Songs like Swim - Take A Daytrip Remix by Sam Austins
Based on a tempo of (+/- 10%) and a similar genre
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Flowerboy
Plant!
159 bpm • G# min • 02:11 • -8.57db
30% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sam Austins
swim
159 bpm • A min • 03:14 • -7.27db
2% Popularity • 55% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 55% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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whiterosemoxie
mist outside
160 bpm • B min • 02:39 • -6.22db
2% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Wallice
Best Friend
160 bpm • D Maj • 02:43 • -5.06db
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Corrigan
Uncertainty
160 bpm • E Maj • 04:59 • -7.82db
18% Popularity • 32% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
18% Popularity • 32% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
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Deb Never
Momentary Sweetheart
160 bpm • C Maj • 03:02 • -4db
40% Popularity • 44% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 44% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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binki
Hotel Window
158 bpm • F Maj • 02:03 • -4.73db
40% Popularity • 56% Danceability • 92% Energy • 38% Liveness
77% Instrumentalness • 92% Positiveness
40% Popularity • 56% Danceability • 92% Energy • 38% Liveness
77% Instrumentalness • 92% Positiveness
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Eden Rain
Oh God
160 bpm • B min • 02:59 • -7.85db
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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LAUNDRY DAY
Worry Bout Yourself
160 bpm • B min • 03:48 • -7.13db
25% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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SAIAH
LAZLO
160 bpm • F Maj • 03:00 • -4.89db
31% Popularity • 57% Danceability • 78% Energy • 53% Liveness
63% Instrumentalness • 62% Positiveness
31% Popularity • 57% Danceability • 78% Energy • 53% Liveness
63% Instrumentalness • 62% Positiveness
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Ray Laurél
DONTLEAVEMYSIDE
160 bpm • C# Maj • 02:06 • -5.52db
25% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Deb Never
Crutches
160 bpm • A Maj • 02:50 • -6.64db
25% Popularity • 57% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 57% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Jay Feelbender
Calling out Your Name
160 bpm • F Maj • 02:39 • -6db
30% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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binki
Rocket Ship
160 bpm • A# min • 01:43 • -4.83db
34% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
34% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Oscar Lang
I've Never Been To LA
161 bpm • E Maj • 03:06 • -4db
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
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Sherwyn
GOOD MORNING
157 bpm • A Maj • 02:56 • -7.35db
13% Popularity • 70% Danceability • 78% Energy • 7% Liveness
29% Instrumentalness • 70% Positiveness
13% Popularity • 70% Danceability • 78% Energy • 7% Liveness
29% Instrumentalness • 70% Positiveness
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diet lemon
ready
157 bpm • G# Maj • 02:39 • -7.07db
24% Popularity • 45% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 45% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Carter Vail
NAPOLEON
161 bpm • G# Maj • 03:35 • -6.14db
34% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Blvck Hippie
Mansion
157 bpm • B Maj • 04:35 • -6.7db
27% Popularity • 22% Danceability • 86% Energy • 48% Liveness
1% Instrumentalness • 54% Positiveness
27% Popularity • 22% Danceability • 86% Energy • 48% Liveness
1% Instrumentalness • 54% Positiveness
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Junior Varsity
Share Ur Feelings
156 bpm • B Maj • 03:00 • -7db
28% Popularity • 47% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 47% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Hadji Gaviota
put the L in style!
162 bpm • C Maj • 02:18 • -5.36db
18% Popularity • 58% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Scoobert Doobert
Who Am I Really Fooling Anyway
156 bpm • G# min • 03:09 • -9.06db
25% Popularity • 68% Danceability • 45% Energy • 9% Liveness
29% Instrumentalness • 71% Positiveness
25% Popularity • 68% Danceability • 45% Energy • 9% Liveness
29% Instrumentalness • 71% Positiveness
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Ruby Red
Can We Talk?
