Songs like Suite - From "Rich And Famous") by Georges Delerue
Based on a tempo of (+/- 10%) and a similar genre
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Andrea Guerra
Il papa è nostro padre
81 bpm • A min • 02:09 • -20.53db
40% Popularity • 12% Danceability • 13% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 13% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 15, Contra Mun...
81 bpm • E min • 01:23 • -24.52db
13% Popularity • 16% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
33% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Georges Delerue
Suite
81 bpm • A Maj • 04:58 • -16db
19% Popularity • 14% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Luis Bacalov
Postino Bambino
81 bpm • D# Maj • 00:52 • -17db
41% Popularity • 33% Danceability • 28% Energy • 41% Liveness
78% Instrumentalness • 10% Positiveness
41% Popularity • 33% Danceability • 28% Energy • 41% Liveness
78% Instrumentalness • 10% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Telegram
81 bpm • G# min • 01:44 • -12.98db
31% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Michel Magne
Ma chère Hélène
81 bpm • D Maj • 02:50 • -12db
9% Popularity • 13% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
9% Popularity • 13% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Claudio Capponi
Tema di Jane Eyre
81 bpm • A Maj • 02:38 • -16.21db
17% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Joshua Bell
Heavenly Voice II (Alternative Version)
81 bpm • D# Maj • 01:52 • -28.66db
22% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
30% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
30% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Georges Delerue
Les Appalaches
80 bpm • F Maj • 02:56 • -13.9db
10% Popularity • 20% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 20% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Max Steiner
I'll Never Be Hungry Again!
80 bpm • C Maj • 06:08 • -14db
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Yuja Wang
Wallfisch: The Races
80 bpm • F# Maj • 01:33 • -18.33db
19% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
19% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
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Eric Demarsan
Thème de Mathilde - Bande originale du ...
82 bpm • E Maj • 01:40 • -13.04db
19% Popularity • 19% Danceability • 27% Energy • 20% Liveness
84% Instrumentalness • 14% Positiveness
19% Popularity • 19% Danceability • 27% Energy • 20% Liveness
84% Instrumentalness • 14% Positiveness
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Jim Parker
Andrew's Theme
80 bpm • A Maj • 01:55 • -23.4db
15% Popularity • 38% Danceability • 4% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
15% Popularity • 38% Danceability • 4% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Georges Delerue
Suite
80 bpm • D# Maj • 06:52 • -16.77db
10% Popularity • 9% Danceability • 10% Energy • 22% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 9% Danceability • 10% Energy • 22% Liveness
88% Instrumentalness • 5% Positiveness
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Lennie Niehaus
Doe Eyes (Love Theme from the Bridges of...
82 bpm • C Maj • 05:00 • -21db
37% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Vladimir Cosma
La valse d'augustine
80 bpm • D min • 02:54 • -14.26db
36% Popularity • 19% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
36% Popularity • 19% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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John Lunn
Mr. Chambers
82 bpm • F Maj • 01:47 • -11db
20% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
20% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Nicola Piovani
Palombella Rossa: Le Mamme Ci Asciugavan...
82 bpm • G min • 02:39 • -18db
34% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Georges Delerue
Pierre et Nicole
80 bpm • E min • 02:47 • -16.19db
10% Popularity • 22% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
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Stanley Myers
Cavatina - Arranged By John Williams
82 bpm • E Maj • 03:38 • -28db
39% Popularity • 44% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 39% Positiveness
39% Popularity • 44% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 39% Positiveness
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John Lunn
All Aboard
82 bpm • F min • 01:41 • -11.09db
17% Popularity • 24% Danceability • 34% Energy • 14% Liveness
84% Instrumentalness • 29% Positiveness
17% Popularity • 24% Danceability • 34% Energy • 14% Liveness
84% Instrumentalness • 29% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Claudio Capponi
Tema di Jane
82 bpm • D Maj • 01:28 • -17.52db
27% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Georges Delerue
End Title
82 bpm • D Maj • 05:31 • -13.87db
12% Popularity • 11% Danceability • 24% Energy • 31% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 11% Danceability • 24% Energy • 31% Liveness
93% Instrumentalness • 7% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Patrick Doyle
Gosford Park
80 bpm • A Maj • 02:22 • -17.92db
13% Popularity • 34% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Charlie Chaplin
The Terry Theme From "Limelight" / La Vi...
