Songs like Sweet and Tender Hooligan - John Peel Session, 12/2/86 by The Smiths
Based on a tempo of (+/- 10%) and a similar genre
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Cocteau Twins
Fifty-fifty Clown
180 bpm • C min • 03:10 • -7db
53% Popularity • 48% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 37% Positiveness
53% Popularity • 48% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 37% Positiveness
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The Smiths
Sweet and Tender Hooligan - John Peel Se...
180 bpm • D Maj • 03:36 • -3.5db
45% Popularity • 31% Danceability • 98% Energy • 24% Liveness
41% Instrumentalness • 69% Positiveness
45% Popularity • 31% Danceability • 98% Energy • 24% Liveness
41% Instrumentalness • 69% Positiveness
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The Jam
Going Underground
181 bpm • B Maj • 02:54 • -6.71db
58% Popularity • 32% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 32% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Bauhaus
The Passion of Lovers
178 bpm • C Maj • 03:51 • -13.52db
53% Popularity • 38% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 38% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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The Sound
Words Fail Me
178 bpm • B min • 02:59 • -10.1db
26% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Fontaines D.C.
Big
182 bpm • E Maj • 01:45 • -3.6db
52% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Cocteau Twins
Pearly-Dewdrops' Drops - 7" Version
180 bpm • D Maj • 04:10 • -13.3db
49% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Smiths
Stretch out and Wait - 2011 Remaster
178 bpm • E Maj • 02:39 • -7.9db
43% Popularity • 27% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 27% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The Libertines
Up the Bracket
183 bpm • A Maj • 02:38 • -3db
47% Popularity • 33% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 33% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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The Jam
In The City
177 bpm • G Maj • 02:17 • -9.13db
51% Popularity • 37% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 37% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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The Damned
Alone Again Or
177 bpm • D Maj • 03:38 • -11db
45% Popularity • 32% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 32% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Radiohead
Just
176 bpm • G min • 03:54 • -6.91db
73% Popularity • 29% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
73% Popularity • 29% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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The Stranglers
The Man They Love to Hate
176 bpm • C Maj • 04:21 • -10.15db
22% Popularity • 52% Danceability • 78% Energy • 8% Liveness
47% Instrumentalness • 71% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 8% Liveness
47% Instrumentalness • 71% Positiveness
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The Smiths
Girl Afraid - 2011 Remaster
176 bpm • A Maj • 02:46 • -5db
60% Popularity • 41% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
60% Popularity • 41% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Bauhaus
Ziggy Stardust
175 bpm • G Maj • 03:13 • -12db
48% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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my bloody valentine
you made me realise
175 bpm • C Maj • 03:46 • -7.96db
34% Popularity • 9% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
34% Popularity • 9% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
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Slowdive
40 Days
185 bpm • E min • 03:14 • -10.56db
60% Popularity • 17% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 49% Positiveness
60% Popularity • 17% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 49% Positiveness
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The Sound
Heartland
185 bpm • G Maj • 03:34 • -8db
36% Popularity • 21% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 21% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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The Auteurs
New French Girlfriend
174 bpm • D Maj • 04:15 • -8.11db
28% Popularity • 33% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 33% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Smiths
Still Ill - 2011 Remaster
175 bpm • A Maj • 03:21 • -7.57db
65% Popularity • 40% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
65% Popularity • 40% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
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Elliott Smith
L.A.
174 bpm • A Maj • 03:14 • -6db
50% Popularity • 44% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 44% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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The Libertines
Last Post on the Bugle
174 bpm • F min • 02:32 • -2.99db
43% Popularity • 27% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 27% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Hole
She Walks On Me
173 bpm • A Maj • 03:23 • -7.29db
45% Popularity • 20% Danceability • 94% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
45% Popularity • 20% Danceability • 94% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
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The Jam
Down In The Tube Station At Midnight - 1...
173 bpm • C Maj • 04:43 • -11db
38% Popularity • 28% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 28% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Auteurs
Show Girl
174 bpm • F# min • 04:06 • -7.56db
30% Popularity • 40% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 40% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Lush
Ciao!
188 bpm • E min • 03:30 • -7db
30% Popularity • 48% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 48% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Cocteau Twins
Ivo
188 bpm • D Maj • 03:53 • -12db
44% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Depeche Mode
Blue Dress
188 bpm • F# min • 05:38 • -12.18db
43% Popularity • 43% Danceability • 78% Energy • 16% Liveness
83% Instrumentalness • 39% Positiveness
43% Popularity • 43% Danceability • 78% Energy • 16% Liveness
83% Instrumentalness • 39% Positiveness
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Dinosaur Jr.
The Wagon
172 bpm • G Maj • 04:55 • -10db
43% Popularity • 25% Danceability • 98% Energy • 60% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 98% Energy • 60% Liveness
0% Instrumentalness • 9% Positiveness
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Carter The Unstoppable Sex Machine
Let's Get Tattoos
172 bpm • D Maj • 02:48 • -5.87db
23% Popularity • 40% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 40% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Sonic Youth
Mote
172 bpm • G Maj • 07:35 • -11db
39% Popularity • 12% Danceability • 87% Energy • 39% Liveness
73% Instrumentalness • 24% Positiveness
39% Popularity • 12% Danceability • 87% Energy • 39% Liveness
73% Instrumentalness • 24% Positiveness
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The Smiths
I Want the One I Can't Have - 2011 Remas...
189 bpm • E min • 03:13 • -5.44db
58% Popularity • 35% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 35% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Elastica
Annie
171 bpm • A Maj • 01:13 • -4db
33% Popularity • 38% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 46% Positiveness
33% Popularity • 38% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 46% Positiveness
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Pixies
I Bleed
171 bpm • B min • 02:34 • -13db
52% Popularity • 49% Danceability • 52% Energy • 11% Liveness
3% Instrumentalness • 76% Positiveness
52% Popularity • 49% Danceability • 52% Energy • 11% Liveness
3% Instrumentalness • 76% Positiveness
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Bauhaus
Dark Entries
171 bpm • D Maj • 03:51 • -11.94db
56% Popularity • 24% Danceability • 85% Energy • 34% Liveness
64% Instrumentalness • 51% Positiveness
56% Popularity • 24% Danceability • 85% Energy • 34% Liveness
64% Instrumentalness • 51% Positiveness
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The Jam
Down In The Tube Station At Midnight - S...
170 bpm • C Maj • 03:59 • -7.78db
21% Popularity • 32% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 32% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Cocteau Twins
Sugar Hiccup
169 bpm • D Maj • 03:41 • -10.02db
48% Popularity • 10% Danceability • 87% Energy • 23% Liveness
98% Instrumentalness • 15% Positiveness
48% Popularity • 10% Danceability • 87% Energy • 23% Liveness
98% Instrumentalness • 15% Positiveness
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The Damned
Lively Arts
191 bpm • B min • 02:55 • -6.16db
24% Popularity • 30% Danceability • 98% Energy • 15% Liveness
15% Instrumentalness • 35% Positiveness
24% Popularity • 30% Danceability • 98% Energy • 15% Liveness
15% Instrumentalness • 35% Positiveness
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The Smiths
Shoplifters of the World Unite - 2011 Re...
