Songs like Sweetheart by Long Beard
Based on a tempo of (+/- 10%) and a similar genre
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Black Belt Eagle Scout
Run It to Ya
112 bpm • D Maj • 03:39 • -5.49db
23% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
23% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
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Saintseneca
All You've Got Is Everyone
112 bpm • A# Maj • 05:25 • -7.61db
25% Popularity • 50% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Long Beard
Sweetheart
112 bpm • D Maj • 05:34 • -5.43db
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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wished bone
reasons
112 bpm • D# Maj • 03:05 • -10.91db
20% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
20% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Sobs
Hunchback
113 bpm • B min • 01:42 • -9.57db
21% Popularity • 72% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 72% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Kississippi
Dreams with You
111 bpm • B Maj • 02:45 • -5.59db
17% Popularity • 66% Danceability • 86% Energy • 34% Liveness
45% Instrumentalness • 93% Positiveness
17% Popularity • 66% Danceability • 86% Energy • 34% Liveness
45% Instrumentalness • 93% Positiveness
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Black Belt Eagle Scout
My Heart Dreams
113 bpm • B min • 03:40 • -6.13db
29% Popularity • 52% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 52% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
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Charlie Martin
Courage
113 bpm • G Maj • 02:48 • -7.49db
19% Popularity • 67% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
19% Popularity • 67% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Liza Anne
Desire
111 bpm • G Maj • 02:59 • -5db
21% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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wished bone
pollinate me
112 bpm • D Maj • 04:31 • -8.64db
28% Popularity • 59% Danceability • 55% Energy • 15% Liveness
81% Instrumentalness • 45% Positiveness
28% Popularity • 59% Danceability • 55% Energy • 15% Liveness
81% Instrumentalness • 45% Positiveness
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The Beths
Do You Want Me Now
113 bpm • C Maj • 04:16 • -12.47db
30% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kississippi
Moonover
111 bpm • A# Maj • 03:43 • -6.08db
15% Popularity • 67% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
15% Popularity • 67% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Martin
Trick
113 bpm • C Maj • 02:46 • -7.82db
14% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
14% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Why Bonnie
Voice Box
113 bpm • E Maj • 04:51 • -7.54db
14% Popularity • 52% Danceability • 66% Energy • 13% Liveness
59% Instrumentalness • 64% Positiveness
14% Popularity • 52% Danceability • 66% Energy • 13% Liveness
59% Instrumentalness • 64% Positiveness
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Long Beard
Summer Fall
113 bpm • A min • 02:54 • -7.86db
8% Popularity • 17% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Tomberlin
You Are Here
110 bpm • A# Maj • 03:44 • -13.93db
28% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
28% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Tennis
Late Night
113 bpm • E Maj • 03:34 • -6.59db
30% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Fog Lake
Serotonin
110 bpm • C# Maj • 02:39 • -8db
47% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
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Little Big League
Brackish Water
110 bpm • C# min • 03:53 • -5.27db
21% Popularity • 52% Danceability • 86% Energy • 28% Liveness
63% Instrumentalness • 67% Positiveness
21% Popularity • 52% Danceability • 86% Energy • 28% Liveness
63% Instrumentalness • 67% Positiveness
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Rachel Bobbitt
More
114 bpm • G# Maj • 04:46 • -10.15db
31% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Charlie Martin
Winner
110 bpm • F Maj • 03:11 • -7.59db
15% Popularity • 60% Danceability • 53% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
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Say Sue Me
Dreaming
114 bpm • C# Maj • 03:57 • -5.69db
26% Popularity • 54% Danceability • 83% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
26% Popularity • 54% Danceability • 83% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
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Hannah Jadagu
Sundown
110 bpm • C Maj • 03:36 • -5.08db
19% Popularity • 55% Danceability • 72% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
19% Popularity • 55% Danceability • 72% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
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Crisman
Portrait
110 bpm • C Maj • 02:46 • -9db
27% Popularity • 69% Danceability • 68% Energy • 20% Liveness
3% Instrumentalness • 13% Positiveness
27% Popularity • 69% Danceability • 68% Energy • 20% Liveness
3% Instrumentalness • 13% Positiveness
