Songs like Symphony No. 1, Op. 35: Lento. Allegro Con Fouco by Alexander Krein
Based on a tempo of (+/- 10%) and a similar genre
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Erik Satie
Gnossienne No. 2 (Orch. Corp)
77 bpm • D min • 01:51 • -41.19db
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
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Amy Beach
Romance for Violin and Piano, Op.23
77 bpm • A Maj • 06:18 • -15db
11% Popularity • 19% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Krein
Sketches of Youth, Op. 2: I. Prologue
77 bpm • C# Maj • 03:23 • -22.27db
0% Popularity • 53% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 53% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Suite No.1, K. 045: I. Andante. Crotchet...
77 bpm • B min • 01:23 • -28.62db
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Bjørn Kruse
Ripensamento
77 bpm • D min • 08:08 • -26.63db
8% Popularity • 34% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
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Eric Coates
First Meeting (Souvenir)
77 bpm • F Maj • 05:40 • -22.61db
9% Popularity • 16% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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АРХЕОХАОС
Вступление
78 bpm • C# Maj • 00:59 • -12.59db
14% Popularity • 21% Danceability • 26% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 26% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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Robert Schumann
Violin Concerto in D Minor, WoO 1: III. ...
76 bpm • D Maj • 01:29 • -21.64db
18% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
18% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: VII. Zdes' Khorosho (O...
76 bpm • A Maj • 02:34 • -26.6db
9% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Pulcinella Suite: II. Serenata. Larghett...
77 bpm • C min • 03:11 • -28.49db
12% Popularity • 12% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
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Radoslaw Pallarz
Dornröschenschlaf
76 bpm • F min • 03:29 • -22.24db
7% Popularity • 10% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 10% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Edward Elgar
The Wand of Youth, Suite No. 1, Op. 1a: ...
76 bpm • F Maj • 02:44 • -23.33db
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
24% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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![弦楽のためのアダージョ (バーバー)[式後の音楽] cover art](https://i.scdn.co/image/ab67616d00001e02c19974b0329a3839c77a7459)
ソフィア交響楽団
弦楽のためのアダージョ (バ�...
78 bpm • A# min • 06:51 • -22.66db
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Suite No. 1 for 2 Pianos, Op. 5 "Fantais...
78 bpm • G min • 03:19 • -13.14db
16% Popularity • 34% Danceability • 62% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 62% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Le carnaval romain, Op. 9, H 95
76 bpm • A Maj • 09:52 • -19.07db
1% Popularity • 13% Danceability • 16% Energy • 33% Liveness
23% Instrumentalness • 6% Positiveness
1% Popularity • 13% Danceability • 16% Energy • 33% Liveness
23% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
34% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
76 bpm • C Maj • 02:39 • -23.58db
16% Popularity • 18% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Peter Schickele
Carnival of the Animals: V. Tortoises
76 bpm • A# Maj • 01:58 • -38.98db
13% Popularity • 20% Danceability • 0% Energy • 34% Liveness
5% Instrumentalness • 36% Positiveness
13% Popularity • 20% Danceability • 0% Energy • 34% Liveness
5% Instrumentalness • 36% Positiveness
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The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
15% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
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Richard Strauss
Don Quixote, Op. 35 (Fantastic Variation...
75 bpm • D min • 00:58 • -32.78db
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
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Alexander Krein
2 Pieces sur themes turques, Op. 46: No....
75 bpm • A min • 01:37 • -25.71db
0% Popularity • 39% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Albéric Magnard
Cello Sonata in A Major, Op. 20: I. Sans...
75 bpm • A Maj • 09:22 • -15.97db
10% Popularity • 20% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 9% Positiveness
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Erik Satie
3 Gymnopedies (arr. for flute and piano)...
79 bpm • F Maj • 02:25 • -24.06db
14% Popularity • 26% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
14% Popularity • 26% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
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Claude Debussy
Debussy: Prélude à l’après-midi d�...
79 bpm • C# min • 08:42 • -22.58db
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Niño Tiro
Fantasy and Elegy for Violin and Piano: ...
75 bpm • F Maj • 03:23 • -14.74db
12% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Francesco Cilea
Adriana Lecouvreur: Intermezzo
79 bpm • F Maj • 02:29 • -28.75db
11% Popularity • 8% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Samuel Barber
Souvenirs, Op. 28: III. Pas de deux
75 bpm • C Maj • 03:35 • -29.58db
15% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
15% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61 (1...
75 bpm • E Maj • 01:25 • -27db
16% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
人知れぬ涙～歌劇『愛の妙薬�...
75 bpm • F min • 04:14 • -22.41db
8% Popularity • 15% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 5% Positiveness
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Alexander Krein
Ornaments, Op. 42: Andante. Grazioso
75 bpm • B min • 03:39 • -24.24db
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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George Gershwin
Ten songs: Embraceable you
75 bpm • D# Maj • 02:20 • -32.12db
11% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
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Edward Elgar
May Song
79 bpm • E Maj • 04:03 • -23.03db
9% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Orpheus in the Underworld: Galop inferna...