82 bpm • C min • 07:15 • -20db
29% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
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Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Max Steiner
Scarlett Prepares for the Barbecue
79 bpm • F Maj • 02:21 • -14db
18% Popularity • 27% Danceability • 30% Energy • 35% Liveness
62% Instrumentalness • 32% Positiveness
18% Popularity • 27% Danceability • 30% Energy • 35% Liveness
62% Instrumentalness • 32% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
43% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
43% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Patrick Doyle
The Wedding Night
79 bpm • C Maj • 02:05 • -18db
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Alan Silvestri
You're No Different
83 bpm • G Maj • 00:57 • -29db
46% Popularity • 26% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 32% Positiveness
46% Popularity • 26% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 32% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nicola Piovani
Hungry Hearts
79 bpm • G Maj • 03:58 • -20.31db
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Yuja Wang
Wallfisch: Gilbert's Theme
83 bpm • F Maj • 01:26 • -19.09db
25% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
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Philippe Sarde
L'Isolement
79 bpm • A min • 01:07 • -15.97db
30% Popularity • 9% Danceability • 18% Energy • 29% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 18% Energy • 29% Liveness
82% Instrumentalness • 4% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Lennie Niehaus
Kate's Theme / End Credits
79 bpm • F Maj • 04:42 • -22.48db
30% Popularity • 12% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
30% Popularity • 12% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Dave Grusin
On Golden Pond - Main Theme
79 bpm • G Maj • 03:52 • -19.17db
33% Popularity • 35% Danceability • 7% Energy • 56% Liveness
82% Instrumentalness • 10% Positiveness
33% Popularity • 35% Danceability • 7% Energy • 56% Liveness
82% Instrumentalness • 10% Positiveness
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John Lunn
Taking Leave
83 bpm • D Maj • 02:26 • -16.68db
18% Popularity • 18% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
18% Popularity • 18% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Patrick Doyle
Sweets To The Sweet Farewell
83 bpm • F Maj • 05:10 • -16.48db
24% Popularity • 8% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Milo Paulus
Scarlett in the Mist: II. Leaving Home
83 bpm • F# Maj • 01:40 • -13.32db
15% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Austenland Symphony: III. Minuet & Waltz
83 bpm • C Maj • 03:54 • -13.63db
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Puy du Fou
Les semeuses
83 bpm • G Maj • 01:46 • -14.6db
2% Popularity • 12% Danceability • 29% Energy • 21% Liveness
83% Instrumentalness • 6% Positiveness
2% Popularity • 12% Danceability • 29% Energy • 21% Liveness
83% Instrumentalness • 6% Positiveness
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Christopher Gunning
The Rosemary and Thyme Caprice
84 bpm • E min • 04:04 • -29db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Maurizio Malagnini
The Adventure of Life
83 bpm • G Maj • 03:23 • -13db
27% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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John Lunn
Resolution
84 bpm • D Maj • 02:15 • -18.9db
22% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
22% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Pino Donaggio
John's Theme (Laura Leaves Venice)
84 bpm • G Maj • 01:00 • -16.25db
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
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Lennie Niehaus
Doe Eyes - Love Theme from the Bridges o...
84 bpm • C Maj • 01:05 • -25.8db
49% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
49% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Carmine Coppola
Vincent's Theme
84 bpm • A min • 01:49 • -24.92db
26% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
26% Popularity • 11% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Victor Young
Main Title: Prelude
84 bpm • F Maj • 02:10 • -10.28db
15% Popularity • 17% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 17% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Georges Delerue
Brouillard (Version 2)
84 bpm • A min • 02:38 • -21.09db
4% Popularity • 18% Danceability • 13% Energy • 30% Liveness
30% Instrumentalness • 20% Positiveness
4% Popularity • 18% Danceability • 13% Energy • 30% Liveness
30% Instrumentalness • 20% Positiveness
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Geoffrey Burgon
Sebastian's Summer
85 bpm • D Maj • 05:35 • -22.22db
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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FELIX MEAGHER
Life Begins Again
85 bpm • D Maj • 03:36 • -11.21db
19% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Die 12 Cellisten der Berliner Philharmoniker
Poverty / Deborah's Theme
85 bpm • E Maj • 07:09 • -24.74db
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Alex North
Blanche And Mitch
85 bpm • F min • 03:45 • -25.54db
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Moscow Symphony Orchestra
Texas Memories
85 bpm • G Maj • 01:05 • -27.71db
41% Popularity • 47% Danceability • 3% Energy • 8% Liveness
14% Instrumentalness • 7% Positiveness
41% Popularity • 47% Danceability • 3% Energy • 8% Liveness
14% Instrumentalness • 7% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Ernest Gold
Exodus - Theme
85 bpm • E min • 02:52 • -10.7db
19% Popularity • 13% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
19% Popularity • 13% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Luis Bacalov
Il Postino (Titoli)
85 bpm • C Maj • 02:44 • -16db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Benny Goodman
Concerto For Clarinet & String Orchestra
85 bpm • D min • 07:42 • -12.92db
21% Popularity • 9% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Luciano Lombardi
Notte Quieta
85 bpm • G min • 03:12 • -17.1db
24% Popularity • 15% Danceability • 17% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 17% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
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Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Georges Delerue
Symphonic Suite For Chorus And Orchestra...
85 bpm • E min • 03:30 • -13.41db
8% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Clint Eastwood
May Have To Lose It
77 bpm • C Maj • 01:08 • -21.6db
24% Popularity • 14% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 14% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Michel Magne
Angélique Marquise des Anges
77 bpm • G# Maj • 05:59 • -8.58db
13% Popularity • 12% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
13% Popularity • 12% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Alex North
Unchained - Unchained Melody
86 bpm • A Maj • 03:26 • -24db
18% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Georges Delerue
Ouverture
77 bpm • D min • 01:53 • -11.89db
16% Popularity • 18% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
