Songs like Swing 41 by Quintette du Hot Club de France
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Montagne
Goldy
96 bpm • A min • 02:57 • -15db
29% Popularity • 48% Danceability • 22% Energy • 26% Liveness
45% Instrumentalness • 41% Positiveness
29% Popularity • 48% Danceability • 22% Energy • 26% Liveness
45% Instrumentalness • 41% Positiveness
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Bourbon Street Jazzband
New Orleans Shout
96 bpm • A# Maj • 02:55 • -12.52db
29% Popularity • 71% Danceability • 34% Energy • 3% Liveness
75% Instrumentalness • 90% Positiveness
29% Popularity • 71% Danceability • 34% Energy • 3% Liveness
75% Instrumentalness • 90% Positiveness
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Jelly Roll Morton
King Porter Stomp
96 bpm • C# Maj • 02:36 • -21.8db
31% Popularity • 45% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 67% Positiveness
31% Popularity • 45% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 67% Positiveness
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Quintette du Hot Club de France
Moonglow
96 bpm • D Maj • 03:04 • -20db
30% Popularity • 63% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 32% Positiveness
30% Popularity • 63% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 32% Positiveness
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Fapy Lafertin Quintet
Double Scotch
95 bpm • C Maj • 03:26 • -11.83db
12% Popularity • 84% Danceability • 29% Energy • 7% Liveness
6% Instrumentalness • 83% Positiveness
12% Popularity • 84% Danceability • 29% Energy • 7% Liveness
6% Instrumentalness • 83% Positiveness
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Oscar Peterson Trio
Mack The Knife
96 bpm • D# Maj • 05:15 • -13db
37% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Barney Kessel
Wall Street
95 bpm • A min • 04:23 • -13.56db
22% Popularity • 63% Danceability • 29% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
22% Popularity • 63% Danceability • 29% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
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Havana Swing
Topsy
97 bpm • F Maj • 03:29 • -13.27db
14% Popularity • 64% Danceability • 41% Energy • 70% Liveness
84% Instrumentalness • 67% Positiveness
14% Popularity • 64% Danceability • 41% Energy • 70% Liveness
84% Instrumentalness • 67% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Quintette du Hot Club de France
Swing 39
95 bpm • G Maj • 03:20 • -14.46db
15% Popularity • 76% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
15% Popularity • 76% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Roy Eldridge
Blues in C Sharp Minor
97 bpm • G# Maj • 03:21 • -15.83db
22% Popularity • 67% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
22% Popularity • 67% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
22% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
22% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Chick Webb
If Dreams Come True
97 bpm • D min • 03:24 • -13.94db
24% Popularity • 74% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 83% Positiveness
24% Popularity • 74% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 83% Positiveness
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The Black Market Trust
Dolores
97 bpm • A Maj • 02:03 • -11db
37% Popularity • 77% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 95% Positiveness
37% Popularity • 77% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 95% Positiveness
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Matelo Ferret
Montagne Sainte Genevieve
97 bpm • E min • 02:01 • -15.49db
21% Popularity • 69% Danceability • 36% Energy • 12% Liveness
62% Instrumentalness • 94% Positiveness
21% Popularity • 69% Danceability • 36% Energy • 12% Liveness
62% Instrumentalness • 94% Positiveness
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Quintette du Hot Club de France
St. Louis Blues
97 bpm • G Maj • 03:31 • -18db
30% Popularity • 65% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
30% Popularity • 65% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
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George Shearing
Lullaby Of Birdland
97 bpm • F# Maj • 02:40 • -19.36db
32% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Henry "Red" Allen
Just a Closer Walk with Thee
95 bpm • G# Maj • 03:23 • -15.17db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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The Chocolate Dandies
Blue Interlude
95 bpm • F min • 03:28 • -13.63db
13% Popularity • 54% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
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King Oliver
Black Snake Blues
95 bpm • C Maj • 02:50 • -10.1db
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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Django Reinhardt
Chicago
95 bpm • F Maj • 03:24 • -13.69db
18% Popularity • 89% Danceability • 35% Energy • 5% Liveness
54% Instrumentalness • 90% Positiveness
18% Popularity • 89% Danceability • 35% Energy • 5% Liveness
54% Instrumentalness • 90% Positiveness
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Quintette du Hot Club de France
Moonglow
97 bpm • D Maj • 03:03 • -25.6db
2% Popularity • 62% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
2% Popularity • 62% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Swing De Gitanes
