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Summer Montage / Madeline
Songs like
Summer Montage / Madeline - From "La La Land" Soundtrack
by
Justin Hurwitz
Based on a tempo of (+/- 10%) and a similar genre
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Clint Mansell
Perfection
108 bpm • B Maj • 05:44 • -12.68db
39% Popularity • 21% Danceability • 30% Energy • 22% Liveness
44% Instrumentalness • 4% Positiveness
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Nicholas Britell
Succession - Andante Risoluto
108 bpm • F min • 02:28 • -13.02db
52% Popularity • 53% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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David Arnold
Solange
108 bpm • A min • 00:59 • -21.89db
37% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Summer Montage / Madeline
108 bpm • G Maj • 02:04 • -6.78db
57% Popularity • 60% Danceability • 50% Energy • 26% Liveness
80% Instrumentalness • 65% Positiveness
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Hank Levy
Whiplash
107 bpm • F Maj • 01:55 • -3.84db
58% Popularity • 75% Danceability • 79% Energy • 29% Liveness
34% Instrumentalness • 86% Positiveness
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Nicholas Britell
Lento Nobile + Lento Pizzicato
108 bpm • F min • 01:16 • -14.5db
45% Popularity • 41% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Philip Glass
Truman Sleeps
109 bpm • G# Maj • 01:51 • -18.04db
54% Popularity • 38% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Claude Debussy
2 Arabesques, L. 66: No. 1 in E Major
109 bpm • E Maj • 04:33 • -31.91db
53% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Abel Korzeniowski
City Lights
107 bpm • G min • 01:14 • -21.16db
44% Popularity • 16% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
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Justin Hurwitz
City Of Stars / May Finally Come True
107 bpm • D min • 04:17 • -15.98db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Adès
Flesh
107 bpm • F Maj • 01:08 • -16.71db
11% Popularity • 49% Danceability • 10% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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John Wasson
Caravan
106 bpm • G# Maj • 09:15 • -9.08db
60% Popularity • 42% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 42% Positiveness
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Yann Tiersen
L'autre valse d'Amélie
106 bpm • A min • 01:33 • -9.54db
55% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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James Newton Howard
Newt Says Goodbye to Tina / Jacob's Bake...
110 bpm • C Maj • 03:26 • -23.54db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
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Justin Hurwitz
Te Amo Nellie
110 bpm • B min • 01:31 • -19.06db
34% Popularity • 81% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 69% Positiveness
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Patrick Doyle
Harry in Winter
110 bpm • B min • 02:54 • -16.71db
57% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Clint Mansell
Marguerite Gachet At The Piano
106 bpm • D min • 02:30 • -19.66db
32% Popularity • 18% Danceability • 15% Energy • 30% Liveness
53% Instrumentalness • 4% Positiveness
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Nino Rota
La dolce vita
105 bpm • F Maj • 00:57 • -16.99db
56% Popularity • 55% Danceability • 9% Energy • 7% Liveness
12% Instrumentalness • 41% Positiveness
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Christopher Gunning
The Hollow
111 bpm • F# min • 03:19 • -21.8db
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Ryan Gosling
City Of Stars - Hollywood Remix
112 bpm • D min • 03:26 • -9.51db
44% Popularity • 53% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Hurwitz
Sextant
105 bpm • G min • 01:45 • -28.98db
55% Popularity • 49% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 53% Positiveness
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James Newton Howard
Salamander Eyes
105 bpm • D Maj • 02:38 • -24.29db
53% Popularity • 17% Danceability • 4% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Alan Silvestri
I'm Forrest... Forrest Gump
104 bpm • F Maj • 02:39 • -22.78db
61% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
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Howard Shore
Concerning Hobbits
104 bpm • D Maj • 02:55 • -21.52db
65% Popularity • 49% Danceability • 6% Energy • 13% Liveness
41% Instrumentalness • 18% Positiveness
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DeVotchKa
The Winner Is
104 bpm • E min • 03:04 • -12.02db
57% Popularity • 68% Danceability • 40% Energy • 23% Liveness
92% Instrumentalness • 16% Positiveness
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Ryan Gosling
City Of Stars
112 bpm • D min • 02:29 • -15db
62% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Julius Pythoneus
What Falling In Love Feels Like
