Songs like Summertime In Venice by Gary Freeman
Based on a tempo of (+/- 10%) and a similar genre
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Gary Freeman
Ciribiribin
172 bpm • D# Maj • 02:57 • -10.31db
3% Popularity • 32% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
3% Popularity • 32% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
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Francis Dupont
Ciribirbin
172 bpm • D# Maj • 03:00 • -14db
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Pascale Andrews
Viens Me Rejoindre
172 bpm • C Maj • 03:00 • -3.84db
20% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
20% Popularity • 20% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 53% Positiveness
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Los Sonidos Celestiales
Solo Otra Vez
172 bpm • F Maj • 01:58 • -11.07db
42% Popularity • 56% Danceability • 42% Energy • 16% Liveness
84% Instrumentalness • 72% Positiveness
42% Popularity • 56% Danceability • 42% Energy • 16% Liveness
84% Instrumentalness • 72% Positiveness
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Willy Schobben
Viva La Pappa Col Pomodoro
173 bpm • D# Maj • 02:04 • -10db
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
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Horst Jankowski
Play A Simple Melody
170 bpm • A# Maj • 02:36 • -12db
35% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
35% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
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Gary Freeman
Let Me Try Again
172 bpm • C Maj • 03:14 • -9.88db
5% Popularity • 19% Danceability • 39% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
5% Popularity • 19% Danceability • 39% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
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World Sound Orchestra
Happy Music
170 bpm • C# Maj • 02:58 • -6.91db
18% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
18% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
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Francis Dupont
Dolannes Melodie
172 bpm • D# Maj • 03:23 • -12db
28% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
28% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
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Pascale Andrews
Toutes Les Femmes Sont Belles
171 bpm • C Maj • 03:43 • -5db
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
32% Popularity • 44% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
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Orchestra Grand Cafe
Bummel-Petrus
170 bpm • C Maj • 02:53 • -12.32db
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Blue Heaven
Que Sera Sera
175 bpm • C Maj • 02:29 • -10db
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
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Gary Freeman
Summertime In Venice
172 bpm • A# Maj • 03:26 • -9.26db
19% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
19% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
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Horst Jankowski
Berlin Stroll
175 bpm • F Maj • 02:24 • -13.16db
35% Popularity • 53% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 67% Positiveness
35% Popularity • 53% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 67% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
THINGS
175 bpm • C Maj • 02:32 • -7.36db
17% Popularity • 64% Danceability • 57% Energy • 6% Liveness
77% Instrumentalness • 81% Positiveness
17% Popularity • 64% Danceability • 57% Energy • 6% Liveness
77% Instrumentalness • 81% Positiveness
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Dirk Schiefen
Santa Lucia
169 bpm • D# Maj • 03:05 • -7.28db
10% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
10% Popularity • 9% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 21% Positiveness
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Gentlemen Of Trumpets
Ganz Paris Träumt Von Der Liebe
168 bpm • D# Maj • 03:33 • -5.76db
16% Popularity • 34% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 46% Positiveness
16% Popularity • 34% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 46% Positiveness
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Edward Simoni
Gefangenenchor aus "Nabucco"
176 bpm • F Maj • 02:55 • -13db
25% Popularity • 18% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 19% Positiveness
25% Popularity • 18% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 19% Positiveness
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Gary Freeman
Dolannes Melodie
171 bpm • C Maj • 03:22 • -11db
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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Hans Hollestelle
Dance On
177 bpm • A Maj • 02:26 • -11db
23% Popularity • 44% Danceability • 65% Energy • 18% Liveness
87% Instrumentalness • 97% Positiveness
23% Popularity • 44% Danceability • 65% Energy • 18% Liveness
87% Instrumentalness • 97% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
SENORINA CAPPUCCINA
177 bpm • G min • 02:36 • -8.62db
17% Popularity • 58% Danceability • 45% Energy • 12% Liveness
29% Instrumentalness • 58% Positiveness
17% Popularity • 58% Danceability • 45% Energy • 12% Liveness
29% Instrumentalness • 58% Positiveness
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Sweet People
Barcarolle - Instrumental
178 bpm • D# Maj • 04:50 • -17.37db
24% Popularity • 13% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
24% Popularity • 13% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Claudius Alzner
Rock around the clock - How hight the mo...
