Songs like Suíte nordestina: III. Bumba chora by Ronaldo Miranda
Based on a tempo of (+/- 10%) and a similar genre
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
14% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Laestadian Lutheran Church
Oh, Day of Joy and Gladness SHZ 545
83 bpm • G Maj • 05:02 • -16.92db
14% Popularity • 13% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
14% Popularity • 13% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
83 bpm • A min • 00:58 • -21.54db
17% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Filipe de MagalhĂŁes
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
11% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
SuĂte nĂşmero 3: Allegro
83 bpm • D min • 01:54 • -20db
0% Popularity • 48% Danceability • 25% Energy • 14% Liveness
87% Instrumentalness • 48% Positiveness
0% Popularity • 48% Danceability • 25% Energy • 14% Liveness
87% Instrumentalness • 48% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
16% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Pavel Chesnokov
P. Chesnokov, Open to Me the Doors of Re...
83 bpm • E min • 04:27 • -25.01db
13% Popularity • 23% Danceability • 5% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 5% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
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Duas Vezes
Agnus Dei I
82 bpm • A# Maj • 01:17 • -22.61db
10% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Amanda Roswick
Stille Nacht
82 bpm • F# min • 01:15 • -21.99db
11% Popularity • 27% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Filipe de MagalhĂŁes
Missa Veni Domine: Id. Kyrie II
84 bpm • E min • 00:59 • -22.36db
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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Tobias Lowry
A Seed of Wheat
84 bpm • D# Maj • 01:42 • -24db
11% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Escolania de Montserrat
Cantique de Jean Racine
84 bpm • C# Maj • 05:17 • -21db
8% Popularity • 11% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G Maj • 01:30 • -20.42db
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Heikki Hattunen
Pyhä Jumala
82 bpm • E min • 03:26 • -31.47db
15% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Sexteto Cantábile
Notre Père (Maurice Duruflé)
84 bpm • F# Maj • 01:24 • -25.58db
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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University Of Pretoria Camerata
Nkosi Sikelel iAfrika
82 bpm • D Maj • 01:55 • -15.39db
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Tallis
If Ye Love Me
82 bpm • F Maj • 01:59 • -30db
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Moderato Cantabile
82 bpm • A# Maj • 04:10 • -13.09db
0% Popularity • 22% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
He Cometh Soon, My Jesus SHZ 144
82 bpm • F Maj • 05:22 • -18.78db
13% Popularity • 8% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
13% Popularity • 8% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
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Beckenhorst Singers
Stay With Us
84 bpm • C# Maj • 03:10 • -22.36db
7% Popularity • 23% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gittan Glans
When Breathing like a Bird
84 bpm • D Maj • 01:55 • -18.7db
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Pierre de Manchicourt
Regina caeli: I. Regina caeli laetare
82 bpm • G# Maj • 02:30 • -18.19db
8% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
8% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
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Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
29% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Ronaldo Miranda
Variações Sérias sobre um tema de Ana...
82 bpm • B min • 10:55 • -19.7db
0% Popularity • 36% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 12% Positiveness
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Brian Field
A Christmas Carol
84 bpm • C Maj • 05:51 • -14.29db
36% Popularity • 11% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
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Monks Of The Abbey Of Notre Dame
In Your Presence
81 bpm • D Maj • 05:07 • -21.02db
16% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
24% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Orlande de Lassus
In monte Oliveti II
81 bpm • B min • 03:20 • -24.19db
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Ronaldo Miranda
Variações Asorovarc - 2002
82 bpm • C Maj • 09:38 • -22.07db
0% Popularity • 37% Danceability • 11% Energy • 19% Liveness
89% Instrumentalness • 5% Positiveness
0% Popularity • 37% Danceability • 11% Energy • 19% Liveness
89% Instrumentalness • 5% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Pavel JurkoviÄŤ
Pro Ĺ imonka Ĺ mehila
85 bpm • C Maj • 01:16 • -20.37db
13% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Duas Vezes
Kyrie (Miguel Fontes)
81 bpm • C# Maj • 01:00 • -22.09db
15% Popularity • 24% Danceability • 15% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
15% Popularity • 24% Danceability • 15% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ronaldo Miranda
Suite No. 3: III. Lento
82 bpm • D min • 02:05 • -26.9db
0% Popularity • 53% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
0% Popularity • 53% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
2 Partsongs, Op. 26: No. 1, The Snow
81 bpm • E min • 04:31 • -19.46db
11% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
85 bpm • A# min • 02:24 • -31db
9% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
85 bpm • A min • 01:07 • -28.35db
13% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Sofia Kammarkör
The Huron Carol
81 bpm • G min • 02:17 • -25.28db
21% Popularity • 16% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Eleanor Daley
Requiem: IV. In Remembrance
81 bpm • C# Maj • 02:56 • -25.63db
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Paul Smith
Heaven-Haven
85 bpm • C min • 03:46 • -27.77db
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Jean L'héritier
Regnum mundi et omne ornatum, IJL 13
81 bpm • F Maj • 03:57 • -22.29db
14% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
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Heinrich SchĂĽtz
Johannes-Passion, SWV 481: I. Introitus
85 bpm • A# min • 01:45 • -20.84db
12% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ronaldo Miranda
Alumbramentos
81 bpm • A Maj • 06:50 • -18.63db
0% Popularity • 40% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 40% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Anton Bruckner
Salvum fac populum tuum, WAB 40
81 bpm • C Maj • 03:23 • -26.26db
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Kenneth Leighton
An Easter Sequence
85 bpm • G Maj • 00:58 • -18.52db
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
13% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
80 bpm • C min • 01:51 • -38.83db
15% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Miserere: VI. Cor mundum crea in me Deus...
