Songs like Sweet Soul Music by Milton Zapata
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Hebb
For You
103 bpm • E min • 02:40 • -11.96db
27% Popularity • 59% Danceability • 33% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
27% Popularity • 59% Danceability • 33% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
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Lesley Gore
That's the Way the Ball Bounces
103 bpm • C Maj • 02:23 • -14.54db
7% Popularity • 42% Danceability • 33% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
7% Popularity • 42% Danceability • 33% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
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Roddie Joy
He's So Easy to Love
103 bpm • G Maj • 02:44 • -8.2db
43% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Ben E. King
On the Horizon
103 bpm • A Maj • 02:20 • -13.77db
19% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Marvin Gaye
Til There Was You
103 bpm • F min • 02:23 • -13.07db
24% Popularity • 52% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 52% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
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Charlotte Dos Santos
It's Over, Bobby
102 bpm • C min • 03:29 • -10.74db
37% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Belafonte
On Top of Old Smokey
102 bpm • D Maj • 05:58 • -12.06db
22% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jr. Walker & The All Stars
Cleo's Back
102 bpm • D Maj • 02:30 • -7.73db
36% Popularity • 66% Danceability • 78% Energy • 6% Liveness
28% Instrumentalness • 94% Positiveness
36% Popularity • 66% Danceability • 78% Energy • 6% Liveness
28% Instrumentalness • 94% Positiveness
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Chollo Rivera & The Latin Soul Drives
I Could Never Hurt You Girl
102 bpm • C Maj • 03:34 • -21.45db
12% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Bettye Swann
Tell It Like It Is
104 bpm • A# Maj • 02:55 • -14db
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Super Jamano De Dakar
Yamatee Nee Law
102 bpm • C Maj • 05:31 • -12.03db
10% Popularity • 55% Danceability • 41% Energy • 8% Liveness
18% Instrumentalness • 81% Positiveness
10% Popularity • 55% Danceability • 41% Energy • 8% Liveness
18% Instrumentalness • 81% Positiveness
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The Seashells
Quiet Home
104 bpm • E Maj • 02:18 • -7.74db
23% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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James Brown & The Famous Flames
If You Want Me
104 bpm • F Maj • 02:26 • -16.04db
11% Popularity • 73% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 73% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Patti Drew
Workin' On A Groovy Thing
102 bpm • G Maj • 03:11 • -7db
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Brenton Wood
Goodnight Baby
101 bpm • D# Maj • 02:21 • -10.34db
33% Popularity • 73% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 73% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Yvonne Fair
Straighten Up
101 bpm • C min • 02:29 • -8.64db
10% Popularity • 60% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 60% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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The Classmen
Doin’ Me Right
105 bpm • G Maj • 02:09 • -6.9db
22% Popularity • 43% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 43% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Betty Everett
Chained to Your Love
105 bpm • G# Maj • 02:56 • -12.64db
8% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ruth Brown
I Don't Know
101 bpm • G# Maj • 02:53 • -8db
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Marvin Gaye
Hold Me Oh My Darling
105 bpm • G# Maj • 02:49 • -12.56db
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Brenton Wood
Catch You On The Rebound
105 bpm • G Maj • 02:16 • -9.94db
25% Popularity • 77% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 77% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Sam Cooke
Cry Me a River
101 bpm • D min • 02:47 • -11.99db
33% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Bob & Gene
Which Love
100 bpm • D Maj • 03:03 • -7.43db
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Major Lance
Please Don't Say No More
106 bpm • C min • 02:17 • -9.17db
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Hailu Mergia
Woghenei
106 bpm • G min • 03:58 • -7.28db
19% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Coasters
Down Home Girl
100 bpm • A# Maj • 03:06 • -13.71db
25% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Brenton Wood
I Think You've Got Your Fools Mixed Up
105 bpm • A# min • 02:15 • -7.94db
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Fontella Bass
How Glad I Am
100 bpm • C Maj • 02:42 • -13.1db
18% Popularity • 40% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 73% Positiveness
18% Popularity • 40% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 73% Positiveness
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Burt Bacharach
The Look Of Love
100 bpm • A# min • 02:42 • -14.09db
40% Popularity • 67% Danceability • 29% Energy • 32% Liveness
55% Instrumentalness • 42% Positiveness
40% Popularity • 67% Danceability • 29% Energy • 32% Liveness
55% Instrumentalness • 42% Positiveness
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Sam Cooke
Driftin' Blues
106 bpm • F Maj • 03:17 • -11.81db
29% Popularity • 53% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 53% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Nina Simone
He Ain't Comin' Home No More
100 bpm • A Maj • 03:06 • -9.03db
21% Popularity • 28% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 28% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Paul
Me and Mrs. Jones - Single Version
100 bpm • G# Maj • 03:41 • -9.39db
29% Popularity • 34% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 34% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Freddy Butler
I Like Your Style
100 bpm • G# Maj • 02:23 • -8.52db
9% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Fontella Bass
Oh, No, Not My Baby
100 bpm • G Maj • 02:40 • -11db
14% Popularity • 56% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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Classics IV
Goin' Out Of My Head
100 bpm • F Maj • 02:21 • -14.5db
25% Popularity • 60% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 60% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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The Spinners