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Fazerdaze
Take It Slow
114 bpm • B min • 03:09 • -8.36db
22% Popularity • 74% Danceability • 67% Energy • 18% Liveness
44% Instrumentalness • 97% Positiveness
22% Popularity • 74% Danceability • 67% Energy • 18% Liveness
44% Instrumentalness • 97% Positiveness
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Haley Blais
Asleep
114 bpm • D Maj • 03:37 • -8.34db
20% Popularity • 55% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 25% Positiveness
20% Popularity • 55% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 25% Positiveness
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Long Beard
Posters
114 bpm • C# Maj • 03:17 • -5.74db
18% Popularity • 66% Danceability • 78% Energy • 39% Liveness
17% Instrumentalness • 38% Positiveness
18% Popularity • 66% Danceability • 78% Energy • 39% Liveness
17% Instrumentalness • 38% Positiveness
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Tennis
How to Forgive
110 bpm • G Maj • 03:36 • -6db
39% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Babehoven
Get Better
114 bpm • F# Maj • 04:11 • -10.64db
25% Popularity • 56% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
25% Popularity • 56% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Little Big League
Tokyo Drift
110 bpm • B min • 03:24 • -5.46db
18% Popularity • 47% Danceability • 89% Energy • 18% Liveness
63% Instrumentalness • 15% Positiveness
18% Popularity • 47% Danceability • 89% Energy • 18% Liveness
63% Instrumentalness • 15% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Tyler Burkhart
Waiting for you
110 bpm • A Maj • 03:40 • -12.48db
30% Popularity • 61% Danceability • 37% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
30% Popularity • 61% Danceability • 37% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Long Beard
Snow Globe
110 bpm • E Maj • 05:23 • -8db
23% Popularity • 43% Danceability • 52% Energy • 22% Liveness
20% Instrumentalness • 15% Positiveness
23% Popularity • 43% Danceability • 52% Energy • 22% Liveness
20% Instrumentalness • 15% Positiveness
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Bathe Alone
The Silence
110 bpm • E Maj • 03:38 • -7.36db
28% Popularity • 64% Danceability • 75% Energy • 10% Liveness
71% Instrumentalness • 41% Positiveness
28% Popularity • 64% Danceability • 75% Energy • 10% Liveness
71% Instrumentalness • 41% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Hannah Jadagu
All My Time Is Wasted
110 bpm • F# Maj • 03:20 • -8db
37% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Samia
The Promise
115 bpm • C Maj • 03:45 • -7.72db
38% Popularity • 70% Danceability • 85% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 85% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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Japanese Breakfast
The Woman That Loves You
110 bpm • F# min • 02:24 • -6db
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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Long Beard
Turkeys
109 bpm • A# Maj • 02:36 • -7.69db
12% Popularity • 30% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 30% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Queen of Jeans
Get Lost
115 bpm • E Maj • 04:15 • -9.61db
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Why Bonnie
Gold Rush
115 bpm • E Maj • 03:05 • -6.28db
9% Popularity • 42% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
9% Popularity • 42% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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Lala Lala
Legs, Run
115 bpm • C Maj • 01:58 • -10.59db
14% Popularity • 50% Danceability • 30% Energy • 18% Liveness
7% Instrumentalness • 15% Positiveness
14% Popularity • 50% Danceability • 30% Energy • 18% Liveness
7% Instrumentalness • 15% Positiveness
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Jordana
Forgetter
115 bpm • C Maj • 03:21 • -10.12db
16% Popularity • 78% Danceability • 34% Energy • 12% Liveness
31% Instrumentalness • 66% Positiveness
16% Popularity • 78% Danceability • 34% Energy • 12% Liveness
31% Instrumentalness • 66% Positiveness
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ellis
The Drain
115 bpm • D Maj • 05:09 • -9.31db
12% Popularity • 42% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
12% Popularity • 42% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Bored at My Grandmas House
Showers
115 bpm • A min • 03:40 • -6.61db
23% Popularity • 34% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 62% Positiveness
23% Popularity • 34% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 62% Positiveness
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Ratboys
I Go Out at Night
109 bpm • C Maj • 03:07 • -6.6db
41% Popularity • 52% Danceability • 53% Energy • 30% Liveness
60% Instrumentalness • 35% Positiveness
41% Popularity • 52% Danceability • 53% Energy • 30% Liveness
60% Instrumentalness • 35% Positiveness
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wished bone
Trees We Couldn't Tell the Size Of
115 bpm • D# Maj • 03:26 • -8.76db
16% Popularity • 73% Danceability • 56% Energy • 12% Liveness
