Songs like Surface Detail by Andrew Britton
Based on a tempo of (+/- 10%) and a similar genre
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Beds and Beats
It's You
90 bpm • E min • 03:10 • -9.74db
19% Popularity • 54% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 54% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Sweet Tempest
Snow
90 bpm • D# Maj • 04:17 • -7db
21% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Candy Says
Not Kings
90 bpm • G min • 03:33 • -9.5db
9% Popularity • 66% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 66% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Buchanan
We Are Strong
90 bpm • B Maj • 03:57 • -16db
22% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
22% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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OLSSON
Hold On
90 bpm • G Maj • 04:18 • -5.9db
44% Popularity • 61% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 61% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Cascadeur
Turn To Dust
90 bpm • F Maj • 03:16 • -9.09db
10% Popularity • 51% Danceability • 80% Energy • 25% Liveness
7% Instrumentalness • 19% Positiveness
10% Popularity • 51% Danceability • 80% Energy • 25% Liveness
7% Instrumentalness • 19% Positiveness
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morgxn
notorious
90 bpm • C Maj • 03:17 • -10.2db
21% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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ADLT VDEO
Mad World
90 bpm • D# Maj • 03:46 • -9.18db
16% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Myhill
Rainbows in My Head
90 bpm • E Maj • 02:49 • -7.56db
8% Popularity • 45% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 35% Positiveness
8% Popularity • 45% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 35% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Mire Kay
Industry
89 bpm • A# Maj • 03:47 • -12.64db
40% Popularity • 22% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Simon Begg
Long Gone
92 bpm • C# Maj • 02:57 • -9.1db
21% Popularity • 56% Danceability • 78% Energy • 11% Liveness
32% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 78% Energy • 11% Liveness
32% Instrumentalness • 35% Positiveness
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Claire Guerreso
Ashes
92 bpm • F# min • 04:15 • -11.08db
44% Popularity • 53% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
44% Popularity • 53% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
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Rupert Pope
Into the Light
87 bpm • B min • 03:19 • -8.61db
20% Popularity • 38% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 10% Positiveness
20% Popularity • 38% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 10% Positiveness
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Motopony
Daylights Gone
92 bpm • E Maj • 03:04 • -8.1db
24% Popularity • 60% Danceability • 72% Energy • 33% Liveness
3% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 33% Liveness
3% Instrumentalness • 37% Positiveness
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Nicolas Deutsch
Rewind
87 bpm • D Maj • 02:23 • -14db
19% Popularity • 53% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 24% Positiveness
19% Popularity • 53% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 24% Positiveness
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Andrew Britton
Oh Wonder
87 bpm • D# min • 02:13 • -11.69db
1% Popularity • 9% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Demons Of Ruby Mae
The Boy Who Cried Wolf
93 bpm • B min • 03:35 • -5.95db
20% Popularity • 23% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 23% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Karen O
I Shall Rise
93 bpm • D min • 03:04 • -8db
37% Popularity • 36% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 36% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Wayne Murray
Reason to Believe
93 bpm • C# min • 02:33 • -10.08db
0% Popularity • 54% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 54% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Kita Klane
Fingerprints
87 bpm • G# min • 02:38 • -7.56db
36% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Britton
Prairie Winds
87 bpm • C Maj • 02:42 • -13.02db
0% Popularity • 50% Danceability • 51% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
0% Popularity • 50% Danceability • 51% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
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Arch Leaves
Nowhere to Go
87 bpm • F min • 03:38 • -7.93db
23% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Athyia
Apparat 'Goodbye' Dark (Netflix) Theme S...
