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Sunlight, Heaven
Songs like
Sunlight, Heaven
by
Julianna Barwick
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Hart
Atbs Theme
103 bpm • A min • 02:10 • -17.33db
10% Popularity • 29% Danceability • 16% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Phosphorescent
Black Waves / Silver Moon
103 bpm • G# min • 06:21 • -10.78db
27% Popularity • 38% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Ludovico Einaudi
Ascent
103 bpm • E min • 06:58 • -28.09db
42% Popularity • 32% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Julianna Barwick
Sunlight, Heaven
103 bpm • C# Maj • 03:55 • -13.54db
17% Popularity • 19% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Mary Lattimore
Hello from the Edge of the Earth
104 bpm • F# min • 03:34 • -14.95db
32% Popularity • 55% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Kelly Moran
In Parallel
104 bpm • D min • 06:20 • -15.83db
16% Popularity • 20% Danceability • 40% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Rocket Builder (Lo Pan!)
102 bpm • G min • 06:24 • -21.53db
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Garth Stevenson
Wrangling
102 bpm • F# min • 02:10 • -15.52db
12% Popularity • 62% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Rafael Anton Irisarri
Watching As She Reels
104 bpm • C Maj • 07:07 • -12db
26% Popularity • 20% Danceability • 43% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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Otto A. Totland
Vates
104 bpm • E min • 04:16 • -26.7db
23% Popularity • 36% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Pandatone
We Fucking Love You
105 bpm • A min • 03:47 • -9.95db
0% Popularity • 63% Danceability • 61% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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July Skies
Waiting to Land
101 bpm • C# min • 06:26 • -15.33db
9% Popularity • 52% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ed Harcourt
Duet for Ghosts
105 bpm • F# Maj • 03:41 • -19db
24% Popularity • 42% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Colin Stetson
Stories
106 bpm • B Maj • 02:17 • -24.02db
16% Popularity • 26% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Rafael Anton Irisarri
RH Negative
101 bpm • B min • 05:49 • -10.95db
23% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Nick Cave & Warren Ellis
The Mother
101 bpm • D Maj • 02:46 • -18.34db
20% Popularity • 14% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Daniel Hart
Winter Crying Uncle - Reprise
100 bpm • D Maj • 03:00 • -14.79db
10% Popularity • 40% Danceability • 27% Energy • 9% Liveness
83% Instrumentalness • 11% Positiveness
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Andreas Söderström
Hotell 2
106 bpm • E min • 02:20 • -25db
31% Popularity • 36% Danceability • 3% Energy • 28% Liveness
95% Instrumentalness • 6% Positiveness
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Sea Oleena
Portugal (A Lift)
106 bpm • G# Maj • 06:48 • -20db
38% Popularity • 15% Danceability • 22% Energy • 5% Liveness
92% Instrumentalness • 2% Positiveness
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Arthur Sharpe
Blooms
106 bpm • E min • 04:34 • -9.27db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Christopher Gordon
Moment Of Truth
100 bpm • E min • 01:34 • -15.46db
9% Popularity • 52% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
100 bpm • E Maj • 04:58 • -20.95db
21% Popularity • 71% Danceability • 34% Energy • 34% Liveness
97% Instrumentalness • 7% Positiveness
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Daniel Hart
Winter Crying Uncle - Tumbledown Theme 1
100 bpm • D Maj • 02:43 • -16.01db
11% Popularity • 43% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Roger Goula
Overview Effect
100 bpm • D# Maj • 06:58 • -12.93db
8% Popularity • 53% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Sufjan Stevens
Climb That Mountain
100 bpm • G Maj • 03:00 • -10.02db
24% Popularity • 36% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Markus Guentner
Kuria
100 bpm • E min • 07:21 • -16.07db
8% Popularity • 39% Danceability • 35% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Nocturne 1
100 bpm • F# Maj • 03:52 • -16.36db
17% Popularity • 44% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Jon Opstad
Ignis: IV.
100 bpm • F# Maj • 05:50 • -19.62db
17% Popularity • 18% Danceability • 25% Energy • 18% Liveness
81% Instrumentalness • 4% Positiveness
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Daniel Hart
Ruth and Sylvie
107 bpm • G Maj • 02:58 • -13.71db
17% Popularity • 29% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Julianna Barwick
noon
107 bpm • F Maj • 03:50 • -24.69db
9% Popularity • 16% Danceability • 8% Energy • 20% Liveness
97% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
melodia - i
107 bpm • G min • 01:56 • -23db
20% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Erland Cooper
Haar
107 bpm • G# Maj • 03:54 • -16db
22% Popularity • 18% Danceability • 20% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Loscil
Bleeding Ink
99 bpm • G Maj • 06:38 • -25.38db
18% Popularity • 14% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Goldmund
My Neighborhood
99 bpm • D# min • 04:47 • -17.88db
20% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Dexter Britain
Imagining the End
108 bpm • C Maj • 04:03 • -21.65db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
ekki hugsa
108 bpm • C# Maj • 04:41 • -17.12db
38% Popularity • 61% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Mary Lattimore
The Quiet at Night
108 bpm • D Maj • 04:12 • -12db
33% Popularity • 48% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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A Winged Victory for the Sullen
We Played Some Open Chords and Rejoiced,...
