Songs like Symphony No. 38 In D Major, K. 504 - "Prague" (Complete) by Staatskapelle Dresden
Based on a tempo of (+/- 10%) and a similar genre
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
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Richard Strauss
Ariadne auf Naxos, Op. 60 / Opera: Ein S...
84 bpm • F min • 07:01 • -21.65db
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
36% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
17% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: "S...
85 bpm • G min • 05:04 • -24.73db
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Robert Schumann
Piano Concerto in A Minor, Op. 54: II. I...
83 bpm • F Maj • 05:41 • -28.66db
2% Popularity • 18% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
83 bpm • A min • 01:29 • -20.7db
10% Popularity • 18% Danceability • 8% Energy • 32% Liveness
89% Instrumentalness • 16% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 32% Liveness
89% Instrumentalness • 16% Positiveness
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Richard Wagner
Tristan und Isolde / Act 1: "Westwärts ...
85 bpm • F min • 05:26 • -17db
24% Popularity • 30% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Smetana: Má Vlast: No. 2, The Moldau
85 bpm • C Maj • 11:44 • -17.63db
21% Popularity • 15% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Kurwenal! H...
83 bpm • A# min • 07:46 • -17.03db
11% Popularity • 20% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Johannes Brahms
Piano Concerto No. 2 In B Flat, Op. 83: ...
85 bpm • D min • 09:11 • -19.2db
10% Popularity • 23% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
10% Popularity • 23% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
32% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
32% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act II: "Wie? ...
83 bpm • D# Maj • 06:42 • -15db
13% Popularity • 36% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
17% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
17% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
82 bpm • D Maj • 09:30 • -16.28db
4% Popularity • 32% Danceability • 27% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
4% Popularity • 32% Danceability • 27% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "O dies...
86 bpm • C Maj • 06:58 • -15.78db
19% Popularity • 26% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 26% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Pe...
86 bpm • C min • 04:51 • -13db
19% Popularity • 25% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 25% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Strauss
Don Quixote Op. 35: Variation III: Mäß...
86 bpm • F# Maj • 07:17 • -19.02db
0% Popularity • 16% Danceability • 19% Energy • 69% Liveness
70% Instrumentalness • 6% Positiveness
0% Popularity • 16% Danceability • 19% Energy • 69% Liveness
70% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Ruperto ChapÃ
Las Hijas del Zebedeo: Carceleras
82 bpm • D min • 04:56 • -20db
6% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
34% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
34% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
82 bpm • G# Maj • 05:30 • -29.39db
3% Popularity • 10% Danceability • 3% Energy • 19% Liveness
63% Instrumentalness • 6% Positiveness
3% Popularity • 10% Danceability • 3% Energy • 19% Liveness
63% Instrumentalness • 6% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Richard Strauss
Don Quixote Op. 35: Finale: Sehr ruhig -...
81 bpm • D Maj • 04:36 • -23.02db
1% Popularity • 9% Danceability • 17% Energy • 93% Liveness
74% Instrumentalness • 7% Positiveness
1% Popularity • 9% Danceability • 17% Energy • 93% Liveness
74% Instrumentalness • 7% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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AntonÃn Dvořák
Stabat mater, op.58: 6. Tenore e Coro "F...
81 bpm • B Maj • 06:49 • -20.67db
8% Popularity • 13% Danceability • 10% Energy • 14% Liveness
75% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 14% Liveness
75% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
34% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
34% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Richard Strauss
Don Quixote Op. 35: Variation VIII: Gem�...
87 bpm • A min • 01:33 • -17.73db
0% Popularity • 21% Danceability • 24% Energy • 16% Liveness
73% Instrumentalness • 18% Positiveness
0% Popularity • 21% Danceability • 24% Energy • 16% Liveness
73% Instrumentalness • 18% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:7...
87 bpm • A# Maj • 02:23 • -20db
4% Popularity • 29% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 15% Positiveness
4% Popularity • 29% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Richard Strauss
Don Quixote Op. 35: Introduktion: Mäßi...
81 bpm • D Maj • 05:34 • -19.64db
1% Popularity • 21% Danceability • 20% Energy • 41% Liveness
37% Instrumentalness • 14% Positiveness
1% Popularity • 21% Danceability • 20% Energy • 41% Liveness
37% Instrumentalness • 14% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
► Preview
Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:1...
81 bpm • D# Maj • 05:36 • -22.46db
4% Popularity • 12% Danceability • 10% Energy • 18% Liveness
76% Instrumentalness • 9% Positiveness
4% Popularity • 12% Danceability • 10% Energy • 18% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
31% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Richard Strauss
Don Quixote Op. 35: Variation I: Gemäch...
81 bpm • D min • 02:36 • -24.02db
0% Popularity • 17% Danceability • 16% Energy • 69% Liveness
85% Instrumentalness • 13% Positiveness
0% Popularity • 17% Danceability • 16% Energy • 69% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:7...
80 bpm • D# Maj • 06:10 • -27.51db
4% Popularity • 15% Danceability • 3% Energy • 14% Liveness
22% Instrumentalness • 6% Positiveness
4% Popularity • 15% Danceability • 3% Energy • 14% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Richard Wagner
Götterdämmerung / Prologue: Siegfrieds...
80 bpm • A# Maj • 04:47 • -16.39db
9% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Bedřich Smetana
The Barted Bride: Dance of the Comedians
80 bpm • C# Maj • 04:42 • -12.96db
0% Popularity • 43% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
0% Popularity • 43% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Maria Theresia von Paradis
Paradis: Sicilienne
88 bpm • D# Maj • 02:54 • -20.45db
17% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
17% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Richard Strauss
Don Quixote Op. 35: Vatiation X: Viel br...
80 bpm • A# Maj • 03:32 • -14.07db
0% Popularity • 11% Danceability • 40% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 40% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
46% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
46% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Joseph Haydn
Haydn: Mass in B-Flat Major, Hob. XXII:1...
88 bpm • A# Maj • 04:09 • -19.98db
5% Popularity • 17% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
5% Popularity • 17% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Richard Strauss
Don Quixote Op. 35: Variation II: Kriege...
80 bpm • D Maj • 01:26 • -15.93db
0% Popularity • 31% Danceability • 38% Energy • 61% Liveness
96% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 38% Energy • 61% Liveness
96% Instrumentalness • 12% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor, "Resurrection...
80 bpm • C# Maj • 05:15 • -37.59db
17% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Symphony No. 3 in D Major, D. 200: I. Ad...
80 bpm • D Maj • 09:38 • -15.76db
0% Popularity • 33% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 9% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 9% Positiveness
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Richard Wagner
Parsifal / Act 3: Karfreitagszauber
79 bpm • F# min • 11:30 • -25.09db
12% Popularity • 11% Danceability • 3% Energy • 25% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 3% Energy • 25% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Strauss
Don Quixote Op. 35: Variation IV: Etwas ...
88 bpm • D Maj • 01:55 • -21.19db
0% Popularity • 28% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 31% Positiveness
0% Popularity • 28% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 31% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
32% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Les Sylphides: 7. Valse
79 bpm • C# min • 04:21 • -23.87db
22% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Rienzi, WWV 49: Overture
89 bpm • D Maj • 11:38 • -14db
8% Popularity • 17% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
