Songs like Swagism by Ghost-Note
Based on a tempo of (+/- 10%) and a similar genre
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Joabe Reis
Asa
105 bpm • A# min • 04:07 • -7.26db
26% Popularity • 78% Danceability • 75% Energy • 42% Liveness
92% Instrumentalness • 89% Positiveness
26% Popularity • 78% Danceability • 75% Energy • 42% Liveness
92% Instrumentalness • 89% Positiveness
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Lydian Collective
Equinox
105 bpm • G# min • 05:46 • -8.23db
19% Popularity • 43% Danceability • 53% Energy • 16% Liveness
85% Instrumentalness • 65% Positiveness
19% Popularity • 43% Danceability • 53% Energy • 16% Liveness
85% Instrumentalness • 65% Positiveness
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The Heritage Orchestra
More Bounce To The Ounce
105 bpm • C Maj • 03:53 • -7.07db
12% Popularity • 81% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
12% Popularity • 81% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Larnell Lewis
Rejoice
105 bpm • F# Maj • 05:31 • -5.93db
27% Popularity • 36% Danceability • 83% Energy • 28% Liveness
86% Instrumentalness • 61% Positiveness
27% Popularity • 36% Danceability • 83% Energy • 28% Liveness
86% Instrumentalness • 61% Positiveness
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Cissy Street
A 3
105 bpm • G Maj • 04:20 • -6.85db
23% Popularity • 76% Danceability • 64% Energy • 21% Liveness
75% Instrumentalness • 62% Positiveness
23% Popularity • 76% Danceability • 64% Energy • 21% Liveness
75% Instrumentalness • 62% Positiveness
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Thomas Bendzko
Monday Night
105 bpm • D Maj • 04:59 • -5.47db
10% Popularity • 64% Danceability • 77% Energy • 11% Liveness
84% Instrumentalness • 72% Positiveness
10% Popularity • 64% Danceability • 77% Energy • 11% Liveness
84% Instrumentalness • 72% Positiveness
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Ghost-Note
Swagism
105 bpm • C# Maj • 04:08 • -6db
38% Popularity • 75% Danceability • 88% Energy • 40% Liveness
38% Instrumentalness • 50% Positiveness
38% Popularity • 75% Danceability • 88% Energy • 40% Liveness
38% Instrumentalness • 50% Positiveness
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Nate Smith
Pages
105 bpm • E Maj • 03:51 • -9.71db
30% Popularity • 49% Danceability • 74% Energy • 14% Liveness
5% Instrumentalness • 43% Positiveness
30% Popularity • 49% Danceability • 74% Energy • 14% Liveness
5% Instrumentalness • 43% Positiveness
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The Fearless Flyers
Ace of Aces
106 bpm • F# min • 02:04 • -9.67db
53% Popularity • 72% Danceability • 85% Energy • 15% Liveness
95% Instrumentalness • 90% Positiveness
53% Popularity • 72% Danceability • 85% Energy • 15% Liveness
95% Instrumentalness • 90% Positiveness
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EMEFE
Title of the Work Interlude
104 bpm • D# Maj • 02:10 • -8.51db
23% Popularity • 66% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 59% Positiveness
23% Popularity • 66% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 59% Positiveness
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Grateful Brass
Cream Puff War
104 bpm • G Maj • 03:42 • -6.4db
16% Popularity • 42% Danceability • 78% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
16% Popularity • 42% Danceability • 78% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
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The Heritage Orchestra
Forty Days
106 bpm • G Maj • 02:22 • -9.08db
22% Popularity • 72% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
22% Popularity • 72% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Olli Ahvenlahti
The Opening Game
104 bpm • C# Maj • 05:58 • -8.65db
9% Popularity • 57% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 64% Positiveness
9% Popularity • 57% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 64% Positiveness
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Lydian Collective
Thirty One
106 bpm • D min • 03:47 • -7.56db
35% Popularity • 67% Danceability • 62% Energy • 17% Liveness
92% Instrumentalness • 79% Positiveness
35% Popularity • 67% Danceability • 62% Energy • 17% Liveness
92% Instrumentalness • 79% Positiveness
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The Fearless Flyers
Nate Smith Is the Ace of Aces
106 bpm • B Maj • 02:17 • -10.53db
45% Popularity • 60% Danceability • 82% Energy • 55% Liveness
89% Instrumentalness • 87% Positiveness
45% Popularity • 60% Danceability • 82% Energy • 55% Liveness
89% Instrumentalness • 87% Positiveness
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FORQ
Lymaks
106 bpm • C# Maj • 06:14 • -12.53db
24% Popularity • 61% Danceability • 60% Energy • 8% Liveness
91% Instrumentalness • 62% Positiveness
24% Popularity • 61% Danceability • 60% Energy • 8% Liveness
