Songs like Sweet Charity: Where Am I Going? by Cy Coleman
Based on a tempo of (+/- 10%) and a similar genre
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Cy Coleman
Sweet Charity: Where Am I Going?
78 bpm • F Maj • 03:20 • -14db
14% Popularity • 26% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Charlaine Woodard
Keepin' Out of Mischief Now
78 bpm • D# Maj • 03:48 • -18.23db
7% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Gene Nelson
The God-Why-Don't-You-Love-Me Blues
78 bpm • G Maj • 03:05 • -16.84db
9% Popularity • 57% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 57% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Brent Barrett
At the Grand Hotel / Table with a View
78 bpm • G# Maj • 03:05 • -14.53db
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Tonya Pinkins
Lot's Wife
79 bpm • F Maj • 05:14 • -12.83db
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Julia McKenzie
Losing My Mind
77 bpm • D# Maj • 03:58 • -17db
14% Popularity • 19% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Kyra Da Costa
Baby, Dream Your Dream
77 bpm • B Maj • 03:41 • -13.65db
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel York
Lost and Found
79 bpm • F# Maj • 02:54 • -16db
17% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Frederick Loewe
Camelot: Before I Gaze at You Again
77 bpm • A# Maj • 01:59 • -22.26db
19% Popularity • 23% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
Simple
77 bpm • A# Maj • 02:58 • -15.28db
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Siberry
Something Good
77 bpm • F Maj • 03:11 • -19.95db
13% Popularity • 24% Danceability • 6% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 24% Danceability • 6% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
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Brent Carver
Her Name Is Aurora
79 bpm • G Maj • 04:33 • -19.72db
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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John Kander
Cabaret: Why Should I Wake Up?
76 bpm • E Maj • 02:29 • -11db
14% Popularity • 22% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 22% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The More We Dance
80 bpm • A# min • 04:39 • -14.11db
15% Popularity • 49% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 49% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kay McClelland
With Every Breath I Take
80 bpm • G min • 03:56 • -18db
17% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Chita Rivera
Kiss Of The Spider Woman
79 bpm • F# min • 02:32 • -14db
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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John Kander
Cabaret: What Would You Do?
79 bpm • G# min • 03:26 • -14db
9% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Maryann Plunkett
Take It On The Chin - Original Cast Reco...
80 bpm • D Maj • 02:34 • -18.25db
14% Popularity • 56% Danceability • 15% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 56% Danceability • 15% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Zero Mostel
Free
76 bpm • A Maj • 03:34 • -15.94db
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Marcia Lewis
When You're Good to Mama
80 bpm • C# Maj • 03:22 • -12.88db
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Irving Berlin
They Say It's Wonderful
80 bpm • D# Maj • 03:06 • -12.81db
2% Popularity • 42% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 42% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Barbara Harris
What Did I Have That I Don't Have?
80 bpm • G# Maj • 04:23 • -13db
12% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Doretta Morrow
Baubles, Bangles and Beads
76 bpm • C# Maj • 04:09 • -13db
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
10% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Jule Styne
Gypsy: You'll Never Get Away from Me
76 bpm • G# Maj • 02:31 • -11db
9% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Judy Holliday
It's A Perfect Relationship
75 bpm • G# Maj • 03:07 • -11db
12% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Cy Coleman
Sweet Charity: Sweet Charity
75 bpm • B Maj • 02:46 • -17db
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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William Finn
What More Can I Say?
81 bpm • C Maj • 03:43 • -23.6db
14% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Andrew Lloyd Webber
Let's Have Lunch
75 bpm • A Maj • 03:30 • -9.2db
13% Popularity • 59% Danceability • 44% Energy • 59% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 59% Liveness
0% Instrumentalness • 54% Positiveness
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John Mcmartin
Too Many Mornings
75 bpm • B Maj • 04:24 • -20db
10% Popularity • 24% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Frederick Loewe
Camelot: I Loved You Once in Silence
75 bpm • F# Maj • 03:07 • -20.04db
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Broadway Cast Recording
Why Can't You Behave?
