Songs like Summer Light by The Cave Singers
Based on a tempo of (+/- 10%) and a similar genre
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The Cave Singers
Strip Mine
129 bpm • C# Maj • 03:07 • -9.61db
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Houndmouth
Penitentiary
129 bpm • D Maj • 03:59 • -6.31db
31% Popularity • 52% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Shovels & Rope
Lay Low
129 bpm • C# min • 04:04 • -15.05db
15% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Middle Brother
Someday
130 bpm • G# Maj • 03:40 • -4.66db
20% Popularity • 42% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 42% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Phosphorescent
You Can Make Me Feel Bad
130 bpm • E Maj • 03:03 • -12.39db
20% Popularity • 73% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 73% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Cave Singers
Summer Light
129 bpm • F Maj • 04:06 • -12.41db
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ha Ha Tonka
Lonely Fortunes
130 bpm • G Maj • 03:20 • -6.98db
31% Popularity • 69% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
31% Popularity • 69% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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Nathaniel Rateliff
Laborman
128 bpm • G Maj • 03:07 • -7.34db
25% Popularity • 63% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 63% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Bowerbirds
In the Yard
128 bpm • C Maj • 04:07 • -10.76db
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
41% Instrumentalness • 25% Positiveness
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
41% Instrumentalness • 25% Positiveness
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Phosphorescent
The Mermaid Parade
130 bpm • F Maj • 04:22 • -10db
24% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Houndmouth
Houston Train
128 bpm • E Maj • 03:19 • -6.19db
20% Popularity • 57% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 57% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Okkervil River
Down Down The Deep River
130 bpm • B Maj • 06:32 • -5db
28% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Tweedy
Wait for Love
128 bpm • G Maj • 03:07 • -10.72db
24% Popularity • 64% Danceability • 51% Energy • 8% Liveness
30% Instrumentalness • 30% Positiveness
24% Popularity • 64% Danceability • 51% Energy • 8% Liveness
30% Instrumentalness • 30% Positiveness
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Hiss Golden Messenger
O Little Light
127 bpm • F# Maj • 04:17 • -9.91db
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Phosphorescent
Terror in the Canyons (The Wounded Maste...
130 bpm • D# Maj • 04:05 • -6.68db
29% Popularity • 34% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
29% Popularity • 34% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Sean Rowe
Madman
127 bpm • D# Maj • 03:59 • -7.14db
28% Popularity • 71% Danceability • 74% Energy • 30% Liveness
5% Instrumentalness • 78% Positiveness
28% Popularity • 71% Danceability • 74% Energy • 30% Liveness
5% Instrumentalness • 78% Positiveness
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Fruit Bats
The Blessed Breeze
131 bpm • G Maj • 04:45 • -6.66db
20% Popularity • 56% Danceability • 71% Energy • 20% Liveness
29% Instrumentalness • 60% Positiveness
20% Popularity • 56% Danceability • 71% Energy • 20% Liveness
29% Instrumentalness • 60% Positiveness
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The Cave Singers
Leap
131 bpm • C Maj • 03:49 • -8db
19% Popularity • 57% Danceability • 73% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
19% Popularity • 57% Danceability • 73% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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Sera Cahoone
Only as the Day is Long
127 bpm • A# Maj • 03:56 • -9.66db
12% Popularity • 76% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 26% Positiveness
12% Popularity • 76% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 26% Positiveness
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Dan Auerbach
Trouble Weighs A Ton
131 bpm • A Maj • 02:17 • -15.1db
37% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
38% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
38% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Water Liars
Linens
131 bpm • F Maj • 03:45 • -5.58db
14% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Heartless Bastards
Parted Ways
127 bpm • A Maj • 04:57 • -4.57db
32% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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The Cave Singers
Have to Pretend
127 bpm • A Maj • 03:31 • -6.17db
11% Popularity • 87% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 87% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hiss Golden Messenger
Jesus Shot Me in the Head
127 bpm • F# Maj • 05:15 • -12db
12% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jessica Lea Mayfield
For Today
126 bpm • B Maj • 03:39 • -5.28db
17% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Seth Avett & Jessica Lea Mayfield
Fond Farewell
126 bpm • A# Maj • 02:59 • -8.74db
33% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Phil Cook
Anybody Else
132 bpm • D Maj • 03:29 • -12.16db
23% Popularity • 72% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 48% Positiveness
23% Popularity • 72% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 48% Positiveness
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The Cave Singers
All Land Crabs and Divinity Ghosts
127 bpm • G# min • 04:00 • -7.35db
12% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Hiss Golden Messenger