91% Instrumentalness • 62% Positiveness
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Ghost-Note
Frogger
106 bpm • G Maj • 02:50 • -11.41db
13% Popularity • 84% Danceability • 78% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
13% Popularity • 84% Danceability • 78% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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Anika Nilles
Up and Down
106 bpm • C Maj • 04:02 • -9.7db
36% Popularity • 68% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
36% Popularity • 68% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Greg Spero
Funky G Sus
106 bpm • C Maj • 05:57 • -9.37db
23% Popularity • 50% Danceability • 67% Energy • 7% Liveness
47% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 67% Energy • 7% Liveness
47% Instrumentalness • 37% Positiveness
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David Helbock
The Ups and Downs
106 bpm • B Maj • 05:25 • -10.8db
27% Popularity • 79% Danceability • 60% Energy • 5% Liveness
68% Instrumentalness • 70% Positiveness
27% Popularity • 79% Danceability • 60% Energy • 5% Liveness
68% Instrumentalness • 70% Positiveness
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Coast
Dance 35
104 bpm • F min • 04:15 • -11.61db
13% Popularity • 38% Danceability • 70% Energy • 35% Liveness
70% Instrumentalness • 20% Positiveness
13% Popularity • 38% Danceability • 70% Energy • 35% Liveness
70% Instrumentalness • 20% Positiveness
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PRNDL
Local Reptile Convention
106 bpm • C# Maj • 03:01 • -12.13db
16% Popularity • 78% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 74% Positiveness
16% Popularity • 78% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 74% Positiveness
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Nate Smith
Small Moves: Interlude
106 bpm • A# min • 02:30 • -7.18db
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
62% Instrumentalness • 69% Positiveness
44% Popularity • 69% Danceability • 54% Energy • 12% Liveness
62% Instrumentalness • 69% Positiveness
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Kinga Glyk
Who Cares
106 bpm • D# min • 03:41 • -8.15db
28% Popularity • 71% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 64% Positiveness
28% Popularity • 71% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 64% Positiveness
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Scary Goldings
Save It for the First Time
106 bpm • G min • 02:27 • -5.94db
28% Popularity • 87% Danceability • 71% Energy • 55% Liveness
13% Instrumentalness • 57% Positiveness
28% Popularity • 87% Danceability • 71% Energy • 55% Liveness
13% Instrumentalness • 57% Positiveness
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Jinkie Bays
A Trip to the Dentist
104 bpm • B min • 03:28 • -10.03db
32% Popularity • 70% Danceability • 50% Energy • 30% Liveness
45% Instrumentalness • 72% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 30% Liveness
45% Instrumentalness • 72% Positiveness
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Fat Rapunzel
Both Of Them
107 bpm • C# Maj • 01:51 • -10.84db
10% Popularity • 66% Danceability • 60% Energy • 23% Liveness
81% Instrumentalness • 48% Positiveness
10% Popularity • 66% Danceability • 60% Energy • 23% Liveness
81% Instrumentalness • 48% Positiveness
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Ari Joshua
Rare Groove
103 bpm • A# min • 04:07 • -8.27db
39% Popularity • 64% Danceability • 64% Energy • 34% Liveness
50% Instrumentalness • 76% Positiveness
39% Popularity • 64% Danceability • 64% Energy • 34% Liveness
50% Instrumentalness • 76% Positiveness
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WRD Trio
Bobbys Boogaloo
103 bpm • F Maj • 03:17 • -10.02db
30% Popularity • 74% Danceability • 62% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
30% Popularity • 74% Danceability • 62% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
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Brian Auger
Black Octopus
103 bpm • C min • 03:51 • -11db
27% Popularity • 59% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
27% Popularity • 59% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Scary Goldings
The Shakes
106 bpm • D Maj • 03:46 • -5.58db
25% Popularity • 66% Danceability • 90% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
25% Popularity • 66% Danceability • 90% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
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Redtenbacher's Funkestra
Kerria Lacca
103 bpm • F min • 04:59 • -8.88db
25% Popularity • 80% Danceability • 68% Energy • 6% Liveness
38% Instrumentalness • 78% Positiveness
25% Popularity • 80% Danceability • 68% Energy • 6% Liveness
38% Instrumentalness • 78% Positiveness
