Songs like Symphony No. 2 "Romantic": I. Adagio by Howard Hanson
Based on a tempo of (+/- 10%) and a similar genre
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US Marine Band
Chorale and Alleluia (1960 recording)
127 bpm • D min • 05:34 • -18.19db
0% Popularity • 23% Danceability • 14% Energy • 6% Liveness
85% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 6% Liveness
85% Instrumentalness • 6% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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William Alexander McCauley
5 Miniatures for Flute and Strings: 1. A...
128 bpm • D Maj • 01:34 • -26.86db
0% Popularity • 33% Danceability • 11% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 33% Danceability • 11% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
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Douglas Moore
Pageant of P.T. Barnum: 2. Joice Heth _ ...
128 bpm • G# min • 04:03 • -30.22db
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Howard Hanson
2 Yuletide Pieces, Op. 19: March Carillo...
126 bpm • G Maj • 02:09 • -18.78db
0% Popularity • 53% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
0% Popularity • 53% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Sergei Prokofiev
Romeo and Juliet Suite No. 3, Op. 101: T...
129 bpm • C Maj • 04:12 • -27.94db
11% Popularity • 16% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Dag Wirén
Serenade for String Orchestra, Op. 11: I...
129 bpm • C Maj • 03:13 • -21.61db
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
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Howard Hanson
For the First Time: Dreams
129 bpm • G min • 03:04 • -40.27db
0% Popularity • 33% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Ernest Bloch
Concerto grosso No. 1: 1. Prelude: Alleg...
129 bpm • A# Maj • 02:52 • -10db
15% Popularity • 56% Danceability • 28% Energy • 13% Liveness
36% Instrumentalness • 32% Positiveness
15% Popularity • 56% Danceability • 28% Energy • 13% Liveness
36% Instrumentalness • 32% Positiveness
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Gustav Holst
The Planets Suite, Op. 32: III. Mercury
125 bpm • F Maj • 03:46 • -24.98db
9% Popularity • 31% Danceability • 15% Energy • 15% Liveness
75% Instrumentalness • 15% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 15% Liveness
75% Instrumentalness • 15% Positiveness
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Paul Dukas
The Sorcerer's Apprentice
129 bpm • C# Maj • 10:39 • -15db
18% Popularity • 35% Danceability • 47% Energy • 25% Liveness
80% Instrumentalness • 12% Positiveness
18% Popularity • 35% Danceability • 47% Energy • 25% Liveness
80% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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George Whitefield Chadwick
Symphonic Sketches: 3. Hobgoblin
130 bpm • F Maj • 05:54 • -18.12db
0% Popularity • 44% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
0% Popularity • 44% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Howard Hanson
Symphony No. 2, Op. 30, "Romantic": II. ...
123 bpm • D min • 06:24 • -17.79db
0% Popularity • 17% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Edward MacDowell
Suite for Large Orchestra, Op. 42: 1. In...
124 bpm • A min • 03:58 • -16.48db
0% Popularity • 27% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Nikolai Rimsky-Korsakov
Symphony No. 2, Op. 9, "Antar": III. All...
131 bpm • D Maj • 05:15 • -18db
20% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
20% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Howard Hanson
Chorale and Alleluia, Op. 42
123 bpm • D min • 05:52 • -15.73db
4% Popularity • 22% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
4% Popularity • 22% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Dmitry Kabalevsky
Colas Breugnon Overture, Op. 24
132 bpm • F Maj • 04:43 • -19db
15% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
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George Whitefield Chadwick
Symphonic Sketches: 1. Jubilee
131 bpm • A Maj • 08:36 • -16.2db
1% Popularity • 24% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
1% Popularity • 24% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
132 bpm • E min • 03:55 • -18.89db
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Edward Elgar
Pomp and Circumstance March No. 2 in A M...
132 bpm • B min • 05:12 • -21.45db
24% Popularity • 31% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
24% Popularity • 31% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: IV....
133 bpm • D min • 07:04 • -16.41db
13% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
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Colin McPhee
Tabuh-Tabuhan: III. Finale
122 bpm • E min • 05:05 • -16.3db
0% Popularity • 32% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
0% Popularity • 32% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: V. Songe ...
121 bpm • G min • 10:13 • -16.94db
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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Ernest Bloch
Concerto grosso No. 1: 4. Fugue
133 bpm • G Maj • 06:08 • -13.41db
10% Popularity • 50% Danceability • 35% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
10% Popularity • 50% Danceability • 35% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Emmanuel Chabrier
Joyeuse marche: Marche joyeuse
121 bpm • C Maj • 03:46 • -16.7db
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Edward MacDowell
Suite for Large Orchestra, Op. 42: 3. In...
