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Sun
Songs like
Sun
by
Sleeping At Last
Based on a tempo of (+/- 10%) and a similar genre
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The National Parks
Beautiful Night
152 bpm • F# Maj • 03:51 • -9db
30% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Corey Kilgannon
Postcard from Rome
152 bpm • C# Maj • 03:50 • -17db
27% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sleeping At Last
Sun
152 bpm • C Maj • 04:37 • -11.34db
44% Popularity • 33% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
59% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Switchfoot
Monday Comes Around (Sleeping At Last Ve...
152 bpm • E Maj • 03:36 • -9.97db
46% Popularity • 40% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Joy Williams
Speaking a Dead Language
151 bpm • C Maj • 03:58 • -10db
36% Popularity • 32% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Civil Wars
Poison & Wine
154 bpm • C# Maj • 03:39 • -12.73db
50% Popularity • 28% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tow'rs
Circles
150 bpm • C Maj • 03:39 • -17.28db
27% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Christina Perri
distance
150 bpm • D Maj • 03:56 • -7.55db
48% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Noah Gundersen
Blossom
150 bpm • A Maj • 03:43 • -11db
29% Popularity • 43% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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A Boy and His Kite
Cover Your Tracks
150 bpm • C Maj • 04:31 • -12db
38% Popularity • 46% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 16% Positiveness
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Sleeping At Last
Pluto
150 bpm • C Maj • 03:47 • -9.58db
41% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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John Mark McMillan
Hammering Heart (Sessions)
155 bpm • F Maj • 03:52 • -11.03db
25% Popularity • 35% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Corey Kilgannon
Soft Gentle Brilliant (Acoustic Version)
150 bpm • D Maj • 04:09 • -15db
22% Popularity • 46% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Mumford & Sons
October Skies
155 bpm • C Maj • 03:43 • -15.56db
48% Popularity • 47% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Peter Bradley Adams
Between Us
149 bpm • C# min • 04:26 • -12.7db
33% Popularity • 50% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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Sleeping At Last
Mars
155 bpm • G min • 03:57 • -10.69db
42% Popularity • 30% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Aaron Krause
Jade
149 bpm • C# min • 05:08 • -10.43db
18% Popularity • 41% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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James Spaite
Effort
149 bpm • E Maj • 04:33 • -10db
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Twiceyoung
Slow Down
155 bpm • A# Maj • 03:37 • -11.48db
37% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
76% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Colbie Caillat
When The Darkness Comes
156 bpm • D Maj • 04:16 • -10.82db
43% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Rosenthal
It's Ok - Acoustic
148 bpm • G# min • 03:11 • -12.73db
54% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Fray
Happiness
148 bpm • C# Maj • 05:22 • -11.61db
45% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jaymes Young
Moondust
148 bpm • F# min • 03:45 • -10.51db
54% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
38% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
51% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Novo Amor
Cavalry
148 bpm • D# Maj • 05:11 • -10.64db
42% Popularity • 28% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
62% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Corey Kilgannon
Köln
147 bpm • C Maj • 03:13 • -9.56db
31% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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BANNERS
Holy Ground
147 bpm • B min • 04:18 • -5.69db
37% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Brolly
Hollow Home Rd
147 bpm • C Maj • 04:23 • -5.71db
22% Popularity • 37% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Mountains of the Moon
Bayou
158 bpm • A# min • 07:23 • -16db
41% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Bruno Merz
Into the Air
146 bpm • A min • 04:10 • -17.14db
13% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
48% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Aron Wright
Look After You
146 bpm • C# min • 03:11 • -10.74db
55% Popularity • 40% Danceability • 29% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Sleeping At Last
Jupiter
145 bpm • D# Maj • 04:15 • -12db
42% Popularity • 23% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 21% Positiveness
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Novo Amor
Colourway
159 bpm • D# Maj • 03:48 • -10db
63% Popularity • 26% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Alex Blue
Landslide
159 bpm • B Maj • 03:50 • -11db
31% Popularity • 33% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
60% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Noah Gundersen
First Defeat
144 bpm • F Maj • 04:03 • -11db
47% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Stinton
I'll Stay (Carla's Song)
144 bpm • G# Maj • 04:03 • -14.28db
28% Popularity • 54% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
Faux
145 bpm • B Maj • 04:32 • -12db
49% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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Sleeping At Last
