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Suite from Faust: III. Requiem
Songs like
Suite from Faust: III. Requiem
by
Petr Eben
Based on a tempo of (+/- 10%) and a similar genre
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George Arthur
Missa Brevis: I. Kyrie
97 bpm • C min • 01:07 • -26.89db
8% Popularity • 22% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ronald Roxbury
2 Songs of Walt Whitman: No. 2, Here the...
97 bpm • D Maj • 01:50 • -36.58db
11% Popularity • 24% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Wanning
Omnis qui se exaltat
97 bpm • G min • 01:52 • -14.46db
14% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: XII. Quando corpus
97 bpm • G# min • 04:05 • -18.09db
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
Die güldene Sonne bringt Leben und Wonn...
96 bpm • A Maj • 02:25 • -19.62db
13% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": VII...
96 bpm • G Maj • 04:07 • -24.39db
12% Popularity • 12% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Petr Eben
The Song of Rúth for Mezzo-soprano and ...
98 bpm • A min • 05:56 • -21.65db
1% Popularity • 19% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Mark Anton Moebius
Sechs Intermezzi zu Schumanns Jagdlieder...
96 bpm • D Maj • 02:08 • -25.01db
7% Popularity • 16% Danceability • 10% Energy • 17% Liveness
11% Instrumentalness • 4% Positiveness
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Traditional
St. Lawrence, Jewry: Spliced Surprise Ma...
99 bpm • A# min • 04:09 • -17.12db
9% Popularity • 36% Danceability • 32% Energy • 20% Liveness
97% Instrumentalness • 37% Positiveness
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Hans Koessler
Missa in F Minor: III. Credo
99 bpm • A# Maj • 06:03 • -18.53db
9% Popularity • 22% Danceability • 16% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
14% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Samuel Scheidt
Ich ruf zu dir, Herr Jesu Christ, SSWV 2...
99 bpm • D min • 01:18 • -31.91db
24% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Athesinus Consort Berlin
Müde bin ich, geh zur Ruh
99 bpm • F# Maj • 01:57 • -22.6db
11% Popularity • 31% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: II. Kyrie
95 bpm • E min • 04:15 • -23.63db
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Tõnu Kõrvits
Kreek's Notebook: III. Ma kiitlen üksp�...
100 bpm • D Maj • 01:36 • -37.48db
8% Popularity • 59% Danceability • 1% Energy • 10% Liveness
11% Instrumentalness • 45% Positiveness
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Petr Eben
Písne K Loutne: 2. I dare not ask
100 bpm • E min • 01:12 • -29.83db
0% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
11% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
10% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
100 bpm • F# Maj • 01:36 • -17.32db
12% Popularity • 31% Danceability • 13% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
16% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Antonio Lotti
Credo in F Major: II. Crucifixus à 8
101 bpm • B min • 03:12 • -16.82db
15% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Petr Eben
Písne K Loutne: 4. Ach Gott, wie weh tu...
100 bpm • F# min • 02:56 • -27.63db
0% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Silloin Jeesus Ojensi Käte...
101 bpm • G min • 02:12 • -19.61db
10% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piccolominimesse, KV 258: IV. Sanctus
93 bpm • C Maj • 01:09 • -7.55db
10% Popularity • 24% Danceability • 73% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: II. Gefangenn...
102 bpm • C# Maj • 04:32 • -22.94db
11% Popularity • 38% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Petr Eben
The Prague Te Deum 1989 for Mixed Chorus...
102 bpm • A min • 08:23 • -17.89db
1% Popularity • 34% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
St. Luke Passion, BWV 246 Anh. II 30, Pt...
92 bpm • F# Maj • 03:37 • -25.79db
8% Popularity • 42% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
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Johann Sebastiani
St Matthew Passion: No. 1, Symphonia und...
92 bpm • F Maj • 01:09 • -18.36db
3% Popularity • 11% Danceability • 6% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness
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Kim André Arnesen
What are children to the Lord?
