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Summer Energy
Songs like
Summer Energy
by
Darren Holmes
Based on a tempo of (+/- 10%) and a similar genre
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Darren Holmes
Summer Energy
128 bpm • A min • 02:46 • -13db
9% Popularity • 66% Danceability • 68% Energy • 4% Liveness
74% Instrumentalness • 72% Positiveness
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lifelines
Here It Comes The Falling Rain
128 bpm • F# min • 03:23 • -6.1db
10% Popularity • 59% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Dorian Whisper
Imperfect Moments
128 bpm • G# min • 03:25 • -10.62db
14% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Rod Fritz
Stay
128 bpm • A# Maj • 02:47 • -9.39db
14% Popularity • 57% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Postindustrial Poets
I Gave You My Disease
128 bpm • G# Maj • 03:07 • -5.64db
22% Popularity • 62% Danceability • 73% Energy • 50% Liveness
2% Instrumentalness • 58% Positiveness
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Matt Geiser
Fundamental Forces
128 bpm • E Maj • 02:45 • -6.14db
23% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Darren Holmes
summer energy - dash holmes Remix
128 bpm • G Maj • 02:52 • -7db
18% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Maxton Waller
Alright - Acoustic
128 bpm • B Maj • 03:34 • -12.9db
29% Popularity • 63% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Cassini Down
Wrong Time, Wrong Place
128 bpm • C# min • 05:34 • -5.61db
16% Popularity • 49% Danceability • 73% Energy • 7% Liveness
10% Instrumentalness • 41% Positiveness
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Srv-musicmaker
The Game of Life
128 bpm • B Maj • 02:50 • -5db
32% Popularity • 41% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Postindustrial Poets
After Summer, the Fall
128 bpm • D Maj • 03:08 • -9.13db
17% Popularity • 67% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Forwardman
Plan C
129 bpm • G# Maj • 03:12 • -10.18db
22% Popularity • 67% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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David SweetLow
Somewhere After Midnight
127 bpm • G min • 03:12 • -12.92db
14% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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J.H.M
One Chance
127 bpm • F min • 02:44 • -11.08db
28% Popularity • 25% Danceability • 57% Energy • 36% Liveness
71% Instrumentalness • 38% Positiveness
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Kieran James
Unspeakably Wonderful
127 bpm • G Maj • 03:50 • -4.95db
10% Popularity • 59% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Connolly
Europe in the Summertime
130 bpm • F min • 03:04 • -6.32db
31% Popularity • 59% Danceability • 78% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
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Todd & Karen
Juicy Gossip From The Mothership
130 bpm • C Maj • 02:41 • -6.2db
16% Popularity • 48% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Randy Mattsen
Southern Skies
130 bpm • A Maj • 02:57 • -8.65db
19% Popularity • 76% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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MATD
Me And My Dog
129 bpm • C Maj • 03:30 • -10.39db
32% Popularity • 56% Danceability • 67% Energy • 51% Liveness
4% Instrumentalness • 76% Positiveness
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Ronan Cavanagh
Is This It
130 bpm • E min • 05:04 • -11.13db
22% Popularity • 63% Danceability • 28% Energy • 22% Liveness
2% Instrumentalness • 20% Positiveness
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J.H.M
Ashes
130 bpm • F# min • 02:47 • -7.93db
28% Popularity • 42% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Danger Line
Hit and Run
130 bpm • E Maj • 04:05 • -7.17db
26% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rigby Redd
Happily Ever After
130 bpm • D Maj • 05:28 • -9.03db
11% Popularity • 57% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Dirk Scarlett
Kiss Me Slowly
130 bpm • G min • 04:26 • -9db
15% Popularity • 52% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Rod Fritz
Pretty Girls
130 bpm • G Maj • 02:25 • -7.31db
14% Popularity • 51% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Coastal Town
Still Shining
126 bpm • G Maj • 03:40 • -7.18db
20% Popularity • 61% Danceability • 76% Energy • 8% Liveness
19% Instrumentalness • 60% Positiveness
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Benjamin Longmire
Cheers
130 bpm • D# Maj • 03:25 • -3.85db
20% Popularity • 46% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Brandon
Atmosphere
130 bpm • C# Maj • 04:12 • -11.7db
13% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Silfredim
Rising From The Stars
130 bpm • C Maj • 04:02 • -9.87db
14% Popularity • 49% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Go Birch
Five Good Years
130 bpm • C Maj • 03:14 • -9.58db
8% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Iain MacDonald
Dance My Blues Away - Starlab Radio Mix
130 bpm • B min • 03:41 • -5.73db
18% Popularity • 74% Danceability • 84% Energy • 4% Liveness
2% Instrumentalness • 96% Positiveness
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Copperstone
Dao One
130 bpm • G Maj • 03:00 • -8.2db
15% Popularity • 76% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Jmpinker
