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Sway - Ralphi's Dark Rhumba Dub
Songs like
Sway - Ralphi's Dark Rhumba Dub
by
Michael Bublé
Based on a tempo of (+/- 10%) and a similar genre
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
60% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Neil Diamond
September Morn
129 bpm • A# Maj • 03:52 • -17.1db
57% Popularity • 42% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Rick Hale
Fly Me to the Moon / Lucky (Mash-Up)
129 bpm • A min • 03:14 • -12db
51% Popularity • 64% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Cooke
(What A) Wonderful World - Mono
129 bpm • B Maj • 02:08 • -5.52db
75% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
69% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Ronettes
Be My Baby
130 bpm • E Maj • 02:40 • -7.01db
79% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Bublé
You Make Me Feel so Young
130 bpm • A Maj • 03:05 • -4.73db
50% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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James Arthur
From The Jump (Duet Version)
130 bpm • A Maj • 03:51 • -3.84db
67% Popularity • 46% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Kendrick
Cups (Pitch Perfect’s “When I’m Go...
130 bpm • C Maj • 02:06 • -8.98db
64% Popularity • 89% Danceability • 44% Energy • 3% Liveness
1% Instrumentalness • 72% Positiveness
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Duffy
Mercy
130 bpm • C Maj • 03:39 • -3.77db
71% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Derulo
Spicy Margarita
130 bpm • F# min • 02:34 • -4.76db
72% Popularity • 71% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
Ain't No Mountain High Enough
130 bpm • G Maj • 02:31 • -10.87db
85% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Bublé
Fever
128 bpm • C min • 03:54 • -9.57db
51% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Mraz
Lucky
130 bpm • C Maj • 03:09 • -8.7db
72% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
82% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Colbie Caillat
Bubbly
128 bpm • A Maj • 03:16 • -6.68db
74% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
83% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
71% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Michael Bublé
All of Me
128 bpm • C Maj • 03:07 • -8.04db
54% Popularity • 54% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Whitney Houston
Didn't We Almost Have It All
131 bpm • A# Maj • 05:05 • -10db
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Kitty Kallen
It's Been a Long, Long Time
132 bpm • C Maj • 03:26 • -16.14db
59% Popularity • 33% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Bublé
Hold On
132 bpm • F Maj • 04:05 • -7.32db
53% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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ABBA
The Winner Takes It All
126 bpm • F# Maj • 04:54 • -6.75db
76% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mark Kingswood
Got a Thing for Swing
126 bpm • F min • 03:02 • -6.28db
36% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
72% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
58% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
84% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Michael Bublé
Sway
126 bpm • D min • 03:08 • -5.53db
74% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jessie Hock
I'm Easy Like Sunday Morning
132 bpm • A# min • 04:15 • -8db
29% Popularity • 57% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ellie Goulding
How Long Will I Love You
126 bpm • C Maj • 02:34 • -9.28db
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Frank Sinatra
The Way You Look Tonight
132 bpm • F min • 03:22 • -14.07db
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Vocals, Diana Lee, piano, Beth Lederman cover song
Sweethearts in Love
125 bpm • F Maj • 02:13 • -10.15db
15% Popularity • 52% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
Please Mr. Postman
133 bpm • A Maj • 02:52 • -11.59db
65% Popularity • 66% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Joel
Vienna
125 bpm • A# Maj • 03:34 • -6.66db
84% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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John Mayer
Daughters
125 bpm • D Maj • 03:57 • -7.82db
67% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Cher
You Haven't Seen the Last of Me
125 bpm • G# Maj • 03:33 • -4db
45% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Elton John
Candle In The Wind - Remastered 2014
125 bpm • E Maj • 03:48 • -9.74db
70% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Shania Twain
You're Still The One - Remastered 2023
134 bpm • D# Maj • 03:17 • -3.7db
58% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ellie Goulding
Your Song - Bonus Track
134 bpm • A# Maj • 03:11 • -12db
66% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Foundations
Build Me Up Buttercup (Mono)
134 bpm • C Maj • 03:00 • -4.73db
80% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Michael Bublé
Come Fly with Me
134 bpm • B Maj • 03:18 • -6.48db
50% Popularity • 56% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Meghan Trainor
All About That Bass
134 bpm • A Maj • 03:07 • -3.73db
74% Popularity • 81% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
74% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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John Mayer
Gravity
124 bpm • G Maj • 04:05 • -9.88db
73% Popularity • 75% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Frankie Valli
Can't Take My Eyes off You
124 bpm • E Maj • 03:23 • -7.05db
75% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ed Sheeran
Dive
135 bpm • E Maj • 03:58 • -6.16db
73% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Bublé
Come Dance with Me
134 bpm • A Maj • 02:46 • -2.71db
43% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Ella Fitzgerald
Let's Call The Whole Thing Off
123 bpm • D# Maj • 04:11 • -13.49db
53% Popularity • 65% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
75% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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John Mayer
New Light
124 bpm • G Maj • 03:37 • -7.86db
75% Popularity • 83% Danceability • 69% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
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Jess Glynne
Hold My Hand
123 bpm • C Maj • 03:47 • -5.72db
68% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Bublé
Everything
123 bpm • F# min • 03:32 • -4.98db
70% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Arthur John
Between the Moon and New York City
136 bpm • B min • 03:52 • -10db
49% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shania Twain
From This Moment On - Pop On-Tour Versio...
136 bpm • D Maj • 03:57 • -4.45db
67% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Cher
Welcome To Burlesque - Burlesque Origina...
136 bpm • B Maj • 02:45 • -7.88db
52% Popularity • 67% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
66% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Archies
Sugar Sugar
122 bpm • D Maj • 02:47 • -7.26db
72% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Bublé
Haven't Met You Yet
123 bpm • G# Maj • 04:04 • -4.81db
70% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Elvis Presley
The Wonder of You
136 bpm • G Maj • 02:31 • -5.86db
49% Popularity • 27% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Brian Childers
New York Is Where I Live
122 bpm • C min • 02:18 • -9.49db
9% Popularity • 68% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Jane Monheit
I Won't Dance
136 bpm • A# Maj • 03:35 • -8.42db
31% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Tony Bennett
Just in Time
136 bpm • D# min • 02:16 • -6.6db
43% Popularity • 60% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Amy Foster-Gillies
Home
122 bpm • F Maj • 03:31 • -12.6db
27% Popularity • 49% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Ella Fitzgerald
Cheek To Cheek
122 bpm • C Maj • 05:53 • -13.4db
63% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Elvis Presley
Fever
122 bpm • F min • 04:24 • -9.26db
43% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Rare Gems Odyssey's Charles & Sandy Givings
You're Just Too Good To Be true
122 bpm • B min • 03:41 • -6.04db
33% Popularity • 62% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
59% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Joel
New York State of Mind
121 bpm • C Maj • 06:02 • -9.47db
63% Popularity • 51% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Bublé
On an Evening in Roma (Sott'er Celo de R...
137 bpm • F# Maj • 02:42 • -7.65db
56% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Aerosmith
I Don't Want To Miss A Thing
121 bpm • D Maj • 04:59 • -5.16db
76% Popularity • 39% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Colbie Caillat
You Got Me
121 bpm • G Maj • 04:00 • -6.51db
45% Popularity • 63% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
85% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
62% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Elton John
I Guess That's Why They Call It The Blue...
121 bpm • C Maj • 04:45 • -7.29db
72% Popularity • 67% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 67% Positiveness
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Michael Bublé
The Best Is yet to Come
121 bpm • F Maj • 03:05 • -6.08db
42% Popularity • 65% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Counting Crows
Accidentally In Love
138 bpm • G Maj • 03:08 • -3.64db
70% Popularity • 56% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Rick Reuther
La Vien Rose - Cherie Lynn
138 bpm • D min • 04:07 • -15.43db
28% Popularity • 33% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Coldplay
Fix You
138 bpm • D# Maj • 04:55 • -8.74db
84% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sway - Ralphi's Dark Rhumba Dub