Songs like Symphony No. 33 KV319 in B flat Major: Andante moderato by Academy of St. Martin in the Fields
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
29% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Edvard Grieg
Grieg: 2 Elegiac Melodies, Op. 34: No. 2...
84 bpm • G Maj • 04:59 • -21.81db
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Academy of St. Martin in the Fields
Serenade No. 9 KV320 in DMajor "Posthorn...
84 bpm • G Maj • 05:42 • -25.73db
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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William Boyce
Symphony in B-Flat Major, Op. 2 No. 1: I...
84 bpm • G min • 02:24 • -25db
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 1: No. 2, ...
84 bpm • E Maj • 03:11 • -19.19db
10% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
83 bpm • E min • 03:32 • -19.37db
4% Popularity • 30% Danceability • 12% Energy • 21% Liveness
82% Instrumentalness • 11% Positiveness
4% Popularity • 30% Danceability • 12% Energy • 21% Liveness
82% Instrumentalness • 11% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Charpentier: Magnificat, H. 74: I. Sinfo...
83 bpm • D min • 01:05 • -23.81db
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
83 bpm • D Maj • 04:44 • -20db
12% Popularity • 49% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
12% Popularity • 49% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 4:...
83 bpm • C Maj • 03:14 • -35db
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Henry Purcell
Purcell: Chacony in G Minor, Z. 730
85 bpm • G min • 05:48 • -15.68db
19% Popularity • 21% Danceability • 13% Energy • 27% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 21% Danceability • 13% Energy • 27% Liveness
92% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Giovanni Punto
Punto: Horn Concerto No. 5 in F Major: I...
83 bpm • F min • 05:20 • -24.02db
3% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
3% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Adolphe Adam
Giselle: Act I: Variation de Giselle
85 bpm • E Maj • 02:14 • -20db
38% Popularity • 26% Danceability • 8% Energy • 39% Liveness
82% Instrumentalness • 7% Positiveness
38% Popularity • 26% Danceability • 8% Energy • 39% Liveness
82% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 2, Gaily, But ...
83 bpm • D Maj • 02:04 • -20.06db
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11 - Live
86 bpm • A# min • 08:37 • -25.53db
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
82 bpm • A min • 05:28 • -17.18db
24% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
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Academy of St. Martin in the Fields
Serenade No. 9 KV320 in DMajor "Posthorn...
82 bpm • A Maj • 07:18 • -17.68db
2% Popularity • 42% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
2% Popularity • 42% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Peer Gynt's ...
82 bpm • F# min • 02:25 • -22.76db
15% Popularity • 30% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
15% Popularity • 30% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Antonio Vivaldi
III. Allegro
82 bpm • F min • 03:16 • -19.67db
29% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
29% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E Major, O...
86 bpm • A Maj • 04:05 • -28.86db
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
Swoon, I'll Catch You
82 bpm • C min • 01:52 • -15.81db
27% Popularity • 11% Danceability • 21% Energy • 24% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 11% Danceability • 21% Energy • 24% Liveness
92% Instrumentalness • 3% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Five Variants of "Dives and Lazarus"
87 bpm • B min • 13:00 • -16.55db
28% Popularity • 10% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Serenade No. 9 KV320 in DMajor "Posthorn...
81 bpm • D Maj • 03:50 • -18.41db
6% Popularity • 49% Danceability • 23% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
6% Popularity • 49% Danceability • 23% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
23% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
23% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Frederick Delius
Delius: 2 Aquarelles: No. 1, Slow (Arr. ...
81 bpm • F Maj • 02:13 • -26db
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Two Eligiac Melodies Heart Wounds
87 bpm • C Maj • 03:45 • -19.64db
12% Popularity • 9% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 3: No. 12,...
87 bpm • G Maj • 05:49 • -29.27db
12% Popularity • 16% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20:...
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Academy of St. Martin in the Fields
Black Nights
81 bpm • G min • 01:57 • -26.26db
25% Popularity • 20% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 10% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
II. Adagio - Presto
87 bpm • G min • 01:53 • -30.98db
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
88 bpm • C# min • 02:23 • -31.14db
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
The Cave Of Swimmers
87 bpm • C Maj • 02:00 • -14.6db
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Tchaïkovsky
Op. 66 - Panorama - Remastered 2024
80 bpm • G Maj • 03:00 • -33.58db
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Gerald Finzi
Romance for String Orchestra, Op. 11
80 bpm • G# Maj • 07:16 • -23db
13% Popularity • 14% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Mauro Giuliani
Guitar Concerto No. 1 in A, Op. 30: 2. A...
80 bpm • E min • 06:13 • -29db
2% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
2% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Manuel de Falla
Falla: El sombrero de tres picos, Pt. 2:...
88 bpm • D Maj • 03:32 • -27.02db
24% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
Two Eligiac Melodies Last Spring
88 bpm • G Maj • 05:20 • -22.95db
12% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
88 bpm • C Maj • 06:06 • -24db
5% Popularity • 11% Danceability • 7% Energy • 28% Liveness
76% Instrumentalness • 4% Positiveness
5% Popularity • 11% Danceability • 7% Energy • 28% Liveness
76% Instrumentalness • 4% Positiveness
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Remo Giazotto
Albinoni: Adagio in G Minor
88 bpm • C min • 07:46 • -23db
18% Popularity • 12% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 2. Larghetto
80 bpm • D Maj • 07:10 • -27.08db
12% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Academy of St. Martin in the Fields
Holberg Suite, opus 40:Gavotte (Allegret...
80 bpm • G Maj • 03:25 • -19.13db
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