79 bpm • D Maj • 02:15 • -12.67db
20% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
20% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
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Patrick Hahn
Adagio for Strings: II. Molto adagio - B...
79 bpm • A# min • 08:30 • -19.38db
29% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Much ado about nothing, Op.11: III. Gard...
79 bpm • C Maj • 05:10 • -18.07db
10% Popularity • 20% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Isaac Nathan
Oh! Weep for Those (Arr. Isserlis)
79 bpm • A min • 03:32 • -28.19db
15% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Romeo and Juliet (2nd suite), Op.64ter: ...
75 bpm • C Maj • 04:12 • -29.88db
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
43% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
43% Instrumentalness • 14% Positiveness
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Sonic Piano Music
Twilight Lullaby
79 bpm • A min • 02:13 • -40.33db
11% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
11% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
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Aram Khachaturian
Spartacus Ballet Suite No. 2: II. Entran...
75 bpm • D min • 05:30 • -15.82db
8% Popularity • 19% Danceability • 32% Energy • 31% Liveness
80% Instrumentalness • 18% Positiveness
8% Popularity • 19% Danceability • 32% Energy • 31% Liveness
80% Instrumentalness • 18% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
13% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
13% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella Suite: IV. Tarantella
80 bpm • G min • 01:55 • -18.03db
15% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
15% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: The Montagues ...
75 bpm • D Maj • 02:20 • -21.32db
18% Popularity • 16% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 18% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 18% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
75 bpm • C# min • 10:08 • -23.92db
8% Popularity • 9% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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David Popper
Im Walde, Op. 50 (arr. P. Breiner for or...
80 bpm • D# Maj • 04:56 • -25.13db
15% Popularity • 9% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Krein
Sketches of Youth, Op. 2: II. Presentime...
74 bpm • C# Maj • 02:39 • -22.64db
0% Popularity • 35% Danceability • 8% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 35% Danceability • 8% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Joseph Kosma
Les feuilles mortes
74 bpm • G min • 04:43 • -19.58db
25% Popularity • 9% Danceability • 10% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 10% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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Luiz Costa
Canção De Maio
74 bpm • G Maj • 01:47 • -28db
15% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
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Iván Sztankov
Orfeo ed Euridice, Act II: Dance of the ...
74 bpm • D min • 03:10 • -27.6db
9% Popularity • 9% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
80 bpm • E Maj • 04:27 • -23.43db
7% Popularity • 12% Danceability • 7% Energy • 37% Liveness
81% Instrumentalness • 6% Positiveness
7% Popularity • 12% Danceability • 7% Energy • 37% Liveness
81% Instrumentalness • 6% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
13% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Tranquil Vibes
Mystical Melodies
74 bpm • D Maj • 01:17 • -35.06db
8% Popularity • 22% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: III. ...
74 bpm • C# min • 06:31 • -27.5db
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Clara Schumann
Trois romances, Op. 22: I. Andante molto
74 bpm • C# Maj • 03:13 • -24.49db
16% Popularity • 16% Danceability • 5% Energy • 18% Liveness
53% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 18% Liveness
53% Instrumentalness • 6% Positiveness
► Preview
John Williams
Main Theme From "Schindler's List"
74 bpm • D min • 04:36 • -35.53db
10% Popularity • 7% Danceability • 2% Energy • 9% Liveness
61% Instrumentalness • 6% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 9% Liveness
61% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
3 Corali, P. 167: No. 2, Andante con mot...
74 bpm • G Maj • 01:08 • -38.9db
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
► Preview
Alexander Krein
Triada poem: No. 2. Poeme de la douceur
74 bpm • C# min • 02:37 • -27.49db
0% Popularity • 48% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 48% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edward Burlingame Hill
Flute Sonata, Op. 31: I. Allegro moderat...
80 bpm • D# Maj • 04:24 • -24.86db
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
8% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Astor Piazzolla
Soledad (Arr. for Violin and Strings by ...
80 bpm • E min • 06:36 • -25.7db
13% Popularity • 14% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Johannes Brahms
Sapphische Ode
74 bpm • D Maj • 01:55 • -20.2db
21% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
21% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
Alexander Krein
Sketches of Youth, Op. 2: VIII. Epilogue
74 bpm • G# Maj • 03:08 • -24.98db
0% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Verdi
Otello, Act IV: Ave Maria, piena di graz...
81 bpm • G# Maj • 02:59 • -30.14db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Piano Quartet in E-Flat Major, Op. 47 fo...
74 bpm • A# Maj • 06:11 • -22.23db
10% Popularity • 9% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
10% Popularity • 9% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
La Belle au bois dormant, Op. 66 ; TH 13...