108 bpm • A# Maj • 06:18 • -22.84db
35% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Saccade
98 bpm • F# min • 04:09 • -15.19db
34% Popularity • 51% Danceability • 45% Energy • 11% Liveness
95% Instrumentalness • 80% Positiveness
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Tropic of Cancer
Dive (Wheel of the Law)
98 bpm • F# min • 04:42 • -7.84db
12% Popularity • 37% Danceability • 80% Energy • 14% Liveness
68% Instrumentalness • 19% Positiveness
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Colleen
Everyone Alive Wants Answers
108 bpm • F# min • 03:31 • -7db
19% Popularity • 44% Danceability • 83% Energy • 28% Liveness
58% Instrumentalness • 20% Positiveness
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Julie Byrne
Spain
97 bpm • G Maj • 04:46 • -18.24db
37% Popularity • 12% Danceability • 8% Energy • 29% Liveness
96% Instrumentalness • 3% Positiveness
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Mary Lattimore
We Wave From Our Boats
108 bpm • D Maj • 03:50 • -19db
35% Popularity • 64% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Dan Romer
People Aren't Symmetrical
97 bpm • F Maj • 01:34 • -23.02db
8% Popularity • 49% Danceability • 10% Energy • 14% Liveness
96% Instrumentalness • 21% Positiveness
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Andrew Bird
Down Under the Hyperion Bridge
97 bpm • C Maj • 09:34 • -17.35db
24% Popularity • 24% Danceability • 30% Energy • 29% Liveness
91% Instrumentalness • 4% Positiveness
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Explosions In The Sky
Alone Time
97 bpm • A# Maj • 04:59 • -14db
28% Popularity • 46% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Helios
Nothing It Can
110 bpm • C# Maj • 04:47 • -12.33db
43% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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The Free Association
Inside/outside
110 bpm • A Maj • 04:37 • -14.92db
9% Popularity • 50% Danceability • 54% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
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Hammock
Cliffside
110 bpm • A# Maj • 05:52 • -13.17db
35% Popularity • 40% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Penguin Cafe
Cantorum
110 bpm • G Maj • 07:22 • -11db
22% Popularity • 56% Danceability • 79% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Loscil
Collision of the Pacific Gather
110 bpm • G Maj • 05:08 • -24.41db
11% Popularity • 64% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Brian Eno
Ship In A Bottle
110 bpm • G# Maj • 02:40 • -23.75db
33% Popularity • 43% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Chris Zabriskie
Another Version of You
110 bpm • G# Maj • 06:09 • -20.52db
8% Popularity • 38% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
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Penelope Trappes
Fur & Feather
96 bpm • C Maj • 03:04 • -20db
16% Popularity • 22% Danceability • 9% Energy • 36% Liveness
6% Instrumentalness • 4% Positiveness
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Moon Ate the Dark
Bashy
111 bpm • G Maj • 04:11 • -20.74db
12% Popularity • 24% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 35% Positiveness
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Mary Lattimore
Pine Trees
111 bpm • B min • 03:20 • -27.49db
37% Popularity • 52% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Julianna Barwick
Call
111 bpm • F Maj • 05:15 • -24.13db
35% Popularity • 48% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Grouper
Lighthouse
111 bpm • A# min • 05:44 • -24.29db
35% Popularity • 33% Danceability • 8% Energy • 38% Liveness
93% Instrumentalness • 9% Positiveness
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Peter Broderick
Part 2: Understanding
95 bpm • B min • 06:39 • -17.77db
4% Popularity • 17% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 8% Positiveness
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Gustavo Santaolalla
Tribes Of Palos Verdes Theme
95 bpm • G Maj • 03:07 • -28.2db
9% Popularity • 59% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Bing & Ruth
We Are on the Side of Angels
112 bpm • F Maj • 07:00 • -32.1db
23% Popularity • 47% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
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Philip Glass
Metamorphosis 3 - John Beltran's Tangeri...
112 bpm • A min • 08:57 • -15.86db
5% Popularity • 25% Danceability • 36% Energy • 15% Liveness
97% Instrumentalness • 5% Positiveness
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Julianna Barwick
St. Apolonia
95 bpm • F Maj • 02:13 • -12db
20% Popularity • 27% Danceability • 50% Energy • 28% Liveness
96% Instrumentalness • 7% Positiveness
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Steve Hauschildt
Arpeggiare
112 bpm • C# min • 07:32 • -14.6db
19% Popularity • 29% Danceability • 39% Energy • 17% Liveness
87% Instrumentalness • 30% Positiveness
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Peter Broderick
Freyr!
95 bpm • C Maj • 06:27 • -15.69db
11% Popularity • 60% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 50% Positiveness
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Tom Adams
Particle VIII (The Light Before the Rain...
