 77% Positiveness
46% Popularity • 40% Danceability • 10% Energy • 12% Liveness
5% Instrumentalness • 77% Positiveness
► Preview
Valentina Lisitsa
Partita No. 2 C Minor, Bwv 826: Rondeau
127 bpm • C min • 01:24 • -23.45db
9% Popularity • 42% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 95% Positiveness
9% Popularity • 42% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 95% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in G Major, Kk. 424
128 bpm • G Maj • 03:18 • -26.55db
14% Popularity • 48% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 66% Positiveness
► Preview
Joseph Haydn
Sonata in C Major, Hob. XVI: 3: II. Anda...
127 bpm • G Maj • 05:06 • -19.71db
9% Popularity • 45% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 67% Positiveness
► Preview
Johann Sebastian Bach
Aria variata alla maniera italiana, BWV ...
147 bpm • A min • 01:24 • -30.48db
10% Popularity • 28% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
10% Popularity • 28% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
► Preview
Kimiko Ishizaka
Variatio 2. a 1 Clav.
127 bpm • G Maj • 02:03 • -27.08db
13% Popularity • 48% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 60% Positiveness
13% Popularity • 48% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 60% Positiveness
► Preview
Anonymous
Suite in G Minor, BWV 822: Overture in G...
127 bpm • G min • 01:47 • -25.88db
16% Popularity • 50% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 30% Positiveness
16% Popularity • 50% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 30% Positiveness
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François Couperin
Pièces de clavecin, Livre IV, Ordre 26:...
126 bpm • F# min • 01:59 • -26.28db
5% Popularity • 45% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 58% Positiveness
5% Popularity • 45% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 58% Positiveness
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Jean-Philippe Rameau
Suite en ré: la Joyeuse
126 bpm • D Maj • 00:50 • -24.66db
10% Popularity • 43% Danceability • 23% Energy • 25% Liveness
88% Instrumentalness • 94% Positiveness
10% Popularity • 43% Danceability • 23% Energy • 25% Liveness
88% Instrumentalness • 94% Positiveness
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Kirill Monorosi
Das Wohltemperierte Klavier I, Präludiu...
126 bpm • C Maj • 01:51 • -28.44db
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
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L. Norman
Norman: op. 47, No. III, “Rymmare och ...
149 bpm • C Maj • 01:41 • -26.64db
10% Popularity • 54% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
10% Popularity • 54% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Grigori Frid
Hungarian Album, Op. 54: No. 3, Abend an...
126 bpm • F# min • 01:20 • -26.21db
9% Popularity • 40% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
9% Popularity • 40% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
149 bpm • B min • 04:03 • -19.18db
11% Popularity • 26% Danceability • 40% Energy • 9% Liveness
40% Instrumentalness • 70% Positiveness
11% Popularity • 26% Danceability • 40% Energy • 9% Liveness
40% Instrumentalness • 70% Positiveness
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François Couperin
Les Langueurs Tendres: 6ème ordre, 2èm...
126 bpm • A# Maj • 03:05 • -31.43db
11% Popularity • 31% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
11% Popularity • 31% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Joseph Haydn
Sonata in D Major, Hob. XVI:51: Sonata i...
150 bpm • D Maj • 01:58 • -22.04db
8% Popularity • 27% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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George Frideric Handel
Suite No. 6 in F-Sharp Minor, HWV 431: I...
125 bpm • F# min • 03:09 • -20.01db
9% Popularity • 34% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 46% Positiveness
9% Popularity • 34% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 46% Positiveness
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Pietro Domenico Paradisi
Paradies: Piano Sonata in A Major, No. 6...
125 bpm • G# Maj • 01:53 • -20.03db
9% Popularity • 48% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 91% Positiveness
9% Popularity • 48% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 91% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
125 bpm • G Maj • 00:34 • -18db
11% Popularity • 30% Danceability • 22% Energy • 29% Liveness
98% Instrumentalness • 37% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 29% Liveness
98% Instrumentalness • 37% Positiveness
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François Couperin
Pièces de clavecin, Livre IV, Ordre 26:...
125 bpm • F# min • 04:09 • -29.58db
3% Popularity • 35% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
3% Popularity • 35% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Ré: III. 1er d...
125 bpm • D Maj • 02:25 • -26.05db
8% Popularity • 36% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 36% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 47% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Georg Philipp Telemann
Canonic Sonata for Two Violas in D Minor...
124 bpm • F# min • 01:30 • -22.13db
9% Popularity • 64% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 79% Positiveness
9% Popularity • 64% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 79% Positiveness
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Joseph Haydn
Sonata in G Major, Hob. XVI: 6: I. Alleg...
124 bpm • G Maj • 06:14 • -19.64db
8% Popularity • 49% Danceability • 13% Energy • 19% Liveness
92% Instrumentalness • 61% Positiveness
8% Popularity • 49% Danceability • 13% Energy • 19% Liveness
92% Instrumentalness • 61% Positiveness
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Johann Christian Bach
Keyboard Sonata in G Major, Op. 17, No. ...
124 bpm • G Maj • 06:34 • -25.27db
10% Popularity • 38% Danceability • 10% Energy • 19% Liveness
91% Instrumentalness • 55% Positiveness
10% Popularity • 38% Danceability • 10% Energy • 19% Liveness
91% Instrumentalness • 55% Positiveness
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François Couperin
Pièces de clavecin, Livre IV, Ordre 27:...
125 bpm • B min • 04:19 • -28.94db
4% Popularity • 41% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
4% Popularity • 41% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: IV. Gigue en ro...
124 bpm • E Maj • 01:40 • -20.01db
10% Popularity • 35% Danceability • 25% Energy • 13% Liveness
93% Instrumentalness • 82% Positiveness
10% Popularity • 35% Danceability • 25% Energy • 13% Liveness
93% Instrumentalness • 82% Positiveness
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George Frideric Handel
Suite No. 4 in E Minor, HWV 429: III. Co...
152 bpm • E min • 02:08 • -20.6db
10% Popularity • 32% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
10% Popularity • 32% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
123 bpm • C# Maj • 02:04 • -25.99db
12% Popularity • 40% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
12% Popularity • 40% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Joseph Haydn
Sonata in C Major, Hob. XVI: 3: III. Min...
123 bpm • C Maj • 03:08 • -19.41db
9% Popularity • 61% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
9% Popularity • 61% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
Musical Offering, BWV 1079, Canones dive...
123 bpm • B min • 01:11 • -20db
10% Popularity • 27% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 33% Positiveness
10% Popularity • 27% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 33% Positiveness
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Feson
Why Run?
123 bpm • G# min • 02:51 • -18.69db
14% Popularity • 67% Danceability • 16% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
14% Popularity • 67% Danceability • 16% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