75 bpm • C# Maj • 02:24 • -16.65db
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Leonard Bernstein
West Side Story : Act I: Prologue
75 bpm • A# Maj • 03:49 • -17db
17% Popularity • 41% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
17% Popularity • 41% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Cy Coleman
On the Twentieth Century: Never
75 bpm • A min • 02:43 • -13.57db
7% Popularity • 52% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 52% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
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Ethel Merman
An Old-Fashioned Wedding
82 bpm • D# Maj • 02:48 • -10.09db
13% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Bob Merrill
Don't Rain on My Parade (Funny Girl)
74 bpm • A Maj • 02:33 • -10.14db
6% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
25% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Nelson Reilly
Put On Your Sunday Clothes
82 bpm • A Maj • 04:17 • -17.97db
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Summer Strallen
Better Luck Next Time
82 bpm • C min • 03:03 • -9.94db
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Julie Andrews
History of Musical Comedy
74 bpm • C# Maj • 09:52 • -16.35db
11% Popularity • 30% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 30% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Howard McGillin
It's De-Lovely
83 bpm • F Maj • 04:22 • -22db
8% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Cy Coleman
On the Day You Leave Me
74 bpm • D Maj • 03:22 • -16.95db
1% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Natasha Richardson
Maybe This Time
83 bpm • G Maj • 03:00 • -12.88db
40% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Lloyd Webber
Let's Have Lunch
83 bpm • G# Maj • 06:55 • -14db
24% Popularity • 53% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Cy Coleman
Opening Night: Neil Simon Interview (Bon...
83 bpm • D Maj • 03:35 • -19.31db
3% Popularity • 56% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 56% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Shannon Bolin
Overture: Six Months Out of Every Year
73 bpm • G Maj • 04:43 • -11db
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Tulsa and Louise
All I Need is the Girl
83 bpm • C Maj • 05:04 • -7.27db
16% Popularity • 42% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Jule Styne
Gypsy: Small World
83 bpm • C Maj • 02:16 • -11.07db
11% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Judy Holliday
I Met A Girl
84 bpm • C# Maj • 02:33 • -15.37db
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Cy Coleman
Sweet Charity: Baby, Dream Your Dream
73 bpm • B Maj • 03:45 • -16db
17% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Liza Minnelli
A Quiet Thing
84 bpm • A Maj • 04:00 • -17.23db
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Marcia Lewis
Anyone Would Love You
84 bpm • C min • 02:16 • -11.96db
11% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sean Hayes
Half as Big as Life
84 bpm • F min • 02:05 • -7.97db
14% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Ron Rifkin
Married
72 bpm • G# Maj • 03:39 • -17.06db
24% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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James Congdon
Getting Out of Town
85 bpm • D# Maj • 01:42 • -13.53db
22% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Hugh Thomas
This Plum Is Too Ripe
71 bpm • F Maj • 03:34 • -13db
1% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Original Broadway Cast of 'Pal Joey'
Bewitched
85 bpm • C# Maj • 03:50 • -10db
12% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Lloyd Webber
Surrender
85 bpm • C Maj • 02:46 • -18.49db
22% Popularity • 38% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 38% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jerry Orbach
Finale: 42nd Street (Reprise) / Bows
86 bpm • D# min • 03:13 • -15db
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Alda
I've Never Been In Love Before
71 bpm • C# Maj • 02:38 • -21.6db
11% Popularity • 23% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 23% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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John Kander
My Own Best Friend
86 bpm • A# min • 02:29 • -11.16db
3% Popularity • 30% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 30% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Sheryl Lee Ralph
Only in New York
86 bpm • C# Maj • 03:40 • -12.92db
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Ethel Merman
I Got The Sun In The Morning
86 bpm • F Maj • 02:54 • -7.57db
14% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Cy Coleman
Sweet Charity: The Rhythm of Life
86 bpm • C Maj • 03:58 • -13.35db
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Strouse
It's a Bird, It's a Plane, It's Superman...
87 bpm • G# Maj • 02:36 • -13db
13% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Drue Williams
Proud Lady
86 bpm • G Maj • 03:12 • -11db
12% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Leonard Bernstein
West Side Story: Act II: A Boy Like That...
87 bpm • D Maj • 04:30 • -14db
33% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Andrew Lloyd Webber
New Ways To Dream (Reprise)
87 bpm • C Maj • 02:47 • -17.15db
15% Popularity • 23% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness