Songs like Sun After Rain (Tom Moulton 12" Mix) - 2017 Remaster by The Salsoul Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Donna Summer
Spring Affair
121 bpm • B min • 08:30 • -13.1db
42% Popularity • 73% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 73% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Musique
Summer Love
121 bpm • C# Maj • 07:49 • -15.24db
14% Popularity • 82% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
14% Popularity • 82% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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The Ritchie Family
The Best Disco In Town
121 bpm • G# Maj • 06:41 • -7.19db
38% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Gayle Adams
Your Love Is a Life Saver - Special 12" ...
121 bpm • A Maj • 08:14 • -12db
17% Popularity • 74% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 74% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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First Choice
Let No Man Put Asunder (Shep Pettibone 1...
121 bpm • B Maj • 08:01 • -6.8db
35% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Mass Production
Welcome to Our World (Of Merry Music)
121 bpm • C Maj • 07:32 • -13db
21% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
21% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
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The Salsoul Orchestra
Short Shorts
121 bpm • C Maj • 03:11 • -8.4db
4% Popularity • 58% Danceability • 86% Energy • 16% Liveness
8% Instrumentalness • 93% Positiveness
4% Popularity • 58% Danceability • 86% Energy • 16% Liveness
8% Instrumentalness • 93% Positiveness
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Brass Construction
Shakit
121 bpm • A# min • 06:41 • -9db
8% Popularity • 63% Danceability • 89% Energy • 14% Liveness
24% Instrumentalness • 85% Positiveness
8% Popularity • 63% Danceability • 89% Energy • 14% Liveness
24% Instrumentalness • 85% Positiveness
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Bionic Boogie
Risky Changes - Extended Version
121 bpm • C min • 07:17 • -14.79db
10% Popularity • 71% Danceability • 60% Energy • 32% Liveness
66% Instrumentalness • 93% Positiveness
10% Popularity • 71% Danceability • 60% Energy • 32% Liveness
66% Instrumentalness • 93% Positiveness
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George Duke
I Want You for Myself - Original Mike Ma...
121 bpm • C Maj • 08:46 • -7db
8% Popularity • 77% Danceability • 58% Energy • 4% Liveness
13% Instrumentalness • 82% Positiveness
8% Popularity • 77% Danceability • 58% Energy • 4% Liveness
13% Instrumentalness • 82% Positiveness
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John Davis & The Monster Orchestra
LOVE MAGIC
121 bpm • F# min • 07:37 • -9.25db
12% Popularity • 76% Danceability • 57% Energy • 5% Liveness
78% Instrumentalness • 91% Positiveness
12% Popularity • 76% Danceability • 57% Energy • 5% Liveness
78% Instrumentalness • 91% Positiveness
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The Strikers
Inch by Inch - Remix
121 bpm • E Maj • 08:13 • -7db
12% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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D-Train
Youre the One for Me - Remix
121 bpm • F# min • 05:53 • -5.15db
25% Popularity • 62% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 62% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Hi-Gloss
It's Up to You
121 bpm • F Maj • 05:45 • -11db
21% Popularity • 87% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
21% Popularity • 87% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
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Gayle Adams
Plain Out of Luck
121 bpm • G# Maj • 07:35 • -14db
19% Popularity • 77% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
19% Popularity • 77% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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The Salsoul Orchestra
Sun After Rain (Tom Moulton 12" Mix) ( 2...
121 bpm • A# min • 08:07 • -7.53db
9% Popularity • 72% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 69% Positiveness
9% Popularity • 72% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 69% Positiveness
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Carol Douglas
Midnight Love Affair
121 bpm • E min • 06:13 • -12.35db
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
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T-Connection
Do What You Wanna Do
121 bpm • A# min • 07:17 • -9.37db
30% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
30% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
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McFadden & Whitehead
I Heard It in a Love Song
121 bpm • G min • 05:11 • -9db
29% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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G.Q.
Disco Nights (Rock Freak) - 12" Disco Re...
