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Superman
Songs like
Superman
by
Keith Urban
Based on a tempo of (+/- 10%) and a similar genre
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Keith Urban
Superman
125 bpm • C# min • 02:50 • -5.19db
37% Popularity • 67% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
42% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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The Wolfe Brothers
Storm Rollin In
124 bpm • F# Maj • 02:42 • -5.37db
32% Popularity • 65% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Zac Brown Band
You and Islands
124 bpm • A Maj • 03:50 • -5.34db
44% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
76% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Urban
Out The Cage
126 bpm • D# min • 03:09 • -5db
34% Popularity • 66% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Dan + Shay
Make or Break
126 bpm • F Maj • 02:35 • -3.92db
44% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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James Barker Band
Keep It Simple
126 bpm • G min • 03:07 • -5.53db
45% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
37% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Noah Schnacky
I'll Be The One
127 bpm • B Maj • 03:22 • -5.68db
37% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Kane Brown
What Ifs (Remix)
126 bpm • F Maj • 03:11 • -4.98db
42% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Kip Moore
She's Mine
123 bpm • G Maj • 03:49 • -5.86db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Dzeko
Both Still Young
127 bpm • C Maj • 02:53 • -5.66db
32% Popularity • 56% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
42% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Keith Urban
'Til Summer Comes Around
128 bpm • A min • 05:31 • -7.61db
40% Popularity • 57% Danceability • 63% Energy • 77% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
61% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Brad Paisley
Start a Band
123 bpm • F Maj • 05:24 • -6.53db
38% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kip Moore
The Bull
123 bpm • G Maj • 03:09 • -6.33db
55% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Tim & The Glory Boys
When You Know You Know
122 bpm • C Maj • 02:49 • -5.25db
40% Popularity • 60% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Parmalee
Be Alright
128 bpm • A# Maj • 03:21 • -3.22db
49% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Tim Hicks
No Truck Song
122 bpm • G# Maj • 03:12 • -3.04db
44% Popularity • 62% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Chesney
We Do
122 bpm • C# Maj • 03:25 • -3.77db
42% Popularity • 58% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dean Brody
Canadian Summer
122 bpm • F# Maj • 03:24 • -2.93db
42% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rascal Flatts
Sip Away
122 bpm • A Maj • 03:21 • -6.84db
30% Popularity • 77% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Keith Urban
Soul Food
122 bpm • D Maj • 02:36 • -3.83db
29% Popularity • 74% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
44% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Brice
Don't Need No Reason
121 bpm • G Maj • 03:12 • -6.61db
36% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Hurd
Platonic
130 bpm • A# Maj • 02:31 • -7db
43% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Keith Urban
Kiss A Girl
121 bpm • D Maj • 03:46 • -5.42db
50% Popularity • 65% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sam Hunt
Hard To Forget - Acoustic
130 bpm • E Maj • 03:10 • -6db
33% Popularity • 67% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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LOCASH
Don't Get Better Than That
130 bpm • E Maj • 03:17 • -3.32db
41% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rodney Atkins
Figure Out You (Riddle)
130 bpm • E Maj • 03:58 • -8db
36% Popularity • 58% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Hayes
One Shot
120 bpm • F# min • 02:30 • -6db
45% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Keith Urban
Ain't It Like A Woman
130 bpm • C Maj • 03:16 • -5.84db
29% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
52% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Hunt
Hard To Forget
130 bpm • E Maj • 03:24 • -5.52db
64% Popularity • 69% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Brothers Osborne
All Night
120 bpm • E min • 02:48 • -4.84db
55% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Keith Urban
Even The Stars Fall 4 U
130 bpm • D Maj • 03:59 • -4.32db
29% Popularity • 64% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Morgan Evans
Young Again
120 bpm • F# Maj • 02:55 • -5.41db
48% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Sam Hunt
Hard To Forget - Radio Edit
130 bpm • E Maj • 03:09 • -5.39db
45% Popularity • 69% Danceability • 72% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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The Wolfe Brothers
Anybody Ever
120 bpm • F# Maj • 02:54 • -4.84db
