Songs like Symphony in C Major: II. Andante ma non troppo, un poco maestoso by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Hector Berlioz
Le carnaval romain, Overture, H. 95
83 bpm • A Maj • 08:29 • -17db
19% Popularity • 27% Danceability • 24% Energy • 29% Liveness
83% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 24% Energy • 29% Liveness
83% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Prelude
83 bpm • G Maj • 03:26 • -17.9db
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 5 in F Major, Op. 103...
83 bpm • F Maj • 09:53 • -20.19db
19% Popularity • 20% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 2 In D, Op. 73: 3. Allegret...
83 bpm • C Maj • 05:21 • -28db
26% Popularity • 20% Danceability • 4% Energy • 16% Liveness
52% Instrumentalness • 31% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 16% Liveness
52% Instrumentalness • 31% Positiveness
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Bedřich Smetana
Smetana: On the Seashore, Op. 17
83 bpm • D# Maj • 04:56 • -22.45db
4% Popularity • 21% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Violin Sonata No. 3 in C Minor, O...
83 bpm • C min • 09:09 • -22db
15% Popularity • 20% Danceability • 10% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Richard Wagner
Symphony in C Major: II. Andante ma non ...
83 bpm • C Maj • 14:06 • -23.85db
21% Popularity • 12% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Piano Concerto No. 2 in G Min...
82 bpm • A# Maj • 02:24 • -24db
26% Popularity • 46% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 42% Positiveness
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AntonĂn Dvořák
String Quintet in A Minor, Op. 1, B. 7: ...
82 bpm • F Maj • 08:57 • -24db
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
82 bpm • D Maj • 09:30 • -16.28db
4% Popularity • 32% Danceability • 27% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
4% Popularity • 32% Danceability • 27% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
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Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
82 bpm • A Maj • 06:18 • -20.02db
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 8. Alleg...
84 bpm • G Maj • 02:30 • -29.72db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act I: "He! Ho! Wald...
83 bpm • G# Maj • 07:28 • -21.32db
7% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
84 bpm • G# Maj • 06:39 • -25db
19% Popularity • 25% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
19% Popularity • 25% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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AntonĂn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 5. Sp...
84 bpm • C# Maj • 02:46 • -10.08db
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Von der...
82 bpm • C Maj • 04:32 • -25.31db
26% Popularity • 12% Danceability • 1% Energy • 65% Liveness
69% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 1% Energy • 65% Liveness
69% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner : Die WalkĂĽre : Act 1 "Winterstďż˝...
83 bpm • F Maj • 02:57 • -16db
14% Popularity • 29% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Berceuse in B-Flat Major, Op. 38
82 bpm • A# Maj • 05:10 • -34db
20% Popularity • 11% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 11% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Johannes Brahms
Symphony No. 1 In C Minor, Op. 68: 3. Un...
84 bpm • G# Maj • 04:46 • -20db
31% Popularity • 16% Danceability • 14% Energy • 14% Liveness
83% Instrumentalness • 13% Positiveness
31% Popularity • 16% Danceability • 14% Energy • 14% Liveness
83% Instrumentalness • 13% Positiveness
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Hans Hotter
Der Ring des Nibelungen: Das Rheingold: ...
84 bpm • D# Maj • 03:47 • -28db
9% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gustav Mahler
Das Lied von der Erde: I. Das Trinklied ...
82 bpm • C min • 08:06 • -14.3db
15% Popularity • 21% Danceability • 25% Energy • 26% Liveness
58% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 26% Liveness
58% Instrumentalness • 7% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Beglückt d...
83 bpm • D# Maj • 04:47 • -20.39db
4% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Franz Liszt
12 Études d'exécution transcendante, S...
82 bpm • C# Maj • 04:25 • -18.2db
21% Popularity • 30% Danceability • 23% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
21% Popularity • 30% Danceability • 23% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs without Words, Op. 19, No. 1 in E ...
84 bpm • B Maj • 03:13 • -26db
22% Popularity • 24% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act I: "Mein Sohn Am...
