Songs like Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino by Ottorino Respighi
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
Petite Suite, WD 39: No. 2. Berceuse: La...
107 bpm • B Maj • 02:46 • -38.41db
14% Popularity • 16% Danceability • 0% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: I. Laura Soave: Bal...
107 bpm • G Maj • 04:06 • -26.91db
15% Popularity • 30% Danceability • 1% Energy • 6% Liveness
61% Instrumentalness • 22% Positiveness
15% Popularity • 30% Danceability • 1% Energy • 6% Liveness
61% Instrumentalness • 22% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
25% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
25% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
30% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
30% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Edward Elgar
Elgar: Beau Brummel: Minuet
108 bpm • G Maj • 03:58 • -20.72db
1% Popularity • 16% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
1% Popularity • 16% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Christian Sinding
Suite for Violin and Orchestra in A Mino...
108 bpm • A min • 05:41 • -21.2db
9% Popularity • 18% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: III. F...
106 bpm • A min • 10:23 • -20.31db
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
37% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
37% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 3. The Trevi ...
105 bpm • A Maj • 04:02 • -10.98db
17% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
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Emmanuel Chabrier
Suite pastorale: I. Idylle
105 bpm • F Maj • 04:22 • -33db
14% Popularity • 19% Danceability • 3% Energy • 30% Liveness
86% Instrumentalness • 13% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 30% Liveness
86% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Scherzo in D Minor
109 bpm • D min • 05:29 • -24.99db
17% Popularity • 42% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 44% Positiveness
17% Popularity • 42% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 44% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Edward Elgar
Suite from The Spanish Lady (Ed. Young)
105 bpm • G Maj • 05:56 • -16.92db
8% Popularity • 27% Danceability • 20% Energy • 22% Liveness
94% Instrumentalness • 18% Positiveness
8% Popularity • 27% Danceability • 20% Energy • 22% Liveness
94% Instrumentalness • 18% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
105 bpm • D Maj • 02:03 • -21db
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
109 bpm • A# Maj • 04:59 • -30.54db
27% Popularity • 26% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Masques et Bergamasques, suite, Op.112: ...
109 bpm • D min • 03:06 • -20.15db
15% Popularity • 47% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
105 bpm • G Maj • 04:10 • -25.22db
22% Popularity • 33% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 33% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Serenade for Wind in D Minor, Op. 44: I....
104 bpm • F Maj • 04:03 • -22.57db
21% Popularity • 39% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
21% Popularity • 39% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
Chamber Symphony No. 5 in A-Flat Major, ...
104 bpm • C# Maj • 05:04 • -39db
3% Popularity • 24% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
3% Popularity • 24% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: IV. Andantino
104 bpm • C Maj • 03:13 • -24.35db
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 1 in C Major, Op...
104 bpm • C Maj • 08:36 • -20db
33% Popularity • 31% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 31% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
31% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Franz Schubert
Trout Quintet: Andante
104 bpm • C Maj • 07:14 • -29db
25% Popularity • 32% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 22% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 22% Positiveness
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Gustav Holst
Double Concerto for 2 Violins, Op. 49: I...
104 bpm • C min • 05:16 • -18.44db
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
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RTÉ National Symphony Orchestra
Dr. Merryheart: IX. The Dance Of Merryhe...
104 bpm • C Maj • 01:46 • -19.35db
15% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
15% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Giuseppe Verdi
Aida: Act II: Gloria all'Egitto
111 bpm • A# Maj • 03:19 • -19.37db
20% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
20% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: II. Adagietto
103 bpm • A# Maj • 03:49 • -21.3db
9% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Max Bruch
Bruch: Scottish Fantasy, Op. 46: IV. Fin...
104 bpm • D# Maj • 09:38 • -16.48db
6% Popularity • 31% Danceability • 14% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 14% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 3, ...
111 bpm • D Maj • 03:17 • -20.39db
12% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1: Adagietto
112 bpm • F Maj • 02:37 • -32db
39% Popularity • 21% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
39% Popularity • 21% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
29% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
29% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: V. L...
102 bpm • C# Maj • 03:28 • -15.37db
5% Popularity • 45% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
5% Popularity • 45% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25 "Class...
102 bpm • G Maj • 04:05 • -19db
10% Popularity • 50% Danceability • 13% Energy • 26% Liveness
65% Instrumentalness • 53% Positiveness
10% Popularity • 50% Danceability • 13% Energy • 26% Liveness
65% Instrumentalness • 53% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for String Orchestra in C Major...