Day O Day (A Love So Free)
126 bpm • C# Maj • 05:30 • -9.62db
15% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Christopher Paul Stelling
Castle
126 bpm • G# Maj • 04:05 • -10.48db
12% Popularity • 62% Danceability • 33% Energy • 12% Liveness
12% Instrumentalness • 28% Positiveness
12% Popularity • 62% Danceability • 33% Energy • 12% Liveness
12% Instrumentalness • 28% Positiveness
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Alberta Cross
Low Man
126 bpm • F Maj • 02:43 • -5.6db
35% Popularity • 47% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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The Donkeys
Gone Gone Gone
133 bpm • E Maj • 03:39 • -9.83db
10% Popularity • 54% Danceability • 40% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 54% Danceability • 40% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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The Cave Singers
Lost in the Tide
131 bpm • B Maj • 03:17 • -11.17db
13% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Hiss Golden Messenger
Mahogany Dread
126 bpm • F# Maj • 04:06 • -6.98db
28% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
43% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
43% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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Frontier Ruckus
Nerves of the Nightmind
133 bpm • E min • 04:03 • -8.79db
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Band of Horses
Country Teen
125 bpm • G Maj • 03:21 • -8.99db
37% Popularity • 60% Danceability • 74% Energy • 24% Liveness
6% Instrumentalness • 58% Positiveness
37% Popularity • 60% Danceability • 74% Energy • 24% Liveness
6% Instrumentalness • 58% Positiveness
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Fruit Bats
Tony the Tripper
125 bpm • G Maj • 04:15 • -7db
30% Popularity • 63% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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The Cave Singers
Dancing on our Graves
126 bpm • F Maj • 03:24 • -10db
31% Popularity • 66% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
31% Popularity • 66% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Hiss Golden Messenger
Saturday’s Song
125 bpm • F# min • 04:35 • -8db
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
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Middle Brother
Mom and Dad
133 bpm • G Maj • 04:01 • -5.8db
21% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Blake Mills
Don't Tell Our Friends About Me
125 bpm • A# Maj • 05:19 • -8.06db
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Blind Pilot
I Buried a Bone
125 bpm • F Maj • 02:39 • -12.04db
52% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Tallest Man On Earth
A Field of Birds (YBP Theme Song)
125 bpm • A Maj • 03:55 • -8.53db
17% Popularity • 60% Danceability • 45% Energy • 28% Liveness
3% Instrumentalness • 51% Positiveness
17% Popularity • 60% Danceability • 45% Energy • 28% Liveness
3% Instrumentalness • 51% Positiveness
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The Cave Singers
Early Moon
132 bpm • A Maj • 03:44 • -6.94db
4% Popularity • 67% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 69% Positiveness
4% Popularity • 67% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 69% Positiveness
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Andrew Bird
Fatal Shore
134 bpm • A min • 05:01 • -12.1db
3% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
3% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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David Wax Museum
All Sense of Time
134 bpm • C Maj • 03:09 • -7.63db
12% Popularity • 53% Danceability • 88% Energy • 16% Liveness
3% Instrumentalness • 55% Positiveness
12% Popularity • 53% Danceability • 88% Energy • 16% Liveness
3% Instrumentalness • 55% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Blind Pilot
Go on, Say It
134 bpm • C Maj • 03:21 • -9db
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
27% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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The Cave Singers
Man in Hotel Room
126 bpm • B min • 01:57 • -15.09db
19% Popularity • 62% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 62% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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The Belle Brigade
Losers
134 bpm • E Maj • 04:02 • -11.02db
29% Popularity • 58% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 58% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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The Barr Brothers
Cloud (for Lhasa)
124 bpm • A# Maj • 05:38 • -15.31db
14% Popularity • 55% Danceability • 24% Energy • 9% Liveness
29% Instrumentalness • 13% Positiveness
14% Popularity • 55% Danceability • 24% Energy • 9% Liveness
29% Instrumentalness • 13% Positiveness
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Joe Pug
Call It What You Will
134 bpm • E Maj • 02:56 • -8.61db
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Great Lake Swimmers
Easy Come Easy Go
124 bpm • F Maj • 04:24 • -7.08db
3% Popularity • 56% Danceability • 84% Energy • 7% Liveness
68% Instrumentalness • 75% Positiveness
3% Popularity • 56% Danceability • 84% Energy • 7% Liveness
68% Instrumentalness • 75% Positiveness
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Heartless Bastards
Hold Your Head High
124 bpm • B Maj • 05:05 • -6.84db
28% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Cave Singers
I Don't Mind
134 bpm • A Maj • 03:45 • -7.42db