169 bpm • D Maj • 02:58 • -5.12db
51% Popularity • 47% Danceability • 78% Energy • 26% Liveness
6% Instrumentalness • 60% Positiveness
51% Popularity • 47% Danceability • 78% Energy • 26% Liveness
6% Instrumentalness • 60% Positiveness
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Radiohead
Sulk
192 bpm • G Maj • 03:42 • -7.4db
55% Popularity • 10% Danceability • 64% Energy • 11% Liveness
24% Instrumentalness • 67% Positiveness
55% Popularity • 10% Danceability • 64% Energy • 11% Liveness
24% Instrumentalness • 67% Positiveness
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Soft Cell
Frustration
192 bpm • A min • 04:11 • -9.2db
35% Popularity • 49% Danceability • 71% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 49% Danceability • 71% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
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The Jam
All Mod Cons - 1997 Remaster
168 bpm • A Maj • 01:18 • -12.22db
42% Popularity • 46% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 46% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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The Sound
The Fire
193 bpm • E min • 02:52 • -8.3db
37% Popularity • 36% Danceability • 79% Energy • 5% Liveness
5% Instrumentalness • 76% Positiveness
37% Popularity • 36% Danceability • 79% Energy • 5% Liveness
5% Instrumentalness • 76% Positiveness
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Elliott Smith
Everything Reminds Me Of Her
168 bpm • A# Maj • 02:37 • -17db
51% Popularity • 35% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 35% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Mazzy Star
Bells Ring
167 bpm • G Maj • 04:32 • -11.54db
53% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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New Order
Procession
167 bpm • C Maj • 04:27 • -11.68db
35% Popularity • 31% Danceability • 85% Energy • 35% Liveness
73% Instrumentalness • 35% Positiveness
35% Popularity • 31% Danceability • 85% Energy • 35% Liveness
73% Instrumentalness • 35% Positiveness
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The Smiths
Ask - 2011 Remaster
167 bpm • G Maj • 03:18 • -5.77db
63% Popularity • 45% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 45% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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The Jam
Set The House Ablaze
167 bpm • G Maj • 05:00 • -7.55db
27% Popularity • 27% Danceability • 90% Energy • 18% Liveness
75% Instrumentalness • 65% Positiveness
27% Popularity • 27% Danceability • 90% Energy • 18% Liveness
75% Instrumentalness • 65% Positiveness
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The The
I've Been Waitin' For Tomorrow (All Of M...
167 bpm • F# min • 05:43 • -12db
30% Popularity • 58% Danceability • 93% Energy • 38% Liveness
37% Instrumentalness • 93% Positiveness
30% Popularity • 58% Danceability • 93% Energy • 38% Liveness
37% Instrumentalness • 93% Positiveness
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Supergrass
I'd Like to Know
166 bpm • D Maj • 04:02 • -6.18db
36% Popularity • 18% Danceability • 95% Energy • 38% Liveness
76% Instrumentalness • 23% Positiveness
36% Popularity • 18% Danceability • 95% Energy • 38% Liveness
76% Instrumentalness • 23% Positiveness
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Buzzcocks
Lipstick - 1996 Remastered Version
167 bpm • E Maj • 02:40 • -7.01db
26% Popularity • 27% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 27% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Lush
Heavenly Nobodies
166 bpm • A min • 02:59 • -5.62db
27% Popularity • 33% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 33% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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The Smiths
What She Said - 2011 Remaster
167 bpm • C# min • 02:42 • -5db
48% Popularity • 14% Danceability • 96% Energy • 15% Liveness
3% Instrumentalness • 18% Positiveness
48% Popularity • 14% Danceability • 96% Energy • 15% Liveness
3% Instrumentalness • 18% Positiveness
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Mazzy Star
Be My Angel
165 bpm • A Maj • 03:17 • -10.86db
62% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Jam
Thick As Thieves
167 bpm • E Maj • 03:38 • -7.28db
32% Popularity • 31% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
32% Popularity • 31% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
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Violent Femmes
Ugly - 1983 Rough Trade UK Single
196 bpm • A# Maj • 02:19 • -11.2db
41% Popularity • 28% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 28% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Gang Of Four
Ether
165 bpm • E Maj • 03:51 • -11db
32% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Sex Pistols
No Feelings
164 bpm • F Maj • 02:50 • -7db
42% Popularity • 30% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 30% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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The Smiths
These Things Take Time - 2011 Remaster
165 bpm • A Maj • 02:23 • -5.02db
46% Popularity • 43% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 43% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Pavement
Spit on a Stranger
165 bpm • D Maj • 03:04 • -11db
52% Popularity • 28% Danceability • 53% Energy • 12% Liveness
24% Instrumentalness • 44% Positiveness
52% Popularity • 28% Danceability • 53% Energy • 12% Liveness
24% Instrumentalness • 44% Positiveness
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Buzzcocks
You Say You Don't Love Me - 2001 Remaste...
