Songs like Suite Italienne (from "Pulcinella") - Arr.for violin & piano Igor Stravinsky & Samuel Dushkin: 3. Tarantella by Igor Stravinsky
Based on a tempo of (+/- 10%) and a similar genre
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Paul Hindemith
Symphonie "Mathis der Maler": 1. Engelko...
106 bpm • G Maj • 08:24 • -17.49db
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
32% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
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Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: I. Präludium
105 bpm • A# Maj • 00:54 • -21db
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
105 bpm • D Maj • 05:41 • -22.15db
13% Popularity • 46% Danceability • 12% Energy • 5% Liveness
85% Instrumentalness • 10% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 5% Liveness
85% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 3. The Trevi ...
105 bpm • A Maj • 04:02 • -10.98db
18% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: III. Vo...
105 bpm • G Maj • 02:07 • -16db
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: III. ...
107 bpm • C Maj • 10:02 • -16.54db
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Tuileries...
105 bpm • D# min • 01:16 • -32.39db
28% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
27% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
27% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Igor Stravinsky
Stravinsky: Symphony in C: II. Larghetto...
104 bpm • F Maj • 06:56 • -35db
14% Popularity • 20% Danceability • 2% Energy • 19% Liveness
61% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 19% Liveness
61% Instrumentalness • 15% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jean Sibelius
Two Serenades, Op. 69: I. Andante assai,...
108 bpm • D Maj • 06:36 • -28db
22% Popularity • 20% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: V....
109 bpm • D min • 05:01 • -22.3db
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: II. Pini...
109 bpm • E min • 07:10 • -23.68db
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Le Sacre du Printemps / Pt 1: L'Adoratio...
104 bpm • G# min • 03:25 • -16.65db
20% Popularity • 51% Danceability • 29% Energy • 52% Liveness
93% Instrumentalness • 38% Positiveness
20% Popularity • 51% Danceability • 29% Energy • 52% Liveness
93% Instrumentalness • 38% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
104 bpm • F Maj • 03:34 • -21db
22% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
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Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
103 bpm • G Maj • 04:51 • -19db
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
33% Instrumentalness • 30% Positiveness
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
33% Instrumentalness • 30% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
103 bpm • D# Maj • 08:23 • -25.2db
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: I. Intr...
109 bpm • A# min • 09:39 • -21db
21% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
103 bpm • G# Maj • 04:00 • -32db
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Igor Stravinsky
Apollon musagète: I. Premier Tableau, N...
108 bpm • G Maj • 04:10 • -24.86db
14% Popularity • 23% Danceability • 6% Energy • 17% Liveness
64% Instrumentalness • 14% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 17% Liveness
64% Instrumentalness • 14% Positiveness
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Gustav Holst
Double Concerto for 2 Violins, Op. 49: I...
104 bpm • C min • 05:16 • -18.44db
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
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Eteri Andjaparidze
Toccata In D Minor, Op. 11: Allegro Marc...
109 bpm • E min • 04:25 • -28db
26% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
26% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
109 bpm • A# Maj • 04:59 • -30.54db
26% Popularity • 26% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
26% Popularity • 26% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Claude Debussy
Printemps, L. 61: II. Modéré
103 bpm • F# min • 06:00 • -17db
14% Popularity • 25% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Violin Concerto, Op. 36: II. Andante gra...
103 bpm • D min • 07:29 • -22.86db
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
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Francis Poulenc
Organ Concerto, FP 93: Andante
109 bpm • F Maj • 03:03 • -21.46db
9% Popularity • 16% Danceability • 1% Energy • 24% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 24% Liveness
83% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Rite of Spring, K15, Pt. 1: II. The ...
104 bpm • G# min • 03:24 • -17db
32% Popularity • 51% Danceability • 30% Energy • 67% Liveness
89% Instrumentalness • 59% Positiveness
32% Popularity • 51% Danceability • 30% Energy • 67% Liveness
89% Instrumentalness • 59% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 1. The Pines Of V...
102 bpm • F Maj • 02:56 • -16db
24% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
24% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
109 bpm • G# Maj • 09:07 • -21.19db
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: III. Scherzo:...
110 bpm • A min • 08:14 • -18.52db
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
79% Instrumentalness • 28% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
79% Instrumentalness • 28% Positiveness
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William Walton
Concerto for Viola and Orchestra: I. And...
102 bpm • A min • 07:50 • -29db
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
31% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Apollo (1947 revision): Tableau I: Prolo...
104 bpm • C Maj • 04:02 • -26.39db
21% Popularity • 20% Danceability • 4% Energy • 26% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 26% Liveness
91% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
110 bpm • D min • 07:41 • -19.03db
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: III. El...
111 bpm • A# min • 07:43 • -21.96db
18% Popularity • 18% Danceability • 6% Energy • 13% Liveness
68% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 6% Energy • 13% Liveness
68% Instrumentalness • 3% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
37% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
37% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: V. Lustig im ...
111 bpm • F Maj • 04:18 • -23.21db
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Igor Stravinsky
Pulcinella, Ballet in One Act After Perg...
103 bpm • G min • 01:16 • -20.32db
3% Popularity • 61% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
3% Popularity • 61% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
43% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
43% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: VIII. D...
100 bpm • C Maj • 07:59 • -15.22db
23% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beaty: Bluebird Pas de Deux...