87 bpm • C# min • 05:57 • -8.69db
16% Popularity • 47% Danceability • 79% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 47% Danceability • 79% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
21% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Wayne Murray
On The Ropes
94 bpm • D Maj • 02:25 • -7.73db
1% Popularity • 49% Danceability • 82% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
1% Popularity • 49% Danceability • 82% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
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Wayne Murray
Distant Sun
94 bpm • F Maj • 03:01 • -11.2db
2% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Andrew Britton
Rising Creek
94 bpm • C Maj • 02:12 • -11.22db
1% Popularity • 52% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 47% Positiveness
1% Popularity • 52% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 47% Positiveness
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Luke Atencio
Barracuda
94 bpm • D Maj • 03:58 • -8.31db
8% Popularity • 55% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
8% Popularity • 55% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Trubdr. Adam Road
If G-D Don't Follow Me (Down This Road)
94 bpm • B Maj • 04:25 • -7.32db
26% Popularity • 42% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 42% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Mud Howlers
Hallucinations
86 bpm • G min • 03:56 • -6.33db
10% Popularity • 36% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 36% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
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John Joseph Brill
Muscle & Bone
95 bpm • B min • 03:22 • -10.1db
16% Popularity • 46% Danceability • 43% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
16% Popularity • 46% Danceability • 43% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
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Jon Howard
In the Air Tonight
95 bpm • C min • 02:53 • -9.15db
42% Popularity • 52% Danceability • 68% Energy • 10% Liveness
72% Instrumentalness • 9% Positiveness
42% Popularity • 52% Danceability • 68% Energy • 10% Liveness
72% Instrumentalness • 9% Positiveness
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Andrew Britton
Reach Further
94 bpm • C Maj • 02:32 • -10.15db
2% Popularity • 55% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
2% Popularity • 55% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Madohm
The Wish
95 bpm • G# Maj • 03:39 • -4.2db
15% Popularity • 49% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
15% Popularity • 49% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Wayne Murray
Last Night On Earth
95 bpm • C min • 02:45 • -11.11db
19% Popularity • 83% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
19% Popularity • 83% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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ANIIML
Confessions
95 bpm • A# Maj • 03:09 • -8.13db
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Kick Lee
A City's Call (Cincinnati Cinematic Them...
85 bpm • A# min • 03:14 • -8.06db
14% Popularity • 50% Danceability • 90% Energy • 15% Liveness
56% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 90% Energy • 15% Liveness
56% Instrumentalness • 45% Positiveness
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Stomper
Wishing Well
95 bpm • D Maj • 03:31 • -15db
32% Popularity • 48% Danceability • 32% Energy • 21% Liveness
5% Instrumentalness • 7% Positiveness
32% Popularity • 48% Danceability • 32% Energy • 21% Liveness
5% Instrumentalness • 7% Positiveness
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Andrew Britton
Playing With Fire
95 bpm • C Maj • 02:52 • -10.34db
7% Popularity • 70% Danceability • 75% Energy • 15% Liveness
33% Instrumentalness • 45% Positiveness
7% Popularity • 70% Danceability • 75% Energy • 15% Liveness
33% Instrumentalness • 45% Positiveness
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Rillakill
My Time Is Coming
85 bpm • E Maj • 04:37 • -6.27db
17% Popularity • 56% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 56% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Alexiane
A Million on My Soul (Radio Edit)
85 bpm • A min • 02:57 • -4.8db
40% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Robin Loxley
Only Human
85 bpm • G Maj • 02:46 • -8.07db
33% Popularity • 53% Danceability • 65% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
33% Popularity • 53% Danceability • 65% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
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The Elephants
Friend
85 bpm • D Maj • 03:19 • -12.47db
27% Popularity • 67% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
27% Popularity • 67% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Welshly Arms
Who We Are
85 bpm • B min • 03:47 • -6.68db
41% Popularity • 54% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 54% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Son Lux
Let Go (Andrew Judah Remix)
96 bpm • C Maj • 05:02 • -9.67db
17% Popularity • 55% Danceability • 47% Energy • 15% Liveness
66% Instrumentalness • 18% Positiveness
17% Popularity • 55% Danceability • 47% Energy • 15% Liveness
66% Instrumentalness • 18% Positiveness
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Benson Taylor
Delicate Problems
96 bpm • C min • 03:08 • -11.53db
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Wayne Murray
See Things Differently
96 bpm • C Maj • 03:05 • -11.14db
4% Popularity • 80% Danceability • 52% Energy • 11% Liveness
