Songs like Sunny Side Up by Freddie Ravel
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Golub
Silhouette
95 bpm • A# min • 04:40 • -10.62db
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Les Sabler
Esselle's Dance (Radio Edit)
95 bpm • G Maj • 03:56 • -8.64db
29% Popularity • 73% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 45% Positiveness
29% Popularity • 73% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 45% Positiveness
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Brian Clay
Honey Grove Lane
95 bpm • F min • 03:47 • -8db
36% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
36% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Freddie Ravel
Sunny Side Up
95 bpm • B min • 04:11 • -10db
45% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
45% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Blake Aaron
If You Were Mine
95 bpm • G# Maj • 04:02 • -8db
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Greg Manning
I Need to Know
95 bpm • G min • 04:46 • -8.28db
31% Popularity • 62% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
31% Popularity • 62% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Les Sabler
Esselle's Dance
95 bpm • G Maj • 04:30 • -10.3db
34% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
34% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Jeff Golub
Playin' It Cool
95 bpm • F# min • 04:49 • -10db
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
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Kilauea
Bedroom Eyes
94 bpm • D min • 05:15 • -13db
27% Popularity • 64% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 57% Positiveness
27% Popularity • 64% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 57% Positiveness
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Blake Aaron
Shine
95 bpm • D Maj • 04:00 • -6db
33% Popularity • 71% Danceability • 84% Energy • 20% Liveness
13% Instrumentalness • 63% Positiveness
33% Popularity • 71% Danceability • 84% Energy • 20% Liveness
13% Instrumentalness • 63% Positiveness
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Bobby Lyle
Just Talk to Me
94 bpm • C Maj • 05:06 • -8.84db
16% Popularity • 71% Danceability • 65% Energy • 4% Liveness
39% Instrumentalness • 61% Positiveness
16% Popularity • 71% Danceability • 65% Energy • 4% Liveness
39% Instrumentalness • 61% Positiveness
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Eric Marienthal
Easy Street
94 bpm • A# min • 05:17 • -9db
38% Popularity • 75% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 71% Positiveness
38% Popularity • 75% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 71% Positiveness
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Gail Jhonson
My Soldier
96 bpm • D Maj • 04:21 • -9.05db
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
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Joe McBride
Midnight In Madrid
96 bpm • F min • 04:40 • -10.1db
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Tim Bowman
Let It Shine
96 bpm • C min • 04:06 • -7.12db
46% Popularity • 61% Danceability • 86% Energy • 20% Liveness
88% Instrumentalness • 74% Positiveness
46% Popularity • 61% Danceability • 86% Energy • 20% Liveness
88% Instrumentalness • 74% Positiveness
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Renato Falaschi
Just The Way You Are
94 bpm • F Maj • 04:20 • -6.95db
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Chris Geith
Watch Your Step
96 bpm • E min • 03:50 • -6.84db
45% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
45% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Matt Marshak
Harlem River Drive
94 bpm • C Maj • 03:54 • -10.51db
30% Popularity • 79% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
30% Popularity • 79% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Jay Soto
Just Like That
96 bpm • F min • 03:52 • -6.8db
29% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
29% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
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Carol Albert
Fire & Water
94 bpm • E min • 04:10 • -8.26db
42% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
42% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
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Freddie Ravel
Conversations
96 bpm • F min • 04:45 • -9.92db
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
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Jazmin Ghent
Heat
94 bpm • A# min • 04:21 • -6.3db
19% Popularity • 74% Danceability • 62% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
19% Popularity • 74% Danceability • 62% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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Chris Geith
Sweet Sensation
96 bpm • A# min • 04:30 • -5.77db
39% Popularity • 66% Danceability • 83% Energy • 13% Liveness
85% Instrumentalness • 82% Positiveness
39% Popularity • 66% Danceability • 83% Energy • 13% Liveness
85% Instrumentalness • 82% Positiveness
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Lisa Addeo
Never Enough
94 bpm • C min • 03:59 • -8.9db
49% Popularity • 70% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
49% Popularity • 70% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
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Bobby Lyle
Exotic Love
94 bpm • D min • 05:47 • -12.23db
24% Popularity • 61% Danceability • 60% Energy • 8% Liveness
48% Instrumentalness • 73% Positiveness
24% Popularity • 61% Danceability • 60% Energy • 8% Liveness
48% Instrumentalness • 73% Positiveness
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Dan Siegel
In Your Eyes
96 bpm • G# Maj • 04:09 • -9.17db
30% Popularity • 67% Danceability • 52% Energy • 6% Liveness
59% Instrumentalness • 62% Positiveness
30% Popularity • 67% Danceability • 52% Energy • 6% Liveness
59% Instrumentalness • 62% Positiveness
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Spyro Gyra
Ariana
96 bpm • F# Maj • 05:07 • -9.89db
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
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Jeff Golub
On The Wes Side
96 bpm • A min • 04:26 • -11.33db
49% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
49% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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George Howard
Luv N' Haight
94 bpm • G# Maj • 03:10 • -7.88db
32% Popularity • 84% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 66% Positiveness
32% Popularity • 84% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 66% Positiveness
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Freddie Ravel
New Life
93 bpm • C Maj • 04:47 • -6.97db
6% Popularity • 37% Danceability • 72% Energy • 36% Liveness
76% Instrumentalness • 28% Positiveness
6% Popularity • 37% Danceability • 72% Energy • 36% Liveness
76% Instrumentalness • 28% Positiveness
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Rick Braun/Richard Elliot
Sao Paulo
97 bpm • C min • 04:28 • -12.84db
31% Popularity • 67% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
31% Popularity • 67% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
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Paul Taylor
Pleasure Seeker
93 bpm • B min • 04:29 • -5.67db
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Wayman Tisdale
Brazilia
97 bpm • E min • 03:58 • -9.6db
37% Popularity • 68% Danceability • 77% Energy • 21% Liveness
90% Instrumentalness • 62% Positiveness
37% Popularity • 68% Danceability • 77% Energy • 21% Liveness
90% Instrumentalness • 62% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
48% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
48% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Nick Colionne
Always Thinkin' Of You
97 bpm • G# Maj • 04:09 • -9.45db
49% Popularity • 70% Danceability • 65% Energy • 5% Liveness
85% Instrumentalness • 79% Positiveness
49% Popularity • 70% Danceability • 65% Energy • 5% Liveness
85% Instrumentalness • 79% Positiveness
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Freddie Ravel
Passion Dance
97 bpm • F min • 03:49 • -12.98db
7% Popularity • 70% Danceability • 70% Energy • 5% Liveness
5% Instrumentalness • 85% Positiveness
7% Popularity • 70% Danceability • 70% Energy • 5% Liveness
5% Instrumentalness • 85% Positiveness
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Steve Laury
Close Your Eyes
93 bpm • G Maj • 05:06 • -15.55db
42% Popularity • 68% Danceability • 47% Energy • 25% Liveness
71% Instrumentalness • 54% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 25% Liveness
71% Instrumentalness • 54% Positiveness
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Roger Smith
Workin It
97 bpm • C Maj • 05:16 • -8.67db
25% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
25% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
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Four80East
This Time Around
97 bpm • D min • 04:24 • -7.86db
32% Popularity • 78% Danceability • 88% Energy • 7% Liveness
72% Instrumentalness • 80% Positiveness
32% Popularity • 78% Danceability • 88% Energy • 7% Liveness
72% Instrumentalness • 80% Positiveness
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Les Sabler
Where Has She Gone
97 bpm • C Maj • 03:40 • -8.19db
29% Popularity • 78% Danceability • 64% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
29% Popularity • 78% Danceability • 64% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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Phil Casagrande
Song for Melody
97 bpm • F min • 03:55 • -6.76db
36% Popularity • 70% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
36% Popularity • 70% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
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Acoustic Alchemy
Tuff Puzzle
97 bpm • D min • 05:14 • -8.95db
36% Popularity • 67% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 78% Positiveness
36% Popularity • 67% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 78% Positiveness
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Fattburger
Creepin'
93 bpm • A# Maj • 04:38 • -9.82db
27% Popularity • 72% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Adam Hawley
Can You Feel It
97 bpm • D Maj • 04:11 • -5.12db
51% Popularity • 80% Danceability • 60% Energy • 5% Liveness
24% Instrumentalness • 78% Positiveness
51% Popularity • 80% Danceability • 60% Energy • 5% Liveness
24% Instrumentalness • 78% Positiveness
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Four80East
Ba Ba Brazil
93 bpm • E min • 04:31 • -10.57db
35% Popularity • 73% Danceability • 71% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
35% Popularity • 73% Danceability • 71% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Gail Jhonson
Soulful Strut
93 bpm • D min • 04:12 • -7.83db
14% Popularity • 66% Danceability • 68% Energy • 25% Liveness
79% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 68% Energy • 25% Liveness
79% Instrumentalness • 61% Positiveness
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Victor G. & Los Gatos
Xochitl
97 bpm • D min • 04:17 • -13.46db
0% Popularity • 73% Danceability • 61% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
0% Popularity • 73% Danceability • 61% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
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Cal Harris Jr.
She Loves the Water
93 bpm • G Maj • 04:30 • -6.77db
38% Popularity • 64% Danceability • 81% Energy • 50% Liveness
22% Instrumentalness • 32% Positiveness
38% Popularity • 64% Danceability • 81% Energy • 50% Liveness
22% Instrumentalness • 32% Positiveness
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Rocco Ventrella
Soulful Strut
93 bpm • C Maj • 03:58 • -8.24db
32% Popularity • 61% Danceability • 73% Energy • 10% Liveness
63% Instrumentalness • 92% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 10% Liveness
63% Instrumentalness • 92% Positiveness
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Sean U
Business As Usual
93 bpm • C Maj • 03:36 • -8.59db
38% Popularity • 63% Danceability • 67% Energy • 26% Liveness
74% Instrumentalness • 65% Positiveness
38% Popularity • 63% Danceability • 67% Energy • 26% Liveness
74% Instrumentalness • 65% Positiveness
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Tim Bowman
Summer Groove
93 bpm • G Maj • 04:39 • -9db
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Freddie Ravel
Sunny Side Up
97 bpm • B min • 04:17 • -8.49db
41% Popularity • 57% Danceability • 74% Energy • 4% Liveness
74% Instrumentalness • 83% Positiveness
41% Popularity • 57% Danceability • 74% Energy • 4% Liveness
74% Instrumentalness • 83% Positiveness
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Fattburger
Daydreaming
97 bpm • D Maj • 04:55 • -12.95db
28% Popularity • 66% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
28% Popularity • 66% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Nate Harasim
Can't Get Enough
93 bpm • G# Maj • 03:15 • -8.97db
25% Popularity • 62% Danceability • 80% Energy • 18% Liveness
10% Instrumentalness • 89% Positiveness
25% Popularity • 62% Danceability • 80% Energy • 18% Liveness
10% Instrumentalness • 89% Positiveness
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Gail Jhonson
Pacific Breeze
97 bpm • F min • 03:44 • -9.92db
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Jay Soto
Sunday Smile
97 bpm • E min • 03:45 • -7db
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
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Jazz Holdouts
Morning Breeze
98 bpm • C Maj • 04:12 • -9db
45% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
45% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Freddie Ravel
A Perfect Day
92 bpm • D Maj • 04:39 • -14.77db
28% Popularity • 71% Danceability • 66% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
28% Popularity • 71% Danceability • 66% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
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Kevin Toney
110 Degrees and Rising
98 bpm • C Maj • 06:05 • -7db
16% Popularity • 73% Danceability • 88% Energy • 4% Liveness
86% Instrumentalness • 95% Positiveness
16% Popularity • 73% Danceability • 88% Energy • 4% Liveness
86% Instrumentalness • 95% Positiveness
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Jeffery Smith
Let's Get It Started
98 bpm • C min • 06:16 • -14db
47% Popularity • 70% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 57% Positiveness
47% Popularity • 70% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 57% Positiveness
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Four80East
Cookie Strut
98 bpm • F min • 05:28 • -9db
45% Popularity • 74% Danceability • 66% Energy • 9% Liveness
81% Instrumentalness • 84% Positiveness
45% Popularity • 74% Danceability • 66% Energy • 9% Liveness
81% Instrumentalness • 84% Positiveness
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Les Sabler
Crescent City Strut
98 bpm • D min • 04:07 • -8.41db
24% Popularity • 72% Danceability • 46% Energy • 32% Liveness
80% Instrumentalness • 57% Positiveness
24% Popularity • 72% Danceability • 46% Energy • 32% Liveness
80% Instrumentalness • 57% Positiveness
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Everette Harp
Wait 4 U
92 bpm • F min • 05:18 • -7.3db
23% Popularity • 68% Danceability • 73% Energy • 21% Liveness