81 bpm • G Maj • 02:53 • -16.86db
12% Popularity • 33% Danceability • 16% Energy • 23% Liveness
8% Instrumentalness • 29% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 23% Liveness
8% Instrumentalness • 29% Positiveness
► Preview
Mira Solvato
Con Fuoco Fantasy
73 bpm • C min • 02:01 • -23.56db
13% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Erik Satie
Gymnopédie No. 3 (Orch. Debussy)
81 bpm • A min • 02:50 • -40.05db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Alexander Krein
Eskizi yunosti (Sketches of Youth), Op. ...
74 bpm • C# Maj • 03:33 • -26.86db
0% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Manuel Ponce
2 Canciones mexicanas: No. 2, Estrellita...
81 bpm • F# Maj • 03:08 • -16.72db
10% Popularity • 22% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 22% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Claude Debussy
La Fille aux cheveux de lin, L. 117, CD....
73 bpm • F# Maj • 02:22 • -30.49db
16% Popularity • 20% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 20% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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G. I. Gurdjieff
Meditation da Hymnes, prières, et ritue...
81 bpm • F Maj • 02:06 • -16.88db
8% Popularity • 18% Danceability • 20% Energy • 20% Liveness
58% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 20% Energy • 20% Liveness
58% Instrumentalness • 5% Positiveness
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Carrie Baynes
Nightingales Sing In Berkeley Square
81 bpm • C# Maj • 03:02 • -20.14db
23% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
23% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
81 bpm • A Maj • 04:46 • -23.47db
31% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Krein
Jewish Sketches, Suite No. 1, Op. 12: I....
73 bpm • G Maj • 04:08 • -18.51db
0% Popularity • 25% Danceability • 9% Energy • 10% Liveness
37% Instrumentalness • 10% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 10% Liveness
37% Instrumentalness • 10% Positiveness
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Takashi Yoshimatsu
4 Little Dream Songs: Winter: Lullaby
73 bpm • E Maj • 01:59 • -21.19db
9% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
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Franz Liszt
Liebestraum No. 3, S 541
73 bpm • G# Maj • 04:33 • -20.49db
13% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 9...
81 bpm • C Maj • 04:42 • -15.33db
12% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
12% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
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Rebecca Clarke
Viola Sonata: I. Impetuoso
81 bpm • F Maj • 07:31 • -19.88db
8% Popularity • 21% Danceability • 12% Energy • 32% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 32% Liveness
9% Instrumentalness • 4% Positiveness
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Traditional
Deep River (Arr. J. Lenehan for Clarinet...
82 bpm • F Maj • 02:15 • -34.95db
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
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Alexander Krein
Esquisses Hebraïques No. 1, Op. 12: I. ...
81 bpm • G min • 05:27 • -14.16db
0% Popularity • 18% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 18% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56 - 1. Berceuse
82 bpm • B Maj • 01:02 • -22.48db
11% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
11% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Benjamin Godard
Suite De Trois Morceaux, Op. 116
82 bpm • G Maj • 05:24 • -27.96db
17% Popularity • 16% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Klezmer Klassica
Hebrew Sketches, Op. 12: 1. Lento
82 bpm • G Maj • 04:26 • -13.88db
0% Popularity • 26% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Suite in D Minor, Op. 16b, R. 211: II. S...
82 bpm • G min • 03:06 • -32.56db
9% Popularity • 23% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 18% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
82 bpm • E Maj • 04:40 • -25.54db
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
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Alexander Krein
Caprice hébraïque, Op. 24 (Arr. for Vi...
73 bpm • F# Maj • 05:59 • -17.29db
0% Popularity • 21% Danceability • 16% Energy • 9% Liveness
23% Instrumentalness • 18% Positiveness
0% Popularity • 21% Danceability • 16% Energy • 9% Liveness
23% Instrumentalness • 18% Positiveness
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Timo Andres
Timo Andres: Upstate Obscura: 1. Valley ...
82 bpm • D# Maj • 04:40 • -20.25db
14% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50, TH 117: T...
82 bpm • C# min • 01:12 • -19.16db
16% Popularity • 20% Danceability • 13% Energy • 19% Liveness
53% Instrumentalness • 22% Positiveness
16% Popularity • 20% Danceability • 13% Energy • 19% Liveness
53% Instrumentalness • 22% Positiveness
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Georges Delerue
Chère Louise
82 bpm • A min • 04:48 • -20db
27% Popularity • 18% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Oblivion (Arr. for violin, cello and pia...
82 bpm • G# Maj • 04:10 • -23.1db
10% Popularity • 22% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Helena Semanov
Passacaglia In F Major
82 bpm • C Maj • 02:20 • -38.24db
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Alexander Krein
Esquisses hébraïques No. 1, Op. 12: II...
82 bpm • G Maj • 03:30 • -20.61db
0% Popularity • 22% Danceability • 11% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
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Edward Elgar
Chanson de nuit et chanson de matin, Op....
82 bpm • G Maj • 03:10 • -17.19db
15% Popularity • 16% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
72 bpm • B min • 09:41 • -22.56db
10% Popularity • 11% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 3% Positiveness
