Songs like Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz
Based on a tempo of (+/- 10%) and a similar genre
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
148 bpm • C Maj • 07:07 • -17.53db
11% Popularity • 44% Danceability • 28% Energy • 9% Liveness
71% Instrumentalness • 73% Positiveness
11% Popularity • 44% Danceability • 28% Energy • 9% Liveness
71% Instrumentalness • 73% Positiveness
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Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
35% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
35% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Vallflickans Dance (Dance of the Shepher...
147 bpm • G Maj • 03:54 • -29db
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 4...
147 bpm • C Maj • 03:35 • -20db
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 1 in D major, Wq. 183/1: Sy...
149 bpm • C# Maj • 06:17 • -18db
24% Popularity • 29% Danceability • 16% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Aram Khachaturian
Masquerade Suite: Gallop
147 bpm • A# Maj • 03:17 • -18.19db
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
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Astor Piazzolla
Piazzolla: Libertango
150 bpm • A min • 04:33 • -14db
26% Popularity • 37% Danceability • 32% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
26% Popularity • 37% Danceability • 32% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance Of The ...
150 bpm • D min • 04:04 • -14db
40% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
40% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: Prelu...
150 bpm • F min • 07:54 • -31db
14% Popularity • 12% Danceability • 1% Energy • 37% Liveness
85% Instrumentalness • 3% Positiveness
14% Popularity • 12% Danceability • 1% Energy • 37% Liveness
85% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 in D Major, Op. 19...
150 bpm • C Maj • 03:54 • -23.25db
19% Popularity • 47% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
19% Popularity • 47% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les francs-juges: Les Francs-Juges, Op. ...
142 bpm • G# Maj • 12:29 • -23.43db
9% Popularity • 20% Danceability • 6% Energy • 5% Liveness
85% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 5% Liveness
85% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Igor Stravinsky
The Firebird, Tableau I: Infernal Dance ...
156 bpm • F# Maj • 04:38 • -17.04db
18% Popularity • 26% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
18% Popularity • 26% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Georges Bizet
Farandole
156 bpm • G Maj • 03:52 • -18.03db
32% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
32% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Ludwig van Beethoven
Sonata No. 14 "Moonlight" in C-Sharp Min...
158 bpm • F# min • 07:38 • -16.63db
41% Popularity • 32% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
41% Popularity • 32% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 2: VI. Sacrific...
139 bpm • D min • 04:27 • -14db
28% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
28% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Hector Berlioz
Le corsaire, ouverture, Op. 21
139 bpm • G# Maj • 08:58 • -19.88db
10% Popularity • 24% Danceability • 10% Energy • 37% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 10% Energy • 37% Liveness
86% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
40% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
40% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 211: III....
136 bpm • C# Maj • 04:49 • -14.43db
47% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
47% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
20% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
20% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
161 bpm • E Maj • 06:39 • -18.15db
35% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
35% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Hector Berlioz
L'enfance du Christ, Op. 25: Part III: T...
136 bpm • E min • 06:47 • -36.15db
7% Popularity • 18% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
135 bpm • C Maj • 09:38 • -16.91db
11% Popularity • 40% Danceability • 10% Energy • 10% Liveness
59% Instrumentalness • 34% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 10% Liveness
59% Instrumentalness • 34% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
24% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Gustav Mahler
Symphony No. 4: II. In gemächlicher Bew...
135 bpm • C Maj • 09:55 • -27.36db
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
136 bpm • C min • 08:23 • -17.52db
13% Popularity • 29% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
13% Popularity • 29% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
162 bpm • A min • 04:23 • -20db
26% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
26% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
134 bpm • A Maj • 04:33 • -25db
24% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 10% Positiveness
24% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Bacchanale
134 bpm • D min • 07:12 • -16db
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Berlioz: Les Nuits d'été, Op. 7, H 81b...
134 bpm • A Maj • 02:07 • -23.39db
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
24% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
24% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Richard Strauss
Concerto for Oboe and Small Orchestra in...
133 bpm • D Maj • 08:29 • -17db
20% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: I. Mars, the Bringe...