102 bpm • G# Maj • 04:28 • -32.12db
15% Popularity • 14% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Alfrēds Kalniņš
Kalniņš, Aijaija
92 bpm • D# Maj • 02:27 • -20.11db
15% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Gloria
92 bpm • C min • 05:20 • -20.92db
10% Popularity • 17% Danceability • 6% Energy • 34% Liveness
3% Instrumentalness • 6% Positiveness
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Petr Eben
Salve Regina
92 bpm • C min • 02:13 • -22.6db
1% Popularity • 28% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jean-Jacques Beauvarlet-Charpentier
Noël "Votre bonté grand Dieu"
92 bpm • A Maj • 06:48 • -21.75db
13% Popularity • 18% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 30% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
9% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: III. O quam tristi...
91 bpm • F# Maj • 02:49 • -25.36db
10% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Traditional
O, The Scent Of Roses
91 bpm • C Maj • 00:32 • -27.77db
0% Popularity • 52% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 0% Positiveness
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Crato B?er
Aria Sunamithica
103 bpm • G min • 05:19 • -18.27db
13% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Petr Eben
Eben: Ókna (Windows) - after Marc Chaga...
92 bpm • C Maj • 06:00 • -14.65db
1% Popularity • 21% Danceability • 17% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Samuel Barber
Sure on This Shining Night
91 bpm • A# Maj • 02:18 • -27.29db
12% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Stuart Beatch
The Letter
91 bpm • F Maj • 03:09 • -21.64db
13% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Jean Mouton
Qui ne regrettoit
91 bpm • G min • 01:34 • -25.46db
10% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
13% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Kerensa Briggs
Media Vita
104 bpm • F# Maj • 03:11 • -26.84db
12% Popularity • 15% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
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Petr Eben
Te Deum
91 bpm • A min • 09:16 • -17.41db
0% Popularity • 23% Danceability • 13% Energy • 30% Liveness
36% Instrumentalness • 5% Positiveness
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André Jolivet
Suite liturgique: II. Salve Regina
105 bpm • G Maj • 02:25 • -26db
7% Popularity • 27% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 6% Positiveness
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Diego Adinolfi
A Paz Eu Vos Deixo
90 bpm • C Maj • 03:07 • -22.6db
9% Popularity • 17% Danceability • 15% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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John Stainer
The Crucifixion: Recitative: "And They C...
90 bpm • C# Maj • 01:12 • -28.44db
8% Popularity • 20% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Athesinus Consort Berlin
Wie Wasser
105 bpm • G Maj • 03:10 • -16.13db
14% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Virpi Leppanen
O Taste and See
90 bpm • D min • 03:18 • -27.65db
10% Popularity • 13% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Petr Eben
Cantico delle Creature – Sonnengesang
91 bpm • A# min • 05:21 • -21.76db
0% Popularity • 19% Danceability • 15% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
12% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Petite messe solennelle: II. Kyrie. Chri...
105 bpm • F min • 02:01 • -34.68db
21% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
22% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Edvin Østergaard
Aus der ersten Duineser Elegie für drei...
89 bpm • B Maj • 02:16 • -31.65db
9% Popularity • 21% Danceability • 1% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
In festis Apostolorum I: Ib. Christe
89 bpm • A min • 01:12 • -14.04db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
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Petr Eben
Eben: Ókna (Windows) - after Marc Chaga...
90 bpm • A# Maj • 06:32 • -14.75db
1% Popularity • 18% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25 (Excerpts): No....
89 bpm • C Maj • 01:19 • -21.86db
8% Popularity • 18% Danceability • 12% Energy • 24% Liveness
7% Instrumentalness • 11% Positiveness
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Five Creates
His Arrival
106 bpm • G# Maj • 01:17 • -28.45db
19% Popularity • 19% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Benedic...