Montagne Sainte Genevieve
94 bpm • E min • 04:36 • -13.04db
28% Popularity • 66% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
28% Popularity • 66% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Black Bottom Stompers
Black Snake Blues
98 bpm • C Maj • 04:14 • -15.62db
26% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
26% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
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Jelly Roll Morton
Mamie's Blues
98 bpm • F Maj • 02:51 • -14.95db
16% Popularity • 53% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 53% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Havana Swing
Hotel Du Palais Pour Pam
98 bpm • A Maj • 03:24 • -6.24db
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 66% Positiveness
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 66% Positiveness
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Gene Krupa
Big Noise From Winnetka
98 bpm • G# Maj • 04:24 • -20.21db
11% Popularity • 54% Danceability • 35% Energy • 70% Liveness
90% Instrumentalness • 54% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 70% Liveness
90% Instrumentalness • 54% Positiveness
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Quintette du Hot Club de France
Chicago - Mix Two
94 bpm • F Maj • 03:29 • -8.93db
9% Popularity • 88% Danceability • 47% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 47% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
20% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
20% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
32% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
32% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Ninine Garcia Quintet
Nouvelle Vie
98 bpm • F Maj • 02:41 • -12.38db
37% Popularity • 70% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Havana Swing
Uncle Frank
98 bpm • A Maj • 02:54 • -7.75db
21% Popularity • 60% Danceability • 48% Energy • 21% Liveness
91% Instrumentalness • 67% Positiveness
21% Popularity • 60% Danceability • 48% Energy • 21% Liveness
91% Instrumentalness • 67% Positiveness
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Quintette du Hot Club de France
Chicago - Original
94 bpm • C Maj • 03:25 • -3.7db
3% Popularity • 83% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 96% Positiveness
3% Popularity • 83% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 96% Positiveness
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Frank Trumbauer & His Orchestra
Trumbology
94 bpm • D# Maj • 02:59 • -11.5db
14% Popularity • 74% Danceability • 33% Energy • 9% Liveness
41% Instrumentalness • 74% Positiveness
14% Popularity • 74% Danceability • 33% Energy • 9% Liveness
41% Instrumentalness • 74% Positiveness
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Gypsy Swing Revue
Coquette
99 bpm • B min • 04:05 • -8.26db
16% Popularity • 76% Danceability • 43% Energy • 38% Liveness
10% Instrumentalness • 83% Positiveness
16% Popularity • 76% Danceability • 43% Energy • 38% Liveness
10% Instrumentalness • 83% Positiveness
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Tommy Dorsey
Well, Git It! - 1990 Remastered
99 bpm • D# Maj • 03:00 • -4.83db
20% Popularity • 63% Danceability • 80% Energy • 39% Liveness
91% Instrumentalness • 94% Positiveness
20% Popularity • 63% Danceability • 80% Energy • 39% Liveness
91% Instrumentalness • 94% Positiveness
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Django Reinhardt Trio
I'll Never Smile Again
99 bpm • F min • 02:37 • -13.9db
12% Popularity • 71% Danceability • 9% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
12% Popularity • 71% Danceability • 9% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
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Havana Swing
Harlem Nocturne
93 bpm • F Maj • 03:12 • -12.81db
18% Popularity • 50% Danceability • 33% Energy • 74% Liveness
89% Instrumentalness • 31% Positiveness
18% Popularity • 50% Danceability • 33% Energy • 74% Liveness
89% Instrumentalness • 31% Positiveness
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Quintette du Hot Club de France
Love's Melody
98 bpm • D Maj • 03:12 • -25.13db
20% Popularity • 54% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Django Reinhardt
Douce ambiance
99 bpm • G min • 02:20 • -10.86db
21% Popularity • 71% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 72% Positiveness
21% Popularity • 71% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 72% Positiveness
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Dorado Schmitt
J'attendrai
93 bpm • C Maj • 01:55 • -6.57db
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
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Wynton Marsalis
Jungle Blues
99 bpm • G# Maj • 06:49 • -13.7db
7% Popularity • 55% Danceability • 22% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
7% Popularity • 55% Danceability • 22% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Matelo Ferret
Tziganskaia
93 bpm • F Maj • 03:06 • -17.66db
10% Popularity • 42% Danceability • 32% Energy • 31% Liveness
80% Instrumentalness • 47% Positiveness
10% Popularity • 42% Danceability • 32% Energy • 31% Liveness
80% Instrumentalness • 47% Positiveness
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Quintette du Hot Club de France
Honeysuckle Rose
98 bpm • C Maj • 02:56 • -13.64db
