Songs like Symphony No. 5: I. Moderato - Maestoso - Allegro by Jānis Ivanovs
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Flute Quartet No. 1 in D Major, K. 285: ...
82 bpm • D Maj • 02:35 • -30.59db
20% Popularity • 35% Danceability • 1% Energy • 41% Liveness
61% Instrumentalness • 17% Positiveness
20% Popularity • 35% Danceability • 1% Energy • 41% Liveness
61% Instrumentalness • 17% Positiveness
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Helena Semanov
Passacaglia In F Major
82 bpm • C Maj • 02:20 • -38.24db
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 4, Wedding Chorus
82 bpm • F min • 05:02 • -22.79db
11% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
11% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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Jean Sibelius
Rakastava, Op. 14: I. The Lover. Andante...
82 bpm • F Maj • 03:53 • -29.83db
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Lauri Porra
Ice
82 bpm • G Maj • 01:27 • -38.99db
16% Popularity • 17% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Daniel Gaudreault
Hot Pocket
82 bpm • G Maj • 01:01 • -41.04db
25% Popularity • 26% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
25% Popularity • 26% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
9% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk Song: No. 2,...
82 bpm • D# Maj • 01:07 • -31.89db
10% Popularity • 21% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 37% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 37% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
12% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: II. The Swan of T...
82 bpm • E min • 09:48 • -37.69db
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Haukur Tómasson
Náttúruljóð (v) (hunangsblaut fluga)
82 bpm • C min • 03:18 • -26.12db
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
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Matthew Coleridge
And There Was Light
82 bpm • C Maj • 03:10 • -31.41db
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Lux aeterna: O Nata Lux
82 bpm • D Maj • 04:36 • -23.75db
7% Popularity • 9% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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KNOXVILLETRACKZ
HFDBMP
82 bpm • D min • 01:04 • -46.33db
12% Popularity • 18% Danceability • 0% Energy • 16% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 0% Energy • 16% Liveness
99% Instrumentalness • 4% Positiveness
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Robert Schumann
Märchenbilder, Op. 113: IV. Langsam
82 bpm • D Maj • 05:04 • -32.77db
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Vaclovas Augustinas
Tykus tykus
82 bpm • C Maj • 04:56 • -20.03db
8% Popularity • 24% Danceability • 13% Energy • 7% Liveness
30% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 13% Energy • 7% Liveness
30% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Jānis Ivanovs
Piano Trio: III. Allegro molto
81 bpm • B Maj • 05:25 • -15.78db
0% Popularity • 39% Danceability • 19% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 39% Danceability • 19% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VII. D...
83 bpm • D# Maj • 04:59 • -31.88db
13% Popularity • 8% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Matthew Coleridge
Requiem: Offertory
81 bpm • C Maj • 06:35 • -31.16db
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Olivier Messiaen
O sacrum convivium
83 bpm • F# Maj • 04:53 • -31.06db
7% Popularity • 8% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: VIII. De torrent...
81 bpm • B min • 03:40 • -30.36db
23% Popularity • 20% Danceability • 2% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 2% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
In Your Presence
81 bpm • D Maj • 05:07 • -21.02db
18% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
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Christopher Tyler Nickel
Requiem: XIV. Sanctus
81 bpm • C# Maj • 04:12 • -22.07db
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jānis Ivanovs
Symphony No. 15 in B-Flat Minor "Symphon...
83 bpm • C min • 08:55 • -25.82db
0% Popularity • 8% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
0% Popularity • 8% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: I. Kyrie
83 bpm • G# min • 05:29 • -18.17db
22% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
22% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 5 Variants of "Dives a...
81 bpm • B min • 02:09 • -22.2db
11% Popularity • 22% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Traditional
Aijā žūžū lāča bērni
81 bpm • G# Maj • 02:47 • -44.5db
14% Popularity • 19% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Eurico Carrapatoso
Llaços, contradanças e descantes: No. ...
83 bpm • G Maj • 04:12 • -25db
8% Popularity • 9% Danceability • 6% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Messa di Gloria: VI. Domine Deus
83 bpm • F Maj • 00:57 • -28.41db
15% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3 (Orch. Debussy)
81 bpm • A min • 02:50 • -40.05db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Coleridge-Taylor Perkinson
Sinfonietta No. 1: II. Song Form-Largo
81 bpm • D min • 05:18 • -24.62db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Winfred Jeremiah
A Fascinating Night
83 bpm • A# Maj • 02:13 • -17.87db
8% Popularity • 25% Danceability • 15% Energy • 19% Liveness
54% Instrumentalness • 17% Positiveness
8% Popularity • 25% Danceability • 15% Energy • 19% Liveness
54% Instrumentalness • 17% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
14% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Filipe de Magalhães
Missa Veni Domine: Id. Kyrie II
84 bpm • E min • 00:59 • -22.36db
20% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
20% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
15% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Gustav Mahler
Rückert Lieder: V. Ich bin der Welt abh...
81 bpm • D# Maj • 07:25 • -31.78db
9% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
80 bpm • C min • 01:51 • -38.83db
13% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Jānis Ivanovs
Jūsma
80 bpm • C min • 02:41 • -24.14db
0% Popularity • 20% Danceability • 18% Energy • 12% Liveness
41% Instrumentalness • 6% Positiveness
0% Popularity • 20% Danceability • 18% Energy • 12% Liveness
41% Instrumentalness • 6% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
16% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Miserere: VI. Cor mundum crea in me Deus...
80 bpm • B min • 01:20 • -32.13db
19% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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The choir of the publishing department of the Moscow Patriarchate
Hymns Of The Russian Orthodox Chuch. We ...