89 bpm • G Maj • 03:13 • -21.92db
9% Popularity • 13% Danceability • 8% Energy • 9% Liveness
55% Instrumentalness • 10% Positiveness
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ensemble tresonare
O Bone Jesu
106 bpm • D min • 03:51 • -22.18db
9% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Roman Cejnar
Zkouška na koncert
106 bpm • D# Maj • 03:51 • -14.17db
0% Popularity • 58% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Petr Eben
Missa adventus et Quadragesimae for Male...
90 bpm • D min • 02:30 • -18.61db
1% Popularity • 12% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": X. ...
89 bpm • A# Maj • 05:56 • -15.68db
10% Popularity • 20% Danceability • 28% Energy • 18% Liveness
64% Instrumentalness • 33% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
9% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: V. Quoni...
89 bpm • C Maj • 01:26 • -12.96db
9% Popularity • 36% Danceability • 29% Energy • 22% Liveness
18% Instrumentalness • 24% Positiveness
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Harald Weiss
Lehre uns bedenken
88 bpm • F Maj • 01:35 • -28.83db
8% Popularity • 14% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Petr Eben
Vesperae in festo nativitatis B. M. V. f...
90 bpm • D Maj • 03:45 • -20.16db
0% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andreas Hammerschmidt
Ach wie gar nichts sind alle Menschen
88 bpm • G min • 04:35 • -22.99db
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
88 bpm • A Maj • 01:44 • -34.72db
18% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Magister Jörg Schapf
Preambalon Manualiter in Fa
88 bpm • F Maj • 01:08 • -30.7db
8% Popularity • 57% Danceability • 6% Energy • 18% Liveness
93% Instrumentalness • 65% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introït
107 bpm • F Maj • 03:33 • -21.89db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Five Creates
Glorious
107 bpm • C# Maj • 03:20 • -25.08db
19% Popularity • 22% Danceability • 9% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Petr Eben
Suita liturgica: II. Theresiae a Jesu In...
89 bpm • A# Maj • 06:49 • -23.12db
1% Popularity • 18% Danceability • 11% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
12% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
88 bpm • G# min • 02:39 • -18.3db
12% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: I. Kyrie
88 bpm • D min • 04:26 • -31.37db
9% Popularity • 10% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
107 bpm • A# Maj • 03:26 • -28.34db
9% Popularity • 18% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Petr Eben
Vesperae in festo nativitatis B. M. V. f...
89 bpm • D Maj • 02:39 • -20.73db
0% Popularity • 19% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Julian Hauptmann
Macht weit die Pforten in der Welt!
108 bpm • D Maj • 01:11 • -20.32db
8% Popularity • 19% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
20% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
16% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 2, Trois b...
108 bpm • A# min • 02:40 • -27.61db
9% Popularity • 27% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Wilhelm Peterson-Berger
Vårsång
108 bpm • C Maj • 01:10 • -33.34db
1% Popularity • 19% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Petr Eben
Písne K Loutne: 3. Quand ce beau printe...
106 bpm • F Maj • 01:59 • -26.42db
1% Popularity • 45% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Frank La Rocca
Mass of the Americas: V. Sanctus - Bened...
87 bpm • D min • 03:33 • -20.09db
4% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
9% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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António Correa Braga
Tiento de 6° tom
87 bpm • E Maj • 06:32 • -20.62db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Francis Grier
Flourish and Reverie: I. Flourish
87 bpm • B min • 04:21 • -20.42db
13% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Richard Baker
To Keep a True Lent
87 bpm • D Maj • 02:03 • -27.63db
32% Popularity • 29% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Igor Stravinsky
Four Russian Peasant Songs: IV. Monsieur...
87 bpm • C min • 01:15 • -22.49db
8% Popularity • 51% Danceability • 3% Energy • 5% Liveness
3% Instrumentalness • 12% Positiveness
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A5 Vocal Ensemble
Guerrero: Alma si sabes d'amor
87 bpm • B Maj • 02:07 • -20.11db
10% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Petr Eben
Sunday Music: No. 1, Fantasia I
87 bpm • F Maj • 08:15 • -20.94db
0% Popularity • 9% Danceability • 3% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Suite from Faust: III. Requiem