Songs like Symphony No. 1 in D Major, Op. 25 "Classical Symphony": II. Larghetto by Sergei Prokofiev
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
44% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Remastered):...
100 bpm • G Maj • 00:51 • -15.18db
36% Popularity • 36% Danceability • 22% Energy • 39% Liveness
85% Instrumentalness • 16% Positiveness
36% Popularity • 36% Danceability • 22% Energy • 39% Liveness
85% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Alexander Glazunov
Vremena Goda (The Seasons), Op. 67: Summ...
100 bpm • D Maj • 01:58 • -24.74db
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Eteri Andjaparidze
Sarcasms, Op. 17: III. Allegro Precipita...
101 bpm • F Maj • 01:42 • -28.14db
4% Popularity • 28% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
4% Popularity • 28% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Bedřich Smetana
The Moldau (Vlatava), No. 2
99 bpm • E Maj • 12:21 • -17.21db
32% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Ã…se'...
99 bpm • G Maj • 04:23 • -27.92db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: IV. Kitty-Valse
101 bpm • D# Maj • 02:42 • -31db
26% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Eteri Andjaparidze
10 Pieces, Op. 12: VIII. Allemande: Alle...
99 bpm • G# Maj • 04:03 • -29.45db
4% Popularity • 46% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
4% Popularity • 46% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIV. Fi...
101 bpm • D min • 01:53 • -17db
36% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
36% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 3. Sarka
100 bpm • A Maj • 10:11 • -19db
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
33% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
33% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
47% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 13, D...
101 bpm • C Maj • 05:34 • -23.86db
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Eteri Andjaparidze
10 Pieces, Op. 12: IX. Scherzo Humoristi...
101 bpm • A Maj • 02:25 • -35.77db
4% Popularity • 33% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 33% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
31% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
36% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
36% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
33% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
102 bpm • G min • 07:48 • -23.73db
37% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
37% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Eteri Andjaparidze
10 Pieces, Op. 12: II. Gavotte: Allegret...
102 bpm • G min • 03:17 • -32.41db
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Fugue in G Minor, BWV 578, "Little Fugue...
102 bpm • G min • 03:40 • -19db
29% Popularity • 30% Danceability • 10% Energy • 17% Liveness
92% Instrumentalness • 48% Positiveness
29% Popularity • 30% Danceability • 10% Energy • 17% Liveness
92% Instrumentalness • 48% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Waltz Suite, Op. 110: III. Mephisto Walt...
97 bpm • D min • 03:26 • -21.04db
25% Popularity • 46% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
25% Popularity • 46% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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Aram Khachaturian
Masquerade, Ballet Music - Suite from th...
97 bpm • C Maj • 04:15 • -10db
40% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
40% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Requiem: III. Tuba Mirum
97 bpm • C# min • 03:26 • -20.62db
32% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
32% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
97 bpm • E Maj • 02:45 • -26.22db
24% Popularity • 12% Danceability • 4% Energy • 41% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 12% Danceability • 4% Energy • 41% Liveness
88% Instrumentalness • 12% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
36% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
29% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
29% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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David Popper
Elfentanz, Op. 39 - Dance of the Elves
96 bpm • G Maj • 02:32 • -17.32db
38% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
38% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
96 bpm • G Maj • 00:55 • -23db
31% Popularity • 32% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
31% Popularity • 32% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
A Night On The Bare Mountain
104 bpm • D Maj • 11:50 • -21db
32% Popularity • 27% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
32% Popularity • 27% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: I. Intr...
96 bpm • C Maj • 03:12 • -21db
22% Popularity • 39% Danceability • 22% Energy • 26% Liveness
93% Instrumentalness • 23% Positiveness
22% Popularity • 39% Danceability • 22% Energy • 26% Liveness
93% Instrumentalness • 23% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
47% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
47% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
33% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
33% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Night on Bald Mountain
105 bpm • D Maj • 11:00 • -18.22db
40% Popularity • 32% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 6% Positiveness
40% Popularity • 32% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 6% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: II. Dance of the Com...
106 bpm • C# Maj • 01:50 • -17.09db
25% Popularity • 56% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
25% Popularity • 56% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
Pierre et le loup, Op. 67: theme de Pier...
95 bpm • D# Maj • 00:54 • -21db
31% Popularity • 25% Danceability • 14% Energy • 20% Liveness
78% Instrumentalness • 12% Positiveness
31% Popularity • 25% Danceability • 14% Energy • 20% Liveness
78% Instrumentalness • 12% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
94 bpm • A min • 13:40 • -18.06db
50% Popularity • 30% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
50% Popularity • 30% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
53% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
53% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
45% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
45% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
94 bpm • G Maj • 09:54 • -24.97db
15% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67 "Fate"...
94 bpm • C min • 07:28 • -14db
47% Popularity • 32% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
47% Popularity • 32% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Flight of the Bumblebee
94 bpm • D min • 01:17 • -11.65db
50% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
50% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
► Preview
Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
57% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
94 bpm • F Maj • 02:35 • -27.91db
18% Popularity • 17% Danceability • 4% Energy • 25% Liveness
73% Instrumentalness • 15% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 25% Liveness
73% Instrumentalness • 15% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Johann Sebastian Bach
Toccata & Fugue in D Minor, BWV 565
93 bpm • D min • 09:06 • -20.13db
17% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
17% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
43% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
43% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
50% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
50% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: 1. M...
92 bpm • G min • 08:55 • -16.76db
27% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
27% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Henry VIII: Scherzetto
92 bpm • A# Maj • 01:34 • -28.97db
47% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
108 bpm • G Maj • 02:08 • -26db
29% Popularity • 43% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 22% Positiveness
29% Popularity • 43% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
43% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
43% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Eteri Andjaparidze
Toccata In D Minor, Op. 11: Allegro Marc...
109 bpm • E min • 04:25 • -28db
27% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
27% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
53% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
53% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64, Act I: Dance o...
108 bpm • A min • 01:48 • -15db
14% Popularity • 45% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 25% Positiveness
14% Popularity • 45% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
34% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
34% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
91 bpm • D Maj • 03:15 • -19db
32% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
32% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Arriva...
92 bpm • F Maj • 04:06 • -18.03db
24% Popularity • 36% Danceability • 9% Energy • 17% Liveness
40% Instrumentalness • 16% Positiveness
24% Popularity • 36% Danceability • 9% Energy • 17% Liveness
40% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Danse Macabre, Op. 40
110 bpm • G min • 07:10 • -19db
20% Popularity • 38% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
30% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
30% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
