Songs like Suite No. 2, P. 138: IV. Bergamasca: Allegro by Ottorino Respighi
Based on a tempo of (+/- 10%) and a similar genre
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Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
86 bpm • D# Maj • 03:00 • -26.07db
21% Popularity • 19% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
21% Popularity • 19% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: IV. Bergamasca: All...
86 bpm • D Maj • 05:38 • -20.78db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
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Pyotr Ilyich Tchaikovsky
Suite No. 2 in C Major, Op. 53: I. Jeu d...
86 bpm • G Maj • 11:53 • -21.74db
27% Popularity • 24% Danceability • 12% Energy • 15% Liveness
70% Instrumentalness • 9% Positiveness
27% Popularity • 24% Danceability • 12% Energy • 15% Liveness
70% Instrumentalness • 9% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
86 bpm • E Maj • 04:26 • -24db
28% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
28% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
86 bpm • A Maj • 05:10 • -36db
5% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E Major, O...
86 bpm • A Maj • 04:05 • -28.86db
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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George Frideric Handel
Handel: Music for the Royal Fireworks, H...
87 bpm • C# Maj • 02:13 • -8.97db
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Aida: Preludio
85 bpm • D Maj • 04:09 • -27.49db
8% Popularity • 17% Danceability • 1% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: I. L...
86 bpm • G Maj • 04:17 • -21.18db
11% Popularity • 13% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56 (1894-97): Berceuse
87 bpm • E Maj • 03:01 • -28.82db
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
85 bpm • C Maj • 03:19 • -19.03db
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
85 bpm • D Maj • 08:06 • -23db
18% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
18% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
87 bpm • C# Maj • 12:42 • -28db
42% Popularity • 9% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Johan Svendsen
Variations on a Norwegian Folktune, Op. ...
87 bpm • E Maj • 04:29 • -27db
15% Popularity • 9% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
87 bpm • B Maj • 05:19 • -15.8db
10% Popularity • 9% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: III. Tirolese
85 bpm • C Maj • 02:12 • -24.1db
19% Popularity • 42% Danceability • 16% Energy • 5% Liveness
84% Instrumentalness • 43% Positiveness
19% Popularity • 42% Danceability • 16% Energy • 5% Liveness
84% Instrumentalness • 43% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Holst
Beni Mora, Op. 29, No. 1: I. First Dance
84 bpm • E Maj • 06:18 • -25.07db
9% Popularity • 9% Danceability • 2% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 2% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Shylock, Op. 57: V. Nocturne
84 bpm • G Maj • 02:50 • -36db
24% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (Ver...
84 bpm • G Maj • 03:15 • -19.32db
9% Popularity • 41% Danceability • 3% Energy • 13% Liveness
71% Instrumentalness • 37% Positiveness
9% Popularity • 41% Danceability • 3% Energy • 13% Liveness
71% Instrumentalness • 37% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Gerald Finzi
Fear no more the heat of the sun, Op.18,...
84 bpm • C min • 05:36 • -26.49db
14% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
23% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Respighi: String Quartet in D Minor, P. ...
84 bpm • E min • 06:52 • -19.99db
4% Popularity • 23% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 23% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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George Butterworth
Two English Idylls
89 bpm • C Maj • 09:44 • -19.54db
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
30% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
88 bpm • E Maj • 07:39 • -31db
5% Popularity • 13% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 3% Positiveness
5% Popularity • 13% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
83 bpm • A# Maj • 06:34 • -32.41db
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Joseph Haydn
String Quartet No. 53 in D Major, Op. 64...
83 bpm • A Maj • 06:38 • -25.47db
22% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Ottorino Respighi
La primavera, P. 136: Invocazione
84 bpm • C# Maj • 04:19 • -20db
7% Popularity • 19% Danceability • 17% Energy • 33% Liveness
62% Instrumentalness • 9% Positiveness
7% Popularity • 19% Danceability • 17% Energy • 33% Liveness
62% Instrumentalness • 9% Positiveness
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Frederick Delius
Delius / Arr. Fenby: Koanga, Act II: La ...
83 bpm • D Maj • 04:34 • -18db
8% Popularity • 26% Danceability • 12% Energy • 7% Liveness
12% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 12% Energy • 7% Liveness
12% Instrumentalness • 8% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
► Preview
Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
► Preview
Franz Schubert
Trout Quintet: Theme and variations
82 bpm • D Maj • 07:01 • -26.33db
23% Popularity • 25% Danceability • 6% Energy • 9% Liveness
32% Instrumentalness • 35% Positiveness
23% Popularity • 25% Danceability • 6% Energy • 9% Liveness
32% Instrumentalness • 35% Positiveness
► Preview
Ottorino Respighi
4 Liriche su parole di poeti armeni, P. ...
83 bpm • A# Maj • 03:37 • -15.48db
7% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Frederick Delius
Delius: 2 Aquarelles: No. 2, Gaily, But ...
83 bpm • D Maj • 02:04 • -20.06db
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
► Preview
John Ireland
The Holy Boy
82 bpm • G min • 02:46 • -29.59db
15% Popularity • 8% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
A Somerset Rhapsody, Op. 21 No. 2, H. 87
90 bpm • B min • 09:31 • -22db
9% Popularity • 13% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
► Preview
Ottorino Respighi
Roman Festivals: IV. La Befana
83 bpm • D Maj • 05:42 • -14.29db
12% Popularity • 21% Danceability • 49% Energy • 21% Liveness
85% Instrumentalness • 33% Positiveness
12% Popularity • 21% Danceability • 49% Energy • 21% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
82 bpm • C# Maj • 06:33 • -21.71db
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Donald Sosin
Orphee et Eurydice, Act II, Dance of the...
82 bpm • F Maj • 04:48 • -24db
16% Popularity • 26% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 26% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade I
82 bpm • F Maj • 01:44 • -14.76db
14% Popularity • 44% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 30% Positiveness
14% Popularity • 44% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 30% Positiveness
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Aaron Copland
Appalachian Spring: II. Allegro
82 bpm • F Maj • 02:42 • -13db
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Pini di Roma (Pines of Rome), P. 141: I....
82 bpm • D min • 02:49 • -18.44db
8% Popularity • 26% Danceability • 26% Energy • 63% Liveness
94% Instrumentalness • 64% Positiveness
8% Popularity • 26% Danceability • 26% Energy • 63% Liveness
94% Instrumentalness • 64% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Hubert Parry
An English Suite: VI. Air
91 bpm • G Maj • 02:09 • -29db
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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Gustav Holst
Brook Green Suite: III. Dance
82 bpm • C Maj • 02:20 • -18.52db
31% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
31% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
A Moorside Suite, H. 173: Nocturne
91 bpm • B min • 07:05 • -32db
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
23% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
23% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 1, Slow (Arr. ...
81 bpm • F Maj • 02:13 • -26db
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Sinfonietta, FP 141: II. Molto vivace
81 bpm • F min • 05:22 • -19.97db
10% Popularity • 36% Danceability • 12% Energy • 22% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 36% Danceability • 12% Energy • 22% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