112 bpm • C Maj • 01:37 • -16.35db
17% Popularity • 55% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 51% Positiveness
17% Popularity • 55% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 51% Positiveness
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Igor Stravinsky
The Rite of Spring, K15, Pt. 1: III. Rit...
103 bpm • D min • 01:10 • -16.15db
28% Popularity • 41% Danceability • 56% Energy • 35% Liveness
94% Instrumentalness • 45% Positiveness
28% Popularity • 41% Danceability • 56% Energy • 35% Liveness
94% Instrumentalness • 45% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1: Adagietto
112 bpm • F Maj • 02:37 • -32db
37% Popularity • 21% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Paul Hindemith
Symphonie "Mathis der Maler": 1. Engelko...
113 bpm • D Maj • 08:24 • -22db
8% Popularity • 25% Danceability • 8% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 8% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
String Quartet No. 12 in F major, Op. 96...
113 bpm • F Maj • 09:28 • -22db
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Samuel Golden...
113 bpm • C# Maj • 02:23 • -23.55db
26% Popularity • 30% Danceability • 10% Energy • 42% Liveness
83% Instrumentalness • 5% Positiveness
26% Popularity • 30% Danceability • 10% Energy • 42% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Pablo de Sarasate
Carmen Fantasy, Op. 25: Introduction. Al...
100 bpm • D min • 03:13 • -24db
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring (Scenes of Pagan Russ...
109 bpm • F min • 03:12 • -17.55db
30% Popularity • 43% Danceability • 40% Energy • 66% Liveness
90% Instrumentalness • 26% Positiveness
30% Popularity • 43% Danceability • 40% Energy • 66% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:20 • -24db
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Maurice Ravel
Rhapsodie espagnole, M. 54: IV. Feria
99 bpm • C Maj • 06:40 • -21.76db
14% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
La Mer, L.109: 2. Play of the Waves (Jeu...
113 bpm • E Maj • 06:11 • -22.07db
14% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Symphonic Dances, Op. 45: I. Non allegro
113 bpm • A Maj • 11:34 • -26db
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
110 bpm • G Maj • 03:58 • -22.13db
23% Popularity • 32% Danceability • 1% Energy • 18% Liveness
78% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 18% Liveness
78% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 2. Alleg...
113 bpm • G min • 00:46 • -34db
38% Popularity • 44% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
► Preview
Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
15% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
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Claude Debussy
La mer, L. 109: II. Play of the Waves
114 bpm • E Maj • 06:53 • -23db
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 2 in D Major, Op....
114 bpm • D Maj • 10:01 • -21.2db
23% Popularity • 22% Danceability • 12% Energy • 26% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 12% Energy • 26% Liveness
84% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
110 bpm • G# min • 01:16 • -26.94db
25% Popularity • 46% Danceability • 18% Energy • 74% Liveness
5% Instrumentalness • 26% Positiveness
25% Popularity • 46% Danceability • 18% Energy • 74% Liveness
5% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
29% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
114 bpm • C min • 04:35 • -22db
21% Popularity • 51% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
21% Popularity • 51% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
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Béla Bartók
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 14. Fina...
115 bpm • G Maj • 06:13 • -16db
28% Popularity • 22% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
28% Popularity • 22% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Igor Stravinsky
Circus Polka for a Young Elephant
99 bpm • G# min • 03:41 • -16db
14% Popularity • 55% Danceability • 19% Energy • 31% Liveness
87% Instrumentalness • 58% Positiveness
14% Popularity • 55% Danceability • 19% Energy • 31% Liveness
87% Instrumentalness • 58% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: IV. A...
97 bpm • G Maj • 09:23 • -17.66db
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
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Samuel Dushkin
Circus Polka (arr. S. Dushkin for violin...
97 bpm • G# min • 03:39 • -16db
4% Popularity • 62% Danceability • 17% Energy • 18% Liveness
44% Instrumentalness • 66% Positiveness
4% Popularity • 62% Danceability • 17% Energy • 18% Liveness
44% Instrumentalness • 66% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: V. Laideronnette,...
116 bpm • G# min • 05:08 • -30.93db
21% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
12% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
116 bpm • A min • 10:01 • -12db
11% Popularity • 26% Danceability • 18% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 18% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
Pulcinella, Ballet in One Act After Perg...
114 bpm • F Maj • 03:15 • -20.72db
5% Popularity • 44% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 38% Positiveness
5% Popularity • 44% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 38% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
42% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
42% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
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Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
116 bpm • D min • 06:32 • -19.99db
0% Popularity • 46% Danceability • 14% Energy • 24% Liveness
42% Instrumentalness • 20% Positiveness
0% Popularity • 46% Danceability • 14% Energy • 24% Liveness
42% Instrumentalness • 20% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
97 bpm • F Maj • 02:37 • -19.94db
13% Popularity • 29% Danceability • 28% Energy • 43% Liveness
90% Instrumentalness • 50% Positiveness
13% Popularity • 29% Danceability • 28% Energy • 43% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring (Scenes of Pagan Russ...
115 bpm • F Maj • 01:18 • -13.09db
28% Popularity • 40% Danceability • 64% Energy • 50% Liveness
85% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 64% Energy • 50% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
117 bpm • C# Maj • 13:00 • -14.77db
24% Popularity • 24% Danceability • 10% Energy • 27% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 27% Liveness
91% Instrumentalness • 4% Positiveness
