Songs like Sundays by Joey Baron
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Karlzon
Nardis
119 bpm • C Maj • 06:40 • -31.07db
30% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
30% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Marcin Wasilewski
Trio Conversation (The End)
118 bpm • C Maj • 02:01 • -27db
22% Popularity • 46% Danceability • 3% Energy • 16% Liveness
4% Instrumentalness • 17% Positiveness
22% Popularity • 46% Danceability • 3% Energy • 16% Liveness
4% Instrumentalness • 17% Positiveness
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Adam Levy
King Pleasure
118 bpm • F# Maj • 04:45 • -16.5db
8% Popularity • 76% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
8% Popularity • 76% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
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Dave Douglas
Con Almazan
120 bpm • A# Maj • 08:13 • -9.62db
1% Popularity • 38% Danceability • 51% Energy • 18% Liveness
66% Instrumentalness • 8% Positiveness
1% Popularity • 38% Danceability • 51% Energy • 18% Liveness
66% Instrumentalness • 8% Positiveness
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Ferenc Snétberger
Fairytale
118 bpm • E min • 05:27 • -25.42db
9% Popularity • 39% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
9% Popularity • 39% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Joey Baron
Peckerwood
118 bpm • C# Maj • 03:16 • -16.89db
1% Popularity • 71% Danceability • 30% Energy • 14% Liveness
22% Instrumentalness • 39% Positiveness
1% Popularity • 71% Danceability • 30% Energy • 14% Liveness
22% Instrumentalness • 39% Positiveness
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Bobo Stenson Trio
Kalimba Impressions
120 bpm • A Maj • 03:12 • -22db
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Jacob Karlzon
Open Waters
120 bpm • F# min • 05:06 • -22db
16% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Enrico Pieranunzi
Sundays
118 bpm • A min • 05:54 • -15.7db
16% Popularity • 40% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 40% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Eleonora Strino
It Don’t Mean A Thing
118 bpm • D min • 03:31 • -20.89db
5% Popularity • 43% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
5% Popularity • 43% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Karin Hammar
Uphill
118 bpm • G# Maj • 04:01 • -18.99db
33% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
33% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Fred Hersch Trio
Rain Waltz
120 bpm • C# Maj • 07:01 • -19.39db
27% Popularity • 43% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 41% Positiveness
27% Popularity • 43% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 41% Positiveness
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Bobo Stenson Trio
Stilla
120 bpm • A# Maj • 04:27 • -21.31db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
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Kenny Garrett
Before It's Time to Say Goodbye
118 bpm • C# Maj • 05:17 • -16.55db
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Jakob Bro
Evening Song
118 bpm • E Maj • 04:40 • -19.16db
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
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Bill Charlap Trio
The Duke
118 bpm • G# Maj • 06:45 • -17.46db
39% Popularity • 51% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
39% Popularity • 51% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
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Oded Tzur
Miniature 2
118 bpm • G Maj • 01:44 • -40.16db
39% Popularity • 40% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
39% Popularity • 40% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
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Renee Rosnes
Evermore
120 bpm • G min • 07:29 • -12.55db
37% Popularity • 46% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
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Danny Grissett
Two Sleepy People
117 bpm • D# Maj • 06:36 • -26.92db
49% Popularity • 45% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
49% Popularity • 45% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Rymden
Ro
117 bpm • D Maj • 05:24 • -24.08db
34% Popularity • 50% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
34% Popularity • 50% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Anat Fort Trio
Lanesboro
117 bpm • B min • 05:15 • -24db
23% Popularity • 51% Danceability • 10% Energy • 12% Liveness
67% Instrumentalness • 15% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 12% Liveness
67% Instrumentalness • 15% Positiveness
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Billy Childs
It Never Entered My Mind
121 bpm • F min • 05:12 • -23.99db
36% Popularity • 52% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 52% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Ferenc Snétberger
Álom
121 bpm • A min • 07:09 • -20.4db
6% Popularity • 34% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
6% Popularity • 34% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Tommy Flanagan
