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Sweet Love of Mine
Songs like
Sweet Love of Mine
by
Joy Williams
Based on a tempo of (+/- 10%) and a similar genre
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Joy Williams
Sweet Love of Mine (Acoustic)
83 bpm • B Maj • 02:55 • -12.18db
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Sital-Singh
Fail for You
83 bpm • E Maj • 04:16 • -12db
32% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Javier Dunn
If You Go
83 bpm • E Maj • 03:53 • -10.58db
20% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Bareilles
If I Dare - from Battle of the Sexes
83 bpm • C min • 03:47 • -7db
27% Popularity • 32% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Field Division
Of Lives We've Never Known
83 bpm • C# min • 04:48 • -7.29db
10% Popularity • 19% Danceability • 85% Energy • 9% Liveness
63% Instrumentalness • 28% Positiveness
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Bear's Den
My Lair
83 bpm • F# min • 05:16 • -12.69db
5% Popularity • 44% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 15% Positiveness
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Joy Williams
Sweet Love of Mine
83 bpm • F# min • 03:53 • -9.31db
14% Popularity • 63% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lights
Running with the Boys
83 bpm • B Maj • 05:34 • -9.68db
21% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Mars
Nothing but the Rain
83 bpm • F# Maj • 04:04 • -13.39db
24% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Fleurie
All the Lines
82 bpm • A Maj • 03:47 • -8.68db
24% Popularity • 54% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
How Did It End?
84 bpm • C Maj • 03:58 • -8.89db
86% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Slow Skies
Close
84 bpm • A min • 04:07 • -12db
10% Popularity • 33% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 18% Positiveness
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Joy Williams
Welcome Home (Acoustic)
83 bpm • E Maj • 03:33 • -11.01db
28% Popularity • 59% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Arctic Lake
For Us
82 bpm • G Maj • 02:57 • -8.75db
24% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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LOLO
Not Gonna Let You Walk Away
84 bpm • F# min • 02:44 • -5db
34% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Trent Dabbs
Don't Believe in Stars
84 bpm • F Maj • 04:49 • -9.44db
18% Popularity • 59% Danceability • 55% Energy • 9% Liveness
45% Instrumentalness • 48% Positiveness
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Aisha Badru
The Way Back Home
82 bpm • A Maj • 03:34 • -16.56db
55% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Twin Bandit
Zephyr
84 bpm • B min • 03:34 • -8.98db
13% Popularity • 44% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 10% Positiveness
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Joy Williams
What Can I Do (But Love You)
82 bpm • D Maj • 03:08 • -9db
34% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Well Pennies
Kill the Darlings
82 bpm • C# Maj • 04:55 • -11.98db
8% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ailbhe Reddy
Seasonal
84 bpm • D Maj • 03:29 • -8.66db
13% Popularity • 33% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Paul McDonald
The Best Part
85 bpm • G# min • 03:05 • -13.55db
19% Popularity • 50% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Jesse Marchant
Reminders, Defeats
82 bpm • A# min • 04:37 • -12.63db
30% Popularity • 20% Danceability • 22% Energy • 9% Liveness
34% Instrumentalness • 5% Positiveness
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Imaginary Future
The Well
85 bpm • F# Maj • 03:57 • -14.36db
16% Popularity • 44% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Birdtalker
December Song
81 bpm • D Maj • 03:35 • -10.93db
27% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Aisha Badru
Bridges
85 bpm • C# Maj • 03:29 • -10.14db
43% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Marten
Unaware
85 bpm • F# min • 03:08 • -9.67db
10% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lucius
My Heart Got Caught on Your Sleeve
81 bpm • F Maj • 04:34 • -11.14db
9% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Vaults
Vultures
85 bpm • A min • 03:53 • -5.93db
27% Popularity • 36% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Down Like Silver
Have I Loved
85 bpm • D Maj • 03:16 • -16.74db
36% Popularity • 54% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
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Peter Bradley Adams
Little Flower
85 bpm • F Maj • 06:15 • -17.06db
49% Popularity • 42% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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Joshua Hyslop
The Flood
81 bpm • F# Maj • 04:21 • -11db
