Songs like Sweet Home Chicago by John Hammond
Based on a tempo of (+/- 10%) and a similar genre
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Lil Ed & The Blues Imperials
It's Alright
114 bpm • B min • 04:46 • -8.55db
22% Popularity • 42% Danceability • 79% Energy • 38% Liveness
24% Instrumentalness • 62% Positiveness
22% Popularity • 42% Danceability • 79% Energy • 38% Liveness
24% Instrumentalness • 62% Positiveness
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John Hammond
Big Black Mariah
114 bpm • D min • 04:09 • -6.65db
12% Popularity • 64% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
12% Popularity • 64% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Sean Costello
Anytime You Want
114 bpm • F Maj • 03:40 • -4.43db
24% Popularity • 57% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 57% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Albert Cummings
Queen Of Mean
114 bpm • C# Maj • 04:17 • -6db
19% Popularity • 61% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 61% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Levon Helm
Stuff You Gotta Watch
114 bpm • C Maj • 03:38 • -6.79db
25% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Kenny Parker
Shake Hands With The Devil
114 bpm • D Maj • 06:49 • -15db
15% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
15% Popularity • 47% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Lil Ed & The Blues Imperials
Natural Man
114 bpm • G Maj • 03:09 • -5db
27% Popularity • 52% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 52% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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John Hammond
Mama Keep Your Big Mouth Shut
114 bpm • A Maj • 03:20 • -14.58db
8% Popularity • 80% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 80% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lazy Lester
The Sun Is Shinning
114 bpm • C Maj • 05:19 • -7.8db
4% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Burns
Whiskey Headed Woman
114 bpm • C Maj • 03:08 • -11.85db
25% Popularity • 73% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 73% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Mississippi Heat
Chicago Is My Home
113 bpm • A Maj • 04:49 • -4db
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
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JJ Appleton
Leaning Blues
115 bpm • A Maj • 03:17 • -4.11db
22% Popularity • 38% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 38% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Willie Dixon
The Seventh Son
115 bpm • A# Maj • 04:14 • -19db
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
26% Popularity • 64% Danceability • 34% Energy • 50% Liveness
11% Instrumentalness • 91% Positiveness
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John Hammond
Sweet Home Chicago
114 bpm • D Maj • 04:28 • -12.88db
32% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Linsey Alexander
Call My Wife
115 bpm • F Maj • 04:47 • -6db
32% Popularity • 67% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
32% Popularity • 67% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
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Lazy Lester
I Made Up My Mind
114 bpm • A Maj • 03:56 • -6.82db
2% Popularity • 64% Danceability • 72% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
2% Popularity • 64% Danceability • 72% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
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Little Charlie & The Nightcats
Hurry Up And Wait
113 bpm • G Maj • 03:45 • -12.08db
27% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
27% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Lonnie Mack
You Ain't Got Me
115 bpm • D Maj • 02:41 • -8.31db
31% Popularity • 66% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 66% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Lil Ed & The Blues Imperials
Giving Up On Your Love
113 bpm • C min • 03:39 • -3.2db
36% Popularity • 63% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
36% Popularity • 63% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Chris Thomas King
Death Letter Blues
113 bpm • G Maj • 05:28 • -8.7db
27% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Luther "Guitar Junior" Johnson
Sweet Home Chicago
115 bpm • B min • 04:39 • -7db
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
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J. B. Hutto
Leave Your Love In Greater Hands
115 bpm • D Maj • 03:08 • -10.04db
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 55% Positiveness
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Earl Hooker
You Don't Want Me
113 bpm • G Maj • 05:16 • -16.93db
40% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 59% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Rick Estrin & The Nightcats
U B U
115 bpm • D min • 04:00 • -4.27db
18% Popularity • 80% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 80% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Louis Walker
Stick A Fork In Me
115 bpm • A Maj • 03:05 • -3db
32% Popularity • 60% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 60% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Detroit Junior
If I Hadn't Been High
113 bpm • G Maj • 04:06 • -17.31db
28% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Byther Smith
Hello Mrs. Brown
115 bpm • F# min • 04:47 • -7.46db
11% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 83% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Matt "Guitar" Murphy
Buck's Boogie
115 bpm • A min • 04:33 • -11db
27% Popularity • 71% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 72% Positiveness
27% Popularity • 71% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 72% Positiveness
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Sonny Boy Williamson II
One Way Out - Mono Version
113 bpm • D Maj • 02:48 • -6.15db
32% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Thackery
Blues All Night
115 bpm • F# min • 05:41 • -4.23db
18% Popularity • 55% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
18% Popularity • 55% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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William Clarke
Evil
113 bpm • B min • 03:33 • -8.06db
25% Popularity • 59% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 59% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Luther "Guitar Junior" Johnson
Just Like Mama Said
115 bpm • F Maj • 03:04 • -12.08db
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 58% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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James Harman
Bonetime
115 bpm • A Maj • 03:08 • -5.86db
12% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Delbert McClinton & Glen Clark
Oughta Know
113 bpm • G Maj • 03:09 • -10.38db
10% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lazy Lester
You're Gonna Ruin Me Baby
116 bpm • A Maj • 03:36 • -6.35db
10% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Snooky Pryor
Shake Your Boogie
116 bpm • A Maj • 04:16 • -6.41db
6% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Elmore James
Fine Little Mama
116 bpm • D Maj • 02:33 • -6.66db
7% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Guitar Shorty
Story Of My Life
112 bpm • F Maj • 03:13 • -7db
40% Popularity • 73% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 73% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
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John Hammond
They Call It Stormy Monday
112 bpm • B Maj • 04:10 • -11.88db
5% Popularity • 64% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 64% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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T-Bone Walker
Stormy Monday Blues - Remastered 2022
112 bpm • G Maj • 02:51 • -7.47db
25% Popularity • 71% Danceability • 82% Energy • 10% Liveness
17% Instrumentalness • 92% Positiveness
25% Popularity • 71% Danceability • 82% Energy • 10% Liveness
17% Instrumentalness • 92% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Curtis Salgado
Too Young To Die
116 bpm • D Maj • 04:06 • -7.21db
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Louis Walker
Blues Comin' On
112 bpm • E min • 05:55 • -7db
21% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Mark Selby
Sure Hope It Ain't A Train
112 bpm • F Maj • 03:30 • -5db
25% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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John Hammond
Nadine
116 bpm • C Maj • 03:45 • -12db
22% Popularity • 78% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
22% Popularity • 78% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Tom Hambridge
Bluz Crazy
116 bpm • C Maj • 03:59 • -5db
17% Popularity • 66% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
17% Popularity • 66% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Snooky Pryor
Coal Black Mare
116 bpm • C# Maj • 03:27 • -10.53db
6% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
6% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Lil Ed & The Blues Imperials
Whiskey Flavored Tears
112 bpm • D Maj • 02:50 • -3.03db
29% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Doyle Bramhall
Too Sorry
116 bpm • A Maj • 02:45 • -7.5db
17% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Roomful Of Blues
We Can't Make It
117 bpm • C# Maj • 02:39 • -3.61db
22% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Lazy Lester
I'm a Lover Not a Fighter
117 bpm • E Maj • 03:09 • -6.56db
4% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Hubert Sumlin
Happy With My French Friends
111 bpm • C Maj • 04:00 • -12.65db
41% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
41% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
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Bobby Rush
Dust My Broom
112 bpm • A min • 03:35 • -7.84db
20% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Ronnie Earl
Hey Jose
117 bpm • F Maj • 05:11 • -6.66db
23% Popularity • 50% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 71% Positiveness
23% Popularity • 50% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 71% Positiveness
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John Hammond
Baby Please Don't Go
117 bpm • A# Maj • 02:23 • -15.41db
7% Popularity • 50% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 50% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Reed
Take Out Some Insurance
111 bpm • A Maj • 02:23 • -14db
51% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Sonny Boy Williamson II
Bring It On Home
111 bpm • A Maj • 02:36 • -11.51db
53% Popularity • 83% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
53% Popularity • 83% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Sugar Blue
Pontiac Blues
117 bpm • C Maj • 03:24 • -7.93db
31% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
31% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
26% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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John Hammond
Barrelhouse Woman Blues
111 bpm • F# min • 02:27 • -14db
7% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Carolyn Wonderland
Dust My Broom
111 bpm • C Maj • 02:43 • -7.34db
12% Popularity • 51% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 51% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Smokin' Joe Kubek
Don't Lose My Number
117 bpm • A Maj • 03:33 • -3db
30% Popularity • 48% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 48% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Kim Wilson
Just A Dream
111 bpm • C Maj • 05:49 • -9.19db
21% Popularity • 54% Danceability • 40% Energy • 74% Liveness
1% Instrumentalness • 51% Positiveness
21% Popularity • 54% Danceability • 40% Energy • 74% Liveness
1% Instrumentalness • 51% Positiveness
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Bobby Rush
Down in Mississippi
118 bpm • B min • 03:23 • -13.01db
22% Popularity • 73% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 73% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Magic Sam
Sweet Home Chicago
117 bpm • A Maj • 04:16 • -10.81db
22% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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John Hammond
Who Do You Love
111 bpm • F min • 03:03 • -13.88db
9% Popularity • 63% Danceability • 51% Energy • 22% Liveness
2% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 51% Energy • 22% Liveness
2% Instrumentalness • 82% Positiveness
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William Clarke
Pawnshop Bound
118 bpm • C Maj • 04:23 • -9.28db
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Doyle Bramhall
Life by the Drop
111 bpm • C# min • 03:05 • -5.02db
38% Popularity • 51% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 51% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lonnie Brooks
Two Guitars Shuffle - Take 2
118 bpm • A Maj • 06:16 • -10db
29% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
29% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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Billy Boy Arnold
High Fashion Woman
110 bpm • D Maj • 03:18 • -14.47db
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Hubert Sumlin
Blues is Here to Stay
118 bpm • D Maj • 03:14 • -6.41db
20% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Selby
Don't You Throw That Mojo On Me
110 bpm • A Maj • 04:06 • -7db
41% Popularity • 72% Danceability • 77% Energy • 22% Liveness
12% Instrumentalness • 78% Positiveness
41% Popularity • 72% Danceability • 77% Energy • 22% Liveness
12% Instrumentalness • 78% Positiveness
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Elmore James
Talk To Me Baby
110 bpm • D Maj • 02:35 • -7.47db
21% Popularity • 65% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
21% Popularity • 65% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
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Doyle Bramhall
Dimples
110 bpm • C# min • 04:06 • -6.09db
17% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Earl
West Side Shuffle
110 bpm • D Maj • 07:46 • -3.9db
17% Popularity • 60% Danceability • 80% Energy • 33% Liveness
89% Instrumentalness • 79% Positiveness
17% Popularity • 60% Danceability • 80% Energy • 33% Liveness
89% Instrumentalness • 79% Positiveness
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Christone "Kingfish" Ingram
That's What You Do
110 bpm • A Maj • 03:23 • -4.68db
42% Popularity • 50% Danceability • 89% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
42% Popularity • 50% Danceability • 89% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
27% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Byther Smith
I Tried
118 bpm • F min • 03:07 • -12.12db
36% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Corey Harris
High Fever Blues
110 bpm • C Maj • 03:11 • -12.02db
24% Popularity • 85% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
24% Popularity • 85% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
33% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Willie Dixon
Back Door Man
110 bpm • C Maj • 06:06 • -16.46db
31% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
31% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
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Lazy Lester
Tell Me Pretty Baby
118 bpm • A Maj • 02:40 • -6.44db
8% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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J.J. Cale
Got My Mojo Working - Live - Digitally ...
118 bpm • A Maj • 04:32 • -17.45db
5% Popularity • 53% Danceability • 31% Energy • 95% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 53% Danceability • 31% Energy • 95% Liveness
0% Instrumentalness • 89% Positiveness
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Smokin' Joe Kubek & Bnois King
Armadillo Blues - Instrumental
110 bpm • A Maj • 04:31 • -5.9db
13% Popularity • 43% Danceability • 72% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
13% Popularity • 43% Danceability • 72% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
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Eddie Shaw
My Baby's So Ugly
118 bpm • C Maj • 03:31 • -11.12db
21% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Roomful Of Blues
That's Right!
110 bpm • F min • 02:26 • -3.52db
24% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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William Clarke
Deal the Cards
110 bpm • D Maj • 07:20 • -10.59db
11% Popularity • 59% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 59% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Guitar Shorty
What She Don't Know
118 bpm • E min • 03:16 • -5.59db
40% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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T-Bone Walker
Every Day I Have The Blues
110 bpm • C Maj • 02:49 • -11db
35% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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John Hammond
Walking Blues
118 bpm • F# min • 02:56 • -21.29db
5% Popularity • 64% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 79% Positiveness
5% Popularity • 64% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 79% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Clarence "Gatemouth" Brown
I Got My Mojo Working
119 bpm • G Maj • 04:46 • -10.98db
40% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
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Lonnie Mack
Double Whammy aka Wham!
110 bpm • E Maj • 03:38 • -7.64db
20% Popularity • 30% Danceability • 97% Energy • 16% Liveness
90% Instrumentalness • 67% Positiveness
20% Popularity • 30% Danceability • 97% Energy • 16% Liveness
90% Instrumentalness • 67% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
2% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Earl
How Long
109 bpm • C Maj • 07:12 • -16.92db
13% Popularity • 73% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 60% Positiveness
13% Popularity • 73% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 60% Positiveness
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John Hammond
Cryin' for My Baby
119 bpm • A Maj • 02:42 • -10.44db
12% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