24% Instrumentalness • 54% Positiveness
23% Popularity • 68% Danceability • 73% Energy • 21% Liveness
24% Instrumentalness • 54% Positiveness
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Bobby Lyle
Aruban Nights
92 bpm • G Maj • 05:10 • -12db
37% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
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Kevin Toney
Just Like The First Time
98 bpm • G Maj • 04:39 • -7.4db
39% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
39% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
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Bill Evans
The Sunday After
92 bpm • F min • 06:00 • -11.58db
31% Popularity • 69% Danceability • 44% Energy • 7% Liveness
85% Instrumentalness • 52% Positiveness
31% Popularity • 69% Danceability • 44% Energy • 7% Liveness
85% Instrumentalness • 52% Positiveness
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Jonathan Fritzén
In Motion
98 bpm • A# min • 04:18 • -10.7db
48% Popularity • 76% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 84% Positiveness
48% Popularity • 76% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 84% Positiveness
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Ray Obiedo
Moodswing
98 bpm • A min • 04:39 • -12.46db
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
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Freddie Ravel
Summerplay
98 bpm • G Maj • 04:33 • -9.03db
17% Popularity • 69% Danceability • 72% Energy • 10% Liveness
58% Instrumentalness • 65% Positiveness
17% Popularity • 69% Danceability • 72% Energy • 10% Liveness
58% Instrumentalness • 65% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Always There
92 bpm • G Maj • 04:59 • -11db
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
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Oli Silk
Tokyo
92 bpm • D Maj • 05:35 • -8db
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Jessy J
You're Makin' Me High
92 bpm • C# Maj • 06:23 • -9db
31% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
31% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
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Gordon James
Straight From the Heart
92 bpm • F Maj • 04:02 • -7.96db
26% Popularity • 79% Danceability • 58% Energy • 4% Liveness
87% Instrumentalness • 88% Positiveness
26% Popularity • 79% Danceability • 58% Energy • 4% Liveness
87% Instrumentalness • 88% Positiveness
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Fattburger
So Far So What
98 bpm • A min • 04:44 • -11db
28% Popularity • 66% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 86% Positiveness
28% Popularity • 66% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 86% Positiveness
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Cindy Bradley
Bliss
92 bpm • D min • 05:14 • -10db
39% Popularity • 62% Danceability • 59% Energy • 12% Liveness
80% Instrumentalness • 51% Positiveness
39% Popularity • 62% Danceability • 59% Energy • 12% Liveness
80% Instrumentalness • 51% Positiveness
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Brian Tarquin
Tangled Web
92 bpm • F# Maj • 04:02 • -8db
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Seventh Heaven
92 bpm • F Maj • 05:10 • -12db
48% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
48% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
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Acoustic Alchemy
Milo
92 bpm • A# min • 04:49 • -15db
37% Popularity • 73% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 65% Positiveness
37% Popularity • 73% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 65% Positiveness
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Michael Lington
Pacifica
99 bpm • A Maj • 04:16 • -6db
47% Popularity • 56% Danceability • 83% Energy • 13% Liveness
79% Instrumentalness • 45% Positiveness
47% Popularity • 56% Danceability • 83% Energy • 13% Liveness
79% Instrumentalness • 45% Positiveness
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Kim Scott
SHINE!
