Songs like Suliram (Indonesian Lullaby) by Johnny Richardson
Based on a tempo of (+/- 10%) and a similar genre
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King Barry C Thomas
Jesus be the glory
97 bpm • B Maj • 03:30 • -17.39db
12% Popularity • 72% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
12% Popularity • 72% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Abner Jay
Ol Man River
97 bpm • D# Maj • 03:22 • -14.37db
9% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Richardson
Hatmaker, Hatmaker
97 bpm • F# Maj • 02:00 • -28.06db
0% Popularity • 57% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 66% Positiveness
0% Popularity • 57% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 66% Positiveness
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Tend Spotless
Register Homework
97 bpm • D Maj • 02:27 • -28.32db
17% Popularity • 57% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
17% Popularity • 57% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Frank Proffitt
Will the Circle Be Unbroken
97 bpm • A Maj • 03:19 • -20.43db
8% Popularity • 54% Danceability • 18% Energy • 25% Liveness
30% Instrumentalness • 55% Positiveness
8% Popularity • 54% Danceability • 18% Energy • 25% Liveness
30% Instrumentalness • 55% Positiveness
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Brian MacDonald
miyoskamin
98 bpm • C Maj • 02:41 • -30.83db
7% Popularity • 72% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 78% Positiveness
7% Popularity • 72% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 78% Positiveness
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Leslie Fish
The Ballad of Transport 18
98 bpm • G Maj • 03:42 • -10.93db
12% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Rich
Somehow We'll Find A Way - Demo
96 bpm • D# Maj • 02:47 • -10.43db
7% Popularity • 63% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 62% Positiveness
7% Popularity • 63% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 62% Positiveness
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Johnny Richardson
Let's Sing Along
97 bpm • A# Maj • 02:07 • -27.1db
0% Popularity • 52% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Suspicious Apple
Aware
96 bpm • D Maj • 01:08 • -12.26db
17% Popularity • 57% Danceability • 20% Energy • 32% Liveness
92% Instrumentalness • 54% Positiveness
17% Popularity • 57% Danceability • 20% Energy • 32% Liveness
92% Instrumentalness • 54% Positiveness
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Unable Knowledge
Abrasive
98 bpm • B min • 04:50 • -11.73db
17% Popularity • 58% Danceability • 22% Energy • 28% Liveness
93% Instrumentalness • 12% Positiveness
17% Popularity • 58% Danceability • 22% Energy • 28% Liveness
93% Instrumentalness • 12% Positiveness
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Johnny Lindula
Whiskey Before Breakfast
96 bpm • D Maj • 02:36 • -15.3db
15% Popularity • 72% Danceability • 34% Energy • 17% Liveness
19% Instrumentalness • 93% Positiveness
15% Popularity • 72% Danceability • 34% Energy • 17% Liveness
19% Instrumentalness • 93% Positiveness
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Bert Jansch
Blackwater Side - Live
98 bpm • A# Maj • 03:48 • -20.78db
9% Popularity • 64% Danceability • 12% Energy • 20% Liveness
38% Instrumentalness • 52% Positiveness
9% Popularity • 64% Danceability • 12% Energy • 20% Liveness
38% Instrumentalness • 52% Positiveness
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Devin Champlin
Marbles
98 bpm • D min • 03:17 • -17.67db
10% Popularity • 47% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
10% Popularity • 47% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
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Lead Belly
Polly Wee (The Frog Song)
98 bpm • D# Maj • 01:15 • -11.4db
8% Popularity • 63% Danceability • 33% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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spizet
literally nobody fucks with you or me
96 bpm • C# Maj • 01:06 • -23.86db
5% Popularity • 53% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
5% Popularity • 53% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Johnny Richardson
The Zulu Warrior
98 bpm • E Maj • 01:43 • -24.22db
0% Popularity • 61% Danceability • 5% Energy • 12% Liveness
79% Instrumentalness • 39% Positiveness
0% Popularity • 61% Danceability • 5% Energy • 12% Liveness
79% Instrumentalness • 39% Positiveness
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The Last River Bottomed Fig Plucker
Open Up the Window
98 bpm • A# Maj • 02:25 • -12.47db
23% Popularity • 74% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 74% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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A Brother's Fountain
Big Gulps
98 bpm • F Maj • 02:32 • -11.59db
12% Popularity • 56% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 56% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 72% Positiveness
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Harry McClintock
Reconstructed Rebel Soldier
98 bpm • C Maj • 02:41 • -19.02db
10% Popularity • 62% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 62% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Peggy Seeger
All of Her Answers Were No
99 bpm • E min • 03:17 • -18.75db
10% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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T M Hanna
