Songs like Swan Lake, Op. 20а: No. 22, Danse napolitaine by State Academic Symphony Orchestra of the USSR
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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State Academic Symphony Orchestra of the USSR
Swan Lake, Op. 20а: No. 22, Danse napol...
100 bpm • D Maj • 01:57 • -17.61db
4% Popularity • 41% Danceability • 18% Energy • 21% Liveness
51% Instrumentalness • 55% Positiveness
4% Popularity • 41% Danceability • 18% Energy • 21% Liveness
51% Instrumentalness • 55% Positiveness
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Vasiliy Agapkin
Blue Night
100 bpm • D# min • 03:04 • -16db
23% Popularity • 29% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
23% Popularity • 29% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Alexander Glazunov
Vremena Goda (The Seasons), Op. 67: Summ...
100 bpm • D Maj • 01:58 • -24.74db
36% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Finale
99 bpm • C Maj • 01:56 • -16.47db
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Yevgeny Svetlanov
Млада: Вступление
101 bpm • F Maj • 03:12 • -24db
18% Popularity • 15% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Martin Jones
Polka Italienne: Original Version for Pi...
101 bpm • D# Maj • 02:01 • -21db
9% Popularity • 50% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 92% Positiveness
9% Popularity • 50% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 92% Positiveness
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London Philharmonic Orchestra
Overture to 'Die Fledermaus'
99 bpm • A Maj • 08:20 • -19.2db
11% Popularity • 26% Danceability • 19% Energy • 20% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 26% Danceability • 19% Energy • 20% Liveness
89% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Navarra, Op. 33
101 bpm • A Maj • 06:11 • -15.08db
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R.125: XIV....
101 bpm • C Maj • 01:54 • -11db
9% Popularity • 49% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 61% Positiveness
9% Popularity • 49% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 61% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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RCA Victor Symphony Orchestra & William Steinberg
Zigeunerweisen, Op. 20 (version for viol...
99 bpm • C min • 00:56 • -21db
35% Popularity • 34% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
35% Popularity • 34% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
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Вивальди Антонио
Времена года. Осень Со...
101 bpm • F Maj • 04:50 • -16.66db
9% Popularity • 43% Danceability • 12% Energy • 26% Liveness
26% Instrumentalness • 20% Positiveness
9% Popularity • 43% Danceability • 12% Energy • 26% Liveness
26% Instrumentalness • 20% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
99 bpm • C# Maj • 01:29 • -29.27db
25% Popularity • 23% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 23% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Strauss II
Morning Papers - Waltz Op. 279
99 bpm • C Maj • 10:04 • -20.17db
13% Popularity • 38% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
13% Popularity • 38% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
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Ludwig Minkus
La Bayadere: Allegretto
99 bpm • G Maj • 01:58 • -23.81db
24% Popularity • 25% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 25% Positiveness
24% Popularity • 25% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 25% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 13, D...
101 bpm • C Maj • 05:34 • -23.86db
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Max Kyuss
Amur Waves
98 bpm • A# min • 03:04 • -17.22db
42% Popularity • 32% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Fugue in G Minor, BWV 578, "Little Fugue...
102 bpm • G min • 03:40 • -19db
30% Popularity • 30% Danceability • 10% Energy • 17% Liveness
92% Instrumentalness • 48% Positiveness
30% Popularity • 30% Danceability • 10% Energy • 17% Liveness
92% Instrumentalness • 48% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
102 bpm • G min • 07:48 • -23.73db
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
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Antonio Bazzini
La ronde des Lutins
98 bpm • G Maj • 05:12 • -15db
21% Popularity • 64% Danceability • 46% Energy • 24% Liveness
62% Instrumentalness • 84% Positiveness
21% Popularity • 64% Danceability • 46% Energy • 24% Liveness
62% Instrumentalness • 84% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 6 Moments Musicaux, Op. 16:...
98 bpm • E min • 02:51 • -16.89db
35% Popularity • 28% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
35% Popularity • 28% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Waltz Suite, Op. 110: III. Mephisto Walt...
97 bpm • D min • 03:26 • -21.04db
25% Popularity • 46% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
25% Popularity • 46% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
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Ludwig Minkus
Don Quixote: Act III: Classical Variatio...
98 bpm • F min • 01:03 • -20db
36% Popularity • 27% Danceability • 8% Energy • 22% Liveness
81% Instrumentalness • 30% Positiveness
36% Popularity • 27% Danceability • 8% Energy • 22% Liveness
81% Instrumentalness • 30% Positiveness
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Луиджи Боккерини
Струнный квинтет ми м�...
