Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
Sweet Lorraine
Songs like
Sweet Lorraine
by
Richard Johnson
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Samuel Sebastian Wesley
Blessed be the God and Father
73 bpm • A# Maj • 08:04 • -20.87db
10% Popularity • 7% Danceability • 11% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Kenneth Leighton
Drop, Drop, Slow Tears
73 bpm • D min • 03:30 • -23.34db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109, IJR 75 "C...
73 bpm • D# Maj • 01:47 • -20.79db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Agony
73 bpm • C# min • 06:31 • -23.2db
15% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Edmund Rubbra
Dormi Jesu, Op. 3
72 bpm • E min • 01:40 • -28.57db
10% Popularity • 18% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Benedict Sheehan
Vespers: No. 1, The Opening Psalm
74 bpm • A min • 09:08 • -19.01db
9% Popularity • 12% Danceability • 21% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: III. In Thy Kingdo...
74 bpm • A# Maj • 07:40 • -31.38db
8% Popularity • 7% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Olivier Messiaen
O sacrum convivium!
74 bpm • F# Maj • 05:34 • -25.12db
7% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I. I Am The Resurrecti...
72 bpm • F min • 01:17 • -27.56db
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
7% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
In Windsor Forest: No. 1, The Conspiracy
72 bpm • E min • 02:20 • -20.31db
12% Popularity • 40% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
11% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Claudio Dall'Albero
Missa ‘De Angelis’: II. Gloria
72 bpm • B min • 07:34 • -27.77db
8% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
10% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
John Stainer
The Crucifixion: Recitative. And as Mose...
74 bpm • D Maj • 01:17 • -24.04db
7% Popularity • 28% Danceability • 25% Energy • 24% Liveness
24% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 2 (Sung i...
74 bpm • G# min • 01:23 • -23.89db
8% Popularity • 8% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Traditional
He who would valiant be
74 bpm • D# Maj • 02:03 • -18.82db
16% Popularity • 18% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Rebecca Dale
There Will Come Soft Rains
74 bpm • E Maj • 05:22 • -21.72db
13% Popularity • 8% Danceability • 11% Energy • 10% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Mass No. 2 in E Minor, WAB 27: VI. Agnus...
75 bpm • E min • 06:10 • -20.35db
11% Popularity • 12% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Laudate Mennonite Ensemble
Wildsbok
71 bpm • D# Maj • 02:10 • -30.15db
13% Popularity • 16% Danceability • 2% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
John Henry Maunder
Maunder: Olivet to Calvary, Pt. 1: IV. T...
75 bpm • D Maj • 05:28 • -28.69db
7% Popularity • 10% Danceability • 7% Energy • 11% Liveness
45% Instrumentalness • 8% Positiveness
► Preview
Timothy C. Takach
Find the Light We Need
71 bpm • A Maj • 04:38 • -24.28db
7% Popularity • 23% Danceability • 4% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Traditional
Lotti: Crucifixus a 8 in C Minor : "Cruc...
72 bpm • C Maj • 03:03 • -15.16db
11% Popularity • 16% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Michael John Trotta
Seven Last Words: No. 1. Father, Forgive...
75 bpm • F# min • 08:32 • -24.39db
9% Popularity • 8% Danceability • 6% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Grace-Evangeline Mason
A Winter Carol (SATB)
75 bpm • G# Maj • 02:52 • -28.38db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Stainer
Is It Nothing To You?
75 bpm • G min • 01:08 • -23.75db
11% Popularity • 25% Danceability • 13% Energy • 47% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): IX. The drea...
75 bpm • G min • 03:46 • -22.34db
8% Popularity • 15% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 2. The narr...
75 bpm • A Maj • 03:15 • -25db
8% Popularity • 19% Danceability • 8% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
14% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Colin Mawby
Regina Caeli
75 bpm • G# Maj • 02:18 • -20.5db
7% Popularity • 20% Danceability • 7% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Ian Holm
Othello - Act III Scene 4
75 bpm • G# Maj • 10:25 • -19.28db
0% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Michael John Trotta
Requiem: XI. Lux Aeterna - Radio Cut
76 bpm • A min • 03:32 • -27.79db
15% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
Be Still For The Presence Of The Lord (T...
76 bpm • D Maj • 03:09 • -28.27db
11% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: VI. Agnus Dei
76 bpm • D min • 02:33 • -21.9db
7% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
James MacMillan
7 Last Words from the Cross: Verily, I s...
76 bpm • F Maj • 08:14 • -24.3db
7% Popularity • 9% Danceability • 9% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
12% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Charles Wood
St. Mark Passion: Hymn: Lord, when we bo...
76 bpm • F min • 01:56 • -35.47db
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: Hymn. Litany of the Pas...
76 bpm • A Maj • 04:51 • -28.74db
7% Popularity • 16% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
► Preview
Clive Osgood
Three Shakespeare Songs: No. 2, Under th...
70 bpm • D Maj • 04:15 • -20.85db
14% Popularity • 16% Danceability • 16% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
► Preview
Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Judith Hancock (organ)
Introit And Kyrie
76 bpm • A# Maj • 06:06 • -24.83db
15% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
70 bpm • C Maj • 02:34 • -34db
11% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Drei motetten, Op. 110: III. Wenn wir in...
76 bpm • F min • 03:30 • -21.07db
7% Popularity • 23% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Philip Stopford
Missa Deus nobiscum (Version for Soprano...
70 bpm • A# Maj • 03:43 • -19.13db
7% Popularity • 8% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Reginal Wright
We are the music makers - SATB
76 bpm • G# Maj • 02:13 • -21.24db
8% Popularity • 16% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Bob Chilcott
Five Days that Changed the World: II. Fr...
70 bpm • F Maj • 05:47 • -25.54db
7% Popularity • 11% Danceability • 8% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
George Malcolm
Ingrediente Domino
77 bpm • A# Maj • 02:48 • -19db
12% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Beckenhorst Singers
Great Is Thy Faithfulness (TTBB Version)
70 bpm • C Maj • 05:23 • -14.33db
7% Popularity • 9% Danceability • 21% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
► Preview
John Stainer
So Thou Liftest Thy Divine Petition
77 bpm • C Maj • 04:34 • -27.25db
12% Popularity • 19% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
maXbangZ
Horda locust
77 bpm • C# Maj • 01:01 • -30.21db
27% Popularity • 70% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Bob Chilcott
St. John Passion, Part III: Jesus Dies o...
77 bpm • C min • 02:32 • -26.72db
8% Popularity • 28% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • E min • 03:19 • -20.86db
12% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Laudate Mennonite Ensemble
Ain't Got Time to Die
77 bpm • D Maj • 02:36 • -16.69db
13% Popularity • 27% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Joanna Marsh
Evening Prayer
69 bpm • A# min • 03:42 • -21.71db
16% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Patrick Vu
Will There Really Be a "Morning"?
77 bpm • E Maj • 02:51 • -23.4db
8% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Francis Poulenc
Quatre motets pour un temps de pénitenc...
69 bpm • E Maj • 03:56 • -22.85db
19% Popularity • 9% Danceability • 16% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
12% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
4 Tantum ergo, WAB 41: No. 4 in C Major ...
69 bpm • C Maj • 02:19 • -26.29db
17% Popularity • 17% Danceability • 7% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
William Henry Monk
The Strife Is O'er, the Battle Done (Aft...
69 bpm • D Maj • 07:55 • -17.49db
0% Popularity • 7% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Richard Johnson
Chapter 2
77 bpm • B Maj • 02:49 • -25.04db
0% Popularity • 65% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
► Preview
Mater Dei Seminary
Stabat Mater
77 bpm • F# Maj • 05:01 • -29.51db
9% Popularity • 12% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
William Byrd
Mass for Four Voices: III. Credo
69 bpm • F# min • 08:07 • -21.79db
7% Popularity • 9% Danceability • 17% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Yves Castagnet
Castagnet: Guéris nos cœurs, Seigneur ...
77 bpm • G Maj • 03:56 • -15db
9% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
12% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: IV. Gladsome Light
78 bpm • A# min • 03:22 • -29.27db
8% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
10% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Missa Deus nobiscum (Version for Soprano...
69 bpm • G Maj • 04:14 • -19.77db
9% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: IX. Salve regina
78 bpm • A Maj • 04:36 • -19.34db
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Edward Bairstow
The Lamentation
78 bpm • C min • 09:03 • -25.13db
8% Popularity • 12% Danceability • 4% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
► Preview
Yves Castagnet
Castagnet: Messe brève: I. Kyrie
78 bpm • F Maj • 01:58 • -16.66db
7% Popularity • 20% Danceability • 10% Energy • 11% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
Basilica of the National Shrine of the Immaculate Conception Choir
Jesus Christ is Risen Today
78 bpm • C Maj • 04:16 • -19.33db
8% Popularity • 20% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
78 bpm • A# Maj • 00:55 • -27.68db
12% Popularity • 51% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Will Todd
Jazz Missa Brevis: Sanctus
78 bpm • A# Maj • 02:18 • -19.29db
8% Popularity • 21% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 13% Positiveness
► Preview
Leoš Janáček
Láska opravdivá, JW IV/8
78 bpm • G Maj • 01:54 • -37db
12% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
13% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
► Preview
César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
11% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
A Song of Thanksgiving: Land of Our Birt...
78 bpm • D Maj • 03:39 • -20.87db
9% Popularity • 16% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 6% Positiveness
► Preview
Josu Elberdin
Ave Maria, Gratia Plena
78 bpm • D Maj • 04:21 • -27.73db
11% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Cecilia McDowall
The Girl from Aleppo: No. 1, Orphans of ...
78 bpm • B min • 08:05 • -17.37db
8% Popularity • 17% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
78 bpm • D# Maj • 03:33 • -25db
10% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Douglas Guest
For the Fallen
79 bpm • D# Maj • 01:28 • -31.78db
10% Popularity • 12% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
John Henry Maunder
Maunder: Olivet to Calvary, Pt. 2: X. Ca...
79 bpm • D Maj • 03:56 • -14.97db
4% Popularity • 10% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
14% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Michael Sheen
The Passionate Shepherd To His Love (Chr...
79 bpm • F Maj • 02:06 • -28.1db
12% Popularity • 40% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Charles Villiers Stanford
A Sheaf of Songs from Leinster, Op. 140:...
68 bpm • C# Maj • 02:19 • -22.87db
7% Popularity • 47% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Kenneth Leighton
An Easter Sequence
67 bpm • G Maj • 01:33 • -27.06db
8% Popularity • 27% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Patrick Cassidy
The Mass: Et Incarnatus Est
79 bpm • C Maj • 02:57 • -21.15db
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
<<
Back to
Sweet Lorraine