57% Instrumentalness • 71% Positiveness
4% Popularity • 80% Danceability • 52% Energy • 11% Liveness
57% Instrumentalness • 71% Positiveness
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Calexico
World Undone
84 bpm • D min • 04:29 • -13.89db
3% Popularity • 35% Danceability • 38% Energy • 13% Liveness
58% Instrumentalness • 34% Positiveness
3% Popularity • 35% Danceability • 38% Energy • 13% Liveness
58% Instrumentalness • 34% Positiveness
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Boris Nonte
Killing Lips
96 bpm • C# Maj • 02:03 • -6.12db
8% Popularity • 66% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
8% Popularity • 66% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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VONAVI
Sunburst
84 bpm • B min • 04:01 • -10.82db
5% Popularity • 38% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
5% Popularity • 38% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Solvey
From Here
84 bpm • E Maj • 03:58 • -9db
13% Popularity • 61% Danceability • 48% Energy • 13% Liveness
28% Instrumentalness • 55% Positiveness
13% Popularity • 61% Danceability • 48% Energy • 13% Liveness
28% Instrumentalness • 55% Positiveness
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Bury the Wren
I'm Happy
84 bpm • C# Maj • 03:35 • -8.39db
14% Popularity • 51% Danceability • 60% Energy • 19% Liveness
15% Instrumentalness • 17% Positiveness
14% Popularity • 51% Danceability • 60% Energy • 19% Liveness
15% Instrumentalness • 17% Positiveness
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Universal Production Music
Brave Wild Heart
84 bpm • C min • 03:15 • -8.83db
16% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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LEOBLU
still dancing
84 bpm • F min • 03:32 • -5.67db
18% Popularity • 48% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Aron Wright
I Don't Believe in Satan
84 bpm • F# min • 03:28 • -14.15db
41% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Visuals
Slowed Down
96 bpm • A Maj • 03:58 • -9.28db
28% Popularity • 63% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
28% Popularity • 63% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
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Ex Makina
Dew
97 bpm • B Maj • 04:41 • -10db
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
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KCPK
Critics
97 bpm • A min • 03:56 • -8.78db
8% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dark Waves
Waiting For The World To End
98 bpm • C# Maj • 03:28 • -7.99db
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Flagship
In the Rain
83 bpm • C Maj • 04:37 • -9.03db
12% Popularity • 47% Danceability • 58% Energy • 13% Liveness
52% Instrumentalness • 27% Positiveness
12% Popularity • 47% Danceability • 58% Energy • 13% Liveness
52% Instrumentalness • 27% Positiveness
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The Ambience Affair
Parting Patterns
98 bpm • F# min • 02:23 • -7.81db
9% Popularity • 48% Danceability • 92% Energy • 36% Liveness
92% Instrumentalness • 49% Positiveness
9% Popularity • 48% Danceability • 92% Energy • 36% Liveness
92% Instrumentalness • 49% Positiveness
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Digital Daggers
Back to the Start
83 bpm • F Maj • 02:16 • -10.05db
31% Popularity • 37% Danceability • 45% Energy • 16% Liveness
63% Instrumentalness • 15% Positiveness
31% Popularity • 37% Danceability • 45% Energy • 16% Liveness
63% Instrumentalness • 15% Positiveness
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Will Hanson
Still Alive
83 bpm • D min • 03:32 • -11.62db
7% Popularity • 53% Danceability • 43% Energy • 13% Liveness
59% Instrumentalness • 22% Positiveness
7% Popularity • 53% Danceability • 43% Energy • 13% Liveness
59% Instrumentalness • 22% Positiveness
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Kins
Most Definitely
82 bpm • G# min • 04:02 • -4.37db
10% Popularity • 49% Danceability • 78% Energy • 11% Liveness
10% Instrumentalness • 35% Positiveness
10% Popularity • 49% Danceability • 78% Energy • 11% Liveness
10% Instrumentalness • 35% Positiveness
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The Years
Electric Intervention
82 bpm • C Maj • 03:34 • -3.5db
11% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Congratulationz
Devil in Your Eyes
82 bpm • G# Maj • 02:55 • -10.93db
13% Popularity • 39% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
13% Popularity • 39% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Earlimart
The World
99 bpm • G min • 02:11 • -12.62db
20% Popularity • 42% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
20% Popularity • 42% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Cut One
Fools Regret
81 bpm • E min • 02:57 • -7.93db
11% Popularity • 30% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 30% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Barber
You Cover Me
100 bpm • F min • 03:38 • -18.63db
10% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
10% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Matthias Weber
Sinnerman
100 bpm • B Maj • 04:28 • -8.23db
20% Popularity • 58% Danceability • 51% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
20% Popularity • 58% Danceability • 51% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
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Jihae
Illusion of You
100 bpm • B min • 04:02 • -8db
28% Popularity • 57% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