83 bpm • B min • 10:16 • -18.89db
4% Popularity • 19% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 19% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
81 bpm • F Maj • 10:14 • -19.31db
20% Popularity • 24% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Robert Schumann
Schumann: Symphony No. 4 in D Minor, Op....
81 bpm • F Maj • 05:11 • -20db
14% Popularity • 24% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 24% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: II. A...
81 bpm • F Maj • 09:32 • -31.21db
24% Popularity • 22% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande. An...
85 bpm • G Maj • 04:16 • -28.27db
12% Popularity • 13% Danceability • 2% Energy • 42% Liveness
61% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 2% Energy • 42% Liveness
61% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 11. Alle...
85 bpm • D Maj • 01:01 • -18.87db
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: Mein lieber S...
81 bpm • D Maj • 08:27 • -16db
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Hostas
85 bpm • C Maj • 06:15 • -24.19db
13% Popularity • 14% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Concerto for Violin and Cello in A minor...
81 bpm • A min • 09:11 • -19db
9% Popularity • 28% Danceability • 9% Energy • 15% Liveness
63% Instrumentalness • 27% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 15% Liveness
63% Instrumentalness • 27% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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AntonĂn Dvořák
Festival March, B. 88, Op. 54
81 bpm • C Maj • 04:52 • -17.24db
16% Popularity • 40% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 28% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold, WWV 86A, Scene 4: Scene 4...
81 bpm • C# Maj • 01:45 • -27.38db
26% Popularity • 25% Danceability • 6% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 25% Danceability • 6% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
86 bpm • F Maj • 03:10 • -34db
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony No. 1 In C Minor, Op. 68: 2. An...
85 bpm • E Maj • 08:22 • -21db
32% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
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Joseph Haydn
Keyboard Trio No. 27 in C Major, Hob.XV:...
80 bpm • C Maj • 04:33 • -21.98db
22% Popularity • 50% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
22% Popularity • 50% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
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Edvard Grieg
Symphony in C Minor, EG 119: IV. Finale:...
86 bpm • C Maj • 07:40 • -18.8db
20% Popularity • 22% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
20% Popularity • 22% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 3. Alleg...
86 bpm • G Maj • 01:25 • -31db
42% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
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Richard Wagner
Das Rheingold: Scene 4: Zur Burg fuhrt d...
80 bpm • C# Maj • 05:32 • -16.73db
0% Popularity • 23% Danceability • 20% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 20% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R / Arr. Prihoda for Violin and...
80 bpm • A# min • 03:37 • -30db
12% Popularity • 8% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 In F Minor, Op. 36, TH.27...
80 bpm • F min • 08:37 • -14.33db
23% Popularity • 26% Danceability • 41% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
23% Popularity • 26% Danceability • 41% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
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Johannes Brahms
Scherzo in E flat minor, Op. 4
80 bpm • B Maj • 09:44 • -19db
10% Popularity • 40% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Octet In E Flat, Op. 20, MWV R20: 2. And...
80 bpm • G# Maj • 07:22 • -29db
14% Popularity • 13% Danceability • 3% Energy • 7% Liveness
38% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 3% Energy • 7% Liveness
38% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Franz Liszt
A Dante Symphony, S.109: Alternative con...
80 bpm • E Maj • 00:57 • -13.06db
18% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
18% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Jean Sibelius
Karelia Suite, Op. 11: II. Ballade (Temp...
87 bpm • A min • 06:01 • -28db
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Otmar Suitner
Palestrina: Act III - "Wie lange sie ble...
87 bpm • F# Maj • 08:56 • -24.4db
9% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
String Quartet No. 6 in F Minor, Op. 80,...
87 bpm • F min • 07:25 • -19db
20% Popularity • 25% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 16% Positiveness
20% Popularity • 25% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Richard Wagner
Siegfried, WWV 86C, Act I: Prelude
79 bpm • A# min • 04:07 • -33.16db
22% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
22% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
87 bpm • E min • 02:17 • -16.36db
32% Popularity • 18% Danceability • 18% Energy • 18% Liveness
78% Instrumentalness • 12% Positiveness
32% Popularity • 18% Danceability • 18% Energy • 18% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
Violin Sonata No. 3 in D Minor, Op. 108:...
