Songs like Suite from "alcyone": I. Air, Gravement Et Pique by Marin Marais
Based on a tempo of (+/- 10%) and a similar genre
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François Couperin
Deuxième Livre de pièces de clavecin, ...
80 bpm • G# Maj • 02:38 • -26.98db
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
25% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Anonymous
La morte della Ragione (Pavana)
80 bpm • D# min • 03:53 • -14.88db
9% Popularity • 23% Danceability • 20% Energy • 17% Liveness
62% Instrumentalness • 27% Positiveness
9% Popularity • 23% Danceability • 20% Energy • 17% Liveness
62% Instrumentalness • 27% Positiveness
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Jean-Féry Rebel
Les Élémens: Chaos
81 bpm • G# Maj • 06:02 • -18.77db
7% Popularity • 14% Danceability • 22% Energy • 13% Liveness
81% Instrumentalness • 8% Positiveness
7% Popularity • 14% Danceability • 22% Energy • 13% Liveness
81% Instrumentalness • 8% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Tobias Hume
The First Part of Ayres, French, Pollish...
81 bpm • G# Maj • 02:59 • -30.78db
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Marin Marais
Suite In G Minor (Suite En Sol Mineur): ...
79 bpm • F# min • 02:22 • -21.37db
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Jean-Féry Rebel
Les Éléments: IV. Ramage : L’Air
80 bpm • C# Maj • 01:17 • -29.66db
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
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Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
81 bpm • A# min • 00:57 • -19.8db
29% Popularity • 23% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
29% Popularity • 23% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Marin Marais
Pièces de viole, Livre V: No. 46, Prél...
81 bpm • E Maj • 02:46 • -27.82db
12% Popularity • 24% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Trios pour le coucher du roi, LWV 35: Ch...
79 bpm • A# Maj • 03:35 • -19.81db
10% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jordi Savall
Alcione - 2Ème Suite - Airs Pour Les Eo...
81 bpm • D min • 01:24 • -22.56db
6% Popularity • 50% Danceability • 12% Energy • 6% Liveness
30% Instrumentalness • 21% Positiveness
6% Popularity • 50% Danceability • 12% Energy • 6% Liveness
30% Instrumentalness • 21% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
82 bpm • A# min • 01:01 • -20.84db
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
An Wasserflüssen Babylon, BWV 653b
78 bpm • F# Maj • 03:11 • -27.08db
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
37% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
37% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Marin Marais
Pièces de viole, Book 3, Suite No. 4 in...
78 bpm • C# Maj • 04:04 • -22db
9% Popularity • 26% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
24% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
27% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
27% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
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André Campra
Messe de requiem: I. Requiem
82 bpm • D# Maj • 06:27 • -18db
14% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Marin Marais
Pièces de viole du Quatrième Livre, su...
82 bpm • E min • 08:32 • -24.19db
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
78 bpm • C# Maj • 02:42 • -17db
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Dietrich Buxtehude
Klag Lied in D Minor, BuxWV 76: II. Cont...
83 bpm • E min • 05:16 • -19.92db
7% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
83 bpm • B min • 05:48 • -29.47db
12% Popularity • 25% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Carl Friedrich Abel
27 Pieces for Viola da Gamba, WKO 186-21...
77 bpm • C# min • 02:16 • -25db
17% Popularity • 18% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Marin Marais
Alcione, Prologue: Ritournelle: "Aimable...
82 bpm • C min • 01:37 • -24.42db
3% Popularity • 21% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 21% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
25% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
25% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jordi Savall
Alcione - 2Ème Suite - Airs Pour Les Eo...
83 bpm • G Maj • 04:07 • -26.57db
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
25% Instrumentalness • 15% Positiveness
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
25% Instrumentalness • 15% Positiveness
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Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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Marin Marais
Pièces de Viole, Quatrième livre, Suit...
78 bpm • D# min • 05:44 • -27.35db
0% Popularity • 16% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Jean-Marie Leclair
Violin Concerto in C Major, Op. 7 No. 3:...
83 bpm • B Maj • 06:26 • -18db
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
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Claudio Monteverdi
Altri canti d'amor
83 bpm • B min • 03:27 • -23.95db
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Marin Marais
Manuscrit Panmure: Plainte in D Minor
78 bpm • C# min • 04:36 • -18.08db
12% Popularity • 18% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 8% Positiveness
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Matthew Locke
Psyche: Symphony for the descending of V...
83 bpm • G min • 01:46 • -23.05db
14% Popularity • 8% Danceability • 3% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
20% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Robert de Visée
Pièces de théorbe, Suite in A Minor: I...
77 bpm • A Maj • 02:22 • -25.32db
17% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
17% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Antoine Forqueray
Deuxième Suite in G Major: IV. La Lecla...
77 bpm • F# Maj • 03:39 • -20.91db
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Henri Dumont
Bauyn Manuscript, F-Pn Rés.Vm7 674–67...
84 bpm • C# min • 03:39 • -20.69db
8% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Suite No. 4 in D Minor, HWV 437:...
76 bpm • C# min • 05:43 • -27db
38% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
38% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
28% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
28% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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François Couperin
Le Rossignol en Amour
84 bpm • C# Maj • 03:12 • -27db
7% Popularity • 29% Danceability • 2% Energy • 8% Liveness
67% Instrumentalness • 34% Positiveness
7% Popularity • 29% Danceability • 2% Energy • 8% Liveness
67% Instrumentalness • 34% Positiveness
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Jean-Féry Rebel
La Terpsichore: V. Première sicilienne....