156 bpm • E Maj • 03:46 • -7db
11% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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j. pastel
Lung
156 bpm • A Maj • 02:49 • -9.72db
28% Popularity • 32% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 66% Positiveness
28% Popularity • 32% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 66% Positiveness
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Kid Bloom
Middle Ground
156 bpm • C# min • 02:52 • -5.48db
23% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Junior Varsity
Tamarin
156 bpm • F Maj • 02:23 • -8db
20% Popularity • 57% Danceability • 60% Energy • 38% Liveness
62% Instrumentalness • 27% Positiveness
20% Popularity • 57% Danceability • 60% Energy • 38% Liveness
62% Instrumentalness • 27% Positiveness
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auston ghost
KIDS
163 bpm • B Maj • 02:42 • -7.35db
9% Popularity • 52% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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RUNNER BOY
BOY
155 bpm • G# Maj • 02:42 • -7.62db
15% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Wagen
I Want Your Love
162 bpm • F Maj • 03:38 • -6.01db
26% Popularity • 40% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 40% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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ernest rareberrg
Jumbo Jets
155 bpm • G Maj • 03:12 • -6.73db
19% Popularity • 63% Danceability • 90% Energy • 8% Liveness
22% Instrumentalness • 79% Positiveness
19% Popularity • 63% Danceability • 90% Energy • 8% Liveness
22% Instrumentalness • 79% Positiveness
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King Isis
macho man
163 bpm • E min • 03:15 • -7.8db
30% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
30% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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Junior Varsity
Rushh
163 bpm • E Maj • 03:10 • -7.7db
28% Popularity • 55% Danceability • 67% Energy • 47% Liveness
7% Instrumentalness • 50% Positiveness
28% Popularity • 55% Danceability • 67% Energy • 47% Liveness
7% Instrumentalness • 50% Positiveness
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Wallice
Wisdom Tooth
155 bpm • A Maj • 02:36 • -4.13db
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Remi Wolf
Michael
164 bpm • E Maj • 02:45 • -4.47db
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Babebee
sunset blvd
164 bpm • G Maj • 01:46 • -8.82db
34% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hank Heaven
Your Ex, Man
164 bpm • A Maj • 03:30 • -7.81db
16% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Postcard Boy
Polka-dot
164 bpm • F Maj • 03:42 • -5.92db
24% Popularity • 44% Danceability • 84% Energy • 24% Liveness
55% Instrumentalness • 31% Positiveness
24% Popularity • 44% Danceability • 84% Energy • 24% Liveness
55% Instrumentalness • 31% Positiveness
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Wild Painting
Waves
154 bpm • F min • 03:53 • -8.3db
34% Popularity • 68% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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BLACKSTARKIDS
SOUNDS LIKE FUN
164 bpm • B min • 02:03 • -4.3db
28% Popularity • 44% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 44% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Boyish
AnDroGay
165 bpm • C# Maj • 04:04 • -12db
32% Popularity • 44% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 44% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Billy Lemos
Concentrate
154 bpm • F# Maj • 02:14 • -6.46db
37% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Austins
Sweet Tooth
165 bpm • D# min • 03:35 • -4.79db
27% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Luke Wild
PIE
166 bpm • G Maj • 02:56 • -7.65db
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Legwurk
Dusty
166 bpm • F# Maj • 02:19 • -8.65db
31% Popularity • 70% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
31% Popularity • 70% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 88% Positiveness
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The Knews
Pretty Girl
166 bpm • G# min • 03:06 • -7.35db
23% Popularity • 47% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 47% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Celia
Mott St
166 bpm • D# Maj • 02:55 • -7.38db
18% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Forest Claudette
Creaming Soda
166 bpm • F# min • 03:38 • -7.56db
19% Popularity • 48% Danceability • 75% Energy • 33% Liveness
3% Instrumentalness • 30% Positiveness
19% Popularity • 48% Danceability • 75% Energy • 33% Liveness
3% Instrumentalness • 30% Positiveness
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Sam Austins
LAST MONEY
166 bpm • C# Maj • 02:26 • -4.88db
2% Popularity • 79% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 79% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Wild