32% Popularity • 88% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
32% Popularity • 88% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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Bobby Gordon
Someday Sweetheart
99 bpm • F Maj • 02:39 • -17.8db
27% Popularity • 78% Danceability • 9% Energy • 13% Liveness
68% Instrumentalness • 52% Positiveness
27% Popularity • 78% Danceability • 9% Energy • 13% Liveness
68% Instrumentalness • 52% Positiveness
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Django Reinhardt
Nuages
100 bpm • G# min • 03:24 • -17.24db
37% Popularity • 61% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
37% Popularity • 61% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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The Sign Posters
Summertime
100 bpm • A# min • 02:55 • -16.19db
38% Popularity • 61% Danceability • 16% Energy • 24% Liveness
2% Instrumentalness • 64% Positiveness
38% Popularity • 61% Danceability • 16% Energy • 24% Liveness
2% Instrumentalness • 64% Positiveness
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Hot Club Roma
Djangology
92 bpm • D Maj • 03:15 • -7.05db
27% Popularity • 75% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 83% Positiveness
27% Popularity • 75% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 83% Positiveness
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Oscar Peterson Trio
Come Dance With Me
92 bpm • F min • 02:19 • -16db
38% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Fapy Lafertin
Begin The Beguine
100 bpm • C Maj • 03:18 • -11.35db
24% Popularity • 67% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Django Reinhardt
I Can't Give You Anything but Love
92 bpm • A Maj • 02:52 • -11.32db
31% Popularity • 71% Danceability • 42% Energy • 14% Liveness
82% Instrumentalness • 85% Positiveness
31% Popularity • 71% Danceability • 42% Energy • 14% Liveness
82% Instrumentalness • 85% Positiveness
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Quintette du Hot Club de France
Minor Swing
100 bpm • A min • 03:13 • -3.63db
5% Popularity • 78% Danceability • 83% Energy • 10% Liveness
72% Instrumentalness • 84% Positiveness
5% Popularity • 78% Danceability • 83% Energy • 10% Liveness
72% Instrumentalness • 84% Positiveness
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Gonzalo Bergara
Djangology
100 bpm • G Maj • 02:31 • -14.52db
12% Popularity • 84% Danceability • 32% Energy • 18% Liveness
82% Instrumentalness • 90% Positiveness
12% Popularity • 84% Danceability • 32% Energy • 18% Liveness
82% Instrumentalness • 90% Positiveness
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Alfonso Ponticelli
Lito's Place
100 bpm • D min • 04:26 • -14db
24% Popularity • 68% Danceability • 37% Energy • 11% Liveness
58% Instrumentalness • 58% Positiveness
24% Popularity • 68% Danceability • 37% Energy • 11% Liveness
58% Instrumentalness • 58% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
19% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
19% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Lonnie Johnson
Jet Black Blues
92 bpm • D# Maj • 03:02 • -11.89db
17% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
17% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Tchavolo Schmitt
Lyola
92 bpm • D Maj • 05:54 • -6.73db
21% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
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King Oliver
Out of Nowhere
91 bpm • G min • 03:00 • -10.53db
19% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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The Mills Brothers
Swing For Sale
101 bpm • F Maj • 02:24 • -7.08db
9% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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James P. Johnson
A Porter's Love Song To A Cham
101 bpm • F min • 02:45 • -20.34db
37% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
37% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
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Hot Club De Norvege
Monsieur Camembert
101 bpm • A min • 03:46 • -10.41db
11% Popularity • 46% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 44% Positiveness
11% Popularity • 46% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 44% Positiveness
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Dorado Schmitt
Gozes Valse
101 bpm • F min • 02:02 • -9.14db
29% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 81% Positiveness
29% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 81% Positiveness
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Joe Venuti
After You've Gone (Alternate Take)
101 bpm • G min • 03:04 • -12.54db
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
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The New Hot Club of America
Blues Skies
91 bpm • B min • 03:38 • -11.26db
12% Popularity • 64% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 74% Positiveness
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Earl Hines
I Ain't Got Nobody
91 bpm • G Maj • 03:12 • -18.71db
27% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
27% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Egyptian Fantasy
101 bpm • G min • 03:01 • -10db
25% Popularity • 66% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 85% Positiveness
25% Popularity • 66% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 85% Positiveness