28% Popularity • 57% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Andrew Britton
Lights Passing
100 bpm • F min • 02:28 • -10.62db
1% Popularity • 54% Danceability • 56% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
1% Popularity • 54% Danceability • 56% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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David Goldsmith
Surge Current
100 bpm • G# Maj • 02:13 • -12.32db
1% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Graphite Man
Bum Ticker
100 bpm • B min • 03:52 • -13.32db
14% Popularity • 71% Danceability • 49% Energy • 32% Liveness
20% Instrumentalness • 18% Positiveness
14% Popularity • 71% Danceability • 49% Energy • 32% Liveness
20% Instrumentalness • 18% Positiveness
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Sharon Van Etten
Pay My Debts
81 bpm • B min • 05:15 • -9.76db
30% Popularity • 46% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 7% Positiveness
30% Popularity • 46% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 7% Positiveness
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Onyay Pheori
No More Waiting
100 bpm • G min • 04:05 • -11.39db
10% Popularity • 64% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 64% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Louise Dowd
Remain
100 bpm • F Maj • 03:06 • -8.63db
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
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Quails
High Hopes
100 bpm • A min • 03:58 • -13.75db
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Fink
Warm Shadow - Rastovich Remix
100 bpm • D Maj • 02:41 • -9.91db
17% Popularity • 42% Danceability • 77% Energy • 17% Liveness
33% Instrumentalness • 4% Positiveness
17% Popularity • 42% Danceability • 77% Energy • 17% Liveness
33% Instrumentalness • 4% Positiveness
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David Goldsmith
Electronic Fields
100 bpm • C# Maj • 02:24 • -12.68db
6% Popularity • 50% Danceability • 50% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
6% Popularity • 50% Danceability • 50% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Zack Hemsey
Vengeance (Lyrical Mix)
80 bpm • G# Maj • 06:33 • -12db
30% Popularity • 18% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Andrew Britton
White Cliffs
80 bpm • E min • 03:17 • -6.92db
29% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Elmo
Lifetime, Pt.2
101 bpm • A min • 03:14 • -6.03db
32% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Raphael Lake
Vertigo
80 bpm • C# Maj • 04:05 • -9db
39% Popularity • 64% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 64% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Fink
Warm Shadow - Radio Edit
100 bpm • E min • 03:28 • -11.1db
44% Popularity • 69% Danceability • 55% Energy • 11% Liveness
14% Instrumentalness • 32% Positiveness
44% Popularity • 69% Danceability • 55% Energy • 11% Liveness
14% Instrumentalness • 32% Positiveness
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Tenderfoot
The Balance
80 bpm • A# min • 03:52 • -10.81db
9% Popularity • 64% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 64% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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Brainstorm
Years and Seconds
80 bpm • C Maj • 04:52 • -4.31db
7% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Wayne Murray
Cold Revenge
80 bpm • D min • 03:18 • -10.88db
3% Popularity • 50% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
3% Popularity • 50% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
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Andrew Britton
Beauty in Ruin
80 bpm • D Maj • 03:22 • -9.92db
3% Popularity • 42% Danceability • 72% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
3% Popularity • 42% Danceability • 72% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
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Daniel Spaleniak
Back home Katarzyna Kowalczyk
80 bpm • C Maj • 04:19 • -12db
35% Popularity • 57% Danceability • 36% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
35% Popularity • 57% Danceability • 36% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
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David Goldsmith
Hopeful Path
101 bpm • A Maj • 01:01 • -8.55db
0% Popularity • 23% Danceability • 37% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 37% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
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Benj Heard
Runaways
102 bpm • A Maj • 03:09 • -3.81db
9% Popularity • 57% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 57% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Jørck
As We Are Changing
79 bpm • B min • 02:33 • -9db
9% Popularity • 37% Danceability • 61% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
9% Popularity • 37% Danceability • 61% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
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Universal Production Music
Infinite Glow
79 bpm • G min • 04:00 • -8.62db
13% Popularity • 27% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Andrew Britton
Spectral Shift
80 bpm • G# min • 02:07 • -22.28db
1% Popularity • 43% Danceability • 10% Energy • 9% Liveness
73% Instrumentalness • 5% Positiveness
1% Popularity • 43% Danceability • 10% Energy • 9% Liveness
73% Instrumentalness • 5% Positiveness
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Shane Alexander
Feels Like the End
79 bpm • D Maj • 04:44 • -7db
31% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
