Songs like Suite of Old American Dances: 1. Cake Walk by Eastman Wind Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Johan de Meij
Finale from Jazz Suite No. 2 Dmitri Shos...
119 bpm • F Maj • 02:16 • -19.65db
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Marcel Barsotti
Redemption Blues
119 bpm • G min • 04:43 • -22db
10% Popularity • 18% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Eastman Wind Ensemble
Suite of Old American Dances: 1. Cake Wa...
119 bpm • D# Maj • 03:57 • -16.03db
0% Popularity • 58% Danceability • 34% Energy • 20% Liveness
92% Instrumentalness • 45% Positiveness
0% Popularity • 58% Danceability • 34% Energy • 20% Liveness
92% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite (arr. G. Jacob):...
119 bpm • F min • 02:50 • -20db
15% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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Oscar Vega
The Friendship Games
119 bpm • E min • 00:56 • -15.17db
22% Popularity • 46% Danceability • 57% Energy • 92% Liveness
95% Instrumentalness • 13% Positiveness
22% Popularity • 46% Danceability • 57% Energy • 92% Liveness
95% Instrumentalness • 13% Positiveness
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Gustav Holst
1st Suite for Military Band in E-Flat Ma...
119 bpm • G# Maj • 03:11 • -21db
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
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US Army Field Band
On the Mall
118 bpm • G# Maj • 03:17 • -12.99db
12% Popularity • 66% Danceability • 37% Energy • 29% Liveness
48% Instrumentalness • 91% Positiveness
12% Popularity • 66% Danceability • 37% Energy • 29% Liveness
48% Instrumentalness • 91% Positiveness
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US Army Band
The Rifle Regiment
120 bpm • C# Maj • 03:10 • -12db
9% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Francisco Asenjo Barbieri
SinfonÃa
120 bpm • D# Maj • 09:30 • -26.79db
16% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 11% Energy • 67% Liveness
86% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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The Band Of The Blues & Royals
Blaze Away
120 bpm • C min • 02:34 • -17db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
118 bpm • F Maj • 04:38 • -22.45db
8% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
8% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Eastman Wind Ensemble
Fanfare and Allegro
118 bpm • A# Maj • 05:49 • -15db
4% Popularity • 38% Danceability • 33% Energy • 31% Liveness
62% Instrumentalness • 6% Positiveness
4% Popularity • 38% Danceability • 33% Energy • 31% Liveness
62% Instrumentalness • 6% Positiveness
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Percy Grainger
Marching Song of Democracy
120 bpm • C# Maj • 07:04 • -20.04db
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
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Lucas Brito
Dobrado Sinfônico nº 2 - Remix
120 bpm • G# Maj • 03:48 • -7.61db
7% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
7% Popularity • 52% Danceability • 40% Energy • 20% Liveness
21% Instrumentalness • 42% Positiveness
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Henry Mancini
The Great Waldo Pepper March
120 bpm • D# Maj • 02:32 • -14.95db
5% Popularity • 48% Danceability • 64% Energy • 29% Liveness
93% Instrumentalness • 55% Positiveness
5% Popularity • 48% Danceability • 64% Energy • 29% Liveness
93% Instrumentalness • 55% Positiveness
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Robert Jager
Third Suite, I: March - Robert E. Jager
120 bpm • F Maj • 02:22 • -16.55db
10% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
10% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
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US Navy Band
March Grandioso
120 bpm • D# Maj • 02:43 • -14.54db
12% Popularity • 41% Danceability • 40% Energy • 23% Liveness
95% Instrumentalness • 82% Positiveness
12% Popularity • 41% Danceability • 40% Energy • 23% Liveness
95% Instrumentalness • 82% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): III. Fi...
121 bpm • F# Maj • 05:11 • -23db
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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William Rimmer
The Cossack
117 bpm • G min • 04:24 • -18db
6% Popularity • 46% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
6% Popularity • 46% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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Oscar Vega
Frienship
121 bpm • G Maj • 00:56 • -16.89db
22% Popularity • 35% Danceability • 53% Energy • 92% Liveness
98% Instrumentalness • 12% Positiveness
22% Popularity • 35% Danceability • 53% Energy • 92% Liveness
98% Instrumentalness • 12% Positiveness
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US Military Bands
Old Comrades
117 bpm • C# Maj • 04:30 • -15.36db
8% Popularity • 63% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
8% Popularity • 63% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
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Percy Grainger
In a Nutshell: IV. Gum-Suckers' March (V...