Plz Don't Tell Your Friends I Cried
167 bpm • C Maj • 02:18 • -7.99db
21% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Wagen
You're Not There
152 bpm • B Maj • 03:14 • -6.62db
20% Popularity • 49% Danceability • 87% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
20% Popularity • 49% Danceability • 87% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
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Jackie Hayes
Best of It
167 bpm • A# Maj • 02:08 • -3.83db
14% Popularity • 53% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 53% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Deb Never
Funky
167 bpm • C# min • 03:34 • -7.02db
32% Popularity • 56% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 56% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Kid Bloom
Just the Thought
151 bpm • C Maj • 02:47 • -5.76db
22% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Groupthink
Me and Your Boyfriend
168 bpm • C Maj • 02:06 • -7.56db
26% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Austins
Dancing With The Devil
168 bpm • C Maj • 02:55 • -5.21db
4% Popularity • 52% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 52% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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bennytheghost
Supersonic
168 bpm • A# Maj • 02:29 • -8db
30% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Wallice
Off the Rails
168 bpm • C# Maj • 02:20 • -4.21db
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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morgen
Make U Mine
150 bpm • C# min • 02:25 • -6.26db
36% Popularity • 49% Danceability • 87% Energy • 52% Liveness
1% Instrumentalness • 58% Positiveness
36% Popularity • 49% Danceability • 87% Energy • 52% Liveness
1% Instrumentalness • 58% Positiveness
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diet lemon
glow
150 bpm • F# Maj • 02:23 • -6.76db
26% Popularity • 51% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
26% Popularity • 51% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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flowerovlove
Get With You
150 bpm • D min • 01:51 • -7.81db
24% Popularity • 74% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 74% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Portraits Of Tracy
The Afterparty
169 bpm • A# min • 03:34 • -5.95db
31% Popularity • 27% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 27% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Baird
On My Mind Pt. 2
150 bpm • G Maj • 05:28 • -8.32db
18% Popularity • 28% Danceability • 74% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
18% Popularity • 28% Danceability • 74% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
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May Rio
NYC UMTs
170 bpm • A Maj • 02:41 • -6.65db
27% Popularity • 59% Danceability • 65% Energy • 14% Liveness
34% Instrumentalness • 54% Positiveness
27% Popularity • 59% Danceability • 65% Energy • 14% Liveness
34% Instrumentalness • 54% Positiveness
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Rebounder
Disco Ball Soul
170 bpm • C# min • 03:39 • -5.06db
33% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Teenage Priest
Mirror
170 bpm • D Maj • 03:56 • -6.98db
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
14% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
14% Instrumentalness • 85% Positiveness
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Huck
How To Let Go
170 bpm • A Maj • 02:56 • -9.96db
31% Popularity • 45% Danceability • 54% Energy • 32% Liveness
44% Instrumentalness • 45% Positiveness
31% Popularity • 45% Danceability • 54% Energy • 32% Liveness
44% Instrumentalness • 45% Positiveness
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Billy Lemos
COCKPIT
170 bpm • B Maj • 02:04 • -7.51db
28% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Moise
CELLPHONE RECEIVER
170 bpm • B Maj • 03:25 • -8.13db
8% Popularity • 62% Danceability • 43% Energy • 26% Liveness
5% Instrumentalness • 59% Positiveness
8% Popularity • 62% Danceability • 43% Energy • 26% Liveness
5% Instrumentalness • 59% Positiveness
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DACEY
STEPMOM
170 bpm • B Maj • 03:04 • -6db
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Newport
American Scam
170 bpm • D min • 02:50 • -5db
24% Popularity • 83% Danceability • 79% Energy • 12% Liveness
10% Instrumentalness • 76% Positiveness
24% Popularity • 83% Danceability • 79% Energy • 12% Liveness
10% Instrumentalness • 76% Positiveness
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Honeyboys
Green Tea
148 bpm • A Maj • 03:07 • -8db
30% Popularity • 48% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
30% Popularity • 48% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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maxime.