103 bpm • A Maj • 03:16 • -25.25db
9% Popularity • 55% Danceability • 8% Energy • 34% Liveness
78% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 8% Energy • 34% Liveness
78% Instrumentalness • 41% Positiveness
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Charles Gerhardt
King's Row (Suite)
97 bpm • G Maj • 07:14 • -13.3db
26% Popularity • 19% Danceability • 32% Energy • 34% Liveness
85% Instrumentalness • 19% Positiveness
26% Popularity • 19% Danceability • 32% Energy • 34% Liveness
85% Instrumentalness • 19% Positiveness
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Mikhail Glinka
Glinka: Valse-Fantasie
103 bpm • B min • 08:28 • -22db
9% Popularity • 31% Danceability • 3% Energy • 8% Liveness
54% Instrumentalness • 10% Positiveness
9% Popularity • 31% Danceability • 3% Energy • 8% Liveness
54% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5
98 bpm • G min • 03:59 • -21.51db
27% Popularity • 40% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
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State Academic Symphony Orchestra of the USSR
The Sleeping Beauty, Act I, Op. 66: No. ...
103 bpm • A# Maj • 04:39 • -16db
21% Popularity • 28% Danceability • 24% Energy • 22% Liveness
92% Instrumentalness • 46% Positiveness
21% Popularity • 28% Danceability • 24% Energy • 22% Liveness
92% Instrumentalness • 46% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Adolphe Adam
La jolie fille de Gand: Scene 3
97 bpm • D min • 01:21 • -33.91db
24% Popularity • 39% Danceability • 2% Energy • 13% Liveness
63% Instrumentalness • 9% Positiveness
24% Popularity • 39% Danceability • 2% Energy • 13% Liveness
63% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade, Ballet Music - Suite from th...
97 bpm • C Maj • 04:15 • -10db
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Josef Strauss
Music of the Spheres Waltz, Op. 235
97 bpm • D Maj • 08:26 • -17.35db
9% Popularity • 28% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
9% Popularity • 28% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Boris Khaykin
Minuet from String Quintet in E Major, O...
103 bpm • G min • 03:15 • -26db
12% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
12% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
97 bpm • F Maj • 03:14 • -15.91db
13% Popularity • 56% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 58% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 58% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz No. 2 (Arr. ...
97 bpm • C min • 03:37 • -14db
21% Popularity • 37% Danceability • 18% Energy • 6% Liveness
54% Instrumentalness • 28% Positiveness
21% Popularity • 37% Danceability • 18% Energy • 6% Liveness
54% Instrumentalness • 28% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
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Alfred Schnittke
Agony / Waltz
96 bpm • D# Maj • 02:14 • -11.17db
20% Popularity • 49% Danceability • 46% Energy • 26% Liveness
45% Instrumentalness • 22% Positiveness
20% Popularity • 49% Danceability • 46% Energy • 26% Liveness
45% Instrumentalness • 22% Positiveness
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Григ Эдвард
Пер гюнт, оркестровая ...
96 bpm • B min • 02:33 • -16.99db
15% Popularity • 43% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
15% Popularity • 43% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
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Ion Ivanovici
The Waves Of The Danube - 1995 Digital R...
96 bpm • A min • 06:26 • -17.86db
18% Popularity • 27% Danceability • 13% Energy • 8% Liveness
79% Instrumentalness • 30% Positiveness
18% Popularity • 27% Danceability • 13% Energy • 8% Liveness
79% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Eight Waltzes from Film Music, Suite for...
104 bpm • C Maj • 02:11 • -17.97db
8% Popularity • 26% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
8% Popularity • 26% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
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Aram Khachaturian
Khachaturian: Masquerade: I. Waltz
96 bpm • E min • 04:37 • -21.76db
29% Popularity • 31% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 23% Positiveness
29% Popularity • 31% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 23% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410 (Version for ...
104 bpm • C min • 06:22 • -18.42db
12% Popularity • 31% Danceability • 15% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 15% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
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Georgy Apollonovich Gapon
Broken Strings
104 bpm • G min • 02:33 • -13.64db
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
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Sergei Prokofiev
Act 1: XIII. Dance of the Knights
104 bpm • C Maj • 05:29 • -22.15db
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
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David Popper
Elfentanz, Op. 39 - Dance of the Elves
96 bpm • G Maj • 02:32 • -17.32db
40% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
40% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Act I - Pizzicato
104 bpm • D Maj • 01:18 • -38db
34% Popularity • 38% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
34% Popularity • 38% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Herold Kittler
Expectation
104 bpm • A# min • 03:47 • -13.77db
35% Popularity • 48% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
35% Popularity • 48% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
33% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
33% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
Mariinsky Orchestra
Act I: Entree Of Basil, Scene Of Kitri &...
95 bpm • A min • 02:10 • -20db
18% Popularity • 34% Danceability • 4% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
18% Popularity • 34% Danceability • 4% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Ion Ivanovici
The Danube Waves: Donauwellen, Walzer
95 bpm • C Maj • 05:26 • -18db
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
► Preview
State Academic Symphony Orchestra of the USSR
Eugene Onegin, Op. 24, Act II, Scene 13:...
105 bpm • D Maj • 06:37 • -17.55db
3% Popularity • 41% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
3% Popularity • 41% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:55 • -20.66db
27% Popularity • 53% Danceability • 17% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 17% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
► Preview
Luigi Boccherini
Minuet from String Quintet in E, Op. 13,...
106 bpm • A Maj • 03:40 • -31.65db
18% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
18% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: V. Barrel-Org...
105 bpm • A# Maj • 02:00 • -28db
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons: Concerto No. 4 in F Mi...
95 bpm • F min • 03:30 • -18.55db
41% Popularity • 40% Danceability • 17% Energy • 12% Liveness
21% Instrumentalness • 28% Positiveness
41% Popularity • 40% Danceability • 17% Energy • 12% Liveness
21% Instrumentalness • 28% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90 "Itali...
95 bpm • A min • 05:36 • -15.98db
16% Popularity • 41% Danceability • 23% Energy • 16% Liveness
91% Instrumentalness • 45% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 16% Liveness
91% Instrumentalness • 45% Positiveness
► Preview
Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
► Preview
Хувентино Росас
Over the Waves
106 bpm • F Maj • 05:03 • -15db
24% Popularity • 34% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
24% Popularity • 34% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
► Preview
State Academic Symphony Orchestra of the USSR
Eugene Onegin, Op. 24, Act III, Scene 19...
94 bpm • G Maj • 04:57 • -15.61db
5% Popularity • 50% Danceability • 28% Energy • 46% Liveness
94% Instrumentalness • 40% Positiveness
5% Popularity • 50% Danceability • 28% Energy • 46% Liveness
94% Instrumentalness • 40% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act IV: Quiteria's Variatio...
106 bpm • D# Maj • 01:18 • -28db
33% Popularity • 46% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
33% Popularity • 46% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
► Preview
St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: I....
106 bpm • A min • 03:21 • -14.18db
36% Popularity • 50% Danceability • 34% Energy • 6% Liveness
5% Instrumentalness • 61% Positiveness
36% Popularity • 50% Danceability • 34% Energy • 6% Liveness
5% Instrumentalness • 61% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Concerto For 2 Violins In A Minor, Op. 3...
106 bpm • A min • 03:33 • -15.13db
35% Popularity • 55% Danceability • 28% Energy • 20% Liveness
47% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 28% Energy • 20% Liveness
47% Instrumentalness • 60% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): X. To...
94 bpm • C min • 03:40 • -28.9db
12% Popularity • 16% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Andre Kostelanetz & His Orchestra
Two Guitars
107 bpm • A# min • 03:19 • -12.86db
21% Popularity • 28% Danceability • 33% Energy • 16% Liveness
63% Instrumentalness • 17% Positiveness
21% Popularity • 28% Danceability • 33% Energy • 16% Liveness
63% Instrumentalness • 17% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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State Academic Symphony Orchestra of the USSR
Swan Lake, Op. 20а: No. 13, Dance of th...
107 bpm • F# min • 01:29 • -35db
20% Popularity • 68% Danceability • 3% Energy • 10% Liveness
32% Instrumentalness • 85% Positiveness
20% Popularity • 68% Danceability • 3% Energy • 10% Liveness
32% Instrumentalness • 85% Positiveness
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Антонио Вивальди
Времена года, Соч. 8, Ко...
107 bpm • E Maj • 03:20 • -25.85db
18% Popularity • 44% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 26% Positiveness
18% Popularity • 44% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 26% Positiveness
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Samuel Sanders
Prelude and Allegro in the style of Pugn...
107 bpm • E min • 05:18 • -15.23db
26% Popularity • 41% Danceability • 32% Energy • 24% Liveness
32% Instrumentalness • 56% Positiveness
26% Popularity • 41% Danceability • 32% Energy • 24% Liveness
32% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In B Minor, Op. 3...
107 bpm • B min • 03:54 • -14.17db
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72 (Remastered): No...
93 bpm • C Maj • 06:02 • -19.12db
9% Popularity • 15% Danceability • 16% Energy • 37% Liveness
77% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 37% Liveness
77% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
42% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
42% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
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New Philharmonia Orchestra London
The Sleeping Beauty, Ballet Suite, op. 6...
108 bpm • A# Maj • 04:23 • -24db
21% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
21% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
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Aram Khachaturian
Masquerade Suite: I. Waltz
108 bpm • C Maj • 03:45 • -12db
10% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
10% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
108 bpm • G min • 07:01 • -16db
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64, Act I: Dance o...
108 bpm • A min • 01:48 • -15db
15% Popularity • 45% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 25% Positiveness
15% Popularity • 45% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 25% Positiveness
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Шуберт Франц Петер
Серенада
93 bpm • D Maj • 04:43 • -14db
9% Popularity • 16% Danceability • 14% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
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Vasiliy Agapkin
Orchid
108 bpm • C Maj • 03:27 • -13.27db
15% Popularity • 28% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
15% Popularity • 28% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Myroslav Skoryk
Carpathian Rhapsody
108 bpm • G min • 05:41 • -12.33db
10% Popularity • 42% Danceability • 26% Energy • 4% Liveness
54% Instrumentalness • 45% Positiveness
10% Popularity • 42% Danceability • 26% Energy • 4% Liveness
54% Instrumentalness • 45% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