53% Popularity • 58% Danceability • 45% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
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Over the Rhine
When I Go
81 bpm • C# min • 06:23 • -14.26db
17% Popularity • 40% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Zella Day
Compass
81 bpm • F min • 03:13 • -8.8db
45% Popularity • 55% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Joy Williams
You Loved Me
86 bpm • G Maj • 03:13 • -11.55db
14% Popularity • 34% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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Gabe Dixon
On Your Side
80 bpm • D Maj • 03:55 • -14.75db
17% Popularity • 50% Danceability • 24% Energy • 13% Liveness
51% Instrumentalness • 14% Positiveness
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Aqualung
Eggshells
80 bpm • G min • 03:17 • -10.26db
26% Popularity • 53% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Sara Bareilles
Islands
80 bpm • C# Maj • 04:20 • -10db
34% Popularity • 46% Danceability • 33% Energy • 7% Liveness
3% Instrumentalness • 9% Positiveness
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Parlour Tricks
Broken Hearts/Bones
80 bpm • A# Maj • 03:42 • -9db
14% Popularity • 56% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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The Staves
Roses
86 bpm • F# Maj • 04:11 • -11.02db
22% Popularity • 50% Danceability • 28% Energy • 7% Liveness
6% Instrumentalness • 28% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
67% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Aron Wright
Don't Question My Love
80 bpm • A# Maj • 04:30 • -9.54db
16% Popularity • 48% Danceability • 46% Energy • 18% Liveness
17% Instrumentalness • 11% Positiveness
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Sucré
Wandering Back
80 bpm • G# Maj • 01:24 • -7.27db
23% Popularity • 31% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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The Woodlands
Long Lost Century
80 bpm • D Maj • 04:16 • -14.72db
31% Popularity • 69% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Mipso
People Change
79 bpm • G Maj • 03:32 • -14.95db
62% Popularity • 37% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
84% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Odessa
My Match
79 bpm • G Maj • 04:38 • -12.44db
22% Popularity • 38% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 29% Positiveness
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Poema
Go Away
79 bpm • G# min • 04:08 • -7.12db
7% Popularity • 65% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Speight
Running out After You
79 bpm • G# Maj • 03:15 • -8db
28% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Civil Wars
To Whom It May Concern
87 bpm • G Maj • 03:31 • -13.1db
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hannah Miller
Little Bit
78 bpm • A# Maj • 03:47 • -13.32db
12% Popularity • 68% Danceability • 29% Energy • 8% Liveness
2% Instrumentalness • 34% Positiveness
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Foreign Slippers
What Are You Waiting For
78 bpm • F# min • 03:32 • -8db
8% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Amy Stroup
Versailles
88 bpm • C# Maj • 03:25 • -14.89db
23% Popularity • 55% Danceability • 34% Energy • 8% Liveness
37% Instrumentalness • 26% Positiveness
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Lights
Meteorites
78 bpm • E Maj • 05:07 • -8db
27% Popularity • 45% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Staves
Open
88 bpm • B min • 03:22 • -11.02db
11% Popularity • 44% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Ciaran Lavery
Wilder
78 bpm • F# min • 03:51 • -12.13db
19% Popularity • 54% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Meadowlark
Fly
78 bpm • D Maj • 03:08 • -11.2db
19% Popularity • 56% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Grace Mitchell
Broken Over You
78 bpm • G Maj • 03:17 • -9.47db
25% Popularity • 27% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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Amy Stroup
Like a Light
78 bpm • D Maj • 03:28 • -8db
9% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Betty Who
Human Touch - Acoustic Version
88 bpm • C Maj • 04:11 • -9db
16% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lena Fayre
Everybody's In
77 bpm • C Maj • 02:51 • -8db
27% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Monica Heldal
Follow You Anywhere
89 bpm • E Maj • 03:52 • -10.48db
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Taylor Swift
Fresh Out The Slammer
77 bpm • A Maj • 03:30 • -9.36db
81% Popularity • 30% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gabrielle Papillon
With Our Trouble
89 bpm • C# min • 03:09 • -9db
14% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Amy Stroup