112 bpm • C Maj • 03:17 • -21.39db
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Martyn Heyne
Sparks
95 bpm • E Maj • 04:01 • -23.2db
16% Popularity • 64% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Austin Fray
Where the Winds Blow
112 bpm • B Maj • 02:38 • -13.34db
13% Popularity • 20% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Julianna Barwick
Red Tit Warbler
112 bpm • G Maj • 02:03 • -18.38db
13% Popularity • 25% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Dan Romer
I Fear the Nite
113 bpm • G min • 02:37 • -22.52db
25% Popularity • 51% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Erland Cooper
Maalie
94 bpm • F# Maj • 02:47 • -15db
28% Popularity • 34% Danceability • 36% Energy • 6% Liveness
2% Instrumentalness • 5% Positiveness
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Eluvium
Fugue State
94 bpm • C Maj • 07:36 • -10.19db
16% Popularity • 17% Danceability • 49% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
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Kelly Moran
Helix
113 bpm • D# min • 08:48 • -13.68db
20% Popularity • 34% Danceability • 54% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
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Lubomyr Melnyk
Pockets of Light - Excerpt
113 bpm • G Maj • 05:49 • -21.6db
31% Popularity • 36% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
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Colleen
The Golden Morning Breaks
113 bpm • F Maj • 05:22 • -14db
28% Popularity • 37% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Hammock
We Watched You Disappear
93 bpm • E Maj • 05:53 • -17.1db
26% Popularity • 12% Danceability • 20% Energy • 31% Liveness
92% Instrumentalness • 4% Positiveness
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Decoder Ring
More Than Scarlet
114 bpm • F Maj • 02:49 • -17.23db
34% Popularity • 60% Danceability • 31% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
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Grouper
Holding
114 bpm • F# Maj • 07:56 • -24.89db
33% Popularity • 28% Danceability • 6% Energy • 30% Liveness
92% Instrumentalness • 16% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Arthur Jeffes
1420
115 bpm • C Maj • 05:55 • -15.48db
8% Popularity • 66% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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William Tyler
An Opening
114 bpm • C Maj • 02:12 • -8.61db
20% Popularity • 58% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Hammock
In the Middle of This Nowhere
93 bpm • F# Maj • 05:33 • -11.63db
32% Popularity • 11% Danceability • 30% Energy • 30% Liveness
74% Instrumentalness • 4% Positiveness
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Nathan Halpern
The Last Ride
92 bpm • D Maj • 02:39 • -19.99db
8% Popularity • 13% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Julianna Barwick
Wishing Well
92 bpm • D Maj • 03:53 • -12.93db
26% Popularity • 13% Danceability • 31% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Roger Goula
Soon Will Wake Up
92 bpm • A min • 05:51 • -17.64db
12% Popularity • 23% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Erland Cooper
Shalder
115 bpm • G Maj • 03:17 • -19.55db
17% Popularity • 19% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 6% Positiveness
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Anna Meredith
Blackfriars
116 bpm • F# min • 02:58 • -14.13db
10% Popularity • 17% Danceability • 17% Energy • 24% Liveness
88% Instrumentalness • 6% Positiveness
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Loscil
Anthropocene
116 bpm • A min • 04:39 • -24.26db
27% Popularity • 52% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Colleen
Soul Alphabet
91 bpm • G Maj • 04:54 • -21.81db
41% Popularity • 64% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 52% Positiveness
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Julianna Barwick
Wist
116 bpm • B Maj • 02:40 • -10db
13% Popularity • 19% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 9% Positiveness
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Thomas Newman
Very Sick Girl (Main Title)
91 bpm • G min • 02:25 • -20db
16% Popularity • 52% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
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Chris Zabriskie
The Sun Is Scheduled to Come Out Tomorro...
91 bpm • C Maj • 07:04 • -25.92db
19% Popularity • 11% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Pandatone
I Forgot If We Dreamed
91 bpm • C Maj • 05:31 • -12.24db
1% Popularity • 64% Danceability • 34% Energy • 9% Liveness
49% Instrumentalness • 19% Positiveness
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Emilie Levienaise-Farrouch
End Scene
117 bpm • G# Maj • 02:35 • -28.13db
18% Popularity • 58% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Martin Kohlstedt
AUHEJA
117 bpm • F min • 06:23 • -15.58db
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Alessandro Cortini
Vincere
91 bpm • C# Maj • 07:27 • -13.16db
13% Popularity • 14% Danceability • 22% Energy • 49% Liveness
74% Instrumentalness • 10% Positiveness
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Promise And The Monster
Julingvallen
118 bpm • F min • 03:17 • -11.23db
11% Popularity • 17% Danceability • 48% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Colleen
I'm Kin
118 bpm • D min • 06:05 • -15.27db
23% Popularity • 80% Danceability • 37% Energy • 10% Liveness
24% Instrumentalness • 67% Positiveness
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A Winged Victory for the Sullen
Minuet for a Cheap Piano Number Two
90 bpm • F# min • 03:09 • -28.98db
30% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Max Richter
Cypher
118 bpm • A# min • 07:43 • -18.7db
14% Popularity • 17% Danceability • 25% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Sunlight, Heaven