Naima
117 bpm • A# min • 05:02 • -28.28db
29% Popularity • 44% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
29% Popularity • 44% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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ARTEMIS
Nocturno
121 bpm • C Maj • 05:27 • -16.97db
38% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
38% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Triosence
The Stars, The Sun & The Moon
117 bpm • D# Maj • 05:31 • -21.72db
20% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
20% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Benjamin Lackner
Camino Cielo
121 bpm • C min • 05:13 • -22.41db
21% Popularity • 53% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
21% Popularity • 53% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Espen Eriksen Trio
Grinde
121 bpm • G# Maj • 05:04 • -22.04db
37% Popularity • 60% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
37% Popularity • 60% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Aaron Parks
River Ways
117 bpm • C# Maj • 03:06 • -26.92db
36% Popularity • 43% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 43% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Larry Goldings
Strays
117 bpm • D# Maj • 05:24 • -24.48db
28% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
28% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Joey Alexander
Midnight Waves
117 bpm • G min • 06:21 • -21.73db
27% Popularity • 52% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
27% Popularity • 52% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Marc Copland
Cantaloupe Island
121 bpm • F min • 08:19 • -17.17db
13% Popularity • 57% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
13% Popularity • 57% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
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David Hazeltine
Nature Boy
116 bpm • C# Maj • 06:12 • -14.74db
31% Popularity • 44% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Espen Eriksen Trio
Floating
122 bpm • B Maj • 03:54 • -15.12db
13% Popularity • 41% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Dave Douglas
Four Miniatures after Booker Little: Sap...
122 bpm • D# Maj • 00:50 • -16.66db
0% Popularity • 64% Danceability • 25% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
0% Popularity • 64% Danceability • 25% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Aldo Romano
On John's Guitar
116 bpm • D min • 04:57 • -17.19db
31% Popularity • 42% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
31% Popularity • 42% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Cyrus Chestnut
Gnossienne No. 1
116 bpm • A# min • 06:56 • -23.56db
32% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
32% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Bill Charlap Trio
Satellite
122 bpm • G# Maj • 04:18 • -16.57db
25% Popularity • 46% Danceability • 38% Energy • 17% Liveness
93% Instrumentalness • 49% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 17% Liveness
93% Instrumentalness • 49% Positiveness
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Tom Harrell
Journey to the Stars
122 bpm • F min • 06:34 • -17.6db
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
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Joel Ross
Gato's Gift
116 bpm • G Maj • 06:08 • -11db
21% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
21% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Yuri Honing Acoustic Quartet
The Art of Losing Isn't Hard to Master
122 bpm • A# Maj • 05:01 • -17db
20% Popularity • 59% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
20% Popularity • 59% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Benny Green
Ernie's Tune
116 bpm • F# Maj • 03:05 • -26.61db
35% Popularity • 52% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
35% Popularity • 52% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Joshua Redman Quartet
How We Do
122 bpm • F min • 03:33 • -8.58db
23% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
23% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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Joe Lovano & Dave Douglas Sound Prints
Manitou
116 bpm • F# min • 05:59 • -14.28db
1% Popularity • 46% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
1% Popularity • 46% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Julia Hülsmann Quartet
Made Of Wood
116 bpm • A# Maj • 06:12 • -16.24db
12% Popularity • 48% Danceability • 18% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
12% Popularity • 48% Danceability • 18% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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Gilad Hekselman
Home E-minor
116 bpm • E min • 01:29 • -25.21db
36% Popularity • 56% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
36% Popularity • 56% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Mark Turner
Skylark
115 bpm • C min • 05:55 • -19.34db
30% Popularity • 48% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
30% Popularity • 48% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
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Kurt Rosenwinkel
East Coast Love Affair
116 bpm • D Maj • 09:54 • -18.78db
21% Popularity • 48% Danceability • 14% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
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Adam Levy
Your Name Here
115 bpm • G Maj • 07:37 • -16.55db
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Joe Lovano & Dave Douglas Sound Prints
Pythagoras
123 bpm • G# Maj • 08:23 • -9.71db
0% Popularity • 47% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 23% Positiveness
0% Popularity • 47% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 23% Positiveness
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Dave Douglas
The Persistence of Memory
123 bpm • D# Maj • 04:39 • -14.29db
0% Popularity • 60% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
0% Popularity • 60% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
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Ben Street
Rumspringa
124 bpm • G# Maj • 07:28 • -16.4db
24% Popularity • 33% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
24% Popularity • 33% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Bobo Stenson Trio
Canción Y Danza VI
114 bpm • G# min • 05:14 • -24.35db
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Joel Lyssarides
Stay Now
124 bpm • B Maj • 02:49 • -22.51db
45% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
45% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Manu Katché
November 99
124 bpm • F Maj • 05:58 • -19.66db
28% Popularity • 57% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 17% Positiveness
28% Popularity • 57% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 17% Positiveness
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Cecilie Strange
When Sunny Smiles
114 bpm • G min • 07:44 • -16.02db
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 24% Positiveness
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Marcin Wasilewski
Free-Bop
114 bpm • C# Maj • 04:29 • -17.46db
9% Popularity • 44% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Dave Douglas
Mondrian
114 bpm • C Maj • 05:33 • -9.06db
2% Popularity • 46% Danceability • 53% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
2% Popularity • 46% Danceability • 53% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
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Jakob Bro
Heroines
113 bpm • D# Maj • 05:35 • -28.87db
27% Popularity • 44% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
27% Popularity • 44% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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Antonello Salis
Soundventure
113 bpm • A# min • 05:26 • -14db
0% Popularity • 47% Danceability • 72% Energy • 26% Liveness
71% Instrumentalness • 61% Positiveness
0% Popularity • 47% Danceability • 72% Energy • 26% Liveness
71% Instrumentalness • 61% Positiveness
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Kurt Rosenwinkel
You Go To My Head
113 bpm • D# Maj • 03:37 • -18.22db
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Tord Gustavsen Quartet
Glasgow Intro
113 bpm • C min • 01:13 • -34.47db
41% Popularity • 56% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Max Agnas
Långsamt
113 bpm • E min • 07:53 • -23.04db
32% Popularity • 51% Danceability • 10% Energy • 36% Liveness
88% Instrumentalness • 10% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 36% Liveness
88% Instrumentalness • 10% Positiveness
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Triosence
Can't Let Go
126 bpm • A# Maj • 04:24 • -18.06db
17% Popularity • 52% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
17% Popularity • 52% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Manu Katché
Flower Skin
126 bpm • C# Maj • 04:23 • -14.86db
25% Popularity • 50% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
25% Popularity • 50% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Julia Hülsmann Quartet
Sometimes It Snows In April
112 bpm • E Maj • 03:59 • -26.97db
47% Popularity • 44% Danceability • 2% Energy • 17% Liveness
40% Instrumentalness • 12% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 17% Liveness
40% Instrumentalness • 12% Positiveness
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Kurt Rosenwinkel
You've Changed
112 bpm • C Maj • 03:15 • -19.12db
49% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
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Fred Hersch Trio
Infant Eyes
112 bpm • G# Maj • 07:37 • -20.06db
43% Popularity • 42% Danceability • 11% Energy • 30% Liveness
59% Instrumentalness • 19% Positiveness
43% Popularity • 42% Danceability • 11% Energy • 30% Liveness
59% Instrumentalness • 19% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Adam Levy
There's Always One
126 bpm • A min • 05:09 • -17.03db
5% Popularity • 45% Danceability • 18% Energy • 10% Liveness
59% Instrumentalness • 28% Positiveness
5% Popularity • 45% Danceability • 18% Energy • 10% Liveness