117 bpm • D# Maj • 03:39 • -14.72db
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
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US Army Band
National Emblem
117 bpm • C min • 03:03 • -11.64db
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
14% Instrumentalness • 63% Positiveness
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
14% Instrumentalness • 63% Positiveness
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Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
7% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Frederick Fennell
Luto Quickstep
121 bpm • C# Maj • 02:39 • -9.02db
1% Popularity • 73% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
1% Popularity • 73% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
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US Navy Band
The Fairest of the Fair
117 bpm • D# Maj • 03:41 • -17.37db
6% Popularity • 49% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 96% Positiveness
6% Popularity • 49% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 96% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
122 bpm • F Maj • 03:39 • -24db
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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US Military Academy Band
French National Defile March
117 bpm • A# Maj • 04:29 • -14.68db
12% Popularity • 59% Danceability • 49% Energy • 5% Liveness
92% Instrumentalness • 70% Positiveness
12% Popularity • 59% Danceability • 49% Energy • 5% Liveness
92% Instrumentalness • 70% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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US Air Force Concert Band
The Star and Stripes Forever
116 bpm • G# Maj • 03:41 • -14.33db
15% Popularity • 49% Danceability • 50% Energy • 38% Liveness
87% Instrumentalness • 61% Positiveness
15% Popularity • 49% Danceability • 50% Energy • 38% Liveness
87% Instrumentalness • 61% Positiveness
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Henry Walford Davies
Royal Air Force March Past
122 bpm • D# Maj • 02:01 • -13.32db
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
8% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
8% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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USAF Heritage of American Band
National Emblem
122 bpm • F Maj • 02:58 • -12.02db
16% Popularity • 60% Danceability • 45% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
16% Popularity • 60% Danceability • 45% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
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US Army Band
Bravura
116 bpm • C min • 02:58 • -13db
15% Popularity • 49% Danceability • 27% Energy • 19% Liveness
55% Instrumentalness • 70% Positiveness
15% Popularity • 49% Danceability • 27% Energy • 19% Liveness
55% Instrumentalness • 70% Positiveness
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Henry Fillmore
The Footlifter
116 bpm • A# Maj • 03:07 • -12db
8% Popularity • 54% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 57% Positiveness
8% Popularity • 54% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 57% Positiveness
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Igor Stravinsky
Octet for Wind Instruments : III. Finale
116 bpm • A min • 03:42 • -21db
7% Popularity • 54% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
7% Popularity • 54% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Band of the Royal Air Force College Cranwell
Pomp an Circumstances March No. 1
116 bpm • C Maj • 05:25 • -17.21db
7% Popularity • 32% Danceability • 27% Energy • 33% Liveness
93% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 27% Energy • 33% Liveness
93% Instrumentalness • 28% Positiveness
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Samuel R. Hazo
Perthshire Majesty
116 bpm • A# Maj • 04:35 • -16db
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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US Navy Band
Anchors Aweigh
122 bpm • F Maj • 02:45 • -15.83db
11% Popularity • 55% Danceability • 41% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
11% Popularity • 55% Danceability • 41% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
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Thomas Doss
Romanian Overture
116 bpm • G min • 08:02 • -12db
7% Popularity • 36% Danceability • 29% Energy • 27% Liveness
44% Instrumentalness • 24% Positiveness
7% Popularity • 36% Danceability • 29% Energy • 27% Liveness
44% Instrumentalness • 24% Positiveness
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Eric Whitacre
Ghost Train Triptych: I. The Ride
122 bpm • A# min • 05:35 • -22db
10% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
10% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Sea Songs
116 bpm • G# Maj • 03:57 • -23db
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
116 bpm • F Maj • 04:45 • -17.13db
3% Popularity • 58% Danceability • 18% Energy • 25% Liveness
91% Instrumentalness • 56% Positiveness
3% Popularity • 58% Danceability • 18% Energy • 25% Liveness
91% Instrumentalness • 56% Positiveness
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US Navy Band
Semper Fidelis
116 bpm • C Maj • 02:51 • -12.61db