133 bpm • G# Maj • 08:20 • -16db
18% Popularity • 22% Danceability • 38% Energy • 20% Liveness
92% Instrumentalness • 5% Positiveness
18% Popularity • 22% Danceability • 38% Energy • 20% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14, H. 48: II...
165 bpm • A Maj • 06:34 • -25db
21% Popularity • 21% Danceability • 6% Energy • 6% Liveness
71% Instrumentalness • 9% Positiveness
21% Popularity • 21% Danceability • 6% Energy • 6% Liveness
71% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Piano Quintet in E-Flat Major, Op. 44: I...
132 bpm • D# Maj • 06:48 • -18db
15% Popularity • 41% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 38% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
132 bpm • A Maj • 08:23 • -21db
48% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
48% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 1...
165 bpm • C Maj • 03:03 • -19db
11% Popularity • 33% Danceability • 16% Energy • 19% Liveness
92% Instrumentalness • 37% Positiveness
11% Popularity • 33% Danceability • 16% Energy • 19% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, H. 48: IV. Marche...
166 bpm • G min • 06:25 • -18db
17% Popularity • 27% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
17% Popularity • 27% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
166 bpm • G Maj • 03:32 • -17db
29% Popularity • 29% Danceability • 22% Energy • 69% Liveness
83% Instrumentalness • 22% Positiveness
29% Popularity • 29% Danceability • 22% Energy • 69% Liveness
83% Instrumentalness • 22% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 8 in C Minor, Op. 65: III. ...
167 bpm • F Maj • 06:12 • -19.02db
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
57% Instrumentalness • 80% Positiveness
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
57% Instrumentalness • 80% Positiveness
► Preview
Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: 4. Marche...
168 bpm • G min • 04:29 • -20db
1% Popularity • 36% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 42% Positiveness
1% Popularity • 36% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 42% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major "Titan": IIIb....
169 bpm • G min • 02:44 • -29.99db
23% Popularity • 9% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
23% Popularity • 9% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
128 bpm • C Maj • 06:48 • -13.18db
27% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
27% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
169 bpm • F Maj • 07:39 • -24db
5% Popularity • 10% Danceability • 9% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 9% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 1: II. Kräftig bewegt, doc...
169 bpm • A Maj • 07:58 • -21.95db
17% Popularity • 24% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
172 bpm • F min • 03:15 • -18db
41% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
41% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
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Hector Berlioz
Grande messe des morts, Op. 5, "Requiem"...
128 bpm • C Maj • 09:59 • -20.94db
11% Popularity • 20% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 11% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Egmont, Op. 84: Overture
173 bpm • F min • 09:00 • -18db
42% Popularity • 24% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
42% Popularity • 24% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Richard Strauss
Concerto for Oboe and Small Orchestra in...
126 bpm • D Maj • 07:30 • -15.37db
13% Popularity • 30% Danceability • 20% Energy • 39% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 30% Danceability • 20% Energy • 39% Liveness
91% Instrumentalness • 22% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: I. ...
174 bpm • D min • 06:37 • -24db
31% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
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Hector Berlioz
Rêverie et Caprice, Op. 8
173 bpm • A Maj • 07:09 • -22.51db
4% Popularity • 19% Danceability • 10% Energy • 25% Liveness
31% Instrumentalness • 11% Positiveness
4% Popularity • 19% Danceability • 10% Energy • 25% Liveness
31% Instrumentalness • 11% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
60% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
60% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
► Preview
Aram Khachaturian
Masquerade Suite: Romance
176 bpm • A# min • 03:12 • -20.9db
28% Popularity • 8% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: III. Dance of th...
177 bpm • C min • 01:39 • -27db
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
► Preview
Hector Berlioz
Berlioz: La Damnation de Faust, Part 1, ...
177 bpm • G Maj • 03:24 • -22.82db
3% Popularity • 18% Danceability • 20% Energy • 24% Liveness
39% Instrumentalness • 29% Positiveness
3% Popularity • 18% Danceability • 20% Energy • 24% Liveness
39% Instrumentalness • 29% Positiveness
► Preview
Giovanni Paisiello
Piano Concerto No. 4 in G Minor: II. Lar...
180 bpm • C min • 06:51 • -23db
21% Popularity • 17% Danceability • 8% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 8% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