164 bpm • F Maj • 02:54 • -7.53db
24% Popularity • 31% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 31% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Supergrass
Mansize Rooster
164 bpm • C Maj • 02:34 • -6.41db
35% Popularity • 29% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 29% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Stranglers
Sweden (All Quiet on the Eastern Front)
163 bpm • C Maj • 02:48 • -9db
24% Popularity • 36% Danceability • 82% Energy • 22% Liveness
2% Instrumentalness • 67% Positiveness
24% Popularity • 36% Danceability • 82% Energy • 22% Liveness
2% Instrumentalness • 67% Positiveness
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Bauhaus
Lagartija Nick
164 bpm • F Maj • 03:04 • -13db
40% Popularity • 33% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 14% Positiveness
40% Popularity • 33% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 14% Positiveness
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The Smiths
Handsome Devil - John Peel Session 18/05...
198 bpm • B min • 02:44 • -6.77db
52% Popularity • 32% Danceability • 92% Energy • 25% Liveness
3% Instrumentalness • 75% Positiveness
52% Popularity • 32% Danceability • 92% Energy • 25% Liveness
3% Instrumentalness • 75% Positiveness
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Hole
Credit In The Straight World
163 bpm • D min • 03:11 • -7.93db
45% Popularity • 24% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 24% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dinosaur Jr.
Just Like Heaven
163 bpm • G Maj • 02:53 • -5db
46% Popularity • 22% Danceability • 96% Energy • 24% Liveness
3% Instrumentalness • 52% Positiveness
46% Popularity • 22% Danceability • 96% Energy • 24% Liveness
3% Instrumentalness • 52% Positiveness
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The Clash
Koka Kola - Remastered
162 bpm • G Maj • 01:47 • -8.01db
42% Popularity • 50% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 50% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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New Order
Age of Consent - 2015 Remaster
162 bpm • D Maj • 05:15 • -5.56db
64% Popularity • 37% Danceability • 91% Energy • 13% Liveness
9% Instrumentalness • 76% Positiveness
64% Popularity • 37% Danceability • 91% Energy • 13% Liveness
9% Instrumentalness • 76% Positiveness
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Wire
Ex Lion Tamer - 2006 Remastered Version
162 bpm • D Maj • 02:19 • -4.67db
45% Popularity • 34% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 34% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Smiths
What Difference Does It Make? - 2011 Rem...
163 bpm • C# min • 03:49 • -6.5db
60% Popularity • 38% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 38% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Hole
Dying
162 bpm • D Maj • 03:44 • -9db
43% Popularity • 45% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Sound
Resistance
200 bpm • C# min • 02:48 • -10.52db
26% Popularity • 28% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 28% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Supergrass
Caught By the Fuzz
162 bpm • A Maj • 02:16 • -6.93db
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
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Gang Of Four
Natural's Not in It
161 bpm • C Maj • 03:06 • -6.97db
45% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
45% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
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Bauhaus
The Sanity Assassin
161 bpm • D Maj • 04:05 • -11db
49% Popularity • 43% Danceability • 77% Energy • 20% Liveness
56% Instrumentalness • 62% Positiveness
49% Popularity • 43% Danceability • 77% Energy • 20% Liveness
56% Instrumentalness • 62% Positiveness
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The Smiths
Some Girls Are Bigger Than Others - 2011...