99 bpm • C# Maj • 04:21 • -9db
46% Popularity • 66% Danceability • 59% Energy • 15% Liveness
94% Instrumentalness • 58% Positiveness
46% Popularity • 66% Danceability • 59% Energy • 15% Liveness
94% Instrumentalness • 58% Positiveness
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The Sax Pack
The Sax Pack
99 bpm • G Maj • 03:34 • -6db
46% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
46% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
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Braxton Brothers
A Stronger Love
99 bpm • F min • 04:14 • -6.58db
22% Popularity • 80% Danceability • 55% Energy • 11% Liveness
55% Instrumentalness • 94% Positiveness
22% Popularity • 80% Danceability • 55% Energy • 11% Liveness
55% Instrumentalness • 94% Positiveness
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Michael Manson
Outer Drive
99 bpm • F min • 04:54 • -11.18db
23% Popularity • 68% Danceability • 47% Energy • 5% Liveness
91% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 47% Energy • 5% Liveness
91% Instrumentalness • 84% Positiveness
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Lisa Addeo
Perfect Timing
99 bpm • F Maj • 04:24 • -7.4db
36% Popularity • 63% Danceability • 83% Energy • 6% Liveness
84% Instrumentalness • 68% Positiveness
36% Popularity • 63% Danceability • 83% Energy • 6% Liveness
84% Instrumentalness • 68% Positiveness
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JJ Sansaverino
Ride With Me
99 bpm • C# min • 04:13 • -9.64db
32% Popularity • 70% Danceability • 68% Energy • 27% Liveness
19% Instrumentalness • 41% Positiveness
32% Popularity • 70% Danceability • 68% Energy • 27% Liveness
19% Instrumentalness • 41% Positiveness
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Steve Cole
Got It Goin' On
99 bpm • A# min • 04:06 • -7.67db
31% Popularity • 68% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 85% Positiveness
31% Popularity • 68% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 85% Positiveness
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Gota
In The City Life
99 bpm • G Maj • 03:36 • -9.53db
47% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
47% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
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Joe McBride
Kickin' It
99 bpm • B min • 03:56 • -10.06db
35% Popularity • 62% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 69% Positiveness
35% Popularity • 62% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 69% Positiveness
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Tom Grant
Firefly
99 bpm • C Maj • 04:29 • -22.93db
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
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Lisa Addeo
Deep Blue C
99 bpm • A# min • 04:26 • -10.06db
47% Popularity • 69% Danceability • 71% Energy • 4% Liveness
89% Instrumentalness • 78% Positiveness
47% Popularity • 69% Danceability • 71% Energy • 4% Liveness
89% Instrumentalness • 78% Positiveness
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Jazz Funk Soul
Speed of Light
91 bpm • C# Maj • 04:31 • -11db
30% Popularity • 71% Danceability • 51% Energy • 27% Liveness
55% Instrumentalness • 88% Positiveness
30% Popularity • 71% Danceability • 51% Energy • 27% Liveness
55% Instrumentalness • 88% Positiveness
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Steve Cole
When I Think of You
91 bpm • C# Maj • 04:09 • -10.06db
42% Popularity • 56% Danceability • 60% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
42% Popularity • 56% Danceability • 60% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Marcus Johnson
18th & M
91 bpm • G# Maj • 03:30 • -8.12db
48% Popularity • 79% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
48% Popularity • 79% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
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Freddie Ravel
Erotika
91 bpm • A min • 03:45 • -13db
34% Popularity • 67% Danceability • 50% Energy • 5% Liveness
34% Instrumentalness • 56% Positiveness
34% Popularity • 67% Danceability • 50% Energy • 5% Liveness
34% Instrumentalness • 56% Positiveness
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Cindy Bradley
Lost and Found
91 bpm • C# Maj • 04:22 • -12db
41% Popularity • 71% Danceability • 56% Energy • 34% Liveness
92% Instrumentalness • 66% Positiveness
41% Popularity • 71% Danceability • 56% Energy • 34% Liveness
92% Instrumentalness • 66% Positiveness
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Urban Knights
The Gypsy
100 bpm • G Maj • 03:56 • -9.82db
42% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
42% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
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Marion Meadows
Whisper
91 bpm • C min • 04:16 • -7.34db
49% Popularity • 65% Danceability • 69% Energy • 33% Liveness
21% Instrumentalness • 39% Positiveness
49% Popularity • 65% Danceability • 69% Energy • 33% Liveness
21% Instrumentalness • 39% Positiveness