Tomorrow May Never Come
100 bpm • G# Maj • 02:32 • -11.99db
8% Popularity • 42% Danceability • 42% Energy • 16% Liveness
25% Instrumentalness • 77% Positiveness
8% Popularity • 42% Danceability • 42% Energy • 16% Liveness
25% Instrumentalness • 77% Positiveness
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Nina Simone
I'm Gonna Leave You
100 bpm • C Maj • 02:16 • -10.17db
30% Popularity • 52% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 52% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Andrea Litkei
Too Late for Tears
100 bpm • C Maj • 02:05 • -9.44db
34% Popularity • 64% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The M-M's And The Peanuts
Open up Your Eyes
99 bpm • F# Maj • 02:49 • -8.75db
23% Popularity • 59% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Baby Washington
It'll Never Be Over For Me
107 bpm • E Maj • 03:08 • -12.07db
18% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Los Yesterdays
Who Made You You?
99 bpm • A# Maj • 04:09 • -7.31db
36% Popularity • 57% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 57% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Labi Siffre
I Love You
107 bpm • C Maj • 02:35 • -11.13db
19% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Temptations
Message From A Black Man
99 bpm • A# min • 06:02 • -13.68db
16% Popularity • 55% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Ross Mitchell, His Band & Singers
Eso Beso (Samba/53BPM) - Re-recorded
99 bpm • B Maj • 02:07 • -10.37db
13% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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E J & The Echoes
Put a Smile on Your Face
107 bpm • A min • 02:48 • -10.99db
12% Popularity • 65% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
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Marlena Shaw
I've Gotten Over You
107 bpm • G# Maj • 03:13 • -13.08db
8% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Drifters
There Goes My Baby - Mono
99 bpm • F# Maj • 02:16 • -8.51db
11% Popularity • 29% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 29% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Hector Rivera
Playing It Cool
98 bpm • F Maj • 03:11 • -10.73db
9% Popularity • 63% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Los Yesterdays
Nobody's Clown
99 bpm • C Maj • 03:29 • -7.03db
59% Popularity • 77% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
59% Popularity • 77% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Marvin Gaye
Now That You've Won Me
98 bpm • G# Maj • 02:39 • -13.51db
12% Popularity • 60% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
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Mary Wells
Please Forgive Me
98 bpm • F Maj • 02:39 • -9.25db
10% Popularity • 65% Danceability • 33% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 65% Danceability • 33% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Buddy Fo & His Group
Where is My Love Tonight?
98 bpm • G Maj • 03:41 • -12.61db
9% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Maxine Brown
All in My Mind
98 bpm • D Maj • 02:36 • -10db
18% Popularity • 47% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Santana
Stone Flower
108 bpm • C# Maj • 06:12 • -14.96db
29% Popularity • 52% Danceability • 46% Energy • 22% Liveness
44% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 22% Liveness
44% Instrumentalness • 66% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:32 • -4.95db
18% Popularity • 86% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 86% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Saun & Starr
In the Night
98 bpm • G# Maj • 02:43 • -7db
60% Popularity • 71% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 71% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Bessie Banks
Go Now
98 bpm • F min • 02:36 • -10.96db
29% Popularity • 52% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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Glen Campbell
Guess I'm Dumb - Remastered 2003
109 bpm • F min • 02:41 • -10.39db
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ernie Marbray
The Stakes Are Too High
97 bpm • C Maj • 02:47 • -7.91db
15% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Jeffrey Group
Something Stupid
109 bpm • F Maj • 02:26 • -15.18db
8% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Hughes
Goodbye My Lover Goodbye
97 bpm • C# min • 02:28 • -8.33db
11% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Little Ann
Deep Shadows - Multi Mix
97 bpm • C# min • 02:37 • -10.39db
15% Popularity • 44% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 44% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sunny & The Sunliners
Runaway
97 bpm • B min • 02:01 • -7.96db
15% Popularity • 65% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Marvin Gaye
I Was Telling Her About You
97 bpm • C min • 04:48 • -10.63db
13% Popularity • 23% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 23% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy Clanton
Any More
97 bpm • C min • 03:04 • -10.78db
11% Popularity • 59% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
11% Popularity • 59% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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Mary Wells
Laughing Boy
109 bpm • A min • 02:50 • -15.99db
39% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Ronnie Walker
Really Really Love You
97 bpm • F Maj • 02:58 • -10.08db
32% Popularity • 45% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
32% Popularity • 45% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Chicago Gangsters
We've Been Together
97 bpm • D# Maj • 03:32 • -1.66db
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Little Ann
Deep Shadows
97 bpm • C# min • 02:37 • -9.67db
41% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Festivals
You've Got the Makings of a Lover
97 bpm • A# Maj • 02:08 • -7.81db
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Patti Drew
Tell Him
97 bpm • G min • 02:31 • -8.42db
54% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
54% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Marvin Gaye
It Hurt Me Too
96 bpm • A# Maj • 02:43 • -11.02db
11% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Ann Stacy
Don’t You Fool Me
110 bpm • A# Maj • 02:35 • -8.4db
10% Popularity • 28% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 28% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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The Miracles
I've Been Good To You - Album Version / ...