121 bpm • F Maj • 05:18 • -18.05db
0% Popularity • 28% Danceability • 8% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
0% Popularity • 28% Danceability • 8% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
► Preview
Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
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Thomas Canning
Fantasy on a Hymn by Justin Morgan
134 bpm • E min • 09:41 • -19.53db
0% Popularity • 18% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 9% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Bacchanale
134 bpm • D min • 07:12 • -16db
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
120 bpm • E min • 08:36 • -21db
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
► Preview
Howard Hanson
Symphony No. 2, Op. 30 "Romantic": 3. Al...
134 bpm • F min • 07:19 • -19.1db
2% Popularity • 28% Danceability • 14% Energy • 23% Liveness
90% Instrumentalness • 11% Positiveness
2% Popularity • 28% Danceability • 14% Energy • 23% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Quick Dance
120 bpm • E min • 02:17 • -28db
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
► Preview
Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
135 bpm • G# min • 03:47 • -39.15db
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: IV. Passacaglia: Ma...
119 bpm • G min • 03:31 • -15.09db
26% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Ernest Bloch
Concerto grosso No. 2: 1. Maestoso
135 bpm • G min • 05:20 • -18db
4% Popularity • 23% Danceability • 10% Energy • 22% Liveness
62% Instrumentalness • 24% Positiveness
4% Popularity • 23% Danceability • 10% Energy • 22% Liveness
62% Instrumentalness • 24% Positiveness
► Preview
Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
George Gershwin
Piano Concerto in F Major
136 bpm • C min • 06:41 • -16.46db
0% Popularity • 42% Danceability • 29% Energy • 20% Liveness
87% Instrumentalness • 45% Positiveness
0% Popularity • 42% Danceability • 29% Energy • 20% Liveness
87% Instrumentalness • 45% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Ferde Grofé
Grand Canyon Suite: 4. Sunset
136 bpm • D Maj • 04:21 • -21db
0% Popularity • 15% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 15% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Arthur Bliss
Adam Zero: Adam's Fates
118 bpm • D min • 01:29 • -18.1db
13% Popularity • 43% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 21% Positiveness
13% Popularity • 43% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Petrushka, Scene I: The Shrovetide Fair ...
119 bpm • D min • 10:18 • -20.81db
4% Popularity • 36% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 9% Positiveness
4% Popularity • 36% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 9% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Howard Hanson
Centennial March
137 bpm • E min • 05:15 • -12.75db
0% Popularity • 28% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Johann Friedrich Peter
Sinfonia in G: 1. Presto
118 bpm • G Maj • 08:24 • -17.03db
0% Popularity • 49% Danceability • 15% Energy • 20% Liveness
87% Instrumentalness • 44% Positiveness
0% Popularity • 49% Danceability • 15% Energy • 20% Liveness
87% Instrumentalness • 44% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Peter Boyer
Three Olympians: I. Apollo
118 bpm • D Maj • 04:54 • -17.24db
15% Popularity • 29% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
15% Popularity • 29% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Douglas Moore
Pageant of P.T. Barnum: 3. General and M...
118 bpm • D Maj • 02:21 • -19.3db
0% Popularity • 42% Danceability • 14% Energy • 6% Liveness
65% Instrumentalness • 25% Positiveness
0% Popularity • 42% Danceability • 14% Energy • 6% Liveness
65% Instrumentalness • 25% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Charles-Valentin Alkan
Le Festin D'Esope Op. 39 No. 12
138 bpm • E min • 09:08 • -18.65db
13% Popularity • 40% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Alexander Borodin
Symphony No. 2 in B Minor: I. Allegro
137 bpm • G Maj • 06:52 • -15db
18% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
18% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Howard Hanson
For the First Time: Dance
117 bpm • F Maj • 01:12 • -21.31db
0% Popularity • 34% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
0% Popularity • 34% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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John Philip Sousa
The Stars and Stripes Forever
138 bpm • D Maj • 03:32 • -14.21db
0% Popularity • 40% Danceability • 65% Energy • 57% Liveness
92% Instrumentalness • 62% Positiveness
0% Popularity • 40% Danceability • 65% Energy • 57% Liveness
92% Instrumentalness • 62% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Samuel Barber
Piano Concerto, Op. 38: 2. Moderato
138 bpm • C# min • 07:48 • -32db
18% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