West
142 bpm • B Maj • 03:47 • -12.4db
43% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Flannel Graph
The Life I Was Missing
144 bpm • E Maj • 05:11 • -11.68db
22% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lord Huron
The Yawning Grave
142 bpm • B min • 03:12 • -8db
49% Popularity • 48% Danceability • 40% Energy • 24% Liveness
6% Instrumentalness • 31% Positiveness
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Emily Hearn
Worth Fighting For
142 bpm • D Maj • 04:09 • -6.3db
23% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
57% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Sleeping At Last
Today Has Been OK
142 bpm • C# Maj • 03:39 • -12db
35% Popularity • 29% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Mendick & Kyle Selig
Sailing Again
140 bpm • F Maj • 02:21 • -10.5db
15% Popularity • 45% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 11% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
53% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
61% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Grayshot
I Break My Heart
140 bpm • E Maj • 04:43 • -15.17db
12% Popularity • 56% Danceability • 39% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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Sleeping At Last
I'll Keep You Safe
140 bpm • G Maj • 04:31 • -9.74db
47% Popularity • 33% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Flannel Graph
Five Foot Three
140 bpm • G Maj • 03:14 • -13db
33% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Walters
Elephant in the Room
140 bpm • A Maj • 03:47 • -8.54db
14% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Neulore
The Gathering Chant
140 bpm • F# min • 04:02 • -9.13db
8% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sleeping At Last
Joy
140 bpm • C# Maj • 03:13 • -9.3db
32% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
58% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Walters
The Rules for Lovers
166 bpm • F# Maj • 03:12 • -13db
32% Popularity • 32% Danceability • 28% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Andrew Osenga
Bookmark
139 bpm • D Maj • 03:59 • -16.63db
15% Popularity • 37% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
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Sanders Bohlke
The Loved Ones
139 bpm • A# min • 04:43 • -12.58db
30% Popularity • 36% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Ruelle
War Of Hearts - Acoustic Version
139 bpm • A min • 03:52 • -12db
55% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Gundersen
Isaiah
166 bpm • D Maj • 03:03 • -13.64db
28% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Hunts
Remember Us
139 bpm • E Maj • 04:02 • -10.55db
22% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Snow Patrol
New York
138 bpm • F Maj • 04:00 • -6.74db
49% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Walters
Infinity Street
138 bpm • A Maj • 03:28 • -19.27db
29% Popularity • 45% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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SYML
Better
167 bpm • C Maj • 04:13 • -8.45db
43% Popularity • 39% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Tow'rs
Porcelain
138 bpm • D Maj • 04:21 • -15db
31% Popularity • 63% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 33% Positiveness
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Eric Arjes
Find My Way Back
138 bpm • D# Maj • 03:39 • -8db
39% Popularity • 63% Danceability • 57% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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The Hunts
Make This Leap
138 bpm • G Maj • 03:46 • -7.67db
40% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Bradley Adams
A Way to You Again
169 bpm • D Maj • 03:45 • -13.96db
28% Popularity • 39% Danceability • 26% Energy • 6% Liveness
17% Instrumentalness • 29% Positiveness
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Roo Panes
Different Child
137 bpm • D Maj • 03:30 • -12.14db
25% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ruelle
The Other Side
137 bpm • F# min • 04:12 • -8db
60% Popularity • 37% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
45% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Rosi Golan
Give up the Ghost
136 bpm • C Maj • 03:55 • -11.81db
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sleeping At Last
Sorrow
170 bpm • C Maj • 05:11 • -10.97db
39% Popularity • 16% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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K.S. Rhoads
Our Corner of the Universe
136 bpm • F min • 05:19 • -13.05db
34% Popularity • 27% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 6% Positiveness
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Aron Wright
You're the Last Thing on My Mind
170 bpm • G Maj • 03:27 • -14db
38% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Aquilo
Human
136 bpm • A Maj • 03:57 • -10.18db
41% Popularity • 25% Danceability • 47% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
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Rae Morris
Grow
136 bpm • E min • 04:03 • -11.76db
30% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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Roo Panes
Indigo Home
135 bpm • C# Maj • 04:52 • -10.26db
35% Popularity • 52% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ira Wolf
Fickle Heart
135 bpm • C# Maj • 03:21 • -12db
42% Popularity • 62% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
37% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Sun