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Blue Moka
Lotus Night
103 bpm • F# Maj • 04:06 • -6.11db
8% Popularity • 67% Danceability • 81% Energy • 31% Liveness
15% Instrumentalness • 84% Positiveness
8% Popularity • 67% Danceability • 81% Energy • 31% Liveness
15% Instrumentalness • 84% Positiveness
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Organ Freeman
I'm the Best
107 bpm • C# Maj • 05:51 • -8.61db
14% Popularity • 77% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
14% Popularity • 77% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Cissy Street
Yemanja
107 bpm • A# min • 05:29 • -7.2db
16% Popularity • 76% Danceability • 69% Energy • 26% Liveness
88% Instrumentalness • 81% Positiveness
16% Popularity • 76% Danceability • 69% Energy • 26% Liveness
88% Instrumentalness • 81% Positiveness
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WRD Trio
Chum City
107 bpm • G min • 04:30 • -10.26db
26% Popularity • 77% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 94% Positiveness
26% Popularity • 77% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 94% Positiveness
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Scary Goldings
Professor Vicarious
104 bpm • B min • 03:05 • -7.56db
23% Popularity • 67% Danceability • 83% Energy • 23% Liveness
87% Instrumentalness • 73% Positiveness
23% Popularity • 67% Danceability • 83% Energy • 23% Liveness
87% Instrumentalness • 73% Positiveness
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Redtenbacher's Funkestra
Kerria Lacca
103 bpm • F min • 04:59 • -9.62db
15% Popularity • 82% Danceability • 68% Energy • 6% Liveness
43% Instrumentalness • 84% Positiveness
15% Popularity • 82% Danceability • 68% Energy • 6% Liveness
43% Instrumentalness • 84% Positiveness
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Zbonics
Keep On Walkin'
107 bpm • C# Maj • 03:21 • -8.8db
22% Popularity • 74% Danceability • 76% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
22% Popularity • 74% Danceability • 76% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
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Why Groove?
Why Groove?! #3
107 bpm • G# Maj • 01:04 • -7.98db
29% Popularity • 83% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 97% Positiveness
29% Popularity • 83% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 97% Positiveness
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Nine Sparks Riots
The Antidote
103 bpm • C Maj • 04:50 • -11.6db
32% Popularity • 71% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 48% Positiveness
32% Popularity • 71% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 48% Positiveness
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Haringman Collective
KABUKA
103 bpm • B Maj • 01:51 • -5.32db
30% Popularity • 65% Danceability • 85% Energy • 18% Liveness
95% Instrumentalness • 13% Positiveness
30% Popularity • 65% Danceability • 85% Energy • 18% Liveness
95% Instrumentalness • 13% Positiveness
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Scary Goldings
Day Old Socks
107 bpm • F min • 02:25 • -7.72db
22% Popularity • 63% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 58% Positiveness
22% Popularity • 63% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 58% Positiveness
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Funkwrench Blues
The Life
107 bpm • F min • 03:53 • -8.88db
13% Popularity • 64% Danceability • 80% Energy • 35% Liveness
63% Instrumentalness • 87% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 35% Liveness
63% Instrumentalness • 87% Positiveness
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The Funky Knuckles
Knuckaround
103 bpm • C Maj • 01:09 • -8.02db
43% Popularity • 66% Danceability • 75% Energy • 30% Liveness
15% Instrumentalness • 83% Positiveness
43% Popularity • 66% Danceability • 75% Energy • 30% Liveness
15% Instrumentalness • 83% Positiveness
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Family Company
stones throw
107 bpm • B min • 02:45 • -6.79db
24% Popularity • 70% Danceability • 78% Energy • 16% Liveness
88% Instrumentalness • 79% Positiveness
24% Popularity • 70% Danceability • 78% Energy • 16% Liveness
88% Instrumentalness • 79% Positiveness
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Nick Campbell Destroys
For Your Consideration
108 bpm • F# min • 02:04 • -7.2db
17% Popularity • 66% Danceability • 52% Energy • 7% Liveness
69% Instrumentalness • 87% Positiveness
17% Popularity • 66% Danceability • 52% Energy • 7% Liveness
69% Instrumentalness • 87% Positiveness
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Cissy Street
Les pions se révoltent
108 bpm • C Maj • 03:55 • -8.08db
38% Popularity • 74% Danceability • 87% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
38% Popularity • 74% Danceability • 87% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