121 bpm • F min • 08:50 • -14.44db
24% Popularity • 81% Danceability • 49% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 81% Danceability • 49% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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Bobby Thurston
You Got What It Takes
121 bpm • A Maj • 09:33 • -14.29db
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
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Double Exposure
Ten Percent
121 bpm • C Maj • 07:07 • -8.67db
35% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Brass Construction
Movin'
122 bpm • A min • 08:41 • -3.91db
34% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
34% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
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T-Connection
Do What You Wanna Do
120 bpm • A# min • 07:16 • -8.2db
9% Popularity • 67% Danceability • 88% Energy • 8% Liveness
18% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 88% Energy • 8% Liveness
18% Instrumentalness • 87% Positiveness
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Narada Michael Walden
Tonight I'm Alright
122 bpm • F Maj • 05:15 • -12db
32% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
32% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
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The Salsoul Orchestra
Sun After the Rain
120 bpm • A# min • 05:34 • -16.33db
11% Popularity • 73% Danceability • 53% Energy • 18% Liveness
10% Instrumentalness • 79% Positiveness
11% Popularity • 73% Danceability • 53% Energy • 18% Liveness
10% Instrumentalness • 79% Positiveness
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Ashford & Simpson
Bourgie Bourgie
120 bpm • B min • 06:11 • -8.96db
27% Popularity • 47% Danceability • 76% Energy • 6% Liveness
88% Instrumentalness • 79% Positiveness
27% Popularity • 47% Danceability • 76% Energy • 6% Liveness
88% Instrumentalness • 79% Positiveness
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Dennis Coffey
Wings Of Fire
120 bpm • F# min • 07:38 • -7db
8% Popularity • 73% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 81% Positiveness
8% Popularity • 73% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 81% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 04:02 • -7db
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Thurston
You Got What It Takes - Remix
120 bpm • C# min • 07:27 • -16db
25% Popularity • 73% Danceability • 67% Energy • 3% Liveness
3% Instrumentalness • 74% Positiveness
25% Popularity • 73% Danceability • 67% Energy • 3% Liveness
3% Instrumentalness • 74% Positiveness
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Carol Williams
Love Is You (A Tom Moulton Mix)
122 bpm • A min • 07:53 • -8.69db
30% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
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John Davis & The Monster Orchestra
BOURGIE, BOURGIE
120 bpm • C Maj • 06:12 • -10db
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
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Frantique
Strut Your Funky Stuff - 12" Version
120 bpm • G Maj • 06:16 • -6db
30% Popularity • 84% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
30% Popularity • 84% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
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Bionic Boogie
Risky Changes
122 bpm • G# Maj • 06:21 • -9db
18% Popularity • 69% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 78% Positiveness
18% Popularity • 69% Danceability • 91% Energy • 34% Liveness
34% Instrumentalness • 78% Positiveness
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Harvey Mason
Groovin' You
122 bpm • C min • 04:53 • -8.33db
30% Popularity • 79% Danceability • 86% Energy • 4% Liveness
28% Instrumentalness • 87% Positiveness
30% Popularity • 79% Danceability • 86% Energy • 4% Liveness
28% Instrumentalness • 87% Positiveness
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Ashford & Simpson
Nobody Knows - 12" Disco Mix
122 bpm • F Maj • 06:37 • -9db
11% Popularity • 77% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
11% Popularity • 77% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Carol Williams
Love Is You
122 bpm • C Maj • 05:07 • -12.96db
29% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Evelyn "Champagne" King
Let's Get Funky Tonight - 12" Version
120 bpm • G# Maj • 06:41 • -9.78db
4% Popularity • 76% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
4% Popularity • 76% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Loleatta Holloway
We're Getting Stronger (The Longer We St...
122 bpm • B min • 04:37 • -8.12db
13% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Sérgio Mendes
I'll Tell You
122 bpm • D min • 05:49 • -11.65db
17% Popularity • 86% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 86% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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The Ritchie Family
Let's Pool
120 bpm • G# Maj • 04:03 • -8.51db
18% Popularity • 72% Danceability • 78% Energy • 17% Liveness
92% Instrumentalness • 98% Positiveness
18% Popularity • 72% Danceability • 78% Energy • 17% Liveness
92% Instrumentalness • 98% Positiveness
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Bohannon
Let's Start the Dance, Pt. 2
120 bpm • A# min • 06:40 • -13db
17% Popularity • 77% Danceability • 95% Energy • 18% Liveness
54% Instrumentalness • 72% Positiveness
17% Popularity • 77% Danceability • 95% Energy • 18% Liveness
54% Instrumentalness • 72% Positiveness
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Gary's Gang
Keep On Dancin' - Re-Recorded
120 bpm • F# min • 07:23 • -7db
14% Popularity • 70% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 88% Positiveness
14% Popularity • 70% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 88% Positiveness
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The Emotions
I Don't Wanna Lose Your Love
120 bpm • C# Maj • 04:01 • -8.84db
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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Gayle Adams
Your Love Is a Life Saver
120 bpm • B Maj • 05:52 • -14.3db
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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Gino Soccio
Hold Tight
120 bpm • D# Maj • 05:18 • -16.42db
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Peaches & Herb
Funtime
120 bpm • A min • 06:34 • -6db
11% Popularity • 83% Danceability • 75% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
11% Popularity • 83% Danceability • 75% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
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Bohannon
Let's Start the Dance - Remix
120 bpm • A# min • 08:01 • -12.02db
12% Popularity • 77% Danceability • 93% Energy • 15% Liveness
50% Instrumentalness • 75% Positiveness
12% Popularity • 77% Danceability • 93% Energy • 15% Liveness
50% Instrumentalness • 75% Positiveness
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Gene Chandler
When You're #1
120 bpm • G Maj • 09:13 • -7.26db
15% Popularity • 78% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 78% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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The Emotions
I Don't Wanna Lose Your Love - DJ Revere...