14% Popularity • 74% Danceability • 43% Energy • 5% Liveness
95% Instrumentalness • 87% Positiveness
14% Popularity • 74% Danceability • 43% Energy • 5% Liveness
95% Instrumentalness • 87% Positiveness
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Henry VIII
Pastime with good company
116 bpm • F min • 02:46 • -14.86db
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
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Johan de Meij
T-bone Concerto: III. Well Done
123 bpm • C Maj • 06:14 • -20.69db
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
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Vladimir Cosma
Euphonium Concerto: I. Allegro assai
115 bpm • C Maj • 09:14 • -19.11db
11% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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Norman Dello Joio
Satiric Dances: I. Allegro pesante
115 bpm • A min • 02:03 • -14db
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
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Tredegar Town Band
The Great Escape
123 bpm • G# Maj • 02:10 • -16.81db
27% Popularity • 61% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 70% Positiveness
27% Popularity • 61% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 70% Positiveness
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Jean-Baptiste Arban
Fantaisie Brillante - Instrumental
123 bpm • A# Maj • 08:16 • -19.96db
14% Popularity • 45% Danceability • 15% Energy • 22% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 45% Danceability • 15% Energy • 22% Liveness
90% Instrumentalness • 29% Positiveness
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Johan de Meij
T-bone Concerto: I. Rare
123 bpm • C min • 09:40 • -21.64db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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James Barnes
Danza Sinfonica
124 bpm • C# Maj • 10:43 • -16.93db
9% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
9% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
Sea Songs
115 bpm • G# Maj • 04:01 • -19db
21% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
21% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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US Air Force Tactical Air Command Band
Aces Of The Air
124 bpm • D# Maj • 02:13 • -19db
12% Popularity • 74% Danceability • 47% Energy • 5% Liveness
97% Instrumentalness • 96% Positiveness
12% Popularity • 74% Danceability • 47% Energy • 5% Liveness
97% Instrumentalness • 96% Positiveness
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Gérard Besse
Suite française : IV. Alsace-Lorraine
114 bpm • D min • 03:59 • -17db
3% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
March from The Love for Three Oranges, O...
124 bpm • G# Maj • 01:30 • -14.43db
10% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
10% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
114 bpm • D min • 01:11 • -12.34db
1% Popularity • 70% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
1% Popularity • 70% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
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US Army Band
The Purple Carnival
124 bpm • C# Maj • 03:32 • -12db
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
56% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
56% Instrumentalness • 37% Positiveness
► Preview
Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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Air Combat Command Heritage Of America Band
IV. Burlesque (Divertimento for Band)
114 bpm • E min • 01:42 • -21.05db
8% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
► Preview
Johan de Meij
March from Jazz Suite No. 2 Dmitri Shost...
124 bpm • F Maj • 02:58 • -18.23db
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Philip Sparke
Party Piece
125 bpm • D# Maj • 07:34 • -26.51db
10% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Karl Lawrence King, arr. Andrew Glover
Semper Iuvenalis, the Gateway City March
125 bpm • A# Maj • 03:03 • -11.17db
7% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
7% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
► Preview
Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
18% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
► Preview
Ronald Binge
Concerto For Alto Saxophone Pt. 3
125 bpm • G Maj • 04:20 • -14.54db
9% Popularity • 42% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
David Maslanka
On This Bright Morning
113 bpm • A# Maj • 08:40 • -22.2db
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
L'Histoire du Soldat (The Soldier's Tale...
113 bpm • G Maj • 02:42 • -11.87db
2% Popularity • 72% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
2% Popularity • 72% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
► Preview
Joseph Alessi
T-Bone Concerto
113 bpm • C Maj • 06:06 • -14db
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
► Preview
AKIRA HONDA
Neon Genesis
113 bpm • C# Maj • 05:25 • -18.39db
22% Popularity • 45% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 46% Positiveness
22% Popularity • 45% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 46% Positiveness
► Preview
William Walton
Crown Imperial: Coronation March (arr. J...