162 bpm • C# min • 03:17 • -10db
62% Popularity • 52% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 52% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Sonic Youth
Tunic (Song For Karen)
161 bpm • G Maj • 06:18 • -12.01db
43% Popularity • 17% Danceability • 77% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
43% Popularity • 17% Danceability • 77% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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The Damned
Wait for the Blackout
160 bpm • D Maj • 03:51 • -6.79db
30% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Cocteau Twins
Frou-frou Foxes in Midsummer Fires
160 bpm • A# Maj • 05:38 • -6db
54% Popularity • 40% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 40% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Gang Of Four
I Found That Essence Rare
161 bpm • A Maj • 03:13 • -10db
36% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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New Order
Chosen Time - 2015 Remaster
160 bpm • E min • 04:08 • -9.33db
34% Popularity • 35% Danceability • 85% Energy • 66% Liveness
68% Instrumentalness • 53% Positiveness
34% Popularity • 35% Danceability • 85% Energy • 66% Liveness
68% Instrumentalness • 53% Positiveness
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The Smiths
Meat Is Murder - 2011 Remaster
161 bpm • A min • 06:13 • -10.78db
44% Popularity • 41% Danceability • 55% Energy • 46% Liveness
9% Instrumentalness • 39% Positiveness
44% Popularity • 41% Danceability • 55% Energy • 46% Liveness
9% Instrumentalness • 39% Positiveness
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The Stranglers
Outside Tokyo
203 bpm • B Maj • 02:07 • -12.58db
29% Popularity • 47% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 47% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Pavement
Silence Kid
203 bpm • A Maj • 03:00 • -11db
42% Popularity • 21% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 21% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Jam
The Modern World
160 bpm • A Maj • 02:30 • -10.56db
40% Popularity • 39% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 39% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Sonic Youth
Mildred Pierce
160 bpm • A min • 02:12 • -10.64db
55% Popularity • 32% Danceability • 92% Energy • 70% Liveness
65% Instrumentalness • 50% Positiveness
55% Popularity • 32% Danceability • 92% Energy • 70% Liveness
65% Instrumentalness • 50% Positiveness
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Another Sunny Day
You Should All Be Murdered
159 bpm • F Maj • 04:38 • -8.99db
38% Popularity • 42% Danceability • 90% Energy • 28% Liveness
86% Instrumentalness • 95% Positiveness
38% Popularity • 42% Danceability • 90% Energy • 28% Liveness
86% Instrumentalness • 95% Positiveness
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The Sound
Red Paint
159 bpm • E min • 03:15 • -10.57db
22% Popularity • 39% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
22% Popularity • 39% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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The Smiths
What Difference Does It Make? - John Pee...
159 bpm • C# min • 03:12 • -6db
52% Popularity • 37% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 37% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Clash
Somebody Got Murdered - Remastered
158 bpm • E Maj • 03:34 • -7.68db
40% Popularity • 49% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
40% Popularity • 49% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Radiohead
Black Star
159 bpm • G Maj • 04:07 • -7.43db
68% Popularity • 29% Danceability • 56% Energy • 27% Liveness
5% Instrumentalness • 31% Positiveness
68% Popularity • 29% Danceability • 56% Energy • 27% Liveness
5% Instrumentalness • 31% Positiveness
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Hole
Doll Parts
205 bpm • G Maj • 03:31 • -7.16db
59% Popularity • 24% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 24% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Adam & The Ants
Whip In My Valise
158 bpm • A Maj • 04:00 • -5db
17% Popularity • 19% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 19% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 27% Positiveness
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Belle and Sebastian
Like Dylan in the Movies
158 bpm • C# min • 04:14 • -12.65db
46% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Lush
Ladykillers
158 bpm • E min • 03:13 • -6.44db
49% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Clash
Remote Control - Remastered
158 bpm • E min • 03:03 • -7.27db
38% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Jam
The Eton Rifles
157 bpm • A min • 03:57 • -9.19db
48% Popularity • 41% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 87% Positiveness
48% Popularity • 41% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 87% Positiveness