‎talk 2 ‎me
170 bpm • F# min • 04:02 • -11.32db
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 50% Positiveness
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Junior Varsity
I'm Not A Boy
148 bpm • G Maj • 02:37 • -6.9db
15% Popularity • 44% Danceability • 75% Energy • 43% Liveness
1% Instrumentalness • 14% Positiveness
15% Popularity • 44% Danceability • 75% Energy • 43% Liveness
1% Instrumentalness • 14% Positiveness
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Luke Wild
Slow Motion
148 bpm • A# min • 02:30 • -5.27db
41% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ocean Child
Maye
148 bpm • G min • 03:27 • -10db
35% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Superfan
Someone to Hold
171 bpm • D# Maj • 03:03 • -12.37db
16% Popularity • 35% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
16% Popularity • 35% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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binki
Origami
148 bpm • A Maj • 02:55 • -4.65db
26% Popularity • 44% Danceability • 93% Energy • 20% Liveness
43% Instrumentalness • 61% Positiveness
26% Popularity • 44% Danceability • 93% Energy • 20% Liveness
43% Instrumentalness • 61% Positiveness
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ggwendolyn
orion
172 bpm • D# Maj • 03:00 • -9.34db
31% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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scott is okay
No Wonder You Never Tell Me Anything
172 bpm • E Maj • 02:02 • -9.07db
9% Popularity • 49% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Wallice
90s American Superstar
172 bpm • E min • 02:19 • -4db
36% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Richie Quake
That's Not Love!
172 bpm • A Maj • 02:43 • -6.11db
27% Popularity • 59% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 59% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Superfan
Different Way
172 bpm • C# Maj • 05:51 • -7.96db
15% Popularity • 48% Danceability • 66% Energy • 7% Liveness
7% Instrumentalness • 44% Positiveness
15% Popularity • 48% Danceability • 66% Energy • 7% Liveness
7% Instrumentalness • 44% Positiveness
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Deb Never
5 O'Clock
147 bpm • A Maj • 02:52 • -3.61db
23% Popularity • 51% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 51% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Miloe
floating
172 bpm • B min • 02:42 • -6.16db
11% Popularity • 55% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 55% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Nick Wagen
Someone, Someone Real
173 bpm • F# Maj • 03:59 • -7db
36% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kieran Ivy
Evidence
146 bpm • E Maj • 01:54 • -5db
39% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Devon Again
Broke Mine Too
146 bpm • G# Maj • 03:48 • -5.66db
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Superfan
For You
172 bpm • D# min • 03:48 • -7.27db
29% Popularity • 42% Danceability • 69% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
29% Popularity • 42% Danceability • 69% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
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James Mantis
CRUMBLE
146 bpm • D Maj • 02:14 • -7.06db
7% Popularity • 63% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 63% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Tommy Newport
Fate
174 bpm • F# min • 03:22 • -5.68db
32% Popularity • 50% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 50% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Teenage Priest
Let It Pass
174 bpm • C Maj • 04:28 • -8db
32% Popularity • 56% Danceability • 55% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 55% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
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Collin Selman
Domino
145 bpm • A# Maj • 03:16 • -6.32db
36% Popularity • 62% Danceability • 69% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
36% Popularity • 62% Danceability • 69% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
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Devon Again
Maybe That's Why
145 bpm • G# Maj • 03:58 • -7.96db
27% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
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Wallice
disappear
145 bpm • E min • 02:17 • -5.13db
28% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Swansea Skag
Control Theory
145 bpm • F min • 01:59 • -9.13db
12% Popularity • 70% Danceability • 64% Energy • 13% Liveness
10% Instrumentalness • 49% Positiveness
12% Popularity • 70% Danceability • 64% Energy • 13% Liveness
10% Instrumentalness • 49% Positiveness
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Younger Hunger
TIME&PLACE
145 bpm • A Maj • 02:53 • -6.67db
31% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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EXUM
VIII. Handle It
175 bpm • C# min • 02:32 • -5.45db
20% Popularity • 45% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 91% Positiveness
20% Popularity • 45% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 91% Positiveness
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spill tab
CRÈME BRÛLÉE!
145 bpm • G min • 02:15 • -6db
44% Popularity • 41% Danceability • 83% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
44% Popularity • 41% Danceability • 83% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
