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Sweet Thang
Songs like
Sweet Thang
by
Shuggie Otis
Based on a tempo of (+/- 10%) and a similar genre
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Mel Tormé
Comin' Home Baby
143 bpm • G min • 02:45 • -14.9db
58% Popularity • 63% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Curtis Mayfield
Here but I'm Gone
144 bpm • D# min • 05:18 • -11.18db
44% Popularity • 77% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Funkadelic
I'll Stay
142 bpm • B min • 07:18 • -8db
37% Popularity • 57% Danceability • 69% Energy • 14% Liveness
4% Instrumentalness • 62% Positiveness
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Richard Berry
I Wanna' Make You Happy
142 bpm • C min • 03:34 • -20.41db
2% Popularity • 60% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Canned Heat
Poor Moon - Bonus Track
141 bpm • C# Maj • 03:25 • -17db
43% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Dylan
The Man in Me
145 bpm • G# Maj • 03:06 • -9.37db
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
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Shuggie Otis
Freedom Flight
142 bpm • E Maj • 12:56 • -16.33db
28% Popularity • 37% Danceability • 26% Energy • 6% Liveness
36% Instrumentalness • 28% Positiveness
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Charles Bradley
Victim of Love
141 bpm • E Maj • 03:30 • -7.26db
52% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Funkadelic
Can You Get To That
141 bpm • G# Maj • 02:49 • -5.44db
61% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Amos Milburn
Chicken Shack Boogie
145 bpm • C Maj • 02:44 • -12.8db
2% Popularity • 59% Danceability • 59% Energy • 19% Liveness
74% Instrumentalness • 76% Positiveness
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The Dynamics
Move on Up
146 bpm • B min • 05:59 • -9.14db
47% Popularity • 84% Danceability • 71% Energy • 9% Liveness
39% Instrumentalness • 97% Positiveness
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Curtis Mayfield
Billy Jack
140 bpm • C# min • 06:07 • -8.9db
38% Popularity • 84% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Arthur Brown
The Monster Hop
140 bpm • C# Maj • 03:33 • -5.84db
2% Popularity • 40% Danceability • 93% Energy • 25% Liveness
4% Instrumentalness • 18% Positiveness
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Howlin' Wolf
Smokestack Lightnin'
146 bpm • A min • 03:08 • -16db
63% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Little Beaver
Joey
140 bpm • F# Maj • 03:36 • -7.37db
26% Popularity • 55% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Herbie Hancock
Watermelon Man
147 bpm • C# Maj • 06:28 • -11.19db
55% Popularity • 72% Danceability • 41% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Nina Simone
Funkier Than a Mosquito's Tweeter
139 bpm • G# min • 05:20 • -15.73db
43% Popularity • 53% Danceability • 55% Energy • 70% Liveness
1% Instrumentalness • 78% Positiveness
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Al Green
Jesus Is Waiting
139 bpm • E Maj • 05:37 • -15.96db
40% Popularity • 72% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Liggins
I've Got a Right to Cry
139 bpm • C Maj • 03:07 • -14.71db
2% Popularity • 65% Danceability • 27% Energy • 9% Liveness
41% Instrumentalness • 78% Positiveness
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Funkadelic
Biological Speculation
148 bpm • F min • 03:05 • -12db
46% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Richard Berry
Round About Midnight
138 bpm • G Maj • 04:06 • -21.17db
0% Popularity • 42% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Curtis Mayfield
Move on Up - Extended Version
138 bpm • B min • 08:55 • -6.53db
58% Popularity • 58% Danceability • 98% Energy • 10% Liveness
50% Instrumentalness • 88% Positiveness
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Little Beaver
I'm Losin' the Feelin
138 bpm • G min • 03:18 • -10.52db
49% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
138 bpm • D# Maj • 03:08 • -14db
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
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Otis Redding
Cigarettes and Coffee
138 bpm • C Maj • 04:00 • -13.61db
62% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Funkadelic
Hit It and Quit It
148 bpm • B Maj • 03:49 • -6.92db
49% Popularity • 53% Danceability • 84% Energy • 72% Liveness
4% Instrumentalness • 62% Positiveness
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Charles Bradley
Changes
148 bpm • C Maj • 05:42 • -8.27db
62% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Equatics
Ain't No Sunshine
148 bpm • E min • 03:33 • -11.97db
43% Popularity • 45% Danceability • 56% Energy • 14% Liveness
12% Instrumentalness • 34% Positiveness
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Captain Beefheart & His Magic Band
I'm Glad
148 bpm • D Maj • 03:30 • -10.05db
46% Popularity • 37% Danceability • 41% Energy • 11% Liveness
26% Instrumentalness • 35% Positiveness
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RodrÃguez
Hate Street Dialogue
138 bpm • D# Maj • 02:33 • -3.66db
61% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Isley Brothers
Ohio / Machine Gun
138 bpm • E min • 09:16 • -9.81db
34% Popularity • 52% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Al Kooper
Lookin' for a Home
137 bpm • A# Maj • 05:52 • -15.73db
35% Popularity • 46% Danceability • 28% Energy • 6% Liveness
6% Instrumentalness • 64% Positiveness
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Menahan Street Band
Queens Highway
137 bpm • A# min • 01:07 • -8.98db
66% Popularity • 78% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Durand Jones & The Indications
Is It Any Wonder?