96 bpm • F min • 02:39 • -7db
30% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Rodriguez y La Compania
New York State of Mind
96 bpm • F Maj • 05:17 • -13.78db
20% Popularity • 48% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 48% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Bradley
Behind The Curtains
110 bpm • D min • 02:02 • -6.65db
12% Popularity • 60% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 60% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
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The Shirelles
When The Boys Talk About The Girls
96 bpm • C Maj • 02:39 • -13.11db
7% Popularity • 32% Danceability • 22% Energy • 31% Liveness
26% Instrumentalness • 48% Positiveness
7% Popularity • 32% Danceability • 22% Energy • 31% Liveness
26% Instrumentalness • 48% Positiveness
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Marvin Gaye
The More I See You
96 bpm • F Maj • 02:31 • -7.4db
27% Popularity • 51% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 51% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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James Reese & The Progressions
I'll Find a True Love
96 bpm • C min • 02:54 • -7.21db
13% Popularity • 46% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Gil Scott-Heron
Everyday
96 bpm • D min • 04:22 • -7.99db
13% Popularity • 48% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 48% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
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Thee Midniters
Dreaming Casually
96 bpm • C Maj • 03:05 • -7.49db
30% Popularity • 60% Danceability • 55% Energy • 87% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 55% Energy • 87% Liveness
0% Instrumentalness • 68% Positiveness
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The Chordettes
Sandman - Planet Rondevou Remix
96 bpm • B Maj • 02:44 • -7.56db
9% Popularity • 44% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Brenton Wood
Ooh La-Da-Dee
111 bpm • D# min • 02:08 • -9.86db
30% Popularity • 80% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 80% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Newcomers
Girl, This Boy Loves You
96 bpm • D# Maj • 02:50 • -13db
23% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Pesci
Stop And Say Hello
96 bpm • C# Maj • 02:58 • -10.71db
8% Popularity • 46% Danceability • 42% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Bonnie Raitt
Since I Fell for You - 2008 Remaster
95 bpm • C Maj • 03:06 • -11db
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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The Temptations
I Want A Love I Can See
111 bpm • B min • 02:32 • -5.81db
46% Popularity • 64% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 64% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Cuba
Talk About Luv (Love Is The Thing)
95 bpm • F Maj • 03:00 • -6.16db
11% Popularity • 69% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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The Spencer Davis Group
I Can't Stand It
95 bpm • G# Maj • 02:09 • -4.84db
15% Popularity • 55% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 55% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mike James Kirkland
Blota Blota
95 bpm • G# Maj • 03:00 • -13.32db
8% Popularity • 47% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 47% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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John Lee Hooker
Don't Look Back
95 bpm • A min • 02:56 • -10.7db
12% Popularity • 45% Danceability • 41% Energy • 12% Liveness
26% Instrumentalness • 30% Positiveness
12% Popularity • 45% Danceability • 41% Energy • 12% Liveness
26% Instrumentalness • 30% Positiveness
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Joey Pastrana
Sincerely (Sinceramente)
95 bpm • D min • 04:21 • -8.73db
7% Popularity • 46% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 46% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Paul
Mrs. Robinson
112 bpm • G min • 04:29 • -15db
23% Popularity • 55% Danceability • 30% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
23% Popularity • 55% Danceability • 30% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
