Songs like Suite from Faust: IV. Valpuržina noc by Petr Eben
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Alexander Glazunov
Saxophone Quartet B Major, Op. 109: IIa....
128 bpm • D# Maj • 01:29 • -25.11db
7% Popularity • 17% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Mårten Jansson
Missa Popularis: II. Gloria
129 bpm • F Maj • 04:19 • -18db
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
► Preview
Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: II. Choral "C...
129 bpm • C# min • 01:26 • -12.03db
17% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Petr Eben
Písne K Loutne: 1. Milovánie bez víd�...
129 bpm • D Maj • 01:14 • -27.89db
2% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Com...
127 bpm • F min • 03:35 • -20.77db
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: XI. Credo. Cred...
129 bpm • B Maj • 04:17 • -18.99db
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
► Preview
Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Ralph Vaughan Williams
Sancta civitas: I was in the Spirit
126 bpm • F Maj • 05:21 • -22.06db
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Petr Eben
Hommage à Buxtehude
126 bpm • C Maj • 07:36 • -21.98db
0% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Paolo Spoladore
Shir
126 bpm • G# Maj • 01:08 • -18db
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
► Preview
Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Andrea Gabrieli
Gabrieli, A: Intonatione del primo tono
130 bpm • D min • 01:00 • -34.86db
18% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Petr Eben
Job: III. Acceptance of Suffering
130 bpm • D Maj • 05:11 • -22.07db
0% Popularity • 17% Danceability • 4% Energy • 18% Liveness
56% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 18% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
The Royal Wind Music
For Children (Gyermekeknek): Elvesztette...
131 bpm • G# Maj • 01:23 • -25.51db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Georg Anton Kreusser
11. Aria: So stehet ein Berg Gottes
125 bpm • C Maj • 06:00 • -17.7db
9% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
9% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: II. Herr Jesus, Sohn...
125 bpm • C min • 01:34 • -17.89db
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
18% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Petr Eben
Vesperae in festo nativitatis B. M. V. f...
130 bpm • C Maj • 03:22 • -28.15db
0% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
131 bpm • G# min • 05:27 • -32.93db
7% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Heidi en Berlín
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Elijah, Op. 70: "Be Not Afraid, Saith Go...
132 bpm • G Maj • 04:09 • -14.15db
8% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Petr Eben
Vox clamantis. Symphonic Movement for 3 ...
126 bpm • C# Maj • 13:23 • -14.39db
0% Popularity • 30% Danceability • 34% Energy • 24% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 34% Energy • 24% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
14% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
The Royal Wind Music
Xasaposerviko
132 bpm • D# min • 01:37 • -28.87db
17% Popularity • 35% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
17% Popularity • 35% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream: A Dance of Cl...
132 bpm • A# Maj • 01:40 • -18.3db
4% Popularity • 70% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
4% Popularity • 70% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
► Preview
Petr Eben
Liturgical Chants: No. 3, Evangelium
131 bpm • F# min • 01:26 • -20.61db
0% Popularity • 25% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
The Royal Wind Music
All'Arm' all'Arme
124 bpm • G# Maj • 01:20 • -21.26db
15% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
► Preview
Eric Fleming
Le Devin Du Village, Act I Scene 8 VIII....
123 bpm • E Maj • 01:28 • -13.17db
25% Popularity • 51% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
25% Popularity • 51% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
► Preview
Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Petr Eben
Liturgical Chants: No. 4, Offertorium
132 bpm • A min • 01:43 • -26.78db
0% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Athesinus Consort Berlin
Ich liege und schlafe
134 bpm • D Maj • 01:59 • -25.35db
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
KNOXVILLETRACKZ
HFTEPF
134 bpm • D min • 01:04 • -45.51db
13% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
13% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
► Preview
Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
► Preview
John Blow
Let my Prayer come up
134 bpm • A# min • 01:08 • -30.63db
8% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Petr Eben
Six Love Songs: No. 1, Noc milá
134 bpm • D min • 01:54 • -23.4db
0% Popularity • 35% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 35% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
28% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
28% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
22% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
22% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
22% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
► Preview
Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: U...
136 bpm • G min • 02:05 • -20db
8% Popularity • 30% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Petr Eben
Okna (Windows): IV. Levi, the golden win...
121 bpm • A# Maj • 06:41 • -16.75db
0% Popularity • 28% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Frank La Rocca
Requiem for the Forgotten: I. Introit
136 bpm • A min • 06:11 • -19.79db
7% Popularity • 15% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 3, La rond...
136 bpm • C# min • 01:41 • -20.19db
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Max Reger
Zur Nacht, Op. 6, No. 2
136 bpm • D# Maj • 02:17 • -26.91db
7% Popularity • 20% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
24% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
11% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Petr Eben
Liturgical Chants: No. 5, Communio
120 bpm • A Maj • 01:36 • -16.79db
0% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
KNOXVILLETRACKZ
HFTEP4
120 bpm • D min • 01:04 • -45.3db
13% Popularity • 22% Danceability • 0% Energy • 14% Liveness
97% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 0% Energy • 14% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Markku Liukkonen
Aaria, Kun Herra Kulkee Pyhään Kaupunk...
137 bpm • C min • 04:22 • -18.78db
11% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
13% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Petr Eben
Miniatures for Flute & Piano: I. Con des...
137 bpm • C Maj • 01:14 • -27.5db
0% Popularity • 33% Danceability • 1% Energy • 6% Liveness
30% Instrumentalness • 36% Positiveness
0% Popularity • 33% Danceability • 1% Energy • 6% Liveness
30% Instrumentalness • 36% Positiveness
► Preview
Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Cuarteto Vocal Cavatina
Indianas: V. Al Tribunal de tu Pecho
119 bpm • E Maj • 03:53 • -26.69db
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
► Preview
Eric Fleming
Hippolyte Et Aricie, Scène 3 VII, Acte ...
138 bpm • E Maj • 02:04 • -18.84db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Paul Fey
Fanfare on "Jesus Christ is Risen Today"
138 bpm • C Maj • 01:30 • -16.93db
12% Popularity • 15% Danceability • 13% Energy • 45% Liveness
92% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 13% Energy • 45% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Philip Stopford
Missa Deus nobiscum (Version for Soprano...
118 bpm • G# Maj • 01:18 • -18.53db
12% Popularity • 17% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
11% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Eric Fleming
Le Pauvre Jacques
139 bpm • E Maj • 03:03 • -16db
25% Popularity • 28% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 28% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
14% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Larimar Music Vibes
Behind the ocean
140 bpm • G# min • 03:59 • -18.52db
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
► Preview
LeoRoads
Serenade of the Celestials
117 bpm • E Maj • 02:17 • -17.26db
8% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Felix Mendelssohn
Elijah, Op. 70: "Holy, Holy, Holy Is God...
140 bpm • C Maj • 03:27 • -19.46db
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
No. 8, Psalm, Herr unser Herrscher, SWV ...
117 bpm • G min • 07:07 • -14.59db
8% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Sammartini
Sonata No. 3 in G Major: III. Allegro
141 bpm • G Maj • 02:22 • -11.64db
22% Popularity • 36% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 58% Positiveness
22% Popularity • 36% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 58% Positiveness
► Preview
Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Samuel Scheidt
Görlitzer Tabulaturbuch: Gelobet seist ...
141 bpm • A Maj • 01:08 • -23.98db
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Hector Berlioz
Requiem, Op. 5, H 75: V. Quaerens me
141 bpm • A Maj • 04:49 • -39.02db
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Philippe Rogier
Regina caeli
142 bpm • G Maj • 02:53 • -18.62db
7% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
7% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
► Preview
Petr Eben
Job: VIII. God's Reward
115 bpm • A# Maj • 06:51 • -16.58db
0% Popularity • 17% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Robin Milford
The Moon Shines Bright
142 bpm • B min • 01:33 • -27db
16% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Heinrich Schütz
No. 133, Psalm Siehe, wie fein und liebl...
115 bpm • A# Maj • 07:18 • -14.63db
9% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Edmund Rubbra
The Jade Mountain, Op. 116: IV. A Song o...
142 bpm • A Maj • 01:15 • -22.3db
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
► Preview
Radoslaw Pallarz
Accepi Epistulam Tuam
115 bpm • C min • 04:36 • -22.45db
8% Popularity • 28% Danceability • 15% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 15% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
George de La Hèle
Missa Praeter rerum seriem: IV. Sanctus
115 bpm • G# min • 03:39 • -19.83db
10% Popularity • 18% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
10% Popularity • 18% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": Celi...
115 bpm • F# min • 02:57 • -26.55db
15% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
John A. Behnke
Aria On My Hope Is Built
144 bpm • C# Maj • 03:28 • -28.95db
7% Popularity • 15% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 11% Positiveness
7% Popularity • 15% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Andreas Böhlen
Boffons (Sobre las Variaciones de Jacob ...
144 bpm • G# Maj • 01:26 • -31.92db
9% Popularity • 38% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
9% Popularity • 38% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
► Preview
Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
19% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 5 De...
113 bpm • E Maj • 01:42 • -15.87db
12% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
