Songs like Suite: Judy Blue Eyes - 2005 Remaster by Crosby, Stills & Nash
Based on a tempo of (+/- 10%) and a similar genre
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Crosby, Stills & Nash
Suite: Judy Blue Eyes - 2005 Remaster
154 bpm • A Maj • 07:24 • -13.13db
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Crosby, Stills, Nash & Young
Teach Your Children
155 bpm • D Maj • 02:53 • -14.54db
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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The Moody Blues
Ride My See-Saw
155 bpm • F Maj • 03:39 • -10.4db
48% Popularity • 33% Danceability • 87% Energy • 85% Liveness
30% Instrumentalness • 79% Positiveness
48% Popularity • 33% Danceability • 87% Energy • 85% Liveness
30% Instrumentalness • 79% Positiveness
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Traffic
Rock 'N' Roll Stew
155 bpm • G Maj • 04:22 • -11.6db
39% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Marshall Tucker Band
Heard It in a Love Song
153 bpm • D Maj • 04:57 • -7.48db
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Crosby, Stills & Nash
Wasted on the Way - 2005 Remaster
154 bpm • D Maj • 02:51 • -13db
49% Popularity • 53% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 53% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Yusuf / Cat Stevens
Wild World
153 bpm • C Maj • 03:20 • -8.51db
79% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Rolling Stones
Loving Cup
157 bpm • G Maj • 04:24 • -5.7db
51% Popularity • 47% Danceability • 84% Energy • 77% Liveness
4% Instrumentalness • 63% Positiveness
51% Popularity • 47% Danceability • 84% Energy • 77% Liveness
4% Instrumentalness • 63% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
70% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
70% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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Buffalo Springfield
Expecting to Fly
151 bpm • F Maj • 03:44 • -13.28db
44% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
44% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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Jethro Tull
Living in the Past - 2001 Remaster
151 bpm • F Maj • 03:22 • -11.02db
50% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes
154 bpm • A Maj • 04:35 • -14.71db
18% Popularity • 45% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 45% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Bob Seger
Hollywood Nights
150 bpm • A Maj • 05:02 • -5.2db
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Daryl Hall & John Oates
Sara Smile
150 bpm • D min • 03:05 • -11db
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Little
Dixie Chicken
150 bpm • A Maj • 03:59 • -10.08db
53% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
53% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
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Loggins & Messina
Angry Eyes
159 bpm • C Maj • 07:40 • -10.2db
42% Popularity • 56% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
42% Popularity • 56% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
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Crosby, Stills & Nash
Daylight Again - 2005 Remaster
156 bpm • D min • 02:29 • -16db
34% Popularity • 37% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 37% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Chicago
Feelin' Stronger Every Day - 2002 Remast...
160 bpm • C Maj • 04:14 • -6.1db
52% Popularity • 38% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
52% Popularity • 38% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
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Jethro Tull
Wond'ring Aloud
148 bpm • A# Maj • 01:53 • -16.61db
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
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Faces
Ooh La La
148 bpm • D Maj • 03:34 • -8.17db
69% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Tom Petty
It's Good To Be King
148 bpm • D Maj • 05:10 • -7db
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Traveling Wilburys
Runaway
147 bpm • A Maj • 02:30 • -3.64db
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes
151 bpm • G Maj • 09:20 • -10db
23% Popularity • 39% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 39% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 18% Positiveness
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Chicago
25 or 6 to 4 - 2002 Remaster
147 bpm • E min • 04:49 • -7.06db
64% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
64% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
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Firefall
Cinderella
147 bpm • G Maj • 03:36 • -12db
44% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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George Harrison
Isn't It a Pity (2014 Remaster)
147 bpm • G Maj • 07:10 • -7.74db
53% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
53% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
55% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Lynyrd Skynyrd