2 A.M.
99 bpm • G min • 01:35 • -19.6db
15% Popularity • 43% Danceability • 17% Energy • 36% Liveness
35% Instrumentalness • 89% Positiveness
15% Popularity • 43% Danceability • 17% Energy • 36% Liveness
35% Instrumentalness • 89% Positiveness
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Johnny Richardson
The Farmer
95 bpm • D# Maj • 02:08 • -18.65db
0% Popularity • 75% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 75% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Bukowski
Piss And Shit
95 bpm • C# Maj • 02:04 • -21.35db
8% Popularity • 53% Danceability • 44% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
8% Popularity • 53% Danceability • 44% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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GRANDAD HOLT.
Ode to an Anzac.
95 bpm • D Maj • 03:46 • -17.92db
9% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Peg Power
Red Fox
95 bpm • G# Maj • 01:26 • -14.62db
9% Popularity • 73% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 73% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Full Irish
Dublin's Soul
99 bpm • C Maj • 04:15 • -7.85db
10% Popularity • 58% Danceability • 45% Energy • 44% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 58% Danceability • 45% Energy • 44% Liveness
1% Instrumentalness • 69% Positiveness
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John S Comeaux
Peaceful Feelings
99 bpm • F# min • 02:04 • -21.08db
8% Popularity • 62% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 62% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Johnny Richardson
Olga, the Contrary Girl
99 bpm • E Maj • 01:49 • -19.93db
0% Popularity • 71% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 71% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Linden Castro
I'm Fine
95 bpm • E Maj • 04:25 • -12.03db
21% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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GRANDAD HOLT.
You
95 bpm • A Maj • 03:10 • -17.72db
10% Popularity • 59% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 59% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Norton Ramsden
A Piece Of Faith
95 bpm • C Maj • 02:47 • -16.66db
30% Popularity • 47% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 47% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Derroll Adams
Freight Train Blues
95 bpm • C Maj • 03:50 • -16.05db
8% Popularity • 67% Danceability • 31% Energy • 12% Liveness
41% Instrumentalness • 88% Positiveness
8% Popularity • 67% Danceability • 31% Energy • 12% Liveness
41% Instrumentalness • 88% Positiveness
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Bailey Boyd
Tell Me the Truth
99 bpm • E Maj • 02:06 • -14.66db
21% Popularity • 72% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 72% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Sonny Morris Jazzmen
Mood Indigo - Take 2
95 bpm • F# Maj • 04:20 • -8.56db
0% Popularity • 54% Danceability • 28% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
0% Popularity • 54% Danceability • 28% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
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Harry McClintock
Darkie Uncle Ned
99 bpm • F min • 02:01 • -18.14db
11% Popularity • 66% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 66% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Dan Penn
Nobody's Home - Demo
94 bpm • D# Maj • 03:19 • -16.62db
10% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jean Dowell
Working in the Coal Mines
94 bpm • G# Maj • 03:38 • -9.91db
11% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Connie Converse
Where Are the Roses
94 bpm • C Maj • 02:08 • -13.85db
11% Popularity • 57% Danceability • 14% Energy • 37% Liveness
21% Instrumentalness • 57% Positiveness
11% Popularity • 57% Danceability • 14% Energy • 37% Liveness
21% Instrumentalness • 57% Positiveness
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Tom Paxton
Little Brand New Baby
100 bpm • A# Maj • 01:44 • -13.31db
9% Popularity • 66% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 66% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Binne Moorlag
Almost Unreal
94 bpm • G# Maj • 02:11 • -15.85db
20% Popularity • 28% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 28% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Roy Bailey
Nasty Spider
100 bpm • C Maj • 03:14 • -12.8db
8% Popularity • 66% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Phoenix
The House of the Rising Sun
94 bpm • F# min • 03:09 • -12.79db
21% Popularity • 60% Danceability • 30% Energy • 10% Liveness
21% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 30% Energy • 10% Liveness
21% Instrumentalness • 56% Positiveness
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Chaya Mushka Children's House
Four Mitzvos Of Purim
100 bpm • D min • 01:45 • -14.72db
8% Popularity • 63% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Alpay Gruppen
Till Next Time
100 bpm • E Maj • 01:52 • -12.3db
22% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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GRANDAD HOLT.