10% Popularity • 71% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 71% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Mount Moriah
Calvander
135 bpm • A Maj • 03:36 • -8.84db
25% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Moondoggies
It's a Shame, It's a Pity
123 bpm • D Maj • 02:43 • -7db
11% Popularity • 44% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 44% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Pug
How Good You Are
124 bpm • D Maj • 04:19 • -12.2db
34% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Elliott BROOD
Miss You Now
135 bpm • F Maj • 05:07 • -6.48db
18% Popularity • 53% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 53% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Tarkio
Keeping Me Awake
135 bpm • E Maj • 05:42 • -9.43db
30% Popularity • 51% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
30% Popularity • 51% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
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The Cave Singers
Karen's Car
134 bpm • G Maj • 02:42 • -7.11db
4% Popularity • 51% Danceability • 68% Energy • 9% Liveness
51% Instrumentalness • 25% Positiveness
4% Popularity • 51% Danceability • 68% Energy • 9% Liveness
51% Instrumentalness • 25% Positiveness
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Hiss Golden Messenger
Heart Like a Levee
123 bpm • F# Maj • 03:52 • -8db
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Felice Brothers
The Big Surprise
123 bpm • D Maj • 04:22 • -18db
5% Popularity • 52% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
5% Popularity • 52% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Alberta Cross
Old Man Chicago
136 bpm • G Maj • 03:12 • -3.67db
24% Popularity • 40% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 40% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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The Cave Singers
Evergreens
124 bpm • A Maj • 02:54 • -9.7db
12% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Shouting Matches
Seven Sisters
123 bpm • C Maj • 02:40 • -9.42db
37% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
37% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Great Lake Swimmers
Various Stages
136 bpm • G Maj • 04:11 • -12db
2% Popularity • 55% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
2% Popularity • 55% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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Middle Brother
Blood and Guts
136 bpm • A# Maj • 05:59 • -9.53db
22% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Cave Singers
Beach House
135 bpm • F# Maj • 03:43 • -12db
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 62% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Hiss Golden Messenger
Jesus Shot Me in the Head
136 bpm • B Maj • 05:07 • -9.81db
11% Popularity • 54% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 54% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Phosphorescent
Standing on the Moon
122 bpm • G Maj • 05:33 • -8.34db
23% Popularity • 56% Danceability • 53% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
23% Popularity • 56% Danceability • 53% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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The Wooden Sky
The Wooden Sky
137 bpm • C# min • 04:22 • -10db
22% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Benjamin Booker
Slow Coming
122 bpm • D Maj • 04:31 • -9.69db
26% Popularity • 39% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
26% Popularity • 39% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Plants and Animals
The End of That
122 bpm • F Maj • 04:03 • -7.54db
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Cave Singers
Hen of the Woods
122 bpm • D# Maj • 03:28 • -10.57db
12% Popularity • 57% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
12% Popularity • 57% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ark Life
Some Unheroic Hill
137 bpm • G Maj • 05:00 • -9.94db
10% Popularity • 47% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 47% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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A.A. Bondy
Oh the Vampyre
121 bpm • F Maj • 02:33 • -12.43db
5% Popularity • 52% Danceability • 22% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
5% Popularity • 52% Danceability • 22% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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The Shouting Matches
I Need a Change
121 bpm • C Maj • 05:06 • -13.66db
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
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Nathaniel Rateliff
A Lamb On The Stone
137 bpm • B Maj • 03:56 • -5.22db
27% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Cave Singers
Cool Criminal
122 bpm • F Maj • 04:19 • -12.61db
11% Popularity • 52% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
11% Popularity • 52% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Andrew Bird
Danse Carribe
137 bpm • G Maj • 05:19 • -7db
5% Popularity • 40% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
5% Popularity • 40% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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The Barr Brothers
Valhallas
121 bpm • G# Maj • 04:30 • -14db
19% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Okkervil River
Westfall
138 bpm • E min • 05:54 • -5db
34% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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The New Basement Tapes
Nothing To It
121 bpm • F# Maj • 03:32 • -8db
33% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
33% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