Tuesday's Gone
146 bpm • A Maj • 07:30 • -8.64db
65% Popularity • 23% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
65% Popularity • 23% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Crosby, Stills & Nash
Wooden Ships - 2005 Remaster
158 bpm • E min • 05:26 • -13.39db
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
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Loggins & Messina
Your Mama Don't Dance
146 bpm • C Maj • 02:47 • -7.37db
53% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Doobie Brothers
Rockin' Down the Highway
146 bpm • D Maj • 03:19 • -6.93db
47% Popularity • 58% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 58% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Arlo Guthrie
The City of New Orleans
146 bpm • C# Maj • 04:34 • -8.83db
53% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Yusuf / Cat Stevens
Miles From Nowhere
162 bpm • D Maj • 03:36 • -11.39db
48% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Mamas & The Papas
Creeque Alley - Single Version
145 bpm • E Maj • 03:48 • -6.1db
52% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Marshall Tucker Band
Can't You See
164 bpm • G Maj • 03:20 • -8.44db
50% Popularity • 43% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 43% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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The Doobie Brothers
China Grove
146 bpm • A Maj • 03:15 • -8.45db
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 04:47 • -17db
39% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
39% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
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Dan Fogelberg
Part of the Plan
144 bpm • D Maj • 03:18 • -14db
42% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Loggins & Messina
A Love Song
144 bpm • E Maj • 03:10 • -13db
41% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Buffalo Springfield
Rock & Roll Woman
145 bpm • A min • 02:45 • -14db
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Tom Petty
You Don't Know How It Feels
144 bpm • A Maj • 04:49 • -7.39db
64% Popularity • 76% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
64% Popularity • 76% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Marshall Tucker Band
Can't You See
164 bpm • G Maj • 06:05 • -5.49db
67% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Little
Willin'
144 bpm • G Maj • 02:54 • -7.2db
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Orleans
Still the One
144 bpm • E Maj • 03:54 • -10.79db
60% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Band
The Weight - Remastered 2000
144 bpm • A Maj • 04:34 • -9.28db
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Carole King
So Far Away
144 bpm • D Maj • 03:55 • -14.25db
60% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Petty
You Wreck Me
164 bpm • A# Maj • 03:22 • -4.53db
59% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
59% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Loggins & Messina
Vahevala
165 bpm • D Maj • 04:46 • -6.92db
34% Popularity • 47% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 47% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Crosby, Stills & Nash
Change Partners
166 bpm • A Maj • 03:13 • -17.52db
29% Popularity • 39% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 39% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Bad Company
Shooting Star - 2015 Remaster
166 bpm • A Maj • 06:17 • -9.36db
59% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Who
Love Ain't For Keeping
142 bpm • D Maj • 02:10 • -7db
52% Popularity • 55% Danceability • 82% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
52% Popularity • 55% Danceability • 82% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
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Traffic
Dear Mr. Fantasy
167 bpm • D Maj • 05:34 • -14.12db
58% Popularity • 24% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
58% Popularity • 24% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Jefferson Airplane
Comin' Back to Me
167 bpm • G Maj • 05:15 • -24db
46% Popularity • 36% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
46% Popularity • 36% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Crosby, Stills & Nash
Shadow Captain
143 bpm • E Maj • 04:34 • -16.4db
37% Popularity • 62% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
37% Popularity • 62% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Traveling Wilburys
End Of The Line
167 bpm • D Maj • 03:29 • -6.61db
70% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
70% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Faces
Glad and Sorry
167 bpm • E Maj • 03:06 • -9.44db
47% Popularity • 57% Danceability • 48% Energy • 12% Liveness
30% Instrumentalness • 82% Positiveness
47% Popularity • 57% Danceability • 48% Energy • 12% Liveness
30% Instrumentalness • 82% Positiveness
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The Who
Join Together - Original Single A-Side M...