137 bpm • D min • 04:36 • -6.28db
58% Popularity • 55% Danceability • 38% Energy • 9% Liveness
61% Instrumentalness • 40% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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Gil Scott-Heron
Lady Day and John Coltrane
149 bpm • F min • 03:36 • -10db
52% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Crosby, Stills, Nash & Young
Almost Cut My Hair
137 bpm • G Maj • 04:29 • -10.48db
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Joe Liggins
Goin' Back to L.A.
137 bpm • F min • 03:26 • -13.86db
1% Popularity • 57% Danceability • 37% Energy • 15% Liveness
67% Instrumentalness • 65% Positiveness
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Al Kooper
Bury My Body
136 bpm • A min • 09:00 • -15.3db
19% Popularity • 39% Danceability • 52% Energy • 20% Liveness
24% Instrumentalness • 84% Positiveness
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Ikebe Shakedown
Dram
150 bpm • F# min • 04:03 • -8.63db
48% Popularity • 60% Danceability • 76% Energy • 17% Liveness
85% Instrumentalness • 74% Positiveness
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Bobby Charles
Small Town Talk
151 bpm • D Maj • 03:29 • -13.63db
39% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Menahan Street Band
There's a New Day Coming
136 bpm • D Maj • 02:23 • -8.18db
62% Popularity • 38% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 49% Positiveness
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Allah-Las
No Werewolf
136 bpm • C Maj • 02:28 • -4db
50% Popularity • 59% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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J.J. Cale
Cherry
151 bpm • C Maj • 03:21 • -19db
54% Popularity • 68% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 66% Positiveness
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Eddie "Cleanhead" Vinson
Sugar
151 bpm • G Maj • 03:08 • -16.31db
5% Popularity • 68% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 67% Positiveness
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Richard Berry
Have Love Will Travel
135 bpm • A min • 02:51 • -13.65db
1% Popularity • 72% Danceability • 39% Energy • 8% Liveness
14% Instrumentalness • 97% Positiveness
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Natural Child
Benny's Here
152 bpm • F# min • 06:41 • -11db
38% Popularity • 66% Danceability • 70% Energy • 15% Liveness
89% Instrumentalness • 96% Positiveness
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Syl Johnson
Is It Because I'm Black
135 bpm • G# min • 07:34 • -8.94db
40% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Otis
Stack-a-Lee
135 bpm • C Maj • 02:37 • -13.92db
3% Popularity • 62% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
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Ali Farka Touré
Ai Du
152 bpm • F min • 07:09 • -17.17db
53% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness
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Minnie Riperton
Les Fleurs
152 bpm • F# Maj • 03:19 • -9.45db
60% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Al Kooper
Double or Nothing
135 bpm • F Maj • 02:29 • -18.31db
27% Popularity • 57% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 03:34 • -8.43db
60% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Syl Johnson
Soul Heaven
135 bpm • G# min • 02:35 • -9.22db
55% Popularity • 72% Danceability • 58% Energy • 28% Liveness
81% Instrumentalness • 96% Positiveness
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The Beach Boys
Here She Comes - Remastered 2000
152 bpm • E min • 05:12 • -10db
41% Popularity • 56% Danceability • 69% Energy • 8% Liveness
54% Instrumentalness • 64% Positiveness
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Johnny Otis
Please Don't Leave Me
153 bpm • G Maj • 02:44 • -12.53db
2% Popularity • 48% Danceability • 54% Energy • 10% Liveness
11% Instrumentalness • 76% Positiveness
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Junior Kimbrough
Meet Me in the City
134 bpm • D Maj • 02:31 • -7.88db
46% Popularity • 57% Danceability • 64% Energy • 13% Liveness
47% Instrumentalness • 33% Positiveness
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Amanaz
Sunday Morning
133 bpm • F# Maj • 04:59 • -16db
49% Popularity • 63% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
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Al Kooper
One Room Country Shack
154 bpm • F Maj • 03:37 • -14.12db
19% Popularity • 52% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Booker T. & the M.G.'s
Let's Go Get Stoned
154 bpm • A# Maj • 02:54 • -20.15db
43% Popularity • 49% Danceability • 5% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Sharon Jones & The Dap-Kings
Just Dropped In (To See What Condition M...
133 bpm • A# min • 02:59 • -7.4db
44% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Velvet Underground
Rock & Roll - Full Length Version; 2015 ...