80 bpm • B min • 01:20 • -32.13db
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Holy Spirit Mass: Fount of Life: Mercy
86 bpm • A min • 01:30 • -25db
16% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
9% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Cantio Laudis -kuoro
Kuoro, Taas Päilyy Aamu Genesaretin (Je...
86 bpm • G Maj • 03:21 • -20.72db
10% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
7% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
► Preview
Les Occasionnels
Mignonne, allons voir si la rose
86 bpm • E min • 02:25 • -17.49db
10% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Tavener
Mother Of God, Here I Stand
80 bpm • G Maj • 02:40 • -16.92db
11% Popularity • 17% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Henryk GĂłrecki
Sicut parvi amplectamur
80 bpm • F Maj • 04:39 • -24.91db
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Cantio Laudis -kuoro
Kuoro, Te Kalastajat Vetten Syvien
86 bpm • G min • 01:25 • -26.29db
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
► Preview
Melchior Vulpius
Oppstanden Er VĂĄr Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
11% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
8% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
8% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
LeoRoads
Heaven's Lullaby
80 bpm • D Maj • 02:18 • -19.04db
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Levente Gyöngyösi
Beatus vir
86 bpm • G Maj • 03:25 • -23.87db
19% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Richard Rodney Bennett
A Good-Night
80 bpm • D# min • 03:03 • -26.18db
8% Popularity • 8% Danceability • 8% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 8% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
11% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In paradisum
87 bpm • F# Maj • 02:59 • -22.38db
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Amy Beach
Peace I Leave With You
79 bpm • D# Maj • 01:48 • -25.82db
11% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
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Henryk GĂłrecki
O mater sempter alma
79 bpm • D min • 07:49 • -25.1db
11% Popularity • 8% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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MĂĄrten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
O Jesus, Thou My Comfort Sweet SHZ 496
79 bpm • B min • 03:14 • -18.89db
15% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Paros Chamber Choir
Khorhoot Khorin: O, Mystery Deep (Choir)
87 bpm • C min • 02:02 • -24.09db
9% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
9% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Animan mean (a 4 v.m.) - R...
79 bpm • E min • 04:58 • -14.56db
10% Popularity • 9% Danceability • 27% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 27% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Et Incarnatus Est
79 bpm • C Maj • 02:57 • -21.15db
16% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Lars Hoefs
TrĂŞs Momentos Para Violoncelo Solo, I. ...
79 bpm • F Maj • 03:24 • -21.43db
0% Popularity • 22% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Beckenhorst Singers
Keep Your Children
79 bpm • D Maj • 04:23 • -16.4db
7% Popularity • 12% Danceability • 13% Energy • 36% Liveness
20% Instrumentalness • 11% Positiveness
7% Popularity • 12% Danceability • 13% Energy • 36% Liveness
20% Instrumentalness • 11% Positiveness
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Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
19% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
19% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Paul Hellmuth
Dypt heller ĂĄret
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Bonaventura Somma
Somma: Ave Maria
79 bpm • F Maj • 03:43 • -24.8db
12% Popularity • 7% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Ronaldo Miranda
Noite e Dia
79 bpm • B min • 01:58 • -14.28db
0% Popularity • 29% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