Finally Found Our Way
89 bpm • B Maj • 03:08 • -10.62db
13% Popularity • 60% Danceability • 46% Energy • 18% Liveness
1% Instrumentalness • 5% Positiveness
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John Paul White
Hate The Way You Love Me
77 bpm • E Maj • 04:03 • -17.77db
47% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bleachers
Like a River Runs
89 bpm • B Maj • 03:57 • -11db
38% Popularity • 26% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Reuben And The Dark
Bow And Arrow
89 bpm • A Maj • 03:19 • -6.9db
33% Popularity • 22% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Vaults
Premonitions
77 bpm • G# Maj • 03:35 • -9.19db
39% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Fleurie
There's a Ghost
77 bpm • G# min • 03:11 • -11.82db
36% Popularity • 28% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Arum Rae
Warranted Queen
77 bpm • F min • 03:13 • -10.18db
25% Popularity • 63% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 44% Positiveness
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Caroline Spence
All the Beds I've Made (Acoustic)
90 bpm • D Maj • 03:33 • -7.79db
33% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Joy Williams
Venus (Acoustic)
77 bpm • G Maj • 04:21 • -9.78db
17% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Tremble
Blur
90 bpm • G min • 03:29 • -10.32db
11% Popularity • 28% Danceability • 52% Energy • 7% Liveness
74% Instrumentalness • 17% Positiveness
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Field Division
To Innisfree Land
90 bpm • C Maj • 04:31 • -8.13db
11% Popularity • 47% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Diane Birch
Speak a Little Louder
77 bpm • G# Maj • 03:46 • -7.29db
10% Popularity • 55% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Birdy
Lifted
90 bpm • F Maj • 04:23 • -7.07db
28% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Odessa
For Granted
90 bpm • C Maj • 03:41 • -10.66db
10% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Chantal Kreviazuk
Hard Sail
76 bpm • C Maj • 03:49 • -4.42db
8% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Betty Who
Silas
76 bpm • D Maj • 04:48 • -13db
23% Popularity • 22% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Daniel Ahearn
Wanted to Be Loved
91 bpm • A min • 03:14 • -14.56db
18% Popularity • 55% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Eddie Berman
Untamed
91 bpm • E Maj • 03:58 • -11.4db
50% Popularity • 40% Danceability • 26% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Taylor Swift
I Look in People's Windows
91 bpm • C# min • 02:11 • -11.43db
85% Popularity • 76% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Secret sun
Cold Coast
91 bpm • G min • 03:53 • -9.21db
11% Popularity • 55% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Andrea von Kampen
Take Back Thy Gift
91 bpm • C# min • 03:13 • -11.22db
48% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Odessa
Love Alone
76 bpm • F Maj • 04:41 • -13.92db
8% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kate Miller
Inhale
91 bpm • G Maj • 04:13 • -7.07db
15% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Milo Greene
Son My Son
91 bpm • F Maj • 03:32 • -10.45db
26% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
59% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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Joy Williams
Till Forever
75 bpm • A Maj • 03:57 • -10.44db
11% Popularity • 27% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Katie Costello
Stranger
75 bpm • E min • 04:14 • -11db
27% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Barnaby Bright
Made up Of
75 bpm • C Maj • 03:44 • -12.33db
16% Popularity • 38% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Billie Marten
In for the Kill
75 bpm • A min • 03:55 • -11db
33% Popularity • 56% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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The Saint Johns
Josephine
75 bpm • G Maj • 03:57 • -9.19db
14% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Rosie Carney
Awake Me - Acoustic
92 bpm • B Maj • 05:12 • -8.25db
32% Popularity • 31% Danceability • 23% Energy • 36% Liveness
29% Instrumentalness • 14% Positiveness
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Joy Williams
Someone to Love You (Acoustic)
75 bpm • C Maj • 04:13 • -10.5db
24% Popularity • 31% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Walker
Superstition
74 bpm • C min • 03:30 • -8db
14% Popularity • 55% Danceability • 66% Energy • 12% Liveness
4% Instrumentalness • 42% Positiveness
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Milo Greene
Royal Blue
93 bpm • A# min • 04:25 • -10.48db
19% Popularity • 43% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Sweet Love of Mine