Steel Stallion Cowboy>
94 bpm • G Maj • 02:59 • -16.13db
12% Popularity • 54% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 54% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Dora MacAdam
Rebecca
94 bpm • F Maj • 03:10 • -25.83db
23% Popularity • 53% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 53% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Last River Bottomed Fig Plucker
Plasma Line
101 bpm • E Maj • 02:51 • -15.59db
18% Popularity • 62% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 62% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Maribel Ricano
Young Princess
101 bpm • C Maj • 02:27 • -16.55db
12% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Marcel Victor
Children With Unlimited Height
93 bpm • A# Maj • 02:48 • -16db
29% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Edmundo Ros
It's only a Matter of Mind over Matter (...
93 bpm • C Maj • 02:33 • -17.03db
9% Popularity • 89% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
9% Popularity • 89% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Geoff & Maria Muldaur
Guide Me O Great Jehovah
93 bpm • A# Maj • 01:39 • -24.75db
11% Popularity • 26% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 26% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Blind Willie Johnson
Can't Nobody Hide from God
92 bpm • G min • 03:31 • -20.89db
14% Popularity • 57% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 57% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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The Last River Bottomed Fig Plucker
The Pilgrim, Chapter 33
101 bpm • G Maj • 02:18 • -14.15db
18% Popularity • 58% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Leslie Fish
A Toast for Unsung Heroes
102 bpm • A min • 03:21 • -7.86db
11% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Richardson
Railroad Man
92 bpm • A Maj • 02:41 • -19.91db
0% Popularity • 69% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 69% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Emerson Mell
We will Bloom
92 bpm • C Maj • 02:54 • -12.52db
18% Popularity • 45% Danceability • 37% Energy • 21% Liveness
57% Instrumentalness • 35% Positiveness
18% Popularity • 45% Danceability • 37% Energy • 21% Liveness
57% Instrumentalness • 35% Positiveness
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GRANDAD HOLT.
Lord I See a Time.
92 bpm • B Maj • 02:27 • -16.77db
12% Popularity • 53% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 53% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Snoozer Quinn
Singing the Blues #2
102 bpm • C min • 03:57 • -12.97db
10% Popularity • 46% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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The Last River Bottomed Fig Plucker
Hands Keep Praying for You
102 bpm • A Maj • 02:25 • -9.81db
18% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Barry Louis Polisar
He eats Asparagus
103 bpm • G Maj • 02:54 • -9.22db
7% Popularity • 73% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 73% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Jean Dowell
Down in Union Grove
92 bpm • G# Maj • 02:15 • -9.09db
11% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Benjamin Thorndike
When Everything Is Wrong
103 bpm • A Maj • 02:35 • -8.14db
13% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Harry McClintock
Long Haired Preacher (Preacher and the S...
103 bpm • C Maj • 03:18 • -19.28db
14% Popularity • 60% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 60% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Stafford
Five Foot Two, Eyes of Blue
103 bpm • A# Maj • 01:32 • -18.98db
8% Popularity • 61% Danceability • 18% Energy • 23% Liveness
94% Instrumentalness • 43% Positiveness
8% Popularity • 61% Danceability • 18% Energy • 23% Liveness
94% Instrumentalness • 43% Positiveness
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The Last River Bottomed Fig Plucker
Planting Seeds
91 bpm • F# Maj • 04:28 • -10.59db
18% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Carla Mendonça
Say Gipsy Say
104 bpm • B Maj • 01:29 • -21.16db
8% Popularity • 59% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 59% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Sonny James
That's Where My Money Goes
104 bpm • C Maj • 02:00 • -21.12db
18% Popularity • 79% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 79% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Climb Hall
Collision
90 bpm • F# Maj • 02:26 • -13db
17% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Leslie Fish
The Engineer's Hymn
91 bpm • G Maj • 02:59 • -9.09db
13% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Realize Plastic
Mysterious
90 bpm • F# Maj • 02:26 • -12.78db
17% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Sons of the Pioneers
Git Along Little Dogies (Whoopee Ti Yi Y...
104 bpm • C Maj • 01:42 • -11.18db
7% Popularity • 83% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 83% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Edwin Sarabia
The Cool Water
104 bpm • C Maj • 03:05 • -18.17db
27% Popularity • 60% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 59% Positiveness
27% Popularity • 60% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 59% Positiveness
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Johnny Richardson
Schoolema Doo Ree Ay
104 bpm • F Maj • 01:38 • -26.71db
0% Popularity • 51% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 51% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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E.L. Kurtz
Soldier, Soldier Will You Marry Me?
90 bpm • G Maj • 01:51 • -10.53db
14% Popularity • 75% Danceability • 35% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
14% Popularity • 75% Danceability • 35% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
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Madeline Rivera
Strength & Protection
90 bpm • E Maj • 03:23 • -47db
31% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Kelly Harrell
The Wreck of the Old 97
105 bpm • G Maj • 03:48 • -16.03db
8% Popularity • 74% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 74% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Carolyn Hester
Little Pig
105 bpm • F# Maj • 02:18 • -14.35db
8% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Frank Proffitt
Poor Man
90 bpm • C# Maj • 03:02 • -20.11db
9% Popularity • 42% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
9% Popularity • 42% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Johnny Richardson
Sing in the Spring
105 bpm • G# Maj • 02:21 • -18.52db
0% Popularity • 58% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 58% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Tommaso Tritapepe
We Will Defeat
90 bpm • D Maj • 05:18 • -14db
25% Popularity • 34% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 34% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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RG Brown
He's My One Desire
105 bpm • D Maj • 03:47 • -10.09db
8% Popularity • 29% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 29% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Paxton
The Natural Girl for Me
105 bpm • C Maj • 02:36 • -12.11db
9% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Norma Tanega
What More In The World Could Anyone Be L...
105 bpm • D Maj • 02:54 • -8.41db
9% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Oscar Brand
Grant, Grant, Grant (Ulysses S. Grant)
106 bpm • F Maj • 01:28 • -16.09db
7% Popularity • 84% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 84% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Proffitt
Bonnie James Campbell
89 bpm • B Maj • 01:27 • -21.6db
9% Popularity • 53% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 53% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Ruskavellas
The Little Branch
106 bpm • D# Maj • 02:39 • -8.96db
9% Popularity • 77% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 77% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Lindula
Good Old Days
106 bpm • D Maj • 03:01 • -13.07db
15% Popularity • 62% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 62% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Watch Nippy
Rush Internet
106 bpm • G Maj • 02:41 • -18.63db
17% Popularity • 41% Danceability • 9% Energy • 19% Liveness
7% Instrumentalness • 19% Positiveness
17% Popularity • 41% Danceability • 9% Energy • 19% Liveness
7% Instrumentalness • 19% Positiveness
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Bad Wolf Press
Gold Dust or Bust Finale - Vocals
89 bpm • A Maj • 02:20 • -12.3db
7% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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King Barry C Thomas
Oh everlasting light of life
89 bpm • A Maj • 04:04 • -17.23db
10% Popularity • 62% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 62% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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GRANDAD HOLT.
Red T-Bar Dancers.
106 bpm • F min • 01:44 • -17.62db
8% Popularity • 64% Danceability • 40% Energy • 11% Liveness
30% Instrumentalness • 57% Positiveness
8% Popularity • 64% Danceability • 40% Energy • 11% Liveness
30% Instrumentalness • 57% Positiveness
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The Last River Bottomed Fig Plucker
Beard Game
106 bpm • A# Maj • 04:37 • -17.23db
18% Popularity • 60% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 60% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Lindula
Met Her at a Festival
89 bpm • C Maj • 03:14 • -16.1db
11% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Regez
Shooters and Sad Songs
106 bpm • C Maj • 03:02 • -16.65db
15% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Roy Bailey
Kangaroos Like to Hop
106 bpm • G Maj • 02:50 • -12.79db
7% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Peter, Paul and Mary
Sorrow
106 bpm • C min • 02:53 • -16.29db
12% Popularity • 41% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
12% Popularity • 41% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Ian & Sylvia
Awake Ye Drowsy Sleepers
106 bpm • E Maj • 03:28 • -16.03db
8% Popularity • 43% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 43% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