84 bpm • C# Maj • 01:33 • -23.46db
11% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Marin Marais
Alcione, Prologue: "Fuyez, fuyez, mortel...
77 bpm • G# Maj • 02:08 • -21.76db
4% Popularity • 31% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 66% Positiveness
4% Popularity • 31% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 66% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Antoine Forqueray
Jupiter
84 bpm • B min • 04:01 • -17db
12% Popularity • 17% Danceability • 51% Energy • 96% Liveness
94% Instrumentalness • 80% Positiveness
12% Popularity • 17% Danceability • 51% Energy • 96% Liveness
94% Instrumentalness • 80% Positiveness
► Preview
Andrea Falconieri
Folias (A 3) Echa Para Mi Señora Doña ...
84 bpm • B Maj • 04:29 • -16.5db
21% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jean-Baptiste Lully
Le Bourgeois gentilhomme, LWV 43: Canari...
84 bpm • C min • 01:03 • -22.65db
24% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
► Preview
Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
23% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
23% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
► Preview
Marin Marais
Alcione, Acte V Scène 3: Ritournelle (f...
77 bpm • F min • 01:41 • -21.21db
1% Popularity • 25% Danceability • 9% Energy • 13% Liveness
9% Instrumentalness • 17% Positiveness
1% Popularity • 25% Danceability • 9% Energy • 13% Liveness
9% Instrumentalness • 17% Positiveness
► Preview
Michel Lambert
Lambert: Mes jours s'en vont finir
84 bpm • F# min • 03:44 • -20.21db
14% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Benedetto Marcello
Sonata in D Minor, Op. 2, No. 2: III. La...
76 bpm • E Maj • 01:21 • -23.48db
26% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
► Preview
Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Marin Marais
Alcione, Acte I Scène 2: "Que rien ne t...
76 bpm • G Maj • 01:02 • -21.95db
3% Popularity • 31% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 31% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Jean-Henri d'Anglebert
D'Anglebert: Suite No. 3 en ré mineur: ...
76 bpm • G# min • 04:01 • -28.74db
12% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
► Preview
Claudio Monteverdi
Romanesca: Ohime, dov'e il mio ben, dov'...
85 bpm • G Maj • 02:04 • -21db
19% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Gavott...
75 bpm • A# Maj • 01:41 • -18.48db
16% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
16% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
75 bpm • C# min • 05:47 • -19.06db
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Jordi Savall
Alcione - 1Ère Suite - Airs Pour Les Dr...
85 bpm • F min • 01:52 • -25.55db
4% Popularity • 31% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 31% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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Jean-Henri d'Anglebert
Les Folies d'Espagne
75 bpm • C Maj • 05:05 • -24db
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Dario Castello
Sonate concertate in stil moderno, Book ...
85 bpm • C# min • 04:43 • -15.76db
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air pour les esclav...
86 bpm • F# min • 01:39 • -18db
23% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
75 bpm • C# Maj • 00:50 • -25.4db
16% Popularity • 40% Danceability • 21% Energy • 18% Liveness
63% Instrumentalness • 60% Positiveness
16% Popularity • 40% Danceability • 21% Energy • 18% Liveness
63% Instrumentalness • 60% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
18% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Marin Marais
Alcione, Prologue: "Règne, règne, fill...
76 bpm • G min • 03:06 • -18.87db
3% Popularity • 24% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 24% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Sonata I (G Dur), BWV 1027: Adagio
86 bpm • F# Maj • 04:10 • -22.54db
8% Popularity • 32% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
86 bpm • F# min • 01:39 • -16.5db
20% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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François Couperin
Second livre de pièces de clavecin, Ord...
86 bpm • A Maj • 02:44 • -17.92db
14% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
14% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
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Marin Marais
Marais: Pièces de viole, Livre II, Suit...
83 bpm • B Maj • 04:04 • -35db
20% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Tobias Hume
The First Part of Ayres: Captaine Humes ...
74 bpm • F# min • 07:09 • -23.43db
10% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Henry Purcell
Oedipus, Z.583: Music for a While
86 bpm • B min • 03:41 • -27.74db
3% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Sonata Op. 5, No. 10: Sarabanda
86 bpm • C# min • 03:57 • -29db
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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George Frideric Handel
Dance Suite: I. Chaconne. Tanz der spani...
87 bpm • F# min • 01:18 • -11.47db
12% Popularity • 20% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 84% Positiveness
12% Popularity • 20% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 84% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: IV. Ad lat...
74 bpm • C# min • 08:13 • -22.74db
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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![[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en la majeur]: VIII. 2e Menuet (N...
85 bpm • G# Maj • 01:12 • -20.03db
19% Popularity • 38% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
19% Popularity • 38% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
42% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
42% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
88 bpm • G# min • 03:21 • -16db
16% Popularity • 18% Danceability • 9% Energy • 15% Liveness
54% Instrumentalness • 14% Positiveness
16% Popularity • 18% Danceability • 9% Energy • 15% Liveness
54% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
86 bpm • A Maj • 01:19 • -15.06db
28% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
28% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
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Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
88 bpm • B min • 01:39 • -23.19db
26% Popularity • 21% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)