112 bpm • G# min • 03:03 • -16.75db
59% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Keith
105 bpm • G min • 01:25 • -20.88db
14% Popularity • 28% Danceability • 12% Energy • 24% Liveness
99% Instrumentalness • 37% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Jóhann Jóhannsson
The Theory of Everything
104 bpm • D Maj • 01:08 • -17.7db
68% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Erik Satie
Je te veux
112 bpm • C Maj • 04:29 • -20db
49% Popularity • 46% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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John Powell
Romantic Flight
104 bpm • F# Maj • 01:56 • -11.83db
62% Popularity • 22% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Rael Jones
Footloose and Fancy Free
113 bpm • D Maj • 01:19 • -19.44db
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Justin Hurwitz
Overture
112 bpm • F Maj • 02:48 • -15.33db
20% Popularity • 46% Danceability • 37% Energy • 17% Liveness
76% Instrumentalness • 11% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
53% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Forces of Attraction
104 bpm • G Maj • 02:03 • -20.85db
61% Popularity • 51% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Punch-Drunk Love
Punch Drunk Melody
113 bpm • A min • 01:43 • -20db
34% Popularity • 32% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 7% Positiveness
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Javier Navarrete
Liebestraum
113 bpm • D# Maj • 01:00 • -19.14db
49% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: Clair de lune
103 bpm • D# min • 05:46 • -28db
56% Popularity • 34% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Manny and Nellie's Theme
113 bpm • B min • 00:53 • -22.04db
46% Popularity • 78% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 76% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
45% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Howard Shore
The Thief
113 bpm • B min • 04:20 • -21.24db
30% Popularity • 25% Danceability • 11% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Emile Mosseri
Paul's Antiphony
114 bpm • C Maj • 01:54 • -14.7db
40% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Nicholas Britell
Andante in C Minor
102 bpm • C min • 01:57 • -17.63db
53% Popularity • 23% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
A Beautiful Spring Day - Original
102 bpm • C Maj • 03:14 • -22.87db
28% Popularity • 48% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 21% Positiveness
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Justin Hurwitz
Classic Rope-A-Dope
103 bpm • F Maj • 00:45 • -22.74db
38% Popularity • 50% Danceability • 4% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
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Randy Newman
Mommy Phase
102 bpm • F min • 01:01 • -21.55db
28% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
The Whirling Ways of Stars that Pass
102 bpm • E min • 01:52 • -26.72db
52% Popularity • 45% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Stacey Bassetti
Photograph
114 bpm • F Maj • 02:45 • -24db
55% Popularity • 23% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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George Fenton
Butterflies In The Subway
115 bpm • G Maj • 02:09 • -14db
31% Popularity • 80% Danceability • 41% Energy • 13% Liveness
75% Instrumentalness • 45% Positiveness
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Tim Simonec
First Nassau Band Rehearsal / Second Nas...
102 bpm • C min • 01:34 • -6.42db
38% Popularity • 46% Danceability • 62% Energy • 11% Liveness
20% Instrumentalness • 84% Positiveness
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Justin Hurwitz
Ain't Life Grand
114 bpm • B min • 01:38 • -20.38db
38% Popularity • 69% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 59% Positiveness
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Michael Price
SHERlocked
101 bpm • A min • 03:44 • -21.5db
40% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Million Eyes
There Will Be Rain
115 bpm • E Maj • 02:02 • -21.96db
59% Popularity • 89% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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George Fenton
Goodnight Dear Void
115 bpm • E min • 01:07 • -20db
44% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Yann Tiersen
Les deux pianos
115 bpm • G# Maj • 01:58 • -14.81db
49% Popularity • 38% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Justin Hurwitz
Chicken On A Stick
101 bpm • C# min • 01:39 • -21.58db
40% Popularity • 49% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
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Nathan Johnson
The Thrombey Family Theme (Solo Piano)
101 bpm • C min • 01:33 • -26db
38% Popularity • 52% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Martin Phipps
Simple Harp Variation No. 1
101 bpm • G# min • 02:33 • -22.13db
43% Popularity • 35% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
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Patrick Doyle
Poirot
116 bpm • D# min • 02:39 • -20.36db
22% Popularity • 47% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Joe Hisaishi
The Girl Who Fell From the Sky
116 bpm • C min • 02:27 • -13db
55% Popularity • 24% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Yann Tiersen
Comptine d'un autre été, l'après-midi
101 bpm • E min • 02:20 • -15.38db
75% Popularity • 48% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Nathan Johnson
Knives Out! (String Quartet in G Minor)
115 bpm • G Maj • 01:50 • -11.27db
41% Popularity • 57% Danceability • 28% Energy • 28% Liveness
52% Instrumentalness • 48% Positiveness
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Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Clint Mansell
The Yellow House
100 bpm • D min • 04:45 • -16db
28% Popularity • 29% Danceability • 25% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Joe Hisaishi
In the Rain
101 bpm • D# Maj • 01:28 • -23.93db
54% Popularity • 28% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Randy Newman
Nicole Tells Her Story
100 bpm • F Maj • 01:02 • -15.32db
20% Popularity • 19% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Toshifumi Hinata
Menuet
100 bpm • D min • 01:46 • -14.01db
56% Popularity • 19% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme (Celesta)
100 bpm • F Maj • 01:27 • -26db
48% Popularity • 17% Danceability • 7% Energy • 20% Liveness
44% Instrumentalness • 17% Positiveness
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Yann Tiersen
Les jours tristes - Instrumental
100 bpm • G min • 03:03 • -8.12db
56% Popularity • 73% Danceability • 34% Energy • 8% Liveness
19% Instrumentalness • 95% Positiveness
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Jon Batiste
Bigger Than Us
117 bpm • C# Maj • 01:51 • -12db
34% Popularity • 32% Danceability • 46% Energy • 7% Liveness
87% Instrumentalness • 46% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
55% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme
117 bpm • A Maj • 01:38 • -15.75db
73% Popularity • 48% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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George Fenton
The Verdict
117 bpm • G# Maj • 01:20 • -20db
35% Popularity • 18% Danceability • 9% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Quantum Mechanics
99 bpm • E min • 03:00 • -14.72db
62% Popularity • 33% Danceability • 28% Energy • 6% Liveness
34% Instrumentalness • 9% Positiveness
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Nicholas Yee
La La Land Medley
99 bpm • D# Maj • 06:09 • -17.31db
36% Popularity • 26% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Emile Mosseri
Love Theme
99 bpm • D# Maj • 02:23 • -16.88db
43% Popularity • 32% Danceability • 10% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Newman
EVE
99 bpm • C# Maj • 01:02 • -11db
51% Popularity • 41% Danceability • 46% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Chinatown
100 bpm • B min • 01:22 • -24.98db
41% Popularity • 50% Danceability • 16% Energy • 18% Liveness
85% Instrumentalness • 18% Positiveness
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Nicholas Britell
Andante Espressivo - String Orchestra - ...
118 bpm • F min • 03:25 • -15.08db
46% Popularity • 24% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Tim Simonec
Upswingin'
99 bpm • F min • 02:12 • -5db
46% Popularity • 55% Danceability • 66% Energy • 18% Liveness
66% Instrumentalness • 64% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
61% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
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Thomas Newman
Define Dancing
99 bpm • C# Maj • 02:23 • -13.85db
55% Popularity • 31% Danceability • 38% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
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Justin Hurwitz
Morning
99 bpm • C min • 02:00 • -21db
34% Popularity • 49% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Ryan Gosling
City Of Stars
98 bpm • F# min • 01:51 • -19.35db
67% Popularity • 58% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Patrick Doyle
The Armstrong Case
98 bpm • D Maj • 01:21 • -23.4db
42% Popularity • 41% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Jonny Greenwood
Endless Superstition
98 bpm • C# Maj • 03:04 • -16.65db
30% Popularity • 18% Danceability • 19% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Justin Hurwitz
You Love Jazz Now
100 bpm • F Maj • 00:50 • -22.99db
41% Popularity • 37% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 31% Positiveness
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Joe Hisaishi
A Walk in the Skies
119 bpm • A# Maj • 02:14 • -12.8db
57% Popularity • 37% Danceability • 26% Energy • 5% Liveness
84% Instrumentalness • 38% Positiveness
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Summer Montage / Madeline