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Bubber Miley
I Lost My Gal from Memphis
101 bpm • A min • 02:59 • -12.46db
20% Popularity • 80% Danceability • 42% Energy • 31% Liveness
6% Instrumentalness • 81% Positiveness
20% Popularity • 80% Danceability • 42% Energy • 31% Liveness
6% Instrumentalness • 81% Positiveness
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Dorado Schmitt
My Blue Heaven
101 bpm • G Maj • 03:22 • -7.15db
28% Popularity • 81% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
28% Popularity • 81% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Quintette du Hot Club de France
It Was So Beautiful
102 bpm • A min • 02:54 • -26.93db
15% Popularity • 51% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
15% Popularity • 51% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Yorgui Loeffler
Valse À Django
102 bpm • E min • 01:58 • -8.28db
39% Popularity • 46% Danceability • 63% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
39% Popularity • 46% Danceability • 63% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
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Mildred Bailey
A Cigarette and a Silhouette
102 bpm • F Maj • 03:04 • -7.44db
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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The Mills Brothers
Jungle Fever
102 bpm • D Maj • 03:09 • -17.67db
25% Popularity • 59% Danceability • 11% Energy • 13% Liveness
59% Instrumentalness • 56% Positiveness
25% Popularity • 59% Danceability • 11% Energy • 13% Liveness
59% Instrumentalness • 56% Positiveness
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Quintette du Hot Club de France
Daphné
102 bpm • D Maj • 03:15 • -6.14db
0% Popularity • 90% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 90% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Venuti
After You've Gone
102 bpm • F Maj • 03:03 • -10db
27% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
27% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
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Gypsy Swing Revue
There Will Never Be Another You
102 bpm • F min • 04:37 • -9.97db
13% Popularity • 78% Danceability • 36% Energy • 10% Liveness
26% Instrumentalness • 64% Positiveness
13% Popularity • 78% Danceability • 36% Energy • 10% Liveness
26% Instrumentalness • 64% Positiveness
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Dorado Schmitt
Un si beau jour
90 bpm • C Maj • 05:26 • -10.42db
12% Popularity • 51% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
12% Popularity • 51% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
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Chick Webb
Stompin' at the Savoy
103 bpm • A# min • 03:10 • -15.39db
22% Popularity • 75% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
22% Popularity • 75% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
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Earl Hines
Rosetta
103 bpm • F Maj • 03:06 • -15.74db
17% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
17% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
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Quintette du Hot Club de France
Ain't Misbehavin'
90 bpm • D Maj • 02:52 • -3.33db
4% Popularity • 82% Danceability • 72% Energy • 16% Liveness
68% Instrumentalness • 96% Positiveness
4% Popularity • 82% Danceability • 72% Energy • 16% Liveness
68% Instrumentalness • 96% Positiveness
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Lil Armstrong
Oriental Swing
89 bpm • A Maj • 03:00 • -4db
8% Popularity • 77% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
8% Popularity • 77% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Eddie Lang
Pickin' My Way
103 bpm • G Maj • 03:00 • -10.7db
14% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
14% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Roy Eldridge
All Of Me
104 bpm • C Maj • 02:33 • -11db
21% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Quintette du Hot Club de France
Limehouse Blues
103 bpm • D Maj • 03:12 • -20.34db
2% Popularity • 74% Danceability • 11% Energy • 8% Liveness
75% Instrumentalness • 83% Positiveness
2% Popularity • 74% Danceability • 11% Energy • 8% Liveness
75% Instrumentalness • 83% Positiveness
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Havana Swing
Si Tu Savais
88 bpm • G Maj • 03:10 • -7db
22% Popularity • 50% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Norbert Susemihl
Once In A While
104 bpm • C Maj • 04:31 • -14.62db
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
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Genevieve Davis
Haven't Got a Dollar to Pay Your House R...
104 bpm • F Maj • 03:28 • -13.05db
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Fapy Lafertin Quintet
I Never Mention Your Name
104 bpm • F Maj • 05:25 • -12db
16% Popularity • 62% Danceability • 34% Energy • 7% Liveness
63% Instrumentalness • 68% Positiveness
16% Popularity • 62% Danceability • 34% Energy • 7% Liveness
63% Instrumentalness • 68% Positiveness
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Gus Viseur
Harlem Swing
104 bpm • F min • 03:35 • -13.07db
14% Popularity • 62% Danceability • 42% Energy • 24% Liveness
88% Instrumentalness • 78% Positiveness
14% Popularity • 62% Danceability • 42% Energy • 24% Liveness
88% Instrumentalness • 78% Positiveness