59% Instrumentalness • 28% Positiveness
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Aldo Romano
Dear Old Stockholm
112 bpm • A min • 04:51 • -11.02db
21% Popularity • 44% Danceability • 54% Energy • 11% Liveness
18% Instrumentalness • 51% Positiveness
21% Popularity • 44% Danceability • 54% Energy • 11% Liveness
18% Instrumentalness • 51% Positiveness
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Enrico Pieranunzi
Cheveux
126 bpm • E min • 05:11 • -10.58db
7% Popularity • 46% Danceability • 41% Energy • 12% Liveness
52% Instrumentalness • 29% Positiveness
7% Popularity • 46% Danceability • 41% Energy • 12% Liveness
52% Instrumentalness • 29% Positiveness
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Bobo Stenson
Olivia
112 bpm • G Maj • 06:38 • -21.48db
11% Popularity • 43% Danceability • 16% Energy • 31% Liveness
89% Instrumentalness • 22% Positiveness
11% Popularity • 43% Danceability • 16% Energy • 31% Liveness
89% Instrumentalness • 22% Positiveness
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Julia Hülsmann Trio
You & You
127 bpm • G min • 04:21 • -21.71db
10% Popularity • 48% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
10% Popularity • 48% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Manu Katché
February Sun
127 bpm • C Maj • 04:42 • -22.91db
36% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Enrico Rava
Drops
127 bpm • A# Maj • 02:28 • -17.39db
33% Popularity • 45% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 45% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Aaron Diehl
Polaris
127 bpm • G Maj • 06:08 • -28.9db
22% Popularity • 45% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 45% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Enrico Pieranunzi
I Got It Bad
112 bpm • G Maj • 07:20 • -14.32db
35% Popularity • 48% Danceability • 15% Energy • 10% Liveness
69% Instrumentalness • 7% Positiveness
35% Popularity • 48% Danceability • 15% Energy • 10% Liveness
69% Instrumentalness • 7% Positiveness
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Rob Van Bavel
In a Sentimental Mood
112 bpm • D min • 05:15 • -19.97db
39% Popularity • 40% Danceability • 20% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
39% Popularity • 40% Danceability • 20% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Red Garland
I Know Why (And So Do You)
111 bpm • C min • 04:47 • -16.58db
53% Popularity • 53% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
53% Popularity • 53% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Wynton Kelly
Make The Man Love Me
111 bpm • C Maj • 03:39 • -15db
37% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
37% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
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Kurt Rosenwinkel
'Raindrop' Prélude in D-flat major (Op....
111 bpm • C# min • 05:26 • -10.44db
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Halsall
Samatha - Special Edition
111 bpm • G min • 09:16 • -18.98db
31% Popularity • 44% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 44% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Jens Jefsen
Interval
111 bpm • C Maj • 04:09 • -25.06db
15% Popularity • 48% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
15% Popularity • 48% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Joel Lyssarides
Procession
111 bpm • F# min • 04:30 • -24.28db
40% Popularity • 38% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
40% Popularity • 38% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
39% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Aaron Parks
Praise
128 bpm • F Maj • 04:43 • -19.24db
38% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
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Manu Katché
Out Take Number 9
111 bpm • C min • 02:08 • -22db
39% Popularity • 58% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
39% Popularity • 58% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Antonello Salis
Hands For Dance
110 bpm • A min • 05:06 • -18.51db
0% Popularity • 40% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 39% Positiveness
0% Popularity • 40% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 39% Positiveness
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Courtney Pine
The Morning After the Night Before
128 bpm • C min • 04:52 • -14.6db
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
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Kristjan Randalu
Stiller Beobachter
128 bpm • A min • 05:45 • -15.64db
13% Popularity • 35% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
13% Popularity • 35% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Alfio Origlio
Absyrations
110 bpm • C Maj • 05:44 • -21.86db
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
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Fred Nardin Trio
Prelude to Memory of T.
128 bpm • F# Maj • 01:17 • -21.23db
43% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
43% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