113 bpm • C Maj • 06:10 • -10db
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
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Tredegar Town Band
Children of Sanchez
125 bpm • A# Maj • 06:19 • -18.95db
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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Igor Stravinsky
L'Histoire du Soldat (The Soldier's Tale...
113 bpm • F# min • 01:41 • -28.82db
0% Popularity • 70% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 70% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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US Continental Army Band
Black Granite
113 bpm • C# Maj • 03:56 • -17.77db
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
126 bpm • A# Maj • 06:44 • -15.5db
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Eastman Wind Ensemble
English Folk Song Suite: I. March - Seve...
126 bpm • G# Maj • 03:12 • -12.65db
2% Popularity • 53% Danceability • 41% Energy • 2% Liveness
95% Instrumentalness • 69% Positiveness
2% Popularity • 53% Danceability • 41% Energy • 2% Liveness
95% Instrumentalness • 69% Positiveness
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Harmonie De Charlesbourg
Gulliver's Travels - Brobdingnag - Land ...
113 bpm • G# Maj • 02:12 • -16db
15% Popularity • 43% Danceability • 13% Energy • 18% Liveness
54% Instrumentalness • 38% Positiveness
15% Popularity • 43% Danceability • 13% Energy • 18% Liveness
54% Instrumentalness • 38% Positiveness
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Igor Stravinsky
Octet for Wind Instruments : I. Sinfonia
113 bpm • D# Maj • 04:04 • -15db
11% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
11% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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José Rafael Pascual-Vilaplana
Yakka
112 bpm • F Maj • 04:45 • -19.32db
9% Popularity • 33% Danceability • 29% Energy • 94% Liveness
94% Instrumentalness • 48% Positiveness
9% Popularity • 33% Danceability • 29% Energy • 94% Liveness
94% Instrumentalness • 48% Positiveness
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Don Haddad
Tuba Suite: I. Allegro maestoso
126 bpm • G min • 03:21 • -26.63db
15% Popularity • 44% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
15% Popularity • 44% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Hugh Stuart
3 Ayres from Gloucester: No. 3. The Fief...
112 bpm • D min • 01:09 • -18.17db
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
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US Navy Band
Under the Double Eagle
112 bpm • D# Maj • 02:41 • -15.89db
13% Popularity • 60% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
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The Band of Her Majesty's Royal Marines Scotland
Pentland Hills
112 bpm • A# Maj • 03:06 • -14db
16% Popularity • 54% Danceability • 50% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
16% Popularity • 54% Danceability • 50% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
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Igor Stravinsky
L'Histoire du Soldat (The Soldier's Tale...
112 bpm • D Maj • 01:52 • -13.02db
4% Popularity • 80% Danceability • 33% Energy • 9% Liveness
15% Instrumentalness • 82% Positiveness
4% Popularity • 80% Danceability • 33% Energy • 9% Liveness
15% Instrumentalness • 82% Positiveness
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Northwestern State University Bands
Overture for Winds
127 bpm • C min • 04:19 • -18.97db
14% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
14% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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The Royal Marines
Montagues And Capulets
112 bpm • G min • 01:46 • -12.22db
9% Popularity • 52% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
9% Popularity • 52% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Alton A. Adams
The Governor's Own
127 bpm • C# Maj • 02:26 • -16.38db
8% Popularity • 54% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 21% Positiveness
8% Popularity • 54% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 21% Positiveness
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John Philip Sousa
The Liberty Bell
127 bpm • F Maj • 03:25 • -15.51db
4% Popularity • 64% Danceability • 45% Energy • 31% Liveness
89% Instrumentalness • 62% Positiveness
4% Popularity • 64% Danceability • 45% Energy • 31% Liveness
89% Instrumentalness • 62% Positiveness
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Peter Graham
Gaelforce
127 bpm • C# Maj • 06:11 • -15db
15% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
15% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Igor Stravinsky
L'Histoire du Soldat (The Soldier's Tale...
126 bpm • G Maj • 01:28 • -13.01db
1% Popularity • 68% Danceability • 36% Energy • 12% Liveness
7% Instrumentalness • 81% Positiveness
1% Popularity • 68% Danceability • 36% Energy • 12% Liveness
7% Instrumentalness • 81% Positiveness