168 bpm • A# Maj • 04:22 • -10.42db
50% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Linda Ronstadt
Willin'
141 bpm • E Maj • 03:02 • -10.81db
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills & Nash
See the Changes
166 bpm • C Maj • 02:57 • -18.65db
38% Popularity • 45% Danceability • 16% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 45% Danceability • 16% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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The Hollies
The Air That I Breathe - 2008 Remaster
168 bpm • E min • 04:17 • -8.38db
70% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
70% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Loggins & Messina
Danny's Song
141 bpm • B min • 04:14 • -12.19db
63% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Crosby, Stills, Nash & Young
4 + 20
141 bpm • E Maj • 02:06 • -25.24db
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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The Yardbirds
Heart Full of Soul - 2015 Remaster
141 bpm • A min • 02:27 • -9.74db
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 49% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Little
Easy to Slip
141 bpm • G Maj • 03:21 • -8.01db
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
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Steve Winwood
Back In The High Life Again
169 bpm • D Maj • 05:35 • -14.86db
56% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Carole King
Home Again
140 bpm • A Maj • 02:29 • -12.56db
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Traveling Wilburys
Dirty World
169 bpm • A Maj • 03:29 • -5db
47% Popularity • 56% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 56% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Crosby, Stills, Nash & Young
Our House
140 bpm • A Maj • 02:59 • -14.6db
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Crosby, Stills & Nash
Carry On
140 bpm • C# Maj • 03:16 • -14.17db
36% Popularity • 51% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 51% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Wright
Dream Weaver
140 bpm • E Maj • 04:16 • -13.68db
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Electric Light Orchestra
Can't Get It out of My Head
169 bpm • C Maj • 04:21 • -14.45db
53% Popularity • 23% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
53% Popularity • 23% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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The Doobie Brothers
Black Water
169 bpm • D Maj • 04:15 • -13db
62% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Seger
Mainstreet
140 bpm • G# Maj • 03:43 • -5.42db
61% Popularity • 50% Danceability • 75% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
61% Popularity • 50% Danceability • 75% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
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The Rolling Stones
Wild Horses - 2009 Mix
140 bpm • G Maj • 05:41 • -6.52db
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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The Who
Getting In Tune
140 bpm • C Maj • 04:48 • -8db
46% Popularity • 37% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
46% Popularity • 37% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Yusuf / Cat Stevens
Tea For The Tillerman
170 bpm • C Maj • 01:05 • -17db
60% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Traveling Wilburys
Congratulations
139 bpm • C Maj • 03:29 • -7db
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Paul McCartney
Great Day - 2020 Remaster
171 bpm • A Maj • 02:09 • -16.1db
47% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dire Straits
Down To The Waterline
139 bpm • B min • 04:01 • -11.55db
66% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
66% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
52% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Buffalo Springfield
I Am a Child
172 bpm • G Maj • 02:22 • -22db
54% Popularity • 56% Danceability • 21% Energy • 16% Liveness
64% Instrumentalness • 86% Positiveness
54% Popularity • 56% Danceability • 21% Energy • 16% Liveness
64% Instrumentalness • 86% Positiveness
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Yusuf / Cat Stevens
Bitterblue - Remastered 2021
171 bpm • G Maj • 03:10 • -6.58db
41% Popularity • 52% Danceability • 93% Energy • 32% Liveness
16% Instrumentalness • 77% Positiveness
41% Popularity • 52% Danceability • 93% Energy • 32% Liveness
16% Instrumentalness • 77% Positiveness
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Crosby, Stills & Nash
You Are Alive - 2005 Remaster
138 bpm • E Maj • 03:02 • -15.1db
21% Popularity • 49% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 49% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Paul McCartney
Heart Of The Country - 2012 Remaster
172 bpm • D min • 02:23 • -12.4db
55% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Glen Campbell
Wichita Lineman - Remastered 2001
172 bpm • F Maj • 03:06 • -11.67db
62% Popularity • 19% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 19% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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Donovan
Catch the Wind
173 bpm • D# Maj • 02:53 • -12.17db
58% Popularity • 38% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 38% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Crosby, Stills & Nash
In My Life
174 bpm • A min • 02:20 • -17.13db
31% Popularity • 46% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 46% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 22% Positiveness
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George Harrison
Run of the Mill (2014 Remaster)
137 bpm • D Maj • 02:51 • -8db
51% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
51% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Jefferson Starship
Runaway
174 bpm • F Maj • 05:21 • -14.02db
46% Popularity • 35% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 35% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Crosby, Stills, Nash & Young
Almost Cut My Hair
137 bpm • G Maj • 04:29 • -10.48db
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