Wish You Were Here
126 bpm • G Maj • 04:56 • -4.88db
19% Popularity • 65% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Electric Sol
Hummingbird
130 bpm • A Maj • 02:14 • -3.86db
12% Popularity • 71% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Blaney
Now Live
130 bpm • F Maj • 03:50 • -7.6db
23% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Vic Cracknell
Sweet Senorita
130 bpm • A Maj • 04:09 • -7.44db
12% Popularity • 78% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 92% Positiveness
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SUGAR JUNKIES
Play To Win
130 bpm • B min • 03:24 • -11db
15% Popularity • 63% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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MIK's Reaction
Incredible To Me Now
130 bpm • E min • 05:15 • -9.96db
23% Popularity • 38% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Danger Line
Draw The Line
130 bpm • G Maj • 03:11 • -7.57db
18% Popularity • 46% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Darren Holmes
september sun
130 bpm • G Maj • 03:15 • -7.11db
7% Popularity • 41% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Satin
Country Girl
126 bpm • G Maj • 03:47 • -12.97db
17% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Stefan West
Slow Down World
130 bpm • G# Maj • 03:46 • -3.84db
27% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Forwardman
Rivers
131 bpm • E min • 03:15 • -13.6db
20% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dorian Whisper
Do It Your Way
125 bpm • F# min • 03:22 • -11.76db
12% Popularity • 78% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Rod Fritz
Shy Boy
131 bpm • G Maj • 03:52 • -6.51db
12% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Darren Holmes
Dream big (acoustic)
130 bpm • A# Maj • 03:15 • -12.4db
9% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Cormac O Caoimh
You'll Find Me (There's Gold There Somew...
125 bpm • E min • 02:57 • -8.92db
21% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Danger Line
Coming Home
125 bpm • C Maj • 04:08 • -8db
9% Popularity • 49% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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MIK's Reaction
The Book Of Truths
125 bpm • B min • 05:01 • -23.83db
27% Popularity • 64% Danceability • 32% Energy • 37% Liveness
1% Instrumentalness • 30% Positiveness
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Coastal Town
Summer Sundays
125 bpm • G Maj • 03:56 • -8.94db
19% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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MARQ ELECTRONICA
Never Go Away
125 bpm • D min • 03:38 • -7.02db
14% Popularity • 67% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Darren Holmes
Dream big
130 bpm • A# Maj • 03:21 • -10db
13% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Flying Man
Since You've Been Gone
125 bpm • A# Maj • 03:11 • -10.13db
23% Popularity • 55% Danceability • 57% Energy • 9% Liveness
5% Instrumentalness • 22% Positiveness
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Chenél No.1
Head over heels
125 bpm • D Maj • 02:48 • -8.99db
9% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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War of soul
Bloody Rain
125 bpm • G# min • 02:19 • -7db
35% Popularity • 47% Danceability • 67% Energy • 32% Liveness
94% Instrumentalness • 16% Positiveness
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Todd & Karen
Blackpool Lights
125 bpm • C Maj • 03:23 • -7.66db
2% Popularity • 52% Danceability • 55% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
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Andres Guazzelli
August (A Cold Winter Morning)
124 bpm • F Maj • 02:41 • -11.19db
30% Popularity • 32% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Darren Holmes
cake
125 bpm • G# Maj • 04:34 • -7db
0% Popularity • 65% Danceability • 86% Energy • 21% Liveness
2% Instrumentalness • 62% Positiveness
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Bob Hausler
Makeup and a Smile
124 bpm • A Maj • 02:58 • -7.49db
18% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Rich Allen
By My Side
132 bpm • C Maj • 05:19 • -8.12db
18% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jon Brandon
Nowhere Else For Me To Go
132 bpm • B min • 03:05 • -9.94db
19% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sanguine
Close Your Eyes - 2023 Remaster
132 bpm • F Maj • 02:14 • -7.78db
25% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Soumyajit Guha
Party Aliens
132 bpm • D min • 02:00 • -11.08db
30% Popularity • 43% Danceability • 60% Energy • 12% Liveness
27% Instrumentalness • 44% Positiveness
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Darren Holmes
the weekend
125 bpm • F min • 04:01 • -8.25db
0% Popularity • 77% Danceability • 50% Energy • 6% Liveness
70% Instrumentalness • 89% Positiveness
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Denny Strickland
Close My Eyes (Deluxe Version)
132 bpm • D Maj • 03:18 • -7db
24% Popularity • 68% Danceability • 72% Energy • 35% Liveness
6% Instrumentalness • 28% Positiveness
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Postindustrial Poets
That's When You Blew My Mind
132 bpm • G Maj • 03:29 • -5db
23% Popularity • 47% Danceability • 88% Energy • 6% Liveness
2% Instrumentalness • 25% Positiveness
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Jon Brandon
We're Not Alone
132 bpm • E Maj • 03:56 • -9.02db
7% Popularity • 48% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 20% Positiveness
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Richard Swingle
Mother Dawn
124 bpm • G min • 03:51 • -9.58db
10% Popularity • 52% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Mike Qzak
Keep on Burning
124 bpm • C Maj • 05:12 • -11.91db
15% Popularity • 53% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Ho Jo Fro
Mr. Handlebars
133 bpm • C Maj • 03:58 • -10db
10% Popularity • 69% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Baldwin Boswell
Model
132 bpm • G# Maj • 04:00 • -13.01db
30% Popularity • 62% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Ed Eagle
Plush
133 bpm • C# min • 03:46 • -6.07db
25% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Mike Ponting
Break the Chains
123 bpm • G Maj • 02:25 • -5.61db
10% Popularity • 59% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Dorian Whisper
And the Days After
123 bpm • A# Maj • 03:00 • -14.9db
20% Popularity • 70% Danceability • 46% Energy • 32% Liveness
12% Instrumentalness • 82% Positiveness
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Forwardman
Rescue
134 bpm • G min • 03:16 • -12.13db
15% Popularity • 38% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Kiirstin Marilyn
Beyond the Bad
123 bpm • D min • 04:54 • -10.26db
1% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Darren Burdis
Scars On Your Memories
123 bpm • D Maj • 03:14 • -11.59db
25% Popularity • 42% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Benjamin Longmire
The Days
123 bpm • G# min • 03:16 • -2.64db
18% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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MIK's Reaction
Overruled By My Libido (Again)
123 bpm • E min • 04:11 • -9.56db
32% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alesia Harris
Keep It Positive
134 bpm • D Maj • 02:51 • -12.27db
15% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gary Dranow
Mellow Drama
134 bpm • B min • 03:09 • -6.95db
27% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Iain MacDonald
Computer Children
134 bpm • F# Maj • 03:08 • -6.29db
18% Popularity • 45% Danceability • 78% Energy • 12% Liveness
37% Instrumentalness • 44% Positiveness
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D D Colvin
All I Want
134 bpm • D Maj • 03:49 • -6.36db
19% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Steve Larkin Project
This Long Path I Walk
122 bpm • D Maj • 06:03 • -12.78db
11% Popularity • 70% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
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J.H.M
If Only
122 bpm • C# Maj • 03:51 • -9.93db
30% Popularity • 48% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Dash holmes
data bass
122 bpm • A# min • 02:51 • -8.7db
12% Popularity • 71% Danceability • 80% Energy • 23% Liveness
78% Instrumentalness • 48% Positiveness
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KMGKillswitch
Only Just Lovers
122 bpm • G# min • 03:37 • -13.3db
14% Popularity • 73% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Forwardman
Blue-Eyed Boy Beat the Drum
134 bpm • F min • 02:41 • -16.11db
13% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Cruizing Mind
Can't Breathe
122 bpm • A min • 04:17 • -5.58db
39% Popularity • 52% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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The Red Dirt Skinners
The Lady
135 bpm • F min • 03:23 • -6.76db
9% Popularity • 47% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Mark Mathews
Thank You
122 bpm • A Maj • 02:01 • -7.99db
13% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mercury Teardrop
Abyss (Album Version)
122 bpm • C min • 03:22 • -10.81db
18% Popularity • 35% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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McCormick
Communication Breakdown
135 bpm • D Maj • 03:24 • -4.89db
7% Popularity • 52% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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SUGAR JUNKIES
I Pretend
135 bpm • C Maj • 03:04 • -13db
15% Popularity • 68% Danceability • 57% Energy • 5% Liveness
6% Instrumentalness • 87% Positiveness
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Chenél No.1
You and Me We are Magic
135 bpm • D Maj • 02:45 • -12.99db
13% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Makeishon
Running Away
135 bpm • E Maj • 03:34 • -6.34db
27% Popularity • 45% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Four Colour Ghosts
Waiting for the Next Life
135 bpm • A min • 05:01 • -10.43db
12% Popularity • 57% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Ponting
Barefoot Walking - Radio edit
135 bpm • E min • 04:08 • -14.54db
19% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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John Smajda
My Java
135 bpm • B min • 03:24 • -9.71db
0% Popularity • 47% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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McCormick
By the River
135 bpm • A Maj • 03:46 • -2.84db
13% Popularity • 50% Danceability • 88% Energy • 32% Liveness
35% Instrumentalness • 36% Positiveness
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Summer Energy