84 bpm • C# min • 04:45 • -24.4db
1% Popularity • 10% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Arautos do Evangelho
Recessit Pastor Noster
80 bpm • F# Maj • 03:32 • -22.21db
11% Popularity • 14% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
10% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Blessed: Holy
84 bpm • D# Maj • 03:20 • -17.03db
9% Popularity • 17% Danceability • 16% Energy • 10% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 10% Liveness
18% Instrumentalness • 3% Positiveness
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Sexteto Cantábile
Notre Père (Maurice Duruflé)
84 bpm • F# Maj • 01:24 • -25.58db
35% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Jānis Ivanovs
Symphony No. 14 "Sinfonia da Camera": II...
80 bpm • G Maj • 08:11 • -23.48db
0% Popularity • 13% Danceability • 5% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 5% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Pēteris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Kyrie
84 bpm • C min • 02:38 • -17.5db
7% Popularity • 20% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
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Frank Bridge
Three Songs for Voice, Viola and Piano, ...
84 bpm • G# Maj • 02:01 • -15.6db
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Sicut parvi amplectamur
80 bpm • F Maj • 04:39 • -24.91db
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Federico Jusid
El hijo
80 bpm • A min • 02:08 • -32.88db
12% Popularity • 18% Danceability • 3% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
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Jānis Ivanovs
Andante for Four Cellos in D Major
80 bpm • C Maj • 06:48 • -21.04db
0% Popularity • 19% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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LeoRoads
Choirs of Eternity
80 bpm • B min • 02:23 • -18.48db
9% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
川嶋哲郎
Pathos
84 bpm • F# min • 08:05 • -10.15db
27% Popularity • 23% Danceability • 32% Energy • 33% Liveness
75% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 33% Liveness
75% Instrumentalness • 16% Positiveness
► Preview
Claudio Monteverdi
Adoramus te Christe, SV 289
80 bpm • G Maj • 05:53 • -26.82db
11% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
Arvo Pärt
Passio: Haec cum dixisset Jesus
84 bpm • A min • 05:29 • -23.91db
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ed Muirhead
Standing Stone
80 bpm • E min • 01:00 • -34.46db
15% Popularity • 31% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
15% Popularity • 31% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
► Preview
Jānis Ivanovs
Prelūdija
80 bpm • G# Maj • 04:08 • -29db
3% Popularity • 18% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 2% Positiveness
3% Popularity • 18% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 2% Positiveness
► Preview
LeoRoads
Ethereal Resonance
80 bpm • F Maj • 02:23 • -17.82db
9% Popularity • 36% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Horatio W. Parker
Now Sinks the Sun
85 bpm • G Maj • 06:56 • -23db
9% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Sonic Piano Music
Moonlit Reverie
85 bpm • A min • 01:55 • -40.37db
14% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
11% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Heaven's Lullaby
80 bpm • D Maj • 02:18 • -19.04db
9% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
9% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: V. A breath of...
79 bpm • D Maj • 04:29 • -21.2db
7% Popularity • 7% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Carrie Baynes
Fall In Love
85 bpm • C# Maj • 03:02 • -19.83db
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
► Preview
Patrick Hahn
Adagio for Strings: II. Molto adagio - B...
79 bpm • A# min • 08:30 • -19.38db
30% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Sonic Piano Music
Twilight Lullaby
79 bpm • A min • 02:13 • -40.33db
12% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
12% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
14% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Enigma Variations. Nimrod: Lux Aeterna
79 bpm • C# Maj • 04:11 • -19.5db
11% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
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Pavel Jurkovič
Pro Šimonka Šmehila
85 bpm • C Maj • 01:16 • -20.37db
13% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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William Byrd
Mass for Four Voices: I. Kyrie eleison
85 bpm • C# min • 02:24 • -24.42db
11% Popularity • 12% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Tristes
79 bpm • A min • 05:16 • -20.25db
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Jānis Ivanovs
Symphony No. 17 in C major: III. Adagio
79 bpm • F# Maj • 08:16 • -29.48db
0% Popularity • 7% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Patrick Cassidy
The Mass: Et Incarnatus Est
79 bpm • C Maj • 02:57 • -21.15db
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
85 bpm • A# min • 02:24 • -31db
11% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Nicholas Weininger
All Is Mere Breath: No. 1, Overture
79 bpm • F Maj • 02:02 • -16.95db
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
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Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
85 bpm • D# Maj • 08:52 • -22.42db
13% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Requiem: 1. Requiem
85 bpm • C Maj • 03:44 • -26db
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Stabat Mater: IV. Sancta Mater, istud ag...
85 bpm • A# Maj • 03:14 • -19.6db
15% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: VII. Agnus Dei
85 bpm • F min • 08:08 • -27.23db
10% Popularity • 12% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 3% Positiveness
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Hélène Blazy
Sous Le Ciel De Paris (De "Paris Selon M...
85 bpm • G min • 01:06 • -31.61db
17% Popularity • 26% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
17% Popularity • 26% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: III. Keh...
85 bpm • A min • 04:03 • -25.73db
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Matthew Arndt
Heaven and Earth, a Song of Creation: No...
79 bpm • C# Maj • 07:19 • -21.31db
10% Popularity • 8% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Хор Сретенского монастыря
Херувимская песнь (Гр�...
85 bpm • D Maj • 08:08 • -17.11db
8% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Jānis Ivanovs
Dzimtenes ainava
79 bpm • A min • 05:19 • -32.1db
0% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Anthony Rodriguez
Heirs Rise
86 bpm • C Maj • 01:41 • -16.79db
9% Popularity • 22% Danceability • 16% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 16% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