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Ghost-Note
Joshua Johnson
102 bpm • C# Maj • 02:17 • -8.29db
17% Popularity • 75% Danceability • 71% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
17% Popularity • 75% Danceability • 71% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
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FORQ
Lullabye
108 bpm • G Maj • 07:11 • -7.54db
11% Popularity • 35% Danceability • 83% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 35% Danceability • 83% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Spirit Fingers
maps
108 bpm • G min • 06:56 • -10.93db
14% Popularity • 32% Danceability • 60% Energy • 28% Liveness
89% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 60% Energy • 28% Liveness
89% Instrumentalness • 36% Positiveness
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Snarky Puppy
Bad Kids To The Back
108 bpm • A# min • 05:45 • -8db
38% Popularity • 78% Danceability • 69% Energy • 2% Liveness
88% Instrumentalness • 85% Positiveness
38% Popularity • 78% Danceability • 69% Energy • 2% Liveness
88% Instrumentalness • 85% Positiveness
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The Fearless Flyers
Flyers Funk
102 bpm • C# min • 02:30 • -6.67db
38% Popularity • 75% Danceability • 94% Energy • 16% Liveness
89% Instrumentalness • 86% Positiveness
38% Popularity • 75% Danceability • 94% Energy • 16% Liveness
89% Instrumentalness • 86% Positiveness
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Nine Sparks Riots
Hide & Seek
102 bpm • A# min • 03:12 • -8.88db
29% Popularity • 83% Danceability • 44% Energy • 36% Liveness
80% Instrumentalness • 84% Positiveness
29% Popularity • 83% Danceability • 44% Energy • 36% Liveness
80% Instrumentalness • 84% Positiveness
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Latelonius
Factor
102 bpm • A# min • 04:04 • -7.49db
11% Popularity • 78% Danceability • 65% Energy • 17% Liveness
76% Instrumentalness • 72% Positiveness
11% Popularity • 78% Danceability • 65% Energy • 17% Liveness
76% Instrumentalness • 72% Positiveness
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Takuya Kuroda
Time Coil
102 bpm • C Maj • 06:35 • -7.08db
25% Popularity • 62% Danceability • 90% Energy • 10% Liveness
82% Instrumentalness • 91% Positiveness
25% Popularity • 62% Danceability • 90% Energy • 10% Liveness
82% Instrumentalness • 91% Positiveness
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Ben Jones
Fuse Box
102 bpm • D Maj • 05:27 • -10.32db
16% Popularity • 68% Danceability • 62% Energy • 38% Liveness
76% Instrumentalness • 34% Positiveness
16% Popularity • 68% Danceability • 62% Energy • 38% Liveness
76% Instrumentalness • 34% Positiveness
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Olli Ahvenlahti
For Dizzy and Lionel
102 bpm • C min • 04:51 • -8.68db
13% Popularity • 65% Danceability • 65% Energy • 9% Liveness
76% Instrumentalness • 52% Positiveness
13% Popularity • 65% Danceability • 65% Energy • 9% Liveness
76% Instrumentalness • 52% Positiveness
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Charles Owens Quartet
Reminiscing
108 bpm • D Maj • 07:32 • -7.76db
12% Popularity • 69% Danceability • 62% Energy • 21% Liveness
71% Instrumentalness • 48% Positiveness
12% Popularity • 69% Danceability • 62% Energy • 21% Liveness
71% Instrumentalness • 48% Positiveness
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The RH Factor
Pastor "T"
108 bpm • A min • 05:44 • -10.16db
32% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
32% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
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Wax
Regular
108 bpm • G# Maj • 04:15 • -6.19db
26% Popularity • 64% Danceability • 69% Energy • 5% Liveness
38% Instrumentalness • 79% Positiveness
26% Popularity • 64% Danceability • 69% Energy • 5% Liveness
38% Instrumentalness • 79% Positiveness
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Safety Squad
Get to It
102 bpm • C Maj • 07:19 • -10.79db
10% Popularity • 50% Danceability • 50% Energy • 7% Liveness
45% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 7% Liveness
45% Instrumentalness • 50% Positiveness
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Stanton Moore
Farmstead Antiques
108 bpm • D min • 02:33 • -14.37db
20% Popularity • 57% Danceability • 49% Energy • 12% Liveness
92% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 49% Energy • 12% Liveness
92% Instrumentalness • 56% Positiveness
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Moses Yoofee Trio
Neerg & Der
109 bpm • C# Maj • 06:20 • -13.39db
23% Popularity • 50% Danceability • 49% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
23% Popularity • 50% Danceability • 49% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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The Funky Knuckles