120 bpm • G# Maj • 06:24 • -10db
11% Popularity • 76% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 76% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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McFadden & Whitehead
Got To Change
120 bpm • A min • 05:58 • -8.71db
14% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Suzi Lane
Harmony
122 bpm • C Maj • 07:01 • -12.97db
28% Popularity • 84% Danceability • 66% Energy • 9% Liveness
3% Instrumentalness • 98% Positiveness
28% Popularity • 84% Danceability • 66% Energy • 9% Liveness
3% Instrumentalness • 98% Positiveness
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Fantasy
You're Too Late
120 bpm • G# min • 06:33 • -11.71db
23% Popularity • 81% Danceability • 48% Energy • 4% Liveness
11% Instrumentalness • 92% Positiveness
23% Popularity • 81% Danceability • 48% Energy • 4% Liveness
11% Instrumentalness • 92% Positiveness
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Crown Heights Affair
Dreaming a Dream (Goes Dancin')
122 bpm • A# min • 07:06 • -9.59db
10% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
10% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
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Janice McClain
Smack Dab In the Middle (12" Version)
122 bpm • A# Maj • 04:11 • -8.96db
12% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Raw Silk
Just in Time (2012 - Remaster)
122 bpm • G Maj • 06:54 • -10.86db
20% Popularity • 70% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 70% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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D-Train
Music
120 bpm • E Maj • 08:11 • -6db
30% Popularity • 78% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 78% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Thelma Houston
I'm Here Again - Extended Version
122 bpm • A# min • 06:31 • -9.8db
7% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Cameo
Find My Way
122 bpm • A Maj • 03:35 • -12.73db
18% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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T-Connection
Do What You Wanna Do
120 bpm • A# min • 03:20 • -10.35db
13% Popularity • 70% Danceability • 74% Energy • 9% Liveness
23% Instrumentalness • 84% Positiveness
13% Popularity • 70% Danceability • 74% Energy • 9% Liveness
23% Instrumentalness • 84% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:09 • -13db
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Bionic Boogie
Boogie Boo
122 bpm • E min • 05:21 • -9.04db
8% Popularity • 87% Danceability • 70% Energy • 9% Liveness
39% Instrumentalness • 83% Positiveness
8% Popularity • 87% Danceability • 70% Energy • 9% Liveness
39% Instrumentalness • 83% Positiveness
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D-Train
You're the One for Me - Reprise
120 bpm • F# min • 03:45 • -7.26db
29% Popularity • 74% Danceability • 80% Energy • 29% Liveness
6% Instrumentalness • 83% Positiveness
29% Popularity • 74% Danceability • 80% Energy • 29% Liveness
6% Instrumentalness • 83% Positiveness
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C.J. & Co.
Sure Can't Go to the Moon
122 bpm • B min • 07:30 • -9.9db
9% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Thelma Houston
If You Feel It
120 bpm • D Maj • 05:56 • -13db
24% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
24% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
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G.Q.
Make My Dreams a Reality
122 bpm • G Maj • 06:15 • -13db
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Bohannon
Let's Start II Dance Again
120 bpm • A# min • 07:36 • -10.37db
28% Popularity • 72% Danceability • 87% Energy • 20% Liveness
8% Instrumentalness • 81% Positiveness
28% Popularity • 72% Danceability • 87% Energy • 20% Liveness
8% Instrumentalness • 81% Positiveness
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The Salsoul Orchestra
Don't Beat Around the Bush
122 bpm • A# min • 05:06 • -15.69db
8% Popularity • 72% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 59% Positiveness
8% Popularity • 72% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 59% Positiveness
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Fat Larry's Band
Lookin' for Love
122 bpm • E min • 05:29 • -7db
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Instant Funk
Bodyshine (Larry Levan Mix)
120 bpm • A Maj • 06:01 • -10.1db
15% Popularity • 85% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 85% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 06:32 • -10.87db
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Brothers Johnson
Light Up The Night
122 bpm • B min • 03:45 • -11db
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
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Shalamar
Right in the Socket (7" Version)
122 bpm • C# min • 03:43 • -6.2db
22% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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First Choice
Let No Man Put Asunder
120 bpm • B Maj • 04:24 • -5.68db
30% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:20 • -11.26db
27% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Unlimited Touch
In the Middle
122 bpm • F# min • 05:18 • -6.24db
15% Popularity • 68% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 68% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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The Originals
Down To Love Town
122 bpm • C# Maj • 05:59 • -10.95db
26% Popularity • 73% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 73% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Tom Browne
Fungi Mama (Bebopafunkadiscolypso)
123 bpm • D Maj • 05:51 • -7db
13% Popularity • 78% Danceability • 86% Energy • 53% Liveness
72% Instrumentalness • 62% Positiveness
13% Popularity • 78% Danceability • 86% Energy • 53% Liveness
72% Instrumentalness • 62% Positiveness
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The Salsoul Orchestra
Guantanamera
122 bpm • D Maj • 03:46 • -8.39db
10% Popularity • 69% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 97% Positiveness
10% Popularity • 69% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 97% Positiveness
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Carol Douglas
Carol's Theme #2
123 bpm • C Maj • 01:39 • -13.7db
24% Popularity • 67% Danceability • 68% Energy • 8% Liveness
93% Instrumentalness • 85% Positiveness
24% Popularity • 67% Danceability • 68% Energy • 8% Liveness
93% Instrumentalness • 85% Positiveness
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G.Q.
