Songs like Suzy Snowflake by Rosemary Clooney
Based on a tempo of (+/- 10%) and a similar genre
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Rosemary Clooney
'Deed I Do
166 bpm • E min • 01:46 • -9.98db
18% Popularity • 48% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 48% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Joséphine Baker
Breezin' Along With The Breeze
166 bpm • G min • 02:53 • -13.9db
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Jo Stafford
The Best Things In Life Are Free
165 bpm • D# Maj • 02:24 • -8.47db
39% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
45% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
45% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
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Guy Lombardo
The Band Played On
168 bpm • G# Maj • 02:31 • -11.99db
31% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
31% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Rosemary Clooney
I'll Be Seeing You
165 bpm • A Maj • 02:26 • -16.57db
21% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kat Edmonson
Mountain Greenery
168 bpm • E min • 02:30 • -13db
50% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Doris Day
Blue Skies
164 bpm • C Maj • 01:47 • -16.11db
43% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Joe Williams
'S Wonderful
169 bpm • D min • 02:36 • -12.14db
16% Popularity • 41% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 41% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Guy Lombardo
Get out Those Old Records
164 bpm • F Maj • 02:19 • -11.89db
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Greco
Wild Is Love
169 bpm • D min • 01:59 • -13.58db
14% Popularity • 35% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 35% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Fats Waller
Spring Cleaning
170 bpm • F min • 02:27 • -14db
40% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
40% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
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Morgana King
If You Could See Me Now
170 bpm • G# Maj • 03:24 • -17.71db
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Connick, Jr.
You Didn't Know Me When
162 bpm • C Maj • 03:09 • -12.84db
33% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Carroll Gibbons
Isn't It Romantic
162 bpm • F min • 02:58 • -17.69db
40% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
40% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Platters
Smoke Gets In Your Eyes
171 bpm • D# Maj • 02:40 • -11.16db
65% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Frankie Randall
A Wonderful Day Like Today
161 bpm • F Maj • 02:00 • -10db
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
20% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
20% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Dinning Sisters
Fun and Fancy Free
160 bpm • A min • 02:40 • -14.6db
11% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Guy Lombardo
It's Love-Love-Love
173 bpm • A# Maj • 02:28 • -11.96db
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Al Bowlly
Did You Ever See a Dream Walking
159 bpm • G# Maj • 03:05 • -9.54db
21% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Shirley Horn
Mack The Knife
174 bpm • G# Maj • 03:02 • -12.97db
26% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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Johnnie Ray
Please, Mr. Sun
176 bpm • E min • 02:57 • -16.1db
26% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Guy Lombardo
Five Foot Two Eyes of Blue
178 bpm • D min • 02:39 • -10.11db
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
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Rosemary Clooney
Just You, Just Me
177 bpm • G# Maj • 01:23 • -13.15db
25% Popularity • 48% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 48% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Kaye
Civilization
155 bpm • C# Maj • 03:03 • -13.65db
31% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
47% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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King Of Swing Orchestra
Bei Mir Bist Du Schön - The Best of Kin...
180 bpm • A min • 02:44 • -9.24db
34% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
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Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Guy Lombardo & His Royal Canadians
You Were Meant for Me
180 bpm • G min • 02:16 • -14.16db
14% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
44% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
44% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Rosemary Clooney
This Can't Be Love
181 bpm • F min • 01:38 • -8.85db
8% Popularity • 46% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 46% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
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Lou Monte
Dreamboat
151 bpm • G min • 02:11 • -9.41db
14% Popularity • 48% Danceability • 40% Energy • 52% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 48% Danceability • 40% Energy • 52% Liveness
0% Instrumentalness • 82% Positiveness
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Bobby Short
You've Got That Thing
151 bpm • A# Maj • 03:23 • -16db
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Merry Macs
Jingle Jangle Jingle (Alternate Take)
183 bpm • C# Maj • 02:53 • -14db
21% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Buddy Greco
Roses Of Picardy
183 bpm • G min • 02:25 • -11.27db
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Django Reinhardt
Farewell Blues
186 bpm • A# Maj • 03:14 • -10db
29% Popularity • 58% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
29% Popularity • 58% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
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Rosemary Clooney
Mambo Italiano - 78rpm Version
150 bpm • D min • 02:29 • -9.92db
50% Popularity • 59% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 59% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Guy Lombardo
Enjoy Yourself (It's Later Than You Thin...
146 bpm • A# Maj • 03:20 • -11.09db
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
26% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Django Reinhardt
Honeysuckle Rose
189 bpm • F Maj • 02:46 • -8db
39% Popularity • 55% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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Rosemary Clooney
It's Bad for Me
145 bpm • F Maj • 02:55 • -12.56db
31% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Nat King Cole Trio
How Deep Is The Ocean - 1993 Digital Rem...
145 bpm • A# min • 02:55 • -23db
37% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
37% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
22% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Merry Macs
I'm Forever Blowing Bubbles
185 bpm • F Maj • 02:36 • -15.47db
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Mel Tormé
Putting on the Ritz
145 bpm • F# Maj • 02:24 • -18db
46% Popularity • 45% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 45% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Bing Crosby
People Will Say We're In Love - Version ...
144 bpm • G Maj • 02:31 • -17.25db
9% Popularity • 58% Danceability • 12% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 58% Danceability • 12% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Rosemary Clooney
Come On-A My House
183 bpm • A# min • 01:56 • -8.56db
39% Popularity • 53% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 53% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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The Ames Brothers
Destination Moon
143 bpm • G# Maj • 02:27 • -8.74db
16% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy Davis Jr.
All Of You
143 bpm • C# Maj • 02:44 • -11db
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bette Midler
On A Slow Boat To China
143 bpm • D Maj • 02:30 • -7.31db
22% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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June Christy
Gone For The Day
142 bpm • C min • 02:03 • -12.46db
13% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
44% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Rosemary Clooney
Botch-A-Me (Ba-Ba-Baciami Piccina)
149 bpm • C Maj • 02:16 • -8db
32% Popularity • 64% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 64% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Tillotson
(Wait Til You See) My Gidget
142 bpm • A min • 01:59 • -7.64db
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Fats Waller
All That Meat And No Potatoes
142 bpm • C Maj • 02:45 • -18.82db
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Rosemary Clooney
Anything Goes
148 bpm • F Maj • 01:55 • -10.6db
17% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Ames Brothers
Rag Mop
201 bpm • G Maj • 02:40 • -9.69db
15% Popularity • 59% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 59% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Nat King Cole Trio
Hit That Jive, Jack
206 bpm • F min • 02:54 • -12db
35% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Harry Connick, Jr.
We Are In Love
200 bpm • G Maj • 02:40 • -15db
47% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
