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Surrender
Songs like
Surrender
by
Lalah Hathaway
Based on a tempo of (+/- 10%) and a similar genre
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Conya Doss
What I'd Do
127 bpm • C min • 04:18 • -5.73db
19% Popularity • 59% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 44% Positiveness
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Lalah Hathaway
Learning To Swim
127 bpm • A min • 04:35 • -13.3db
15% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chico DeBarge
Iggin' Me
127 bpm • G Maj • 05:03 • -6.89db
27% Popularity • 81% Danceability • 47% Energy • 27% Liveness
8% Instrumentalness • 32% Positiveness
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Teena Marie
Out On a Limb
127 bpm • F# min • 06:35 • -6db
36% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Keith Washington
Kissing You
127 bpm • G Maj • 04:20 • -8.86db
44% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Phyllis Hyman
Living All Alone
128 bpm • E min • 05:09 • -11.95db
37% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Meli'sa Morgan
Do You Still Love Me?
128 bpm • B min • 05:39 • -15db
37% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Avant
My First Love
126 bpm • B min • 04:28 • -8.38db
55% Popularity • 64% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Chico DeBarge
No Guarantee - Remix Version
128 bpm • B min • 04:04 • -6db
34% Popularity • 85% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Sample
For All We Know
126 bpm • G# Maj • 05:13 • -15.65db
25% Popularity • 39% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Maxwell
Lifetime - Remastered 2021
128 bpm • A Maj • 05:29 • -8.86db
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Phyllis Hyman
Living All Alone
128 bpm • E min • 05:07 • -8.04db
29% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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DeBarge
Love Me In A Special Way
126 bpm • C Maj • 04:15 • -14db
46% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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J. Spencer
U Should Be Mine
128 bpm • C# Maj • 04:30 • -10.99db
11% Popularity • 64% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Deniece Williams
Black Butterfly
129 bpm • D min • 04:28 • -9.9db
31% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
52% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Lalah Hathaway
Boston
129 bpm • G Maj • 05:37 • -12.9db
12% Popularity • 34% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Phyllis Hyman
Living In Confusion
128 bpm • C min • 07:06 • -12.18db
28% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Zhané
La, La, La
124 bpm • F# Maj • 05:28 • -6db
32% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Patti LaBelle
Somebody Loves You Baby (You Know Who It...
130 bpm • E min • 04:52 • -8.49db
43% Popularity • 63% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
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Rachelle Ferrell
Waiting
130 bpm • C Maj • 06:02 • -20.71db
27% Popularity • 67% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Brian Culbertson
You're My Music
130 bpm • C# Maj • 04:46 • -12.11db
41% Popularity • 67% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Miles Davis
So Emotional
130 bpm • C Maj • 05:18 • -5.84db
22% Popularity • 68% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Sy Smith
Camelot
130 bpm • A# min • 04:53 • -6.94db
16% Popularity • 62% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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SWV
If Only You Knew
130 bpm • E Maj • 05:09 • -5.51db
37% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Maxwell
...Til the Cops Come Knockin' - Remaster...
