Songs like Superhero by Hayd
Based on a tempo of (+/- 10%) and a similar genre
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Hayd
All of the Stars
120 bpm • C Maj • 03:25 • -12.95db
61% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Julia Alexa
everything i couldn't be
120 bpm • A# min • 02:10 • -15.74db
44% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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sombr
caroline
120 bpm • G Maj • 03:18 • -17.21db
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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normal the kid
the song i wrote for you,
120 bpm • G Maj • 04:02 • -14.78db
30% Popularity • 78% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 78% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander Stewart
I'm trying
120 bpm • G min • 02:44 • -8db
58% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Lauv
The Story Never Ends
120 bpm • A Maj • 03:49 • -9.4db
59% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
75% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
58% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
63% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
52% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Woodlock
I Loved You Then (And I Love You Still)
120 bpm • B Maj • 02:38 • -12db
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gatton
When Scars Become Art
120 bpm • B Maj • 04:47 • -17.03db
58% Popularity • 52% Danceability • 11% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 52% Danceability • 11% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Faime
I've Missed You
119 bpm • E Maj • 02:42 • -14.33db
31% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tate McRae
Teenage Mind
119 bpm • E min • 02:35 • -9.72db
68% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
48% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Gatton
Waves
121 bpm • C Maj • 02:25 • -13.04db
42% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Zevia
we're just friends
121 bpm • D Maj • 02:59 • -11db
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Tyler Shaw
Love You Still (abcdefu romantic version...
121 bpm • E Maj • 02:30 • -19db
61% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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the bootleg boy
i still think of you
119 bpm • D Maj • 02:05 • -15.49db
43% Popularity • 57% Danceability • 19% Energy • 16% Liveness
4% Instrumentalness • 31% Positiveness
43% Popularity • 57% Danceability • 19% Energy • 16% Liveness
4% Instrumentalness • 31% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
65% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
49% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
52% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
51% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sleeping At Last
You Are Enough
118 bpm • C# Maj • 03:00 • -8.53db
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Zevia
if depression gets the best of me - acou...
118 bpm • C Maj • 03:08 • -14.64db
31% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
61% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
45% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
57% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
89% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
89% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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SVMP
Something About You
124 bpm • A# Maj • 02:23 • -16.36db
29% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
48% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
48% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Marina Lin
this is what overthinking feels like
124 bpm • G Maj • 03:42 • -14db
35% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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sadeyes
jaded
124 bpm • F# Maj • 02:40 • -11.45db
53% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Sky McCreery
Gone
124 bpm • A Maj • 02:41 • -17.17db
36% Popularity • 60% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 60% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Hayd
Head In The Clouds
116 bpm • E Maj • 03:04 • -17.93db
65% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Elina
Blue
116 bpm • C# Maj • 03:11 • -14.86db
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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BoyWithUke
Falling for You
125 bpm • G# Maj • 03:19 • -16.06db
60% Popularity • 80% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
60% Popularity • 80% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Winter Aid
The Wisp Sings
115 bpm • E Maj • 05:13 • -19.46db
69% Popularity • 52% Danceability • 9% Energy • 10% Liveness
18% Instrumentalness • 5% Positiveness
69% Popularity • 52% Danceability • 9% Energy • 10% Liveness
18% Instrumentalness • 5% Positiveness
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David Kushner
oooWooo
125 bpm • B Maj • 03:02 • -8.83db
56% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
38% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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sad alex
room for you
115 bpm • C# min • 02:12 • -10.15db
49% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
39% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Caleb Hearn
Where Do We Go from Here?
115 bpm • B Maj • 03:33 • -11.31db
53% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carter Ryan
Wishes
115 bpm • B Maj • 02:50 • -9.02db
58% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Addict.
I'm worried about you
115 bpm • F Maj • 02:34 • -14db
27% Popularity • 69% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
27% Popularity • 69% Danceability • 20% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Novo Amor
Euphor
115 bpm • A# min • 04:03 • -14.01db
68% Popularity • 30% Danceability • 28% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
68% Popularity • 30% Danceability • 28% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
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Delaney Bailey
j's lullaby (darlin' i'd wait for you)
115 bpm • G# Maj • 04:49 • -20.08db
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Holden Miller
Far Side of the World
126 bpm • F Maj • 02:56 • -15.26db
48% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Hayd
Heels and Head
114 bpm • A Maj • 02:06 • -15.11db
51% Popularity • 42% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
51% Popularity • 42% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jess Benko
I'm Not Perfect
114 bpm • A Maj • 04:51 • -16.93db
38% Popularity • 61% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 61% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sanchez
I Want You
126 bpm • F Maj • 03:30 • -9.69db
57% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jaymes Young
Infinity - Piano Version
114 bpm • D min • 03:55 • -13.38db
49% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Hayd
Lost
126 bpm • G# Maj • 03:01 • -14.77db
48% Popularity • 39% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
48% Popularity • 39% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
54% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Reid
Falling Asleep in Your Arms, Dreading th...
127 bpm • A Maj • 02:34 • -10.74db
38% Popularity • 81% Danceability • 33% Energy • 38% Liveness
2% Instrumentalness • 21% Positiveness
38% Popularity • 81% Danceability • 33% Energy • 38% Liveness
2% Instrumentalness • 21% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
58% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
58% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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loyalties
Second Place
128 bpm • F# min • 02:08 • -16.49db
45% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Lanzon
June
128 bpm • D# Maj • 03:45 • -8.62db
36% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Caryl
Losing You
128 bpm • F Maj • 03:23 • -13db
34% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