21% Instrumentalness • 42% Positiveness
16% Popularity • 73% Danceability • 56% Energy • 12% Liveness
21% Instrumentalness • 42% Positiveness
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Lala Lala
Fantasy Movie
115 bpm • C Maj • 03:52 • -6.57db
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Japanese Breakfast
12 Steps
115 bpm • G Maj • 02:36 • -4.4db
37% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Long Beard
Means To Me
115 bpm • G# Maj • 03:44 • -6.62db
25% Popularity • 32% Danceability • 66% Energy • 12% Liveness
21% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 66% Energy • 12% Liveness
21% Instrumentalness • 14% Positiveness
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Kate Teague
Gilly
109 bpm • B Maj • 03:17 • -7.43db
7% Popularity • 52% Danceability • 69% Energy • 17% Liveness
10% Instrumentalness • 88% Positiveness
7% Popularity • 52% Danceability • 69% Energy • 17% Liveness
10% Instrumentalness • 88% Positiveness
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Charlie Martin
Rusty
116 bpm • G# Maj • 03:25 • -6.79db
15% Popularity • 63% Danceability • 56% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
15% Popularity • 63% Danceability • 56% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
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Oddnesse
Somewhere Somehow
116 bpm • E Maj • 02:44 • -6db
42% Popularity • 52% Danceability • 81% Energy • 17% Liveness
76% Instrumentalness • 60% Positiveness
42% Popularity • 52% Danceability • 81% Energy • 17% Liveness
76% Instrumentalness • 60% Positiveness
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Kississippi
Googly Eyes
116 bpm • C Maj • 03:59 • -10.08db
23% Popularity • 51% Danceability • 50% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
23% Popularity • 51% Danceability • 50% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Long Beard
Getting By
116 bpm • E Maj • 03:45 • -8db
28% Popularity • 50% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 50% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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TOPS
Party Again
108 bpm • C min • 02:44 • -10db
38% Popularity • 75% Danceability • 62% Energy • 6% Liveness
43% Instrumentalness • 86% Positiveness
38% Popularity • 75% Danceability • 62% Energy • 6% Liveness
43% Instrumentalness • 86% Positiveness
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Tanukichan
This Time
108 bpm • F# Maj • 02:55 • -7.92db
44% Popularity • 48% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
44% Popularity • 48% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
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Babehoven
Fugazi
108 bpm • A Maj • 04:26 • -10.63db
34% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
34% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
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Drug Store Romeos
Quotations For Locations
116 bpm • C Maj • 03:36 • -11.91db
24% Popularity • 81% Danceability • 41% Energy • 11% Liveness
28% Instrumentalness • 43% Positiveness
24% Popularity • 81% Danceability • 41% Energy • 11% Liveness
28% Instrumentalness • 43% Positiveness
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Long Beard
Moths
108 bpm • D Maj • 02:59 • -10.04db
9% Popularity • 30% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Lomelda
Hannah Happiest
108 bpm • D Maj • 03:46 • -15.9db
31% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
31% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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Kississippi
Unkempt Leather
117 bpm • G Maj • 02:58 • -12.93db
25% Popularity • 58% Danceability • 31% Energy • 26% Liveness
46% Instrumentalness • 5% Positiveness
25% Popularity • 58% Danceability • 31% Energy • 26% Liveness
46% Instrumentalness • 5% Positiveness
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Babehoven
Break the Ice
117 bpm • G Maj • 04:35 • -9.34db
38% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Launder
Keep You Close
117 bpm • D Maj • 03:42 • -8.6db
35% Popularity • 60% Danceability • 74% Energy • 10% Liveness
31% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 74% Energy • 10% Liveness
31% Instrumentalness • 53% Positiveness
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The Ophelias
General Electric
117 bpm • C# Maj • 03:33 • -7db
34% Popularity • 50% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
34% Popularity • 50% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Kacey Johansing
I Try
107 bpm • G# Maj • 03:41 • -7db
23% Popularity • 66% Danceability • 46% Energy • 23% Liveness
20% Instrumentalness • 73% Positiveness
23% Popularity • 66% Danceability • 46% Energy • 23% Liveness
20% Instrumentalness • 73% Positiveness
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Fazerdaze
Shoulders
107 bpm • F Maj • 02:55 • -8.25db
23% Popularity • 70% Danceability • 46% Energy • 9% Liveness
55% Instrumentalness • 43% Positiveness
23% Popularity • 70% Danceability • 46% Energy • 9% Liveness
55% Instrumentalness • 43% Positiveness
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Kississippi