133 bpm • F Maj • 04:43 • -8db
55% Popularity • 49% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Meters
Ease Back
155 bpm • D Maj • 03:14 • -13.44db
31% Popularity • 62% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 62% Positiveness
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Junior Parker
Taxman
155 bpm • C Maj • 03:45 • -23.22db
33% Popularity • 69% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Shuggie Otis
The Hawks
155 bpm • G Maj • 02:27 • -13.27db
18% Popularity • 54% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Nina Simone
Baltimore
155 bpm • A Maj • 04:38 • -16.52db
62% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
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The Equatics
Merry Go Round
132 bpm • C min • 02:43 • -10.62db
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Allah-Las
Ferus Gallery
132 bpm • F min • 03:35 • -7.6db
47% Popularity • 57% Danceability • 69% Energy • 7% Liveness
56% Instrumentalness • 73% Positiveness
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Funkadelic
Maggot Brain
131 bpm • E min • 10:19 • -15.09db
58% Popularity • 30% Danceability • 37% Energy • 64% Liveness
72% Instrumentalness • 12% Positiveness
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Eddie Hazel
California Dreamin'
156 bpm • C# min • 06:17 • -9.36db
45% Popularity • 58% Danceability • 68% Energy • 5% Liveness
3% Instrumentalness • 91% Positiveness
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Caribou
Bees
131 bpm • A Maj • 05:23 • -12.81db
46% Popularity • 72% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Charles Bradley
Nobody But You
157 bpm • G Maj • 03:57 • -6.33db
46% Popularity • 44% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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The Equatics
Where Is Love?
130 bpm • C Maj • 04:36 • -9.59db
39% Popularity • 42% Danceability • 53% Energy • 60% Liveness
47% Instrumentalness • 38% Positiveness
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Ultimate Spinach
Mind Flowers
157 bpm • D min • 09:40 • -10.24db
40% Popularity • 26% Danceability • 43% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
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Shuggie Otis
Someone's Always Singing
130 bpm • C Maj • 03:22 • -12.93db
26% Popularity • 46% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Steely Dan
Only A Fool Would Say That
130 bpm • C Maj • 02:55 • -19.02db
68% Popularity • 76% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Ann Peebles
Trouble, Heartaches & Sadness
157 bpm • D min • 02:41 • -8.39db
54% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby "Blue" Bland
Ain't No Love In The Heart Of The City -...
158 bpm • A min • 03:53 • -18.25db
66% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Dr. John
Mama Roux
128 bpm • F Maj • 03:00 • -15.2db
40% Popularity • 84% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Graham Nash
Better Days
128 bpm • F# Maj • 03:50 • -13.48db
49% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Spirit
The Other Song
160 bpm • F# min • 05:30 • -9.13db
37% Popularity • 42% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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Buddy Miles
Down By The River
127 bpm • D Maj • 06:20 • -12.35db
41% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Ann Peebles
Run, Run, Run
160 bpm • F min • 02:38 • -13.69db
44% Popularity • 76% Danceability • 34% Energy • 6% Liveness
10% Instrumentalness • 69% Positiveness
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Shuggie Otis
Magic
161 bpm • C Maj • 04:26 • -14.9db
15% Popularity • 66% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 96% Positiveness
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Curtis Mayfield
Pusherman
127 bpm • A# Maj • 05:00 • -9.56db
61% Popularity • 85% Danceability • 67% Energy • 11% Liveness
9% Instrumentalness • 91% Positiveness
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Richard Berry
Ooh, Baby, I Love You
126 bpm • A min • 03:39 • -17.15db
1% Popularity • 47% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 67% Positiveness
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Fleetwood Mac
Hypnotized
162 bpm • C min • 04:49 • -15.8db
59% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ikebe Shakedown
Rio Grande
163 bpm • B min • 03:50 • -7.51db
44% Popularity • 44% Danceability • 60% Energy • 32% Liveness
76% Instrumentalness • 69% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Shuggie Otis
Give Me A Chance
126 bpm • G# min • 05:20 • -7.95db
6% Popularity • 29% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Mulatu Astatke
Yègellé Tezeta
126 bpm • D# Maj • 03:14 • -13.54db
56% Popularity • 84% Danceability • 23% Energy • 10% Liveness
75% Instrumentalness • 78% Positiveness
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Romare
Hey Now - When I Give You All My Lovin'
125 bpm • G Maj • 02:26 • -8.42db
65% Popularity • 87% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 12% Positiveness
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WITCH
Home Town
164 bpm • C min • 04:21 • -13.25db
43% Popularity • 49% Danceability • 38% Energy • 11% Liveness
58% Instrumentalness • 51% Positiveness
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Steely Dan
Do It Again
125 bpm • D min • 05:57 • -15.18db
72% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Neil Young
Down by the River - 2009 Remaster
164 bpm • A Maj • 09:18 • -8.1db
52% Popularity • 46% Danceability • 47% Energy • 9% Liveness
4% Instrumentalness • 56% Positiveness
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Shuggie Otis
Ice Cream Party
126 bpm • E Maj • 03:07 • -3.09db
3% Popularity • 48% Danceability • 91% Energy • 25% Liveness
7% Instrumentalness • 39% Positiveness
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Eddie "Cleanhead" Vinson
Old Maid's Boogie
124 bpm • D# Maj • 03:31 • -16.93db
2% Popularity • 74% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 66% Positiveness
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Junior Kimbrough
I Gotta Try You Girl
166 bpm • C# Maj • 05:26 • -10.12db
34% Popularity • 65% Danceability • 54% Energy • 9% Liveness
78% Instrumentalness • 68% Positiveness
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Sweet Thang