Disco Nights (Rock Freak)
123 bpm • F min • 05:54 • -12.23db
39% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 80% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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C.J. & Co.
We Got Our Own Thang
119 bpm • F# min • 09:31 • -9.21db
14% Popularity • 60% Danceability • 81% Energy • 4% Liveness
28% Instrumentalness • 91% Positiveness
14% Popularity • 60% Danceability • 81% Energy • 4% Liveness
28% Instrumentalness • 91% Positiveness
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The Chi-Lites
My First Mistake
123 bpm • F# Maj • 05:43 • -10.83db
14% Popularity • 46% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 46% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
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Fatback Band
Spanish Hustle
123 bpm • G min • 05:15 • -11db
22% Popularity • 56% Danceability • 82% Energy • 9% Liveness
40% Instrumentalness • 67% Positiveness
22% Popularity • 56% Danceability • 82% Energy • 9% Liveness
40% Instrumentalness • 67% Positiveness
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Sharon Redd
Try My Love On for Size
119 bpm • D Maj • 05:08 • -11db
24% Popularity • 66% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
24% Popularity • 66% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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The Salsoul Orchestra
212 North 12th St.
123 bpm • F Maj • 08:32 • -10.1db
25% Popularity • 72% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 90% Positiveness
25% Popularity • 72% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 90% Positiveness
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Fat Larry's Band
Lookin' For Love - Special 12" Disco Mix
123 bpm • B min • 06:50 • -10.06db
13% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Ritchie Family
One and Only
119 bpm • A# min • 04:30 • -12db
34% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Barry White
Your Sweetness Is My Weakness
119 bpm • A Maj • 08:10 • -12db
30% Popularity • 68% Danceability • 73% Energy • 10% Liveness
4% Instrumentalness • 76% Positiveness
30% Popularity • 68% Danceability • 73% Energy • 10% Liveness
4% Instrumentalness • 76% Positiveness
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The Originals
Down To Love Town - Single Version
123 bpm • C# Maj • 02:54 • -10.15db
9% Popularity • 76% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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L.T.D.
It's Time To Be Real
123 bpm • G min • 03:29 • -8.79db
17% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Fatback Band
Party Time
119 bpm • B min • 06:39 • -9.6db
11% Popularity • 61% Danceability • 68% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 61% Danceability • 68% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Cloud One
Disco Juice
123 bpm • A min • 06:59 • -9db
29% Popularity • 59% Danceability • 74% Energy • 32% Liveness
10% Instrumentalness • 67% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 32% Liveness
10% Instrumentalness • 67% Positiveness
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People's Choice
Jam, Jam, Jam (All Night Long)
119 bpm • C min • 03:37 • -6.19db
26% Popularity • 76% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
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G.Q.
Disco Nights (Rock Freak) - Single Remix
123 bpm • F min • 03:56 • -9.13db
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Skyy
Here's To You (Dimitri From Paris DJ Fri...
123 bpm • B min • 06:36 • -6.35db
17% Popularity • 84% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 84% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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The Emotions
Turn It Out
119 bpm • G Maj • 05:03 • -7.01db
19% Popularity • 88% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 88% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Van McCoy
Spanish Boogie
119 bpm • G# Maj • 03:34 • -7.84db
15% Popularity • 70% Danceability • 89% Energy • 9% Liveness
7% Instrumentalness • 76% Positiveness
15% Popularity • 70% Danceability • 89% Energy • 9% Liveness
7% Instrumentalness • 76% Positiveness