Indigo
117 bpm • E min • 02:31 • -10.5db
35% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Fog Lake
Catacombs
107 bpm • G Maj • 03:21 • -12.08db
36% Popularity • 60% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
36% Popularity • 60% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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NewDad
How
107 bpm • A Maj • 04:09 • -8.28db
25% Popularity • 53% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Hater
Blushing
118 bpm • C min • 04:39 • -7.23db
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Land of Talk
Love in 2 Stages
107 bpm • G Maj • 03:16 • -10.49db
15% Popularity • 48% Danceability • 36% Energy • 23% Liveness
4% Instrumentalness • 17% Positiveness
15% Popularity • 48% Danceability • 36% Energy • 23% Liveness
4% Instrumentalness • 17% Positiveness
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Kississippi
Cut Yr Teeth
117 bpm • D Maj • 03:06 • -6.43db
32% Popularity • 58% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 58% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Snarls
Walk in the Woods
118 bpm • G# Maj • 03:28 • -6db
33% Popularity • 46% Danceability • 62% Energy • 4% Liveness
35% Instrumentalness • 52% Positiveness
33% Popularity • 46% Danceability • 62% Energy • 4% Liveness
35% Instrumentalness • 52% Positiveness
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Wilsen
Align
118 bpm • B min • 04:52 • -7.62db
11% Popularity • 67% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 53% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 53% Positiveness
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Marika Hackman
any human friend
118 bpm • E Maj • 03:12 • -11.08db
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Hannah Jadagu
What Is Going On?
118 bpm • E Maj • 03:27 • -6.34db
38% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
38% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Henry Solomon
Menthol
118 bpm • C# Maj • 03:07 • -10.13db
24% Popularity • 73% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
24% Popularity • 73% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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Ratboys
The Stanza
118 bpm • A# Maj • 03:28 • -10.18db
32% Popularity • 72% Danceability • 50% Energy • 15% Liveness
26% Instrumentalness • 34% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 15% Liveness
26% Instrumentalness • 34% Positiveness
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Launder
Powder
118 bpm • D Maj • 04:30 • -10.26db
27% Popularity • 51% Danceability • 59% Energy • 29% Liveness
64% Instrumentalness • 23% Positiveness
27% Popularity • 51% Danceability • 59% Energy • 29% Liveness
64% Instrumentalness • 23% Positiveness
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Wild Pink
Amalfi
106 bpm • C# Maj • 04:16 • -11.29db
32% Popularity • 54% Danceability • 69% Energy • 53% Liveness
86% Instrumentalness • 29% Positiveness
32% Popularity • 54% Danceability • 69% Energy • 53% Liveness
86% Instrumentalness • 29% Positiveness
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Liam Benzvi
Hypno
106 bpm • G Maj • 02:49 • -7db
23% Popularity • 56% Danceability • 66% Energy • 33% Liveness
3% Instrumentalness • 54% Positiveness
23% Popularity • 56% Danceability • 66% Energy • 33% Liveness
3% Instrumentalness • 54% Positiveness
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Geowulf
Open Me Up
106 bpm • A Maj • 03:42 • -11.2db
16% Popularity • 61% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
16% Popularity • 61% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Japanese Breakfast
Heft
119 bpm • D Maj • 03:37 • -6.18db
31% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lala Lala
Water Over Sex
106 bpm • C Maj • 02:50 • -8.46db
26% Popularity • 67% Danceability • 62% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
26% Popularity • 67% Danceability • 62% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
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Long Beard
Morning Ghost
119 bpm • D Maj • 01:20 • -12.53db
10% Popularity • 28% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 7% Positiveness
10% Popularity • 28% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 7% Positiveness
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Wilma Laverne Miner
Used To
119 bpm • B Maj • 04:59 • -10db
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 76% Positiveness
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 76% Positiveness
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fanclubwallet
Car Crash in G Major
105 bpm • G Maj • 02:12 • -8db
48% Popularity • 71% Danceability • 52% Energy • 48% Liveness
12% Instrumentalness • 43% Positiveness
48% Popularity • 71% Danceability • 52% Energy • 48% Liveness
12% Instrumentalness • 43% Positiveness
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strawbey
how do you feel
105 bpm • F# min • 04:57 • -9.03db
14% Popularity • 19% Danceability • 47% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 47% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