178 bpm • C Maj • 03:19 • -13.01db
25% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
25% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
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Francis Dupont
For Ever Love
166 bpm • F# Maj • 03:50 • -15.55db
25% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
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Gary Freeman
C'Est Si Bon
170 bpm • C Maj • 02:28 • -9db
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
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Miguel Nacel
Harbort Lights
178 bpm • C Maj • 03:19 • -7.58db
14% Popularity • 51% Danceability • 46% Energy • 16% Liveness
24% Instrumentalness • 35% Positiveness
14% Popularity • 51% Danceability • 46% Energy • 16% Liveness
24% Instrumentalness • 35% Positiveness
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Hector Delfosse
Ciao Ciao Bambina
166 bpm • D Maj • 02:29 • -11db
37% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
37% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
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Dirk Schiefen
Love Story
166 bpm • A min • 03:30 • -8.66db
19% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
19% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Kurt Edelhagen
Wiener Walzer: 60 Takte Pro Minute - Wie...
179 bpm • C Maj • 03:07 • -11db
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
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MelodÃas Mágicas
Bajo los Puentes de Paris
180 bpm • F Maj • 02:19 • -12.98db
52% Popularity • 46% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 45% Positiveness
52% Popularity • 46% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 45% Positiveness
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Gary Freeman
Somewhere Over The Rainbow
169 bpm • C Maj • 03:01 • -12.31db
4% Popularity • 14% Danceability • 40% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 40% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Ballroom Dance Orchestra
Rote Rosen - Vienna Waltz
180 bpm • F Maj • 02:53 • -12db
37% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
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Discovey Light Orchestra
Cabatina
180 bpm • E Maj • 03:13 • -12db
48% Popularity • 33% Danceability • 33% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
48% Popularity • 33% Danceability • 33% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
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Nikos Constantine
Le Meteque
180 bpm • A Maj • 03:05 • -22.81db
20% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
20% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
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Kurt Edelhagen
Foxtrott: 46 Takte Pro Minute - Dinah; W...
180 bpm • F Maj • 02:58 • -10.68db
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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The Fantasy Strings
Silver Waltz
180 bpm • G Maj • 03:26 • -5.69db
19% Popularity • 8% Danceability • 63% Energy • 27% Liveness
82% Instrumentalness • 21% Positiveness
19% Popularity • 8% Danceability • 63% Energy • 27% Liveness
82% Instrumentalness • 21% Positiveness
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Gary Freeman
Open Your Heart
164 bpm • A# Maj • 03:28 • -11db
16% Popularity • 24% Danceability • 50% Energy • 22% Liveness
84% Instrumentalness • 26% Positiveness
16% Popularity • 24% Danceability • 50% Energy • 22% Liveness
84% Instrumentalness • 26% Positiveness
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Francis Dupont
Wonderland by Night
164 bpm • D# Maj • 02:51 • -13db
28% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
28% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
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Ballroom Dance Orchestra
Quando Quando Quando - Instrumental
180 bpm • A# Maj • 03:10 • -17.34db
40% Popularity • 47% Danceability • 57% Energy • 23% Liveness
89% Instrumentalness • 86% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 23% Liveness
89% Instrumentalness • 86% Positiveness
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Dirk Schiefen
Dolannes Melodie
182 bpm • G Maj • 03:08 • -7.82db
30% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
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Ricci Ferra
Geschichten Aus Dem Wienerwald, Op.325 (...
182 bpm • A# Maj • 03:10 • -15.71db
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Kurt Edelhagen
Rock: 46 Takte Pro Minute - Rock A Beati...
183 bpm • F min • 03:37 • -9db
22% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
22% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
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Gary Freeman
Serenade For Sarah
184 bpm • F Maj • 02:35 • -9.58db
4% Popularity • 16% Danceability • 40% Energy • 16% Liveness
91% Instrumentalness • 5% Positiveness
4% Popularity • 16% Danceability • 40% Energy • 16% Liveness
91% Instrumentalness • 5% Positiveness
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Hollywood Big Orchestra
Dr Zivago
185 bpm • G Maj • 02:51 • -9db
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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The Romantic Sound Orchestra
Elisabeth-Serenade
160 bpm • C Maj • 03:15 • -11.68db
30% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
30% Popularity • 29% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
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Francis Dupont
La Montana
160 bpm • D# Maj • 03:49 • -11.76db
17% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
17% Popularity • 36% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
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Ricci Ferra
Wein, Weib Und Gesang, Walzer Op.333 (Wi...
185 bpm • A# Maj • 03:51 • -14.42db
10% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
10% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
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Hartmut Kamper
Blue berry hills - Saxophon
160 bpm • A# Maj • 03:54 • -7.19db
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
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Gary Freeman
Girl Talk
184 bpm • C Maj • 02:37 • -13.17db
1% Popularity • 16% Danceability • 28% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
1% Popularity • 16% Danceability • 28% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
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Andi Häckel
My Bonnie Lies over the Ocean
190 bpm • D Maj • 03:00 • -9.1db
26% Popularity • 43% Danceability • 66% Energy • 5% Liveness
94% Instrumentalness • 85% Positiveness
26% Popularity • 43% Danceability • 66% Energy • 5% Liveness
94% Instrumentalness • 85% Positiveness
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Willy Schobben
Java
190 bpm • D Maj • 01:53 • -10.81db
23% Popularity • 55% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
23% Popularity • 55% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
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Johnny Pearson and His Orchestra
Lazy Silhouettes
154 bpm • F# Maj • 03:08 • -21.52db
31% Popularity • 35% Danceability • 12% Energy • 18% Liveness
64% Instrumentalness • 35% Positiveness
31% Popularity • 35% Danceability • 12% Energy • 18% Liveness
64% Instrumentalness • 35% Positiveness
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Nikos Ignatiadis
Austrian Alpes
192 bpm • G# Maj • 02:45 • -10.67db
30% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
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Hans Hollestelle
Walk, Don't Run
153 bpm • C Maj • 02:08 • -12.83db
29% Popularity • 52% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
29% Popularity • 52% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
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Gary Freeman
Embraceable You
156 bpm • C Maj • 03:40 • -9.34db
2% Popularity • 46% Danceability • 55% Energy • 19% Liveness
71% Instrumentalness • 30% Positiveness
2% Popularity • 46% Danceability • 55% Energy • 19% Liveness
71% Instrumentalness • 30% Positiveness
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Frank Davis Orchestra
Blue Velvet
152 bpm • A# Maj • 02:51 • -7.78db
23% Popularity • 51% Danceability • 55% Energy • 29% Liveness
92% Instrumentalness • 40% Positiveness
23% Popularity • 51% Danceability • 55% Energy • 29% Liveness
92% Instrumentalness • 40% Positiveness
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Dirk Schiefen
Time To Say Goodbye
152 bpm • G Maj • 04:01 • -8.24db
15% Popularity • 15% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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101 String Royal Orchestra
Hi Lili Hi Lo
151 bpm • A Maj • 02:27 • -11db
27% Popularity • 17% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
27% Popularity • 17% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Pepe Solera
Deine Augen Sind Wie Perlen
150 bpm • G# Maj • 03:08 • -3.85db
31% Popularity • 36% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 64% Positiveness
31% Popularity • 36% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 64% Positiveness
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Gentlemen Of Trumpets
Swingin' Mary
149 bpm • D# Maj • 03:03 • -8.6db
12% Popularity • 60% Danceability • 58% Energy • 36% Liveness
81% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 58% Energy • 36% Liveness
81% Instrumentalness • 64% Positiveness
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Gary Freeman
Il Silencio
190 bpm • A# Maj • 02:54 • -11.09db
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
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The Fantasy Strings
Moonriver
148 bpm • G Maj • 03:22 • -7.03db
18% Popularity • 33% Danceability • 51% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
18% Popularity • 33% Danceability • 51% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
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Dirk Schiefen
Trompeten-Medley 1 - Il Silenzio/Wunderl...
196 bpm • A# Maj • 05:16 • -10.89db
15% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
15% Popularity • 19% Danceability • 30% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
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Horst Jankowski
Third Man Theme
147 bpm • C Maj • 02:39 • -10.37db
29% Popularity • 53% Danceability • 42% Energy • 33% Liveness
6% Instrumentalness • 64% Positiveness
29% Popularity • 53% Danceability • 42% Energy • 33% Liveness
6% Instrumentalness • 64% Positiveness
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Pepe Solera
Ich will immer nur bei Dir sein
150 bpm • F Maj • 03:16 • -7.54db
17% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Gentlemen Of Trumpets
Ave Maria
147 bpm • F Maj • 02:15 • -8.89db
19% Popularity • 19% Danceability • 35% Energy • 32% Liveness
97% Instrumentalness • 14% Positiveness
19% Popularity • 19% Danceability • 35% Energy • 32% Liveness
97% Instrumentalness • 14% Positiveness
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Orchestra Grand Cafe
Schöner Gigolo
147 bpm • F Maj • 02:20 • -11.81db
15% Popularity • 36% Danceability • 38% Energy • 19% Liveness
10% Instrumentalness • 61% Positiveness
15% Popularity • 36% Danceability • 38% Energy • 19% Liveness
10% Instrumentalness • 61% Positiveness
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Gary Freeman
I Left My Heart In San Francisco
191 bpm • C Maj • 02:46 • -10.19db
21% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
21% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
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Dirk Schiefen
My Way
148 bpm • D# Maj • 04:37 • -8.5db
15% Popularity • 29% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Claudius Alzner
The Entertainer - Melodie d Amour - Tea ...
146 bpm • F Maj • 03:32 • -14.05db
23% Popularity • 53% Danceability • 35% Energy • 10% Liveness
66% Instrumentalness • 87% Positiveness
23% Popularity • 53% Danceability • 35% Energy • 10% Liveness
66% Instrumentalness • 87% Positiveness
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Blue Heaven
Blue Bajou
211 bpm • D# Maj • 03:31 • -8.72db
15% Popularity • 29% Danceability • 62% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
15% Popularity • 29% Danceability • 62% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
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Gentlemen Of Trumpets
El Condor Pasa
147 bpm • D min • 03:16 • -8.21db
29% Popularity • 35% Danceability • 45% Energy • 36% Liveness
90% Instrumentalness • 35% Positiveness
29% Popularity • 35% Danceability • 45% Energy • 36% Liveness
90% Instrumentalness • 35% Positiveness
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Gary Freeman
I Love Paris In The Springtime
156 bpm • C Maj • 02:18 • -11.16db
17% Popularity • 37% Danceability • 38% Energy • 30% Liveness
79% Instrumentalness • 32% Positiveness
17% Popularity • 37% Danceability • 38% Energy • 30% Liveness
79% Instrumentalness • 32% Positiveness
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Gary Freeman
My Way
152 bpm • F Maj • 03:45 • -11.97db
15% Popularity • 34% Danceability • 38% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
15% Popularity • 34% Danceability • 38% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
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Gentlemen Of Trumpets
Melodia Romantica
202 bpm • F Maj • 02:53 • -7.71db
27% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
27% Popularity • 16% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Claudius Alzner
Cant help falling in love - Forever and ...
206 bpm • F Maj • 02:49 • -12.21db
36% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness
36% Popularity • 17% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 58% Positiveness