26% Popularity • 79% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
54% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Lindsay Ell
i don't lovE you
120 bpm • F# Maj • 03:34 • -5.11db
35% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Urban
Who Wouldn't Wanna Be Me
120 bpm • D Maj • 04:15 • -6.65db
41% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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The Chicks
Gaslighter
131 bpm • D Maj • 03:23 • -7.32db
52% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Josh Melton
Staycation
119 bpm • E Maj • 03:14 • -4.51db
27% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Dan + Shay
I Should Probably Go To Bed
132 bpm • C# Maj • 02:50 • -8.82db
57% Popularity • 71% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
70% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Keith Urban
Days Go By
132 bpm • D Maj • 03:44 • -3db
59% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Gone West
Slow Down
132 bpm • D Maj • 03:52 • -7db
29% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Brothers Osborne
All The Good Ones Are
132 bpm • A Maj • 03:23 • -4.05db
40% Popularity • 71% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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Rascal Flatts
Back To Life
132 bpm • E Maj • 03:34 • -5db
53% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Bryan
Born Here Live Here Die Here
132 bpm • D Maj • 03:46 • -5.74db
37% Popularity • 51% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Urban
You're My Better Half
118 bpm • E Maj • 03:59 • -4.41db
43% Popularity • 66% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
39% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Kaylee Bell
That Summer
118 bpm • C Maj • 03:04 • -5.31db
39% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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BRELAND
Cross Country
118 bpm • D Maj • 03:24 • -6.53db
31% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Schnacky
Feels Like Love
117 bpm • D Maj • 02:54 • -5.14db
28% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
The Fighter
132 bpm • B min • 03:04 • -5.17db
49% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Chase Rice
Break. Up. Drunk.
117 bpm • G Maj • 02:56 • -6.15db
36% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
35% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmie Allen
Boy Gets A Truck
117 bpm • C# Maj • 03:41 • -4.78db
24% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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BRELAND
Cross Country
118 bpm • D Maj • 03:24 • -6.53db
30% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cam
The Otherside
117 bpm • G Maj • 02:55 • -4.23db
37% Popularity • 75% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Williams
Kids
116 bpm • E Maj • 03:57 • -7.22db
12% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hunter Hayes
Madness
135 bpm • D Maj • 03:31 • -5.98db
23% Popularity • 50% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Rich
Still Love You
135 bpm • D Maj • 03:00 • -5.53db
35% Popularity • 69% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Rascal Flatts
Quick, Fast, In A Hurry
135 bpm • A# Maj • 03:11 • -5.31db
23% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Keith Urban
You're My Better Half
118 bpm • E Maj • 04:12 • -4.6db
39% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
36% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Tyler Hubbard
Dancin' In The Country (Demo - Keith Urb...
115 bpm • G Maj • 02:46 • -6db
41% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Avenue Beat
Ruin That For Me - 2020 edit
115 bpm • F# Maj • 02:43 • -4db
22% Popularity • 69% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Rascal Flatts
Feel It In The Morning
115 bpm • E Maj • 03:13 • -4.36db
26% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Dan + Shay
Keeping Score
136 bpm • E Maj • 03:40 • -4db
55% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Keith Urban
Polaroid
117 bpm • G# Maj • 02:31 • -5.82db
42% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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A Thousand Horses
A Song to Remember
115 bpm • C# min • 03:11 • -6.37db
38% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Bryan
Waves
136 bpm • C# Maj • 03:48 • -4.31db
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Gabby Barrett
Rivers Deep
114 bpm • A# Maj • 03:47 • -3.05db
43% Popularity • 72% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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LANCO
Near Mrs.
136 bpm • G Maj • 04:17 • -3.79db
31% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Eli Young Band
Saltwater Gospel - Fins Up Version
114 bpm • B Maj • 03:10 • -7db
42% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Kelsea Ballerini
homecoming queen?
114 bpm • A Maj • 02:47 • -5db
55% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Maren Morris
Just for Now
138 bpm • G# Maj • 04:00 • -5.1db
37% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Superman