112 bpm • D Maj • 08:58 • -21db
14% Popularity • 19% Danceability • 7% Energy • 17% Liveness
70% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 17% Liveness
70% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction and Rondo Capriccioso, Op. ...
102 bpm • A min • 06:23 • -21.38db
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
74% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
74% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: II. Contredan...
102 bpm • A min • 02:36 • -32.35db
12% Popularity • 27% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 1% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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Alexander Borodin
Symphony No. 2 in B Minor: I. Allegro
112 bpm • G Maj • 06:56 • -18.2db
11% Popularity • 36% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 36% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Richard Strauss
Romanze in F Major, TrV 118: Romance for...
102 bpm • F Maj • 09:56 • -31.14db
9% Popularity • 14% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite in E Major, P. 51: II. Adagio
112 bpm • C# Maj • 08:05 • -25.62db
6% Popularity • 17% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
37% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
37% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: I. Non allegro
113 bpm • A Maj • 11:34 • -26db
30% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
101 bpm • A# Maj • 06:18 • -18.2db
8% Popularity • 16% Danceability • 17% Energy • 18% Liveness
72% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 18% Liveness
72% Instrumentalness • 4% Positiveness
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Samuel Barber
II. Andante
101 bpm • E Maj • 09:28 • -31.16db
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
► Preview
Aram Khachaturian
Symphony No. 2: 2. Allegro risoluto
101 bpm • G# Maj • 09:29 • -16.23db
13% Popularity • 28% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 28% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Antiche danze et arie, Suite No. 1 (Arr....
100 bpm • D Maj • 03:24 • -23db
12% Popularity • 34% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 32% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 32% Positiveness
► Preview
Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 1 in G Minor, Op. 13, TH 24...
115 bpm • C min • 07:36 • -30.14db
17% Popularity • 24% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 24% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
► Preview
Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Luigi Boccherini
Quintettino Op. 30 No. 6, G.324: 5. Riti...
100 bpm • G Maj • 02:20 • -21.2db
6% Popularity • 25% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 41% Positiveness
6% Popularity • 25% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 41% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 6. Po...
115 bpm • A# Maj • 03:44 • -15.04db
15% Popularity • 30% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
15% Popularity • 30% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Bedřich Smetana
Má Vlast, JB1:112: 3. Sarka
100 bpm • A Maj • 10:11 • -19db
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
► Preview
Max Bruch
Scottish Fantasy for Violin and Orchestr...
115 bpm • G Maj • 06:32 • -11.41db
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B-Flat Major, Op...
115 bpm • D# Maj • 10:23 • -27.02db
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Petite Suite, WD 39: No. 5. Galop: Le ba...
99 bpm • A Maj • 01:43 • -21.36db
13% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
13% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: II. Danza Rustica: ...
98 bpm • A Maj • 03:56 • -21.71db
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Paul Dukas
L'apprenti sorcier
117 bpm • C# Maj • 10:50 • -20db
10% Popularity • 37% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 14% Positiveness
10% Popularity • 37% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Franz Liszt
Von der Wiege bis zum Grabe, S107/R424
118 bpm • A min • 04:47 • -31db
21% Popularity • 17% Danceability • 2% Energy • 13% Liveness
41% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 13% Liveness
41% Instrumentalness • 4% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, P....
117 bpm • D Maj • 03:45 • -17.1db
4% Popularity • 48% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 53% Positiveness
4% Popularity • 48% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 53% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 In G Minor, Op. 25,...
97 bpm • G Maj • 06:01 • -18.66db
12% Popularity • 47% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 41% Positiveness
12% Popularity • 47% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 41% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
97 bpm • D# Maj • 07:10 • -25.33db
13% Popularity • 13% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Symphony No. 6 In F, Op. 68 -"Pastoral":...
118 bpm • F Maj • 09:09 • -21db
33% Popularity • 28% Danceability • 6% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
33% Popularity • 28% Danceability • 6% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings, Op. 48: I. Pezzo i...
118 bpm • C Maj • 09:39 • -20.52db
10% Popularity • 31% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
10% Popularity • 31% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
96 bpm • F# Maj • 02:58 • -23.64db
19% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: I. Allegro
96 bpm • C Maj • 10:19 • -24db
15% Popularity • 16% Danceability • 10% Energy • 62% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 10% Energy • 62% Liveness
14% Instrumentalness • 4% Positiveness
![Ancient Airs And Dances, Suite No. 3, [P. 172]: 1. Italiana cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)