Barbosa
108 bpm • D min • 07:01 • -6db
24% Popularity • 58% Danceability • 76% Energy • 18% Liveness
17% Instrumentalness • 64% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 18% Liveness
17% Instrumentalness • 64% Positiveness
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wnbl
Strange Heat
101 bpm • C# Maj • 05:18 • -7.17db
22% Popularity • 47% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
22% Popularity • 47% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Cristiano Parato
Inside My Memory
101 bpm • A min • 04:13 • -6db
35% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
35% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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The Heritage Orchestra
Theme From S.W.A.T
109 bpm • A min • 03:27 • -7.61db
10% Popularity • 63% Danceability • 86% Energy • 4% Liveness
88% Instrumentalness • 95% Positiveness
10% Popularity • 63% Danceability • 86% Energy • 4% Liveness
88% Instrumentalness • 95% Positiveness
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Doug Johns
Chump Suey
109 bpm • A Maj • 04:25 • -9db
28% Popularity • 79% Danceability • 74% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
28% Popularity • 79% Danceability • 74% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
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Funky Times
Funky Times 1.0
109 bpm • C Maj • 01:12 • -8db
49% Popularity • 79% Danceability • 70% Energy • 16% Liveness
93% Instrumentalness • 96% Positiveness
49% Popularity • 79% Danceability • 70% Energy • 16% Liveness
93% Instrumentalness • 96% Positiveness
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Nate Smith
Get Down, Get Down
109 bpm • C# Maj • 02:47 • -7db
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
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Ghost-Note
Deep Felix
110 bpm • F# min • 03:42 • -12.45db
14% Popularity • 38% Danceability • 58% Energy • 16% Liveness
77% Instrumentalness • 11% Positiveness
14% Popularity • 38% Danceability • 58% Energy • 16% Liveness
77% Instrumentalness • 11% Positiveness
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Nick Campbell Destroys
Cease And Desist
101 bpm • C# Maj • 02:27 • -8.27db
10% Popularity • 72% Danceability • 71% Energy • 15% Liveness
47% Instrumentalness • 73% Positiveness
10% Popularity • 72% Danceability • 71% Energy • 15% Liveness
47% Instrumentalness • 73% Positiveness
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The Heritage Orchestra
Get On The Good Foot
109 bpm • C Maj • 03:23 • -8.76db
11% Popularity • 84% Danceability • 72% Energy • 4% Liveness
3% Instrumentalness • 95% Positiveness
11% Popularity • 84% Danceability • 72% Energy • 4% Liveness
3% Instrumentalness • 95% Positiveness
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Magic In Threes
Stay In Your Lane
100 bpm • F# Maj • 02:00 • -7.99db
43% Popularity • 74% Danceability • 64% Energy • 7% Liveness
89% Instrumentalness • 67% Positiveness
43% Popularity • 74% Danceability • 64% Energy • 7% Liveness
89% Instrumentalness • 67% Positiveness
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Sam Fribush
Swingin' at the Haven
100 bpm • A# min • 05:05 • -10.83db
11% Popularity • 57% Danceability • 54% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
11% Popularity • 57% Danceability • 54% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
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Jeb Bush Orchestra
All Systems Go (This Is Not a Drill)
110 bpm • G# Maj • 02:14 • -10.8db
10% Popularity • 55% Danceability • 61% Energy • 13% Liveness
83% Instrumentalness • 66% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 13% Liveness
83% Instrumentalness • 66% Positiveness
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Redtenbacher's Funkestra
Right on It
110 bpm • B min • 03:06 • -5db
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Alain Caron
The Lost Foot
110 bpm • G Maj • 06:24 • -15db
30% Popularity • 59% Danceability • 71% Energy • 10% Liveness
64% Instrumentalness • 85% Positiveness
30% Popularity • 59% Danceability • 71% Energy • 10% Liveness
64% Instrumentalness • 85% Positiveness
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Kinga Glyk
Swimming in the Sky
110 bpm • A# Maj • 04:54 • -9.64db
28% Popularity • 60% Danceability • 81% Energy • 8% Liveness
82% Instrumentalness • 92% Positiveness
28% Popularity • 60% Danceability • 81% Energy • 8% Liveness
82% Instrumentalness • 92% Positiveness
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Larnell Lewis
Essence of Joy
110 bpm • G min • 07:07 • -9.73db
18% Popularity • 68% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 30% Positiveness
18% Popularity • 68% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 30% Positiveness
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Benny Greb
Tricky
110 bpm • A# min • 02:08 • -7.27db
25% Popularity • 74% Danceability • 63% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
25% Popularity • 74% Danceability • 63% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
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Doug Johns
Stairway To Heaven
110 bpm • E min • 01:26 • -10.46db
34% Popularity • 72% Danceability • 78% Energy • 16% Liveness
89% Instrumentalness • 58% Positiveness
34% Popularity • 72% Danceability • 78% Energy • 16% Liveness
89% Instrumentalness • 58% Positiveness
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Dennis Chambers
Aircraft
110 bpm • A# min • 05:25 • -8.48db
31% Popularity • 71% Danceability • 90% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
31% Popularity • 71% Danceability • 90% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Fernando Nanao
203b
110 bpm • C Maj • 02:56 • -11.66db
13% Popularity • 80% Danceability • 78% Energy • 4% Liveness
75% Instrumentalness • 97% Positiveness
13% Popularity • 80% Danceability • 78% Energy • 4% Liveness
75% Instrumentalness • 97% Positiveness
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Redtenbacher's Funkestra
Go Mo
110 bpm • G Maj • 02:57 • -5.15db
28% Popularity • 76% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 76% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Nine Sparks Riots
This Too Shall Pass
110 bpm • A# min • 03:54 • -12.96db
37% Popularity • 76% Danceability • 64% Energy • 17% Liveness
87% Instrumentalness • 94% Positiveness
37% Popularity • 76% Danceability • 64% Energy • 17% Liveness
87% Instrumentalness • 94% Positiveness
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Jackson Mathod
COME ON NOW
110 bpm • G Maj • 03:32 • -10db
25% Popularity • 78% Danceability • 69% Energy • 8% Liveness
45% Instrumentalness • 54% Positiveness
25% Popularity • 78% Danceability • 69% Energy • 8% Liveness
45% Instrumentalness • 54% Positiveness
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Bleach
Groove On By
110 bpm • B min • 02:49 • -9.09db
10% Popularity • 71% Danceability • 84% Energy • 17% Liveness
91% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 84% Energy • 17% Liveness
91% Instrumentalness • 88% Positiveness
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Ronny Alvarez
Yotzer Re'uta
110 bpm • D Maj • 06:33 • -5.56db
21% Popularity • 65% Danceability • 81% Energy • 15% Liveness
82% Instrumentalness • 64% Positiveness
21% Popularity • 65% Danceability • 81% Energy • 15% Liveness
82% Instrumentalness • 64% Positiveness
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Funky Times
Got Ya Movin'
110 bpm • A Maj • 03:26 • -8db
39% Popularity • 61% Danceability • 73% Energy • 12% Liveness
82% Instrumentalness • 76% Positiveness
39% Popularity • 61% Danceability • 73% Energy • 12% Liveness
82% Instrumentalness • 76% Positiveness
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Kinga Glyk
Lennie's Pennies
100 bpm • C# Maj • 06:28 • -9.71db
18% Popularity • 58% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
18% Popularity • 58% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
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Redtenbacher's Funkestra
Funktionality
100 bpm • F# min • 03:07 • -5.06db
43% Popularity • 78% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
43% Popularity • 78% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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Analog Son
Blue Nile
100 bpm • A# min • 03:44 • -9db
26% Popularity • 74% Danceability • 73% Energy • 11% Liveness
74% Instrumentalness • 68% Positiveness
26% Popularity • 74% Danceability • 73% Energy • 11% Liveness
74% Instrumentalness • 68% Positiveness
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Bahadir Yetisgin
Quentin's Train - 1.0
100 bpm • F min • 03:59 • -10.2db
12% Popularity • 76% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
12% Popularity • 76% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
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Ted Taforo
Cloud Feelings
100 bpm • D min • 04:28 • -9.51db
18% Popularity • 66% Danceability • 55% Energy • 36% Liveness
59% Instrumentalness • 49% Positiveness
18% Popularity • 66% Danceability • 55% Energy • 36% Liveness
59% Instrumentalness • 49% Positiveness
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EMEFE
Newcastle Bounce
100 bpm • A# Maj • 03:19 • -8.8db
28% Popularity • 81% Danceability • 42% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
28% Popularity • 81% Danceability • 42% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
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Kinga Glyk
Let's Play Some Funky Groove
100 bpm • G# min • 02:51 • -10.79db
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