130 bpm • C min • 06:55 • -8.44db
46% Popularity • 71% Danceability • 54% Energy • 16% Liveness
7% Instrumentalness • 64% Positiveness
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Goapele
Cool Breeze
124 bpm • C Maj • 04:10 • -4.9db
20% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Zhané
Confusion
124 bpm • A min • 04:12 • -9.36db
17% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Chrisette Michele
Blame It On Me
130 bpm • D# Maj • 04:09 • -3.78db
37% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Stokley
Organic
124 bpm • G min • 05:26 • -6.15db
32% Popularity • 62% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Rachelle Ferrell
With Open Arms
124 bpm • F Maj • 06:23 • -15db
32% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Angela Winbush
You Had A Good Girl
130 bpm • D# min • 05:42 • -14db
23% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Avant
You & I
131 bpm • C# Maj • 03:54 • -4.87db
52% Popularity • 55% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Juan Winans
NOW
131 bpm • F# Maj • 04:40 • -6.46db
9% Popularity • 44% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Mint Condition/feat. Charlie Wilson of the Gap Band
Pretty Lady
123 bpm • F# min • 04:15 • -8.73db
17% Popularity • 72% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Stephanie Mills
I Feel Good All Over
123 bpm • C Maj • 05:02 • -11.55db
40% Popularity • 46% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Chrisette Michele
Mr. Radio
123 bpm • F# min • 03:53 • -7.41db
20% Popularity • 69% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Angela Winbush
Hello Beloved
123 bpm • F min • 05:46 • -18.7db
14% Popularity • 67% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Miki Howard
Just the Way You Want Me To
123 bpm • D# min • 05:09 • -15db
14% Popularity • 40% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Rachelle Ferrell
Could've Fooled Me
132 bpm • G Maj • 04:38 • -16.23db
17% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Chico DeBarge
Virgin
132 bpm • G# min • 04:58 • -7db
22% Popularity • 92% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Ledisi
In The Morning
132 bpm • F min • 04:48 • -10.34db
37% Popularity • 70% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Chrisette Michele
If I Have My Way
123 bpm • F min • 04:02 • -6db
45% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Intro
Ribbon in the Sky
122 bpm • G# Maj • 06:22 • -15db
41% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Angela Winbush
Hello Beloved
123 bpm • F min • 05:16 • -7.66db
26% Popularity • 65% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Lalah Hathaway
A Moment
132 bpm • F Maj • 02:10 • -16.35db
12% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Miki Howard
Love Under New Management
121 bpm • C# Maj • 06:49 • -9.05db
35% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Algebra
Now & Then
121 bpm • C# Maj • 02:35 • -13.38db
17% Popularity • 48% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Chrisette Michele
Golden
132 bpm • F min • 04:23 • -7.38db
31% Popularity • 55% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Dave Hollister
We've Come Too Far
121 bpm • G min • 04:46 • -6.83db
29% Popularity • 47% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Teedra Moses
Rescue Me
134 bpm • C# min • 04:06 • -6.17db
34% Popularity • 51% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Anderson .Paak
Reachin' 2 Much
120 bpm • E min • 05:55 • -4.76db
48% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Miki Howard
But I Love You
134 bpm • F min • 04:51 • -9.12db
10% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Algebra
What Happened?
134 bpm • C min • 04:18 • -7.6db
20% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Phyllis Hyman
Somewhere In My Lifetime
134 bpm • F Maj • 03:27 • -7db
24% Popularity • 28% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Norman Connors
Betcha by Golly Wow - Remastered
120 bpm • E Maj • 06:22 • -9.12db
30% Popularity • 43% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Chris Turner
You Got Me
134 bpm • C Maj • 04:33 • -6.9db
17% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Maxwell
Stop the World
120 bpm • C Maj • 03:56 • -8.48db
34% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Lalah Hathaway
I'm Coming Back
134 bpm • G min • 05:37 • -10.95db
22% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Floacist
Alright Then
120 bpm • C# min • 04:33 • -11db
21% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Phyllis Hyman
Gonna Make Changes
134 bpm • B Maj • 04:57 • -7.04db
19% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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India.Arie
Brown Skin
120 bpm • F Maj • 04:56 • -7db
51% Popularity • 70% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jeffrey Osborne
Worth It All - Gregg Pagani Remix
120 bpm • C Maj • 04:14 • -12.08db
17% Popularity • 69% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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USHER
Here I Stand
120 bpm • F Maj • 04:10 • -6db
45% Popularity • 54% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Lalah Hathaway
Admit It
120 bpm • F Maj • 05:34 • -11.31db
12% Popularity • 49% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Stokley
Cross The Line
120 bpm • G# min • 03:14 • -5.55db
14% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Phyllis Hyman
Meet Me On The Moon
120 bpm • A# Maj • 06:44 • -15db
27% Popularity • 68% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Miki Howard
If You Still Love Her
120 bpm • C# Maj • 05:30 • -8db
16% Popularity • 33% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Kirk Whalum
You Had To Know
120 bpm • D min • 05:13 • -9.48db
12% Popularity • 38% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Sample
When Your Life Was Low
120 bpm • D Maj • 05:43 • -13db
31% Popularity • 50% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Rachelle Ferrell
I Know You Love Me
135 bpm • A# Maj • 03:56 • -13.7db
20% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Trina Broussard
Where I'm Supposed to Be
135 bpm • D Maj • 04:35 • -6.72db
31% Popularity • 69% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Conya Doss
Reach Out
135 bpm • G min • 03:07 • -6.51db
14% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Hall
Don't Be Afraid - Sex You Down Some Mo' ...
