Songs like Symphony No. 5 in D Major: III. Romanza. Lento by Ralph Vaughan Williams
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
60 bpm • D# Maj • 08:50 • -15db
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
60 bpm • G Maj • 02:49 • -28db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Leoš Janáček
Lachian Dances, JW VI/17: No. 2. Pozehna...
60 bpm • F Maj • 02:12 • -21.79db
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Claude Debussy
La Mer, L.109: 1. From Dawn Till Noon On...
61 bpm • F# Maj • 08:48 • -24db
18% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
62 bpm • F Maj • 08:13 • -25db
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Béla Bartók
3 Hungarian Folksongs from the Csìk Dis...
62 bpm • F# min • 03:12 • -28db
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Gerald Finzi
A Severn Rhapsody, Op. 3
62 bpm • C min • 06:45 • -22db
16% Popularity • 12% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: II. Lang...
62 bpm • F Maj • 03:10 • -25.09db
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
62 bpm • D# Maj • 03:52 • -25db
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
62 bpm • G Maj • 05:42 • -33db
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": II. Sor...
55 bpm • F Maj • 05:14 • -36.98db
33% Popularity • 6% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Symphony No. 3, "Pastoral Symphony": IV....
55 bpm • F Maj • 10:44 • -20.81db
11% Popularity • 6% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 6% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: II. Canti...
64 bpm • A# min • 04:14 • -28db
27% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Edward Elgar
Sospiri, Op. 70
65 bpm • F Maj • 04:49 • -24.23db
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
40% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
40% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 2. Intermezzo: ...
64 bpm • C min • 03:19 • -28.39db
21% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
21% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite *: Firebird: Lullaby
66 bpm • G# min • 03:27 • -23.07db
25% Popularity • 11% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Antonín Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gerald Finzi
A Severn Rhapsody, Op. 3 - Instrumental
66 bpm • C min • 06:36 • -22db
13% Popularity • 12% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Rondo
55 bpm • C Maj • 02:02 • -28.76db
27% Popularity • 23% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
66 bpm • D Maj • 07:42 • -19db
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
3 Etudes Opus 104b: No. 1 in B-Flat Mino...
52 bpm • A# min • 02:12 • -24db
56% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
56% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Agnus Dei
65 bpm • C Maj • 04:40 • -35db
13% Popularity • 7% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Max Reger
Variation 1: L'istesso tempo
52 bpm • A Maj • 02:20 • -28db
38% Popularity • 26% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 26% Positiveness
38% Popularity • 26% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 26% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
68 bpm • A min • 03:04 • -33.51db
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Rebecca Clarke
Lullaby on an Ancient Irish Tune
68 bpm • C# Maj • 02:37 • -37db
25% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
On Wenlock Edge: IV. Oh, when I was in l...
53 bpm • D min • 00:52 • -24.56db
0% Popularity • 45% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 45% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
68 bpm • F Maj • 06:46 • -35db
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Frederick Delius
Florida Suite: IV. At Night
68 bpm • F# min • 09:01 • -27.78db
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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RTE Concert Orchestra
The Story Of A Flemish Farm Suite: The F...
69 bpm • A# Maj • 02:45 • -18.85db
6% Popularity • 6% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
6% Popularity • 6% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Serenade to Music
68 bpm • G Maj • 12:32 • -28.62db
11% Popularity • 9% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Vasily Kalinnikov
Symphony No. 2 in A Major: II. Andante c...
69 bpm • F# min • 08:01 • -18db
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Roger Quilter
Where the Rainbow Ends Suite (version fo...
69 bpm • A Maj • 03:13 • -27db
26% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Frank Bridge
Cradle Song in F Major, H. 96 (Version f...
69 bpm • G min • 02:52 • -25.82db
17% Popularity • 16% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
William Alwyn
2 Irish Pieces: No. 1. From the Countrys...
70 bpm • G Maj • 02:18 • -34db
31% Popularity • 30% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
31% Popularity • 30% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Joaquín Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Elegy, Op. 58
70 bpm • F min • 04:27 • -36.89db
28% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Symphony No. 7 "Sinfon...
70 bpm • D Maj • 10:10 • -24.23db
9% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
40% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
40% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite suite de concert, Op. 77: III. Un...
71 bpm • A Maj • 03:05 • -35db
44% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
44% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
71 bpm • G min • 06:15 • -33.1db
2% Popularity • 17% Danceability • 1% Energy • 14% Liveness
20% Instrumentalness • 5% Positiveness
2% Popularity • 17% Danceability • 1% Energy • 14% Liveness
20% Instrumentalness • 5% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28: 2. Soliloq...
72 bpm • F Maj • 01:32 • -28.02db
26% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Aaron Copland
Quiet City
72 bpm • F Maj • 09:16 • -22.68db
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Five Variants of ‘Dives and Lazarus’
71 bpm • B min • 11:34 • -21db
46% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
46% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Gerald Finzi
Eclogue, Op. 10
72 bpm • F min • 11:00 • -20db
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Dirge for 2 Veterans
71 bpm • A min • 10:06 • -22db
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Nora Mercz
Variations on 'Non piu mesta' from Rossi...
73 bpm • E Maj • 05:12 • -26.58db
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
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John Tavener
The Lamb
72 bpm • E min • 03:56 • -23db
41% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
41% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Vítězslav Novák
Slovak Suite, Op. 32: I. In the Church. ...
73 bpm • G Maj • 06:58 • -21db
16% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
49% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
49% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Federico Mompou
Música Callada III
74 bpm • A# Maj • 01:45 • -33db
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
25% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