87 bpm • D min • 08:12 • -22.54db
23% Popularity • 18% Danceability • 5% Energy • 18% Liveness
14% Instrumentalness • 7% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 18% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
87 bpm • A# Maj • 08:50 • -21db
14% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Alexander Borodin
String Quartet No. 1 in A Major: II. And...
88 bpm • F# min • 07:50 • -20.91db
14% Popularity • 11% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Wagner: Tannhäuser, Act 1: "Geliebter! ...
82 bpm • F Maj • 05:04 • -20.57db
2% Popularity • 18% Danceability • 12% Energy • 41% Liveness
3% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 12% Energy • 41% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: 3. Gavotte (Alleg...
79 bpm • G Maj • 03:29 • -13.56db
5% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
5% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
79 bpm • C Maj • 09:02 • -16.65db
29% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 2 in A Minor, Op. 55: IV. P...
88 bpm • A Maj • 07:25 • -24.11db
14% Popularity • 30% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
14% Popularity • 30% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
78 bpm • G# Maj • 03:28 • -22db
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
78 bpm • G# Maj • 08:19 • -20db
28% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 13% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 1: "Dank deiner...
82 bpm • D Maj • 03:03 • -16.58db
3% Popularity • 31% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 31% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 36 in C Major, K. 425 "Linz...
78 bpm • C Maj • 07:02 • -22.73db
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
78 bpm • E Maj • 07:09 • -16.52db
7% Popularity • 44% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
7% Popularity • 44% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Prendi, quest'è...
88 bpm • C# Maj • 03:51 • -20.94db
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Johannes Brahms
Brahms: String Quartet No. 1 in C Minor,...
78 bpm • G# Maj • 07:24 • -26db
23% Popularity • 12% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal, Act I: Nicht Dank! Haha! Was w...
82 bpm • F Maj • 07:30 • -23.16db
19% Popularity • 21% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 21% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol: Variazioni
88 bpm • F Maj • 05:11 • -21.68db
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Romance for Bassoon in D Minor, O...
88 bpm • D min • 05:47 • -30.09db
12% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Aleko: Men's Dance
78 bpm • G min • 04:39 • -20.17db
25% Popularity • 32% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 23% Positiveness
25% Popularity • 32% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 23% Positiveness
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AntonĂn Dvořák
Cypresses B.152: 2. Allegro ma non tropp...
89 bpm • F min • 02:52 • -22db
25% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
25% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
89 bpm • A Maj • 01:43 • -13.8db
31% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
31% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Richard Wagner
Tristan und Isolde / Act 1: "Westwärts ...
85 bpm • F min • 05:26 • -17db
25% Popularity • 30% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 30% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
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Jean Sibelius
Pelléas et Mélisande, (Suite), Op. 46:...
78 bpm • A# min • 04:15 • -35db
12% Popularity • 8% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Georges Bizet
Bizet: L'Arlésienne, Suite No. 1, Op. 2...
78 bpm • F Maj • 03:00 • -36db
21% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 4 in G Minor, Op. 40:...
78 bpm • C Maj • 05:25 • -24.36db
9% Popularity • 24% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
77 bpm • C# Maj • 07:14 • -28db
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
85 bpm • D Maj • 13:15 • -12.42db
0% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Robert Schumann
Symphony No. 4 In D Minor, Op. 120: 2. R...
77 bpm • A min • 04:49 • -29db
13% Popularity • 14% Danceability • 5% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Johannes Brahms
Brahms: Violin Sonata No. 3 in D Minor, ...
90 bpm • A Maj • 05:24 • -33.25db
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Il Re Pastore - Aria: Barbaro! Oh Dio! M...
77 bpm • F Maj • 06:02 • -20.55db
30% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Wagner: Tristan und Isolde, Act 1: Vorsp...
85 bpm • A Maj • 11:46 • -26db
9% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