136 bpm • A min • 04:31 • -6.75db
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Angela Winbush
Too Good to Let You Go
136 bpm • C min • 05:44 • -6.98db
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Corinne Bailey Rae
Green Aphrodisiac
136 bpm • C min • 05:51 • -7.58db
39% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Rachelle Ferrell
Reflections Of My Heart
119 bpm • E min • 05:10 • -17db
18% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Lalah Hathaway
Brand New (Bonus Track) (Live)
118 bpm • F# Maj • 05:45 • -12.15db
27% Popularity • 44% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Carmen Rodgers
It's Me
137 bpm • C# Maj • 06:16 • -8.12db
14% Popularity • 46% Danceability • 55% Energy • 38% Liveness
2% Instrumentalness • 28% Positiveness
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Donnie
You Got A Friend
118 bpm • C# Maj • 05:30 • -8.55db
16% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Sunshine Anderson
Last Night
137 bpm • F min • 04:12 • -7db
28% Popularity • 69% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Faith Evans
Until You Came
118 bpm • G# min • 04:45 • -7.33db
30% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Vesta Williams
Person To Person
137 bpm • B min • 05:03 • -7.39db
14% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Brownstone
Grapevyne
137 bpm • B min • 05:36 • -9.18db
43% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Gill
There U Go
138 bpm • A# Maj • 05:16 • -14.18db
47% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lalah Hathaway
If U Ever
138 bpm • A Maj • 04:15 • -8.19db
14% Popularity • 64% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Wilson
Made For Love
138 bpm • A# Maj • 04:14 • -6.61db
18% Popularity • 46% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Zo!
All Is Well With Love
117 bpm • F# Maj • 02:55 • -11.47db
18% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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After 7
Sara Smile
138 bpm • C min • 04:32 • -6.28db
44% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Quincy Jones
Slow Jams
138 bpm • G min • 07:30 • -9.27db
44% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rene & Angela
Come My Way
117 bpm • G min • 04:49 • -7.85db
30% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Jarrod Lawson
Love Isn't Always Enough
139 bpm • F# Maj • 05:23 • -8.69db
22% Popularity • 36% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Conya Doss
Stay
139 bpm • G# min • 04:30 • -4.16db
14% Popularity • 67% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Floacist
Let Me
116 bpm • F# Maj • 03:53 • -11db
27% Popularity • 73% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
► Preview
Troy Laureta
When I Met You
140 bpm • D# Maj • 04:28 • -6.41db
18% Popularity • 39% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Keiko Matsui
Love And Nothing Less
140 bpm • D# min • 04:29 • -11.45db
24% Popularity • 48% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Larry Gold
Just a Dream
140 bpm • A Maj • 04:16 • -7.58db
17% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jarrod Lawson
Connected
140 bpm • A Maj • 04:35 • -8.66db
21% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Earth, Wind & Fire
Show Me The Way
140 bpm • B Maj • 07:47 • -5.87db
28% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Floacist
Come Over
140 bpm • F min • 03:56 • -